Experimental cinemas in state-socialist Eastern Europe:
Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from differe...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Amsterdam
Amsterdam University Press
2022
|
| Schriftenreihe: | Eastern European screen cultures
4 |
| Schlagworte: | |
| Online-Zugang: | BSB01 UBG01 Volltext |
| Zusammenfassung: | Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions |
| Beschreibung: | Title from publisher's bibliographic system (viewed on 20 Sep 2022) Part I: Key Figures -- The experimentalism of Gábor Bódy / Gábor Gelencsér -- Circles, lines, and documentary designs: Tomislav Gotovac's Belgrade Trilogy / Greg de Cuir Jr. -- From the workshop of the film form to martial law: on the intersecting and bifurcating paths of Paweł Kwiek's and Józef Robakowski's cinematographic work in the 1970s and the 1980s / Łukasz Mojsak -- Part II: Production, Support, and Distribution -- Amateur cinema in Bulgaria / Vladimir Iliev with Katerina Lambrinova -- The Polish Educational Film Studio and the cinema of Wojciech Wiszniewski / Masha Shpolberg -- Home Movies and cinematic memories: fixing the gaze on Vukica Đilas and Tatjana Ivančić / Petra Belc -- Part III: Viewing Contexts, Theories, and Reception -- Alone in the cinemascope / Aleksandar Bošković -- kinema ikon: experiments in motion (1970-89) / Ileana L. Selejan -- AudioVision: sound, music, and noise in East German experimental films / Seth Howes -- Part IV: Intersection of the Arts -- Intersections of art and film on the Wrocław art scene, 1970-80 / Marika Kuźmicz -- Conceptual artist, cognitive film: Miklós Erdély at the Balázs Béla Studio / Ksenya Gurshtein -- Works and words, 1979: manifesting Eastern European film and/as art in Amsterdam / Sonja Simonyi -- Wizardry on a shoestring: Čaroděj and experimental filmmaking in late socialist Czechoslovakia / Tomáš Glanc |
| Beschreibung: | 1 Online-Ressource (334 Seiten) |
| ISBN: | 9789048532964 |
| DOI: | 10.1017/9789048532964 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048570495 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 221121s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9789048532964 |c Online |9 978-90-485-3296-4 | ||
| 024 | 7 | |a 10.1017/9789048532964 |2 doi | |
| 035 | |a (ZDB-20-CBO)CR9789048532964 | ||
| 035 | |a (OCoLC)1356734592 | ||
| 035 | |a (DE-599)BVBBV048570495 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 |a DE-473 |a DE-Po75 | ||
| 082 | 0 | |a 791.43611094 | |
| 084 | |a OST |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Experimental cinemas in state-socialist Eastern Europe |c edited by Ksenya Gurshtein and Sonja Simonyi |
| 264 | 1 | |a Amsterdam |b Amsterdam University Press |c 2022 | |
| 300 | |a 1 Online-Ressource (334 Seiten) | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Eastern European screen cultures | |
| 490 | 0 | |a 4 | |
| 500 | |a Title from publisher's bibliographic system (viewed on 20 Sep 2022) | ||
| 500 | |a Part I: Key Figures -- The experimentalism of Gábor Bódy / Gábor Gelencsér -- Circles, lines, and documentary designs: Tomislav Gotovac's Belgrade Trilogy / Greg de Cuir Jr. -- From the workshop of the film form to martial law: on the intersecting and bifurcating paths of Paweł Kwiek's and Józef Robakowski's cinematographic work in the 1970s and the 1980s / Łukasz Mojsak -- Part II: Production, Support, and Distribution -- Amateur cinema in Bulgaria / Vladimir Iliev with Katerina Lambrinova -- The Polish Educational Film Studio and the cinema of Wojciech Wiszniewski / Masha Shpolberg -- Home Movies and cinematic memories: fixing the gaze on Vukica Đilas and Tatjana Ivančić / Petra Belc -- Part III: Viewing Contexts, Theories, and Reception -- Alone in the cinemascope / Aleksandar Bošković -- kinema ikon: experiments in motion (1970-89) / Ileana L. Selejan -- AudioVision: sound, music, and noise in East German experimental films / Seth Howes -- Part IV: Intersection of the Arts -- Intersections of art and film on the Wrocław art scene, 1970-80 / Marika Kuźmicz -- Conceptual artist, cognitive film: Miklós Erdély at the Balázs Béla Studio / Ksenya Gurshtein -- Works and words, 1979: manifesting Eastern European film and/as art in Amsterdam / Sonja Simonyi -- Wizardry on a shoestring: Čaroděj and experimental filmmaking in late socialist Czechoslovakia / Tomáš Glanc | ||
| 520 | |a Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions | ||
| 650 | 4 | |a Experimental films / Europe, Eastern / History and criticism | |
| 700 | 1 | |a Gurshtein, Ksenya |d ca. 20./21. Jh. |0 (DE-588)132249391 |4 edt | |
| 700 | 1 | |a Simonyi, Sonja |d ca. 20./21. Jh. |0 (DE-588)1232254282 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Druck-Ausgabe |z 978-94-629-8299-4 |
| 856 | 4 | 0 | |u https://doi.org/10.1017/9789048532964 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-20-CBO | ||
| 940 | 1 | |n oe | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033946535 | ||
