Aleksandr Rodchenko - photography in the time of Stalin:
Gespeichert in:
1. Verfasser: | |
---|---|
Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New Haven ; London
Yale University Press
[2022]
|
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Literaturverzeichnis Register // Gemischte Register |
Beschreibung: | xiii, 241 Seiten Illustrationen (teilweise farbig) |
ISBN: | 9780300254037 |
Internformat
MARC
LEADER | 00000nam a2200000 c 4500 | ||
---|---|---|---|
001 | BV048567880 | ||
003 | DE-604 | ||
005 | 20230621 | ||
007 | t | ||
008 | 221117s2022 a||| m||| 00||| eng d | ||
020 | |a 9780300254037 |9 978-0-300-25403-7 | ||
035 | |a (OCoLC)1355510044 | ||
035 | |a (DE-599)HBZHT021571221 | ||
040 | |a DE-604 |b ger |e rda | ||
041 | 0 | |a eng | |
049 | |a DE-19 |a DE-188 |a DE-Y3 |a DE-11 |a DE-12 | ||
084 | |a OST |q DE-12 |2 fid | ||
084 | |a LI 73430 |0 (DE-625)96957: |2 rvk | ||
084 | |a AP 94100 |0 (DE-625)8146: |2 rvk | ||
084 | |a 2 |2 KUBA2 | ||
100 | 1 | |a Glebova, Aglaya K. |e Verfasser |0 (DE-588)1279210907 |4 aut | |
245 | 1 | 0 | |a Aleksandr Rodchenko - photography in the time of Stalin |c Aglaya K. Glebova |
246 | 1 | 3 | |a Photography in the time of Stalin |
264 | 1 | |a New Haven ; London |b Yale University Press |c [2022] | |
264 | 4 | |c © 2022 | |
300 | |a xiii, 241 Seiten |b Illustrationen (teilweise farbig) | ||
336 | |b txt |2 rdacontent | ||
336 | |b sti |2 rdacontent | ||
337 | |b n |2 rdamedia | ||
338 | |b nc |2 rdacarrier | ||
600 | 1 | 7 | |a Rodčenko, Aleksandr Michajlovič |d 1891-1956 |0 (DE-588)118641999 |2 gnd |9 rswk-swf |
648 | 7 | |a Geschichte 1920-1940 |2 gnd |9 rswk-swf | |
650 | 0 | 7 | |a Fotografie |0 (DE-588)4045895-7 |2 gnd |9 rswk-swf |
655 | 7 | |0 (DE-588)4113937-9 |a Hochschulschrift |2 gnd-content | |
689 | 0 | 0 | |a Rodčenko, Aleksandr Michajlovič |d 1891-1956 |0 (DE-588)118641999 |D p |
689 | 0 | 1 | |a Fotografie |0 (DE-588)4045895-7 |D s |
689 | 0 | 2 | |a Geschichte 1920-1940 |A z |
689 | 0 | |5 DE-604 | |
700 | 1 | |a Rodčenko, Aleksandr Michajlovič |d 1891-1956 |0 (DE-588)118641999 |4 pht | |
700 | 1 | |a Rodčenko, Aleksandr Michajlovič |d 1891-1956 |e Sonstige |0 (DE-588)118641999 |4 oth | |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA |3 Literaturverzeichnis |
856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |3 Register // Gemischte Register |
940 | 1 | |n oe | |
940 | 1 | |q BSB_NED_20230621 | |
942 | 1 | 1 | |c 709 |e 22/bsb |f 09042 |g 947.08 |
942 | 1 | 1 | |c 709 |e 22/bsb |f 09043 |g 947.08 |
943 | 1 | |a oai:aleph.bib-bvb.de:BVB01-033943980 |
Datensatz im Suchindex
_version_ | 1811026483838189568 |
---|---|
adam_text |
Contents ix xiii 1 23 65 97 135 167 205 207 221 233 241 Acknowledgments A Note on Translation and Transliteration Introduction. Rodchenko’s Contemporaneity Chapter 1. Perspectives on the Collective Chapter 2. The Socialist Face Chapter 3. Still Nature Chapter 4. Engineered Chaos Chapter 5. Ih e Photographer’s Hand Glossary and Abbreviations Notes Bibliography Index Credits
