Existentialism and Contemporary Cinema: A Beauvoirian Perspective
Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2012]
|
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970) |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (198 Seiten) |
| ISBN: | 9780857457301 |
| DOI: | 10.1515/9780857457301 |
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:18Z |
| indexdate | 2024-07-10T09:41:44Z |
| institution | BVB |
| isbn | 9780857457301 |
| language | English |
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| physical | 1 Online-Ressource (198 Seiten) |
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| spelling | Existentialism and Contemporary Cinema A Beauvoirian Perspective ed. by Jean-Pierre Boulé, Ursula Tidd New York ; Oxford Berghahn Books [2012] © 2012 1 Online-Ressource (198 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Simone de Beauvoir's work has not often been associated with film studies, which appears paradoxical when it is recognized that she was the first feminist thinker to inaugurate the concept of the gendered 'othering' gaze. This book is an attempt to redress this balance and reopen the dialogue between Beauvoir's writings and film studies. The authors analyse a range of films, from directors including Claire Denis, Michael Haneke, Lucille Hadzihalilovic, Sam Mendes, and Sally Potter, by drawing from Beauvoir's key works such as The Second Sex (1949), The Ethics of Ambiguity (1947) and Old Age (1970) In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Feminism and motion pictures Philosophy in motion pictures Bainbrigge, Susan Sonstige oth Boulé, Jean-Pierre Sonstige oth Davis, Oliver Sonstige oth Humphrey, Claire Sonstige oth Ince, Kate Sonstige oth Mui, Constance Sonstige oth Murphy, Julien Sonstige oth Royer, Michelle Sonstige oth Secomb, Linnell Sonstige oth Stephens, Bradley Sonstige oth Tidd, Ursula Sonstige oth Wilson, Emma Sonstige oth https://doi.org/10.1515/9780857457301 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Existentialism and Contemporary Cinema A Beauvoirian Perspective PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Feminism and motion pictures Philosophy in motion pictures |
| title | Existentialism and Contemporary Cinema A Beauvoirian Perspective |
| title_auth | Existentialism and Contemporary Cinema A Beauvoirian Perspective |
| title_exact_search | Existentialism and Contemporary Cinema A Beauvoirian Perspective |
| title_exact_search_txtP | Existentialism and Contemporary Cinema A Beauvoirian Perspective |
| title_full | Existentialism and Contemporary Cinema A Beauvoirian Perspective ed. by Jean-Pierre Boulé, Ursula Tidd |
| title_fullStr | Existentialism and Contemporary Cinema A Beauvoirian Perspective ed. by Jean-Pierre Boulé, Ursula Tidd |
| title_full_unstemmed | Existentialism and Contemporary Cinema A Beauvoirian Perspective ed. by Jean-Pierre Boulé, Ursula Tidd |
| title_short | Existentialism and Contemporary Cinema |
| title_sort | existentialism and contemporary cinema a beauvoirian perspective |
| title_sub | A Beauvoirian Perspective |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Existentialism in motion pictures Feminism and motion pictures Philosophy in motion pictures |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Existentialism in motion pictures Feminism and motion pictures Philosophy in motion pictures |
| url | https://doi.org/10.1515/9780857457301 |
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