| 966 | e | |u https://doi.org/10.1017/9789048532964 |l BSB01 |p ZDB-20-CBO |q BSB_PDA_CBO |x Verlag |3 Volltext | |
| 966 | e | |u https://doi.org/10.1017/9789048532964 |l UBG01 |p ZDB-20-CBO |q UBG_PDA_CBO |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184586978066432 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author2 | Gurshtein, Ksenya ca. 20./21. Jh Simonyi, Sonja ca. 20./21. Jh |
| author2_role | edt edt |
| author2_variant | k g kg s s ss |
| author_GND | (DE-588)132249391 (DE-588)1232254282 |
| author_facet | Gurshtein, Ksenya ca. 20./21. Jh Simonyi, Sonja ca. 20./21. Jh |
| building | Verbundindex |
| bvnumber | BV048570495 |
| collection | ZDB-20-CBO |
| ctrlnum | (ZDB-20-CBO)CR9789048532964 (OCoLC)1356734592 (DE-599)BVBBV048570495 |
| dewey-full | 791.43611094 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.43611094 |
| dewey-search | 791.43611094 |
| dewey-sort | 3791.43611094 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1017/9789048532964 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>04200nmm a2200457zc 4500</leader><controlfield tag="001">BV048570495</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">221121s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9789048532964</subfield><subfield code="c">Online</subfield><subfield code="9">978-90-485-3296-4</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1017/9789048532964</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-20-CBO)CR9789048532964</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1356734592</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048570495</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield><subfield code="a">DE-473</subfield><subfield code="a">DE-Po75</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.43611094</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Experimental cinemas in state-socialist Eastern Europe</subfield><subfield code="c">edited by Ksenya Gurshtein and Sonja Simonyi</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Amsterdam</subfield><subfield code="b">Amsterdam University Press</subfield><subfield code="c">2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (334 Seiten)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Eastern European screen cultures</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">4</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Title from publisher's bibliographic system (viewed on 20 Sep 2022)</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part I: Key Figures -- The experimentalism of Gábor Bódy / Gábor Gelencsér -- Circles, lines, and documentary designs: Tomislav Gotovac's Belgrade Trilogy / Greg de Cuir Jr. -- From the workshop of the film form to martial law: on the intersecting and bifurcating paths of Paweł Kwiek's and Józef Robakowski's cinematographic work in the 1970s and the 1980s / Łukasz Mojsak -- Part II: Production, Support, and Distribution -- Amateur cinema in Bulgaria / Vladimir Iliev with Katerina Lambrinova -- The Polish Educational Film Studio and the cinema of Wojciech Wiszniewski / Masha Shpolberg -- Home Movies and cinematic memories: fixing the gaze on Vukica Đilas and Tatjana Ivančić / Petra Belc -- Part III: Viewing Contexts, Theories, and Reception -- Alone in the cinemascope / Aleksandar Bošković -- kinema ikon: experiments in motion (1970-89) / Ileana L. Selejan -- AudioVision: sound, music, and noise in East German experimental films / Seth Howes -- Part IV: Intersection of the Arts -- Intersections of art and film on the Wrocław art scene, 1970-80 / Marika Kuźmicz -- Conceptual artist, cognitive film: Miklós Erdély at the Balázs Béla Studio / Ksenya Gurshtein -- Works and words, 1979: manifesting Eastern European film and/as art in Amsterdam / Sonja Simonyi -- Wizardry on a shoestring: Čaroděj and experimental filmmaking in late socialist Czechoslovakia / Tomáš Glanc</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Experimental films / Europe, Eastern / History and criticism</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Gurshtein, Ksenya</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)132249391</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Simonyi, Sonja</subfield><subfield code="d">ca. 20./21. Jh.</subfield><subfield code="0">(DE-588)1232254282</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Druck-Ausgabe</subfield><subfield code="z">978-94-629-8299-4</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1017/9789048532964</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-20-CBO</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033946535</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048532964</subfield><subfield code="l">BSB01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">BSB_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1017/9789048532964</subfield><subfield code="l">UBG01</subfield><subfield code="p">ZDB-20-CBO</subfield><subfield code="q">UBG_PDA_CBO</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048570495 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:02:09Z |