Bibliography ARCHIVES CONSULTED by Rodney Livingstone. New York: In Dnevnik moikh vstrech: Tsikl tragedii, 192-230. Moscow: Direkt Canadian Centre for Architecture Central State Archive of Literature and Art [Tsentral'nyi gosudarstvennyi arkhiv literatury i iskusstva, TsGALI] Berghahn, 2010. Baldwin, Kate. Beyond the Color Line and Media, 2016. Applebaum, Anne. Gulag: A History. the Iron Curtain: Reading Encounters between Black and Red. Durham, NC: London: Penguin, 2004. Duke University Press, 2002. Armstrong, Carol. Scenes in a Library: Getty Research Institute Reading the Photograph in the Book, Moscow Multimedia Museum 1843-1875. Cambridge, MA: MIT Press, N. A. Nekrasov Library [Biblioteka im. 1998. N. A. Nekrasova] National Archive of the Republic of Karelia [Natsionaľnyi arkhiv Respubliki Kareliia] National Museum of the Republic of Baron, Nick. "Conflict and Complicity: 1923-1933." Cahiers du Monde Russe 42, no. 2-4 (2001): 615-48. Arnow, Jan. Handbook of Alternative Photographic Processes. New York: --------- . Soviet Karelia: Politics, Planning, Van Nostrand Reinhold, 1982. and Terrorin Stalin's Russia, 1920-1939. New York: Routledge, 2007. Arsenjuk, Luka. Movement, Action, Barr, Alfred H., Jr. "Russian Diary 1927- Image, Montage: Sergei Eisenstein Karelia [Natsional'nyi muzei Respubliki and the Cinema in Crisis. Minneapolis: Kareliia] University of Minnesota Press, 2018. Russian National Library [Rossiiskaia natsional'naia biblioteka] The Expansion of the Karelian Gulag, 28." October 7 (Winter 1978): 10-51. Barshch, Μ. 0., and Μ. la. Ginzburg. Arvatov, Boris.
Iskusstva i proizvodstvo: "Zelionyi gorod: Sotsialisticheskaia rekonstruktsiia Moskvy." Sovremen- Sborník statei. Moscow: Proletkul't, 1926. Translated by Shushan Avag- naia arkhitektura 1-2 (1930): 17-37- Photo Documents [Rossiiskii gosu yan as Art and Production, ed.John Barthes, Roland. Camera Lucida: Reflec darstvennyi arkhiv kinofotodokumen- Roberts and Alexei Penzin (London: tions on Photography. Translated by tov, RGAKFD] Pluto, 2017). Russian State Archive of Cine and Russian State Archive of Literature and Richard Howard. New York: Farrar, Straus and Giroux, 1981. Attwood, Lynne. Genderand Housing Art [Rossiiskii gosudarstvennyi arkhiv in Soviet Russia: Private Life in a Public literatury i iskusstva, RGALI] Space. Manchester: Manchester Russian State Library [Rossiiskaia gosudarstvennaia biblioteka] Special Collections and Archives, Bassin, Mark. "Ί Object to Rain that Is Cheerless': Landscape Art and the Stalinist Aesthetic Imagination.” University Press, 2010. Bailes, Kendall E. Technology and Society Ecumene 7, no. 3 (2000): 313-36. Batchen, Geoffrey. Forget Me Not: under Lenin and Stalin: The Origins University Library, University of of Soviet Technical Intelligentsia, Photography and Remembrance. New California, Santa Cruz 1917-1941. Princeton, NJ: Princeton York: Princeton Architectural Press, State Archive of the Russian Federation [Gosudarstvennyi arkhiv Rossiiskoi Federatsii, GARF] BIBLIOGRAPHY Abykaeva-Tiesenhausen, Aliya. Central Asia in Art: From Soviet Orientalism to the New Republics. London: I. B. Tauris, 2016. Agranovskii, Abram, AL Alevich, and
Grigorii Ryklin. Liudi-vrediteli: Shakhtinskoe delo. Moscow: Gosudarstvennoe izdatel’stvo, 1928. Alexander Rodchenko. Zurich: Skira, 2016. Alloula, Malek. The Colonial Harem. Translated by Myrna Godzich and Wlad Godzich. Minneapolis: University of Minnesota Press, 1986. Annenkov, Iurii. "Vladimir Maiakovskii.” University Press, 1978. 2004. Baker, George. "Photography between Bellion, Wendy. "Heads of State: Profiles Narrativity and Stasis: August Sander, and Politics in Jeffersonian America.” Degeneration, and the Decay of the In New Media, 1740-1915, edited by Portrait.” October 76 (Spring 1996): Lisa Gitelman and Geoffrey B. Pingree, 31-60. Cambridge, MA: MIT Press, 2003. 