Finding the beat: entrainment, rhythmic play, and social meaning in rock music
"Introduces entrainment-the capacity to perceive a beat and synchronize to it-through the lens of contemporary rock music to explain why humans enjoy listening to music together and what is it about certain beats that captures our attention"--
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
|
Ausgabe: | First published |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis |
Zusammenfassung: | "Introduces entrainment-the capacity to perceive a beat and synchronize to it-through the lens of contemporary rock music to explain why humans enjoy listening to music together and what is it about certain beats that captures our attention"-- |
Beschreibung: | XI, 183 Seiten Illustrationen, Notenbeispiele 23 cm |
ISBN: | 9781501392979 9781501393013 |
Internformat
MARC
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505 | 8 | |a Preamble -- Ambiguity, Rhythm, and Participation in Radiohead's "Pyramid Song" -- Rhythmic Play, Compositional Intent, and Communication in Rock Music -- The Backbeat as Expressive Device in Rock Music -- Entrainment and the Human-Technology Interface, Historical and Technological Considerations -- Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations -- Radiohead, Oxford, and a Rhythmic Holy Grail | |
520 | 3 | |a "Introduces entrainment-the capacity to perceive a beat and synchronize to it-through the lens of contemporary rock music to explain why humans enjoy listening to music together and what is it about certain beats that captures our attention"-- | |
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653 | 0 | |a Click tracks | |
653 | 0 | |a Musique / Mesure et rythme | |
653 | 0 | |a Rock (Musique) / Analyse et appréciation | |
653 | 0 | |a Click tracks | |
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Datensatz im Suchindex
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adam_text | CONTENTS List of Figures viii Acknowledgments x 1 Preamble 1 2 Ambiguity, Rhythm, and Participation in Radiohead’s “Pyramid Song” 7 3 Rhythmic Play, Compositional Intent, and Communication in Rock Music 40 4 The Backbeat as Expressive Device in Rock Music 5 Entrainment and the Human-Technology Interface, Historical and Technological Considerations 97 6 Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations 121 7 Radiohead, Oxford, and a Rhythmic Holy Grail 147 Appendix: Los Angeles and Vancouver Crews 151 Bibliography 154 Index 172 69
|
adam_txt |
CONTENTS List of Figures viii Acknowledgments x 1 Preamble 1 2 Ambiguity, Rhythm, and Participation in Radiohead’s “Pyramid Song” 7 3 Rhythmic Play, Compositional Intent, and Communication in Rock Music 40 4 The Backbeat as Expressive Device in Rock Music 5 Entrainment and the Human-Technology Interface, Historical and Technological Considerations 97 6 Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations 121 7 Radiohead, Oxford, and a Rhythmic Holy Grail 147 Appendix: Los Angeles and Vancouver Crews 151 Bibliography 154 Index 172 69 |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Hesselink, Nathan |
author_GND | (DE-588)1047827468 |
author_facet | Hesselink, Nathan |
author_role | aut |
author_sort | Hesselink, Nathan |
author_variant | n h nh |
building | Verbundindex |
bvnumber | BV048568067 |
classification_rvk | LR 55250 |
contents | Preamble -- Ambiguity, Rhythm, and Participation in Radiohead's "Pyramid Song" -- Rhythmic Play, Compositional Intent, and Communication in Rock Music -- The Backbeat as Expressive Device in Rock Music -- Entrainment and the Human-Technology Interface, Historical and Technological Considerations -- Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations -- Radiohead, Oxford, and a Rhythmic Holy Grail |
ctrlnum | (OCoLC)1300756354 (DE-599)BVBBV048568067 |
discipline | Musikwissenschaft |
discipline_str_mv | Musikwissenschaft |
edition | First published |
format | Book |
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id | DE-604.BV048568067 |
illustrated | Illustrated |
index_date | 2024-07-03T21:01:21Z |
indexdate | 2024-07-10T09:41:38Z |
institution | BVB |
isbn | 9781501392979 9781501393013 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033944162 |
oclc_num | 1300756354 |
open_access_boolean | |
owner | DE-11 DE-12 |
owner_facet | DE-11 DE-12 |
physical | XI, 183 Seiten Illustrationen, Notenbeispiele 23 cm |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Bloomsbury Academic |
record_format | marc |
spelling | Hesselink, Nathan Verfasser (DE-588)1047827468 aut Finding the beat entrainment, rhythmic play, and social meaning in rock music Nathan Hesselink First published New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 XI, 183 Seiten Illustrationen, Notenbeispiele 23 cm txt rdacontent n rdamedia nc rdacarrier Preamble -- Ambiguity, Rhythm, and Participation in Radiohead's "Pyramid Song" -- Rhythmic Play, Compositional Intent, and Communication in Rock Music -- The Backbeat as Expressive Device in Rock Music -- Entrainment and the Human-Technology Interface, Historical and Technological Considerations -- Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations -- Radiohead, Oxford, and a Rhythmic Holy Grail "Introduces entrainment-the capacity to perceive a beat and synchronize to it-through the lens of contemporary rock music to explain why humans enjoy listening to music together and what is it about certain beats that captures our attention"-- Rhythmus (DE-588)4132330-0 gnd rswk-swf Rockmusik (DE-588)4115774-6 gnd rswk-swf Musical meter and rhythm Rock music / Analysis, appreciation Click tracks Musique / Mesure et rythme Rock (Musique) / Analyse et appréciation Rockmusik (DE-588)4115774-6 s Rhythmus (DE-588)4132330-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-5013-9298-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033944162&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
spellingShingle | Hesselink, Nathan Finding the beat entrainment, rhythmic play, and social meaning in rock music Preamble -- Ambiguity, Rhythm, and Participation in Radiohead's "Pyramid Song" -- Rhythmic Play, Compositional Intent, and Communication in Rock Music -- The Backbeat as Expressive Device in Rock Music -- Entrainment and the Human-Technology Interface, Historical and Technological Considerations -- Entrainment and the Human-Technology Interface, Sociological and Aesthetic Considerations -- Radiohead, Oxford, and a Rhythmic Holy Grail Rhythmus (DE-588)4132330-0 gnd Rockmusik (DE-588)4115774-6 gnd |
subject_GND | (DE-588)4132330-0 (DE-588)4115774-6 |
title | Finding the beat entrainment, rhythmic play, and social meaning in rock music |
title_auth | Finding the beat entrainment, rhythmic play, and social meaning in rock music |
title_exact_search | Finding the beat entrainment, rhythmic play, and social meaning in rock music |
title_exact_search_txtP | Finding the beat entrainment, rhythmic play, and social meaning in rock music |
title_full | Finding the beat entrainment, rhythmic play, and social meaning in rock music Nathan Hesselink |
title_fullStr | Finding the beat entrainment, rhythmic play, and social meaning in rock music Nathan Hesselink |
title_full_unstemmed | Finding the beat entrainment, rhythmic play, and social meaning in rock music Nathan Hesselink |
title_short | Finding the beat |
title_sort | finding the beat entrainment rhythmic play and social meaning in rock music |
title_sub | entrainment, rhythmic play, and social meaning in rock music |
topic | Rhythmus (DE-588)4132330-0 gnd Rockmusik (DE-588)4115774-6 gnd |
topic_facet | Rhythmus Rockmusik |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033944162&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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