| indexdate | 2024-07-10T09:41:42Z |
| institution | BVB |
| isbn | 9789048532964 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033946535 |
| oclc_num | 1356734592 |
| open_access_boolean | |
| owner | DE-12 DE-473 DE-BY-UBG DE-Po75 |
| owner_facet | DE-12 DE-473 DE-BY-UBG DE-Po75 |
| physical | 1 Online-Ressource (334 Seiten) |
| psigel | ZDB-20-CBO ZDB-20-CBO BSB_PDA_CBO ZDB-20-CBO UBG_PDA_CBO |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Amsterdam University Press |
| record_format | marc |
| series2 | Eastern European screen cultures 4 |
| spelling | Experimental cinemas in state-socialist Eastern Europe edited by Ksenya Gurshtein and Sonja Simonyi Amsterdam Amsterdam University Press 2022 1 Online-Ressource (334 Seiten) txt rdacontent c rdamedia cr rdacarrier Eastern European screen cultures 4 Title from publisher's bibliographic system (viewed on 20 Sep 2022) Part I: Key Figures -- The experimentalism of Gábor Bódy / Gábor Gelencsér -- Circles, lines, and documentary designs: Tomislav Gotovac's Belgrade Trilogy / Greg de Cuir Jr. -- From the workshop of the film form to martial law: on the intersecting and bifurcating paths of Paweł Kwiek's and Józef Robakowski's cinematographic work in the 1970s and the 1980s / Łukasz Mojsak -- Part II: Production, Support, and Distribution -- Amateur cinema in Bulgaria / Vladimir Iliev with Katerina Lambrinova -- The Polish Educational Film Studio and the cinema of Wojciech Wiszniewski / Masha Shpolberg -- Home Movies and cinematic memories: fixing the gaze on Vukica Đilas and Tatjana Ivančić / Petra Belc -- Part III: Viewing Contexts, Theories, and Reception -- Alone in the cinemascope / Aleksandar Bošković -- kinema ikon: experiments in motion (1970-89) / Ileana L. Selejan -- AudioVision: sound, music, and noise in East German experimental films / Seth Howes -- Part IV: Intersection of the Arts -- Intersections of art and film on the Wrocław art scene, 1970-80 / Marika Kuźmicz -- Conceptual artist, cognitive film: Miklós Erdély at the Balázs Béla Studio / Ksenya Gurshtein -- Works and words, 1979: manifesting Eastern European film and/as art in Amsterdam / Sonja Simonyi -- Wizardry on a shoestring: Čaroděj and experimental filmmaking in late socialist Czechoslovakia / Tomáš Glanc Was there experimental cinema behind the Iron Curtain? What forms did experiments with film take in state socialist Eastern Europe? Who conducted them, where, how, and why? These are the questions answered in this volume, the first of its kind in any language. Bringing together scholars from different disciplines, the book offers case studies from Bulgaria, Czech Republic, former East Germany, Hungary, Poland, Romania, and former Yugoslavia. Together, these contributions demonstrate the variety of makers, production contexts, and aesthetic approaches that shaped a surprisingly robust and diverse experimental film output in the region. The book maps out the terrain of our present-day knowledge of cinematic experimentalism in Eastern Europe, suggests directions for further research, and will be of interest to scholars of film and media, art historians, cultural historians of Eastern Europe, and anyone concerned with questions of how alternative cultures emerge and function under repressive political conditions Experimental films / Europe, Eastern / History and criticism Gurshtein, Ksenya ca. 20./21. Jh. (DE-588)132249391 edt Simonyi, Sonja ca. 20./21. Jh. (DE-588)1232254282 edt Erscheint auch als Druck-Ausgabe 978-94-629-8299-4 https://doi.org/10.1017/9789048532964 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Experimental cinemas in state-socialist Eastern Europe Experimental films / Europe, Eastern / History and criticism |
| title | Experimental cinemas in state-socialist Eastern Europe |
| title_auth | Experimental cinemas in state-socialist Eastern Europe |
| title_exact_search | Experimental cinemas in state-socialist Eastern Europe |
| title_exact_search_txtP | Experimental cinemas in state-socialist Eastern Europe |
| title_full | Experimental cinemas in state-socialist Eastern Europe edited by Ksenya Gurshtein and Sonja Simonyi |
| title_fullStr | Experimental cinemas in state-socialist Eastern Europe edited by Ksenya Gurshtein and Sonja Simonyi |
| title_full_unstemmed | Experimental cinemas in state-socialist Eastern Europe edited by Ksenya Gurshtein and Sonja Simonyi |
| title_short | Experimental cinemas in state-socialist Eastern Europe |
| title_sort | experimental cinemas in state socialist eastern europe |
| topic | Experimental films / Europe, Eastern / History and criticism |
| topic_facet | Experimental films / Europe, Eastern / History and criticism |
| url | https://doi.org/10.1017/9789048532964 |
| work_keys_str_mv | AT gurshteinksenya experimentalcinemasinstatesocialisteasterneurope AT simonyisonja experimentalcinemasinstatesocialisteasterneurope |