72-113· Bakhtin, Mikhail. "Formy vremeni і Belodubrovskaya, Maria. Not Accord khronotopa v romane: Ocherki po ing to Plan: Filmmaking under Stalin. istoricheskoi poetike." In Voprosy Ithaca, NY: Cornell University Press, literatury i estetiki: Issledovaniia 2017. Benjamin, Walter. "Little History of raznykh let, 236-407. Moscow: Khudozhestvennaia literatura, 1975. Photography." In Selected Writings, Translated by Caryl Emerson and vol. 2, pt. 2, 1931-1934, edited by Michael Holquist as "Forms of Time Michael W. Jennings, Howard Eiland, and of the Chronotope in the Novel," and Gary Smith, 507-30. Translated by in The Dialogic Imagination: Four Rodney Livingstone. Cambridge, MA: Essays by Μ. Μ. Bakhtin, ed. Michael Belknap Press of Harvard University Holquist (Austin: University of Texas Press, 1981), 84-258. Balász, Béla. "The Face of Things." In Press, 1999· --------- . Moscow Diary. Edited by Gary
Smith. Translated by Richard Sieburth. Béla Balász: Early Film Theory, edited Cambridge, MA: Harvard University by Erica Carter, 46-52. Translated Press, 1986. Bibliography 221
-------- . “Surrealism: The Last Snapshot of the European Intelligentsia." In Reflections: Essays, Aphorisms, Autobiographical Writings, edited by Peter Demetz, 47-56. Translated Boym, Svetlana. Architecture of the Off-Modern. New York: Temple Hoyne Buell Center and Princeton Architectural Press, 2008. Brain, Stephen. Song of the Forest: by Edmund Jephcott. New York: Russian Forestry and Stalinist Envi Harcourt, 1978. ronmentalism, 1905-19ՏՅ· Pittsburgh: University of Pittsburgh Press, 2011. —:—. The Work of Art in the Age of Its Technological Reproducibility, and Brik, Osip. "Chego ne vidit glaz." Other Writings on Media. Edited by Sovetskoekino 2 (1926): 22-23. Trans Michael W. Jennings, Brigid Doherty, lated by John E. Bowlt as "What the and Thomas Y. Levin. Translated Eye Does Not See," in Photography by Edmund Jephcott et al. Cambridge, in the Modern Era, ed. Christopher Phillips (New York: Museum of MA: Harvard University Press, 2008. Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of Modern Art, 1989), 219-20. -------- . "Chitatel'l" NovyiLefs (1927): 1-2. (19205-19305)." Russian Literature 103-5 flanuary-April 2019): 209-33. Burgin, Victor. "Looking at Photo graphs.” In Thinking Photography, 142-53- London: Macmillan, 1982. Burliuk, D„ Aleksandr Kruchionykh, V.Maiakovskii, and Viktor Khlebnikov. "Poshchiochina obshchestvennomu vkusu.” In Poshchiochina obshchest vennomu vkusu, unpaginated. Mos cow: G. L. Kuz'min, 1913. Cassiday, Julie A. The Enemy on Trial: Early Soviet Courts on Stage and Screen. DeKalb:
Northern Illinois University Press, 2000. de Certeau, Michel. “Walking in the California Press, 1994. Beyer, Oskar, ed. Erich Mendelsohn: -------- . "Ot kartiny к foto." NovyiLef3 (1928): 29-ЗЗ· Translated by John E. 1:91-110. Translated by Steven Letters of an Architect. Translated by Geoffrey Strachan. London: Bowlt as "From the Painting to the Rendall. Berkeley: University of Photograph," in Photography in the Abelard-Schuman, 1967. Modern Era, ed. Christopher Phillips Bird, Robert. "The Poetics of Peat in Soviet Literary and Visual Culture, 1918-1959." Slavic Review 70, no. 3 (2011): 591-614. -------- . "Stalin’s Well-Kept Garden: Horticulture, Aesthetics, and Soviet Statecraft." Russian Review 79, no. 3 (2020): 432-52. Bird, Robert, Christina Kiaer, and Zach ary Cahill, eds. Revolution Every Day: A Calendar. Milan: Mousse, 2017. Bloch, Ernst. "Nonsynchronism and the Obligation to Its Dialectics." Trans lated by Mark Ritter. New German Critiqueis (Spring 1977): 22-38. (New York: Museum of Modern Art, 1989), 227-ЗЗ. -------- . "Protiv romantiki." Novyi Lefio (1927): 1-2. del'shtama "Kholodnoe leto"(1923): lazykovoi kommentarii: Saint Peters burg: Izdatel'stvo Evropeiskogo uni versiteta v Sankt-Peterburge, 2018. California Press, 1984. Chadaga, Julia Bekman. Optical Play: Glass, Vision, and Spectacle in Russian Culture. Evanston, IL: Northwestern University Press, 2014· Chatterjee, Choi, and Karen Petrone. -------- . "Ring Lefa." Novyi Lef 4 (1928): "Models of Selfhood and Subjectivity: 27-36. Brunson, Molly. Russian Realisms: The Soviet Case in Historical Perspec
Literature and Painting, 1840-1890. DeKalb: Northern Illinois University Press, 2016. tive." Slavic Review 67, no. 4 (2008): 967-86. Chernyshevskii, Nikolai. Chto delat'? Iz rasskazov 0 novykh liudiakh. Len Buchli, Victor. An Archaeology of Social ingrad: Nauka, 1975. Translated by ism. Oxford: Berg, 1999Buchloh, Benjamin H. D. "Figures of Michael Katz as What Is to Be Done? (Ithaca, NY: Cornell University Press, Authority, Ciphers of Regression: 1989). Chlenova, Masha. "Innovative, Polem Notes on the Return of Representa tion in European Painting." October 16 Bobrik, Marina. Proza Osipa Мап- City.” In The Practice of Everyday Life, (Spring 1981): 39-68. -------- . “From Faktura to Factography." October 30 (Fall 1984): 83-118. -------- . "Residual Resemblance: Three ical, Dogmatic: The Case of Soviet Experimental Displays, 1930-193З·” In Curatorial Challenges: Interdisciplinary Perspectives on Contemporary Curat ing, edited by Malene Vest Hansen, Notes on the Ends of Portraiture." In Anne Folke Henningsen, and Anne Reversibility." Art in America (April Formalism and Historicity: Models and Gregersen, 223-36. London: Rout 1988): 160-81. Methods in Twentieth-Century Art, Bois, Yve֊Alain. "El Lissitzky: Radical -------- . "Lissitzky, Malevich, and the Question of Space." In Suprématisme, 29-43. Translated by A. Hindry. Paris: Galerie Jean Chauvelin, 1977. Bokov, Anna. Avant-Garde as Method: 471-508. Cambridge, MA: MIT Press, 2015· Buck-Morss, Susan. Dreamworld and Artists of the Russian Soviet Republic, Catastrophe: The Passing of Mass 38-55. Chuzhak, Nikolai. "Krivoe
zerkało: Lef v prelomlenii 'Lefa.’” Oktiabr' mysli 2 Utopia in East and West. Cambridge, MA: MIT Press, 2000. Vkhutemas and the Pedagogy of Space, 1920-1930. Zurich: Park, 2020. Bonnell, Victoria E. Iconography of Power: Soviet Political Posters under ledge, 2019-------- . "Staging Soviet Art: 15 Years of Bulgakowa, Oksana. "Eisenstein, the Glass House, and the Spherical Book: 1932-ЗЗ·" October 147 (Winter 2014): (1924): 39-46. Clark, Katerina. Moscow, the Fourth From the Comedy of the Eye to the Rome: Stalinism, Cosmopolitanism, Lenin and Stalin. Berkeley: University Drama of Enlightenment." Rouge and the Evolution of Soviet Culture, of California Press, 1997. (2005). http://www.rouge.com.aU/7 /eisenstein.html. University Press, 2011. Bowlt, John E, ed. Russian Art of the Avant-Garde: Theory and Criticism, Burghardt, Anja. "Picturing Non 1931-1941. Cambridge, MA: Harvard -------- . The Soviet Novel: History as Rit 1902-1934. New York: Thames and Russian Ethnicities in the Journals ual. Bloomington: Indiana University Hudson, 2017. Sovetskoe foto and SSSR na stroike Press, 2000. 222 Bibliography
Clark, T. J. Farewell to an Idea: Episodes from a History of Modernism. New Haven, CT: Yale University Press, 1999. -------- . Picasso and Truth: From Cubism to Guernica. Princeton, NJ: Princeton University Press, 2013. Cohen, Jean-Louis. Building a New New World: Amerikanizm in Russian Archi /objectphoto/assets/essays Age and Beyond, edited by Evgeny /Daffner.pdf. Dobrenko and Galin Tihanov, 43-63. Pittsburgh: University of Pittsburgh David-Fox, Michael. Showcasing the Press, 2011. Draskoczy, Julie. Belomor: Criminality Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet and Creativity in Stalin's Gulag. Brigh Union, 1921-1941. New York: Oxford ton, MA: Academic Studies Press, University Press, 2014. Degot, Ekaterina. "The Copy Is the Crime: Unofficial Art and the Appro 2014. Duttlinger, Carolin. "From Photography for Architecture; New Haven, CT: Yale priation of Official Photography.” In to Film and Back Again: Helmar Ler- University Press, 2020. Beyond Memory: Soviet Nonconformist ski's Dramaturgy of the Human Face." tecture. Montreal: Canadian Centre Cohen, Yves. "Circulatory Localities: The Photography and Photo-Related Works Monatshefte 109, no. 2 (2017): 229-42. of Art, edited by Diane Neumaier, Eisenstein, Sergei. Glass House: Du projet Kritika: Explorations in Russian and Eur 103-18. New Brunswick, NJ:Jane de film au filme comme projet. Edited asian History 11, no. 1 (2010): 11-45· Voorhees Zimmerli Art Museum and by François Albera. Dijon: Les presses Colomina, Beatriz. Privacy and Publicity: Rutgers University Press, 2004. du réel, 2009.
Modern Architecture as Mass Media. Dickerman, Leah Anne. "Aleksandr Example of Stalinism in the 1930s." Cambridge, MA: MIT Press, 1994· Rodchenko's Camera-Eye: Lef Vision Compton, Susan P. Russian Avant- and the Production of Revolutionary Garde Books, 1917-34. London: British Library, 1992. Cooke, Catherine. "Cities of Socialism: Technology and Ideology in the Soviet Union in the 1920s." In Modern City Revisited, edited by Thomas Deckker, 26-55. London: Spon, 2000. -------- [as Eizenshtein, Sergei]. Izbrannye proizvedeniia v shesti tomakh. Moscow: Izdatel'stvo "Iskusstvo,” 1964. Consciousness.” PhD diss., Columbia Ermakova, E. S., and M. L. Khomutova, University, 1997-------- . "Camera Obscura: Socialist Real eds. Turkestanskii avangard. Katalog ism in the Shadow of Photography." muzei vostoka, 2009. Ernst, F. "Muzei Belomorsko-Baltiiskogo October93 (Summer 2000): 138-53. -------- . "The Fact and the Photograph." vystavki. Moscow: Gosudarstvennyi kanala imeni tov. Stalina." Belomorsko-Baltiiskii kombinat 3 -------- . "Extensive or Intensive Devel October 118 (2006): 132-52· -------- . "Lenin in the Age of Mechanical opment? A Century of Debates and Reproduction." In Disturbing Remains: Experience in Moscow.” In Cities for Memory, History, and Crisis in the moskovsko! zhurna/istiki: Uchebnoe the New Millennium, edited by Marcial Twentieth Century, edited by Michael posobie. Moscow: Flinta, 2005. Echenique and Andrew Saint, 165-76. S. Roth and Charles G. Salas, 77-110. London: Spon, 2001. Los Angeles: Getty Research Institute, Corwin, Sarah. “Picturing Efficiency: (1936):
30-35. Esin, Boris, and Ivan Kuznetsov. Tri veka Favorskii, V. A. "Zabyť 'igru v inzhenera' (Anketa 0 khudozhestvennoi aka demii)." Brigada khudozhnlkov 4-5 Precisionism, Scientific Management 1997. -------- . "The Propagandizing of Things.” and the Effacement of Labor." Repre In Aleksandr Rodchenko, edited by sentations Są, no. 1 (2003): 139-65. Magdalena Dabrowski, Leah Dicker Jr. Ecocide in the USSR: Health and Crimp, Douglas. “Pictures.” October 8 man, and Peter Galassi, 62-99. New Nature under Siege. New York: Basic, (Spring 1979): 75-88. Cronan, Todd. "Rodchenko's Photo graphic Communism." In Photog raphy and Failure: One Medium's Entanglement with Flops, Underdogs, and Disappointments, edited by Kris Belden-Adams, 27-44. New York: Bloomsbury Academic, 2017. Dabrowski, Magdalena, Leah Dicker York: Museum of Modern Art, 1998. ishes: The Falsification of Photographs Graphic Design, 1917-1937. Selections Revealed: Finishing Practices Observed in the Thomas Walter Collection." In Object: Photo. Modern Photographs: The Thomas Walther Collection 1909-1949· An Online Project of the Museum of Modern Art, edited Ordinary Life in Extraordinary Times. Soviet Russia in the 1930s. Oxford: Oxford University Press, 2000. -------- . Tear Off the Masks! Identity and from the Merrill C. Berman Collection. Press, 1996. Daffner, Lee Ann. "Retouching Fitzpatrick, Sheila. Everyday Stalinism: 755-57. -------- , ed. Building the Collective: Soviet New York: Princeton Architectural Photography before Photoshop. New Haven, CT: Yale University Press, 2012. and Art in Stalin's Russia, by
David King." Art Bulletin 80, no. 4 (1998): Rodchenko. New York: Museum of Modern Art, 1998. 1992· Fineman, Mia. Faking It: Manipulated -------- . "Review of The Commissar Van man, and Peter Galassi, eds. Aleksandr (1932): ю-11. Feshbach, Murray, and Alfred Friendly, Imposture in Twentieth-Century Russia. Princeton, NJ: Princeton University Doane, Mary Ann. "The Close-Up: Scale and Detail in the Cinema." differences: A journal of Feminist Cultural Studies nosti i vremeni v khudozhestvenno- 14, no. 3 (2003): 89-111. izobrazitel'nykh proizvedeniiakh. -------- . "Facing a Universal Language." - Press, 2005. Florenskii, Pavel. Analiz prostranstven- Moscow: Izdatel'skaia gruppa New German Critique 41, no. 2 (2014): 111-24. Dobrenko, Evgeny. "Literary Criticism "Progress," 1993-------- . Beyond Vision: Essays on the Perception of Art. Edited by Nicoletta by Mitra Abbaspour, Lee Ann Daffner, and the Transformation of the Literary Misler. Translated by Wendy Salmond. and Maria Morris Hambourg. New Field during the Cultural Revolution, London: Reaktion, 2002. York: Museum of Modern Art, 2014. 1928-1932·" In A History of Russian Literary Theory and Criticism: The Soviet https://www.moma.org/interactives Fore, Devin. "Demonstration.” In Revoliutsiia! Demonstratsiia! Soviet Bibliography 223
Art Put to the Test, edited by Matthew Cybernetics. Cambridge, MA: MIT S. Witkovsky and Devin Fore, Press, 2002. Film, by Jay Leyda (London: Allen and Unwin, 1960), 407-9· 288-94. Chicago: Art Institute of Chicago, 2017. Getty, J. Arch. “Samokritika Rituals in the Stalinist Central Committee, 1933-38." na Pervom vsesoiuznom s"ezde -------- . "The GAKhN Dictionary: An Russian Review 58, no. 1 (1999): 49-70. sovetskikh pisatelei 17 avgusta 1934 Introduction." October 162 (2017): Ghidini, Maria Candida. "'Formy 39-40. zhizni'—postupok, portret, i zhest—v -------- . "Introduction.” October 118 (2006): 3-10. -------- . "The Metabiotic State: Dziga Vertov's Eleventh Year." October 145 (Summer 2013): 3֊37. -------- . "The Operative Word in Soviet Factography." October 118 (2006): tomakh, 23:298-333· Moscow: GIKh, 1953. Translated by Julius Katzer as onykh GAKhN." Logos 75, no. 2 (2010): "Soviet Literature: Address Delivered to the First All-Union Congress of nym stolom. Leningrad: Sovetskii pisateľ, 1989. Ginzburg, Μ. la. Stil' i epokha. Problemy sovremennoi arkhitektury. Moscow: Gosudarstvennoe izdatel’stvo, 1924. Rehumanization of Art and Literature. Translated by Mark Sutcliffe and Frank Cambridge, MA: MIT Press, 2012. Althaus as Style and Epoch: Issues in -------- , ed. "Special Issue on Soviet goda.” In Sobranie sochinenii v tridtsati teoreticheskikh razmyshleniiakh uchi- 52-77. Ginzburg, Lidiia. Chelovekzapis'men- 95-131· -------- . Realism after Modernism: The -------- . "Sovetskaia literatura: Doklad Soviet Writers, August 17,1934," in On Literature (Moscow: Progress,
1982), 307-50. Gough, Maria. The Artist as Producer: Russian Constructivism in Revolution. Berkeley: University of California Press, 2005. -------- . "Back in the USSR: John Modern Architecture, ed.John Nichol Heartfield, Gustav Klucis, and the Factography.” October 118 (Fall 2006): son and Mark Sutcliffe (Moscow: Medium of Soviet Propaganda." 3-178. Fontanka, 2019). New German Critique 36, no. 2 (2009): Forgione, Nancy. '"The Shadow Only': Shadow and Silhouette in Late Nineteenth-Century Paris." Art Bulletin 81, no. 3 (1999): 490-512. Glaser, Amelia Μ., and Steven S. Lee, eds. Comintern Aesthetics. Toronto: University of Toronto Press, 2020. Glisic, Iva. The Futurist Files: Avant- FosterJohn Bellamy. Marx's Ecology: Garde, Politics, and Ideology in Russia, Materialism and Nature. New York: 1905-1930. Ithaca, NY: Cornell University Press, 2020. Monthly Review Press, 2000. 133-83. -------- . “Faktura: The Making of the Russian Avant-Garde." Res: Anthropol ogy and Aesthetics 36 (Autumn 1999): 32-59. -------- . "Lissitzky on Broadway." In Object: Photo. Modern Photographs: Foucault, Michel. Discipline and Punish: Golan, Romy. Modernity and Nostalgia: The Birth of the Prison. Translated by Art and Politics in France between the The Thomas Walther Collection 19091949. An Online Project of the Museum Alan Sheridan. New York: Vintage, Wars. New Haven, CT: Yale University of Modern Art, edited by Mitra 1995. Fridliand, S. "Molchanie—ne vsegda Press, 1995"Golosa rabochikh, kolkhoznikov, zoloto.” Pro/etarskoefoto 1 (January 1932): 17-18. -------- . "Trevozhnye signály." Sovetskoe
foto 5-6 (1936): 22-27. Maria Morris Hambourg. New York: fotoreportiorov na tvorcheskoi Museum of Modern Art, 2014. https:// diskussii.” Proletarskoe foto 1 (January www.moma.org/interactives 1932): 13-17. Gor’kii, Μ., L. Averbakh, S. Firin, et al. Belomorsko-Baltiiskii kanal imeni Gabara, Esther. Errant Modernism: The Abbaspour, Lee Ann Daffner, and /objectphoto/assets/essays /Gough.pdf. -------- . “Portrait under Construction: Ethos of Photography in Mexico and Statina: Istorila stroitel'stva. Moscow: Lotte Jacobi in Soviet Russia and Cen Brazil. Durham, NC: Duke University Gosudarstvennoe izdatel’stvo, 1934. tral Asia." October 173 (2020): 65-117. Translated by Amabel Williams-Ellis Press, 2009. Gabrichevskii, A. G., ed. Iskusstvo -------- . "Press." In Revo/iutsiia! Demon- as Belomor: An Account of the Con stratsiia! Soviet Art Put to the Test, portreta: Sborník statei. Moscow: Gosudarstvennaia akademija struction of the New Canal between edited by Matthew S. Witkovsky and the White Sea and the Baltic Sea (New Devin Fore, 78-85. Chicago: Art khudozhestvennykh nauk, 1928. York: Harrison Smith and Robert Haas, “The GAKhN Dictionary of Artistic Terms, 1923-1929·" Translated by Masha Chlenova. October 162 (2017): 41-107. Galassi, Peter. "Rodchenko and Pho tography's Revolution.” In Aleksandr 1935). Gor’kii, Maksim. “0 kochke i 0 tochke." In Sobrantesochinenii v tridtsati tomakh, 27:42-52. Moscow: GIKh, 1953. -------- . "Rech' na sliote udarnikov Rodchenko, edited by Magdalena Belomorstroia." In Sobrantesochinenii Dabrowski, Leah Dickerman, and v tridtsati tomakh,
27:187-98. Moscow: Peter Galassi, 100-137. New York: Museum of Modern Art, 1998. Gastev, Aleksei. Kak nado rabotad: Prak- ticheskoe vvedenie v nauku organizatsii truda. Moscow: Ekonomika, 1966. Gerovitch, Slava. From Newspeak to Cyberspeak: A History of Soviet 224 GIKh, 1953. -------- . "Sinematograf Lium'era." In Sobrante sochinenii v tridtsati tomakh, 23:242-46. Moscow: GIKh, 195З· Trans lated by Leda Swan [Jay Leyda] as Institute of Chicago, 2017. -------- . "Radical Tourism: Sergei Tret’iakov at the Communist Lighthouse.” October 118 (2006): 159-78. -------- . "Tarabukin, Spengler, and the Art of Production." October 93 (Summer 2000): 79-108. Graham, Loren R. The Ghost of the Exe cuted Engineer: Technology and the Fall of the Soviet Union. Cambridge, MA: Harvard University Press, 199З. Grimaldo Grigsby, Darcy. Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower, and Panama "The Kingdom of Shadows,” in Kino: Canal: Transcontinental Ambition in A History of the Russian and Soviet France and the United States during the Bibliography
Long Nineteenth Century. Pittsburgh: Photography, Literature, Film. New Periscope, 2012. York: Oxford University Press, 2017. Grishanin, V. "Ideologicheskie problemy Sound. Bloomington: Indiana University Press, 2018. Kamp, Marianne. "Jahon Obidova Hughes, Langston. "Farewell to foto (Zametki o nekotorykh vyska- Mahomet." In The Collected Works of (1900-1967)." In Russia's People of zyvaniiakh i koe-kakoi produktsii)." Langston Hughes: Essays on Art, Race, Empire: Life Stories from Eurasia, 1500 Proletarskoefoto 1 (lanuary 1932): 3-9. Groys, Boris. The Total Art of Stalinism: Politics, and World Affairs, edited by to the Present, edited by Stephen Μ. Norris and William Sunderland, 309- Avant-Garde, Aesthetic Dictatorship, Christopher C. De Santi, 9:i33-4O. Columbia: University of Missouri and Beyond. Translated by Charles Press, 2002. Press, 2012. Rougle. London: Verso, 2011. -------- , ed. Russian Cosmism. Cam bridge, MA: MIT Press, 2018. Gurianova, Nina. The Aesthetics of Anar chy: Art and Ideology in the Early Rus 18. Bloomington: Indiana University -------- . The New Woman in Uzbekistan: Ignatovich, Boris. "Ob odnoi opasnoi Islam, Modernity, and Unveiling under tendentsil." Sovetskoe foto 7 Communism. Seattle: University of (1935): 13. Washington Press, 2006. "Illiustrirovannoe pis'mo v redaktsiiu: Nashi i za granitsa [s/c]." Sovetskoe