Concentrationary cinema: aesthetics as political resistance in Alain Resnais's Night and Fog
Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film no...
Gespeichert in:
| Format: | Elektronisch E-Book |
|---|---|
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2012]
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| Schlagworte: | |
| Online-Zugang: | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) |
| Beschreibung: | 1 Online-Ressource (358 Seiten) |
| ISBN: | 9780857453525 |
| DOI: | 10.1515/9780857453525 |
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| index_date | 2024-07-03T21:02:18Z |
| indexdate | 2024-07-20T06:00:54Z |
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| isbn | 9780857453525 |
| language | English |
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| spelling | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog ed. by Griselda Pollock, Max Silverman New York ; Oxford Berghahn Books [2012] © 2012 1 Online-Ressource (358 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 07. Nov 2022) Since its completion in 1955, Alain Resnais's Night and Fog (Nuit et Brouillard) has been considered one of the most important films to confront the catastrophe and atrocities of the Nazi era. But was it a film about the Holocaust that failed to recognize the racist genocide? Or was the film not about the Holocaust as we know it today but a political and aesthetic response to what David Rousset, the French political prisoner from Buchenwald, identified on his return in 1945 as the 'concentrationary universe' which, now actualized, might release its totalitarian plague any time and anywhere? What kind of memory does the film create to warn us of the continued presence of this concentrationary universe? This international collection re-examines Resnais's benchmark film in terms of both its political and historical context of representation of the camps and of other instances of the concentrationary in contemporary cinema. Through a range of critical readings, Concentrationary Cinema explores the cinematic aesthetics of political resistance not to the Holocaust as such but to the political novelty of absolute power represented by the concentrationary system and its assault on the human condition In English PERFORMING ARTS / Film & Video / History & Criticism bisacsh Memory in motion pictures Motion pictures Aesthetics World War, 1939-1945 Motion pictures and the war Didi-Huberman, Georges 1953- Sonstige (DE-588)122040562 oth Gladstone, Kay Sonstige oth Hebard, Andrew Sonstige oth Hirsch, Joshua Sonstige oth Lindeperg, Sylvie Sonstige oth Mowitt, John Sonstige oth Pollock, Griselda 1949- Sonstige (DE-588)122890574 oth Raskin, Richard Sonstige oth Sanyal, Debarati Sonstige oth Saxton, Libby Sonstige oth Silverman, Max Sonstige oth Wilson, Emma Sonstige oth https://doi.org/10.1515/9780857453525 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog PERFORMING ARTS / Film & Video / History & Criticism bisacsh Memory in motion pictures Motion pictures Aesthetics World War, 1939-1945 Motion pictures and the war |
| title | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog |
| title_auth | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog |
| title_exact_search | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog |
| title_exact_search_txtP | Concentrationary Cinema Aesthetics as Political Resistance in Alain Resnais's ‹I›Night and Fog‹/I› |
| title_full | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog ed. by Griselda Pollock, Max Silverman |
| title_fullStr | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog ed. by Griselda Pollock, Max Silverman |
| title_full_unstemmed | Concentrationary cinema aesthetics as political resistance in Alain Resnais's Night and Fog ed. by Griselda Pollock, Max Silverman |
| title_short | Concentrationary cinema |
| title_sort | concentrationary cinema aesthetics as political resistance in alain resnais s night and fog |
| title_sub | aesthetics as political resistance in Alain Resnais's Night and Fog |
| topic | PERFORMING ARTS / Film & Video / History & Criticism bisacsh Memory in motion pictures Motion pictures Aesthetics World War, 1939-1945 Motion pictures and the war |
| topic_facet | PERFORMING ARTS / Film & Video / History & Criticism Memory in motion pictures Motion pictures Aesthetics World War, 1939-1945 Motion pictures and the war |
| url | https://doi.org/10.1515/9780857453525 |
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