Horizontality without limits: postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries
This joint chapter reflects on Piotrowski’s attempt to produce a ‘horizontal art history’ for peripheries, in the context of the ‘The Afterlife of Socialism and Apartheid in Art and Art History of Central Europe and South Africa’ project. The study area lies in naming the art historical common denom...
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2023
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| Schlagworte: | |
| Zusammenfassung: | This joint chapter reflects on Piotrowski’s attempt to produce a ‘horizontal art history’ for peripheries, in the context of the ‘The Afterlife of Socialism and Apartheid in Art and Art History of Central Europe and South Africa’ project. The study area lies in naming the art historical common denominators between state socialist societies and apartheid totalitarian regimes. We begin by interrogating Piotrowski’s text: ‘East European Art Peripheries facing Post-Colonial Theory’ and its ramifications for our study, focusing on Piotrowski’s argument that postcolonial discourse has only limited application for postsocialist art history. We argue that there are enough similarities in both circumstance and approach that similar enquiry methods can be utilized for both geographic regions The nomenclature does not undermine the fact that artists react to totalitarianism with a longing for a real (or metaphorical) attainment of an equal society, or a critique on the social and political shortfalls that negate this end result. Considering this overlap, we interrogate the viability of our comparative study and offer a possible methodological manifesto by which we can work towards a version of Piotrowski’s ‘horizontal art history’. |
| ISBN: | 978-1-03-203067-8 |
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| 520 | 3 | |a This joint chapter reflects on Piotrowski’s attempt to produce a ‘horizontal art history’ for peripheries, in the context of the ‘The Afterlife of Socialism and Apartheid in Art and Art History of Central Europe and South Africa’ project. The study area lies in naming the art historical common denominators between state socialist societies and apartheid totalitarian regimes. We begin by interrogating Piotrowski’s text: ‘East European Art Peripheries facing Post-Colonial Theory’ and its ramifications for our study, focusing on Piotrowski’s argument that postcolonial discourse has only limited application for postsocialist art history. We argue that there are enough similarities in both circumstance and approach that similar enquiry methods can be utilized for both geographic regions The nomenclature does not undermine the fact that artists react to totalitarianism with a longing for a real (or metaphorical) attainment of an equal society, or a critique on the social and political shortfalls that negate this end result. Considering this overlap, we interrogate the viability of our comparative study and offer a possible methodological manifesto by which we can work towards a version of Piotrowski’s ‘horizontal art history’. | |
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| spelling | Von Veh, Karen ca. 20./21.Jh. Verfasser (DE-588)1029458812 aut Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries Karen von Veh and Richard Gregor 2023 txt rdacontent n rdamedia nc rdacarrier This joint chapter reflects on Piotrowski’s attempt to produce a ‘horizontal art history’ for peripheries, in the context of the ‘The Afterlife of Socialism and Apartheid in Art and Art History of Central Europe and South Africa’ project. The study area lies in naming the art historical common denominators between state socialist societies and apartheid totalitarian regimes. We begin by interrogating Piotrowski’s text: ‘East European Art Peripheries facing Post-Colonial Theory’ and its ramifications for our study, focusing on Piotrowski’s argument that postcolonial discourse has only limited application for postsocialist art history. We argue that there are enough similarities in both circumstance and approach that similar enquiry methods can be utilized for both geographic regions The nomenclature does not undermine the fact that artists react to totalitarianism with a longing for a real (or metaphorical) attainment of an equal society, or a critique on the social and political shortfalls that negate this end result. Considering this overlap, we interrogate the viability of our comparative study and offer a possible methodological manifesto by which we can work towards a version of Piotrowski’s ‘horizontal art history’. Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd rswk-swf Postkolonialismus (DE-588)4566658-1 gnd rswk-swf Kunstgeschichte Fach (DE-588)4138803-3 gnd rswk-swf Postkommunismus (DE-588)4998161-4 gnd rswk-swf Forschungsmethode (DE-588)4155046-8 gnd rswk-swf Piotrowski, Piotr 1952-2015 (DE-588)103529500 p Kunstgeschichte Fach (DE-588)4138803-3 s Forschungsmethode (DE-588)4155046-8 s Postkommunismus (DE-588)4998161-4 s Postkolonialismus (DE-588)4566658-1 s DE-604 Gregor, Richard 1974- Verfasser (DE-588)1042271577 aut pages:37-47 Horizontal art history and beyond / edited by Agata Jakubowska and Magdalena Radomska New York ; London, 2023 Seite 37-47 Studies in art historiography (DE-604)BV048419961 978-1-03-203067-8 |
| spellingShingle | Von Veh, Karen ca. 20./21.Jh Gregor, Richard 1974- Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Postkommunismus (DE-588)4998161-4 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| subject_GND | (DE-588)103529500 (DE-588)4566658-1 (DE-588)4138803-3 (DE-588)4998161-4 (DE-588)4155046-8 |
| title | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| title_auth | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| title_exact_search | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| title_exact_search_txtP | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| title_full | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries Karen von Veh and Richard Gregor |
| title_fullStr | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries Karen von Veh and Richard Gregor |
| title_full_unstemmed | Horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries Karen von Veh and Richard Gregor |
| title_short | Horizontality without limits |
| title_sort | horizontality without limits postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| title_sub | postcolonial and postsocialist experience as frameworks for studying art and art history in peripheries |
| topic | Piotrowski, Piotr 1952-2015 (DE-588)103529500 gnd Postkolonialismus (DE-588)4566658-1 gnd Kunstgeschichte Fach (DE-588)4138803-3 gnd Postkommunismus (DE-588)4998161-4 gnd Forschungsmethode (DE-588)4155046-8 gnd |
| topic_facet | Piotrowski, Piotr 1952-2015 Postkolonialismus Kunstgeschichte Fach Postkommunismus Forschungsmethode |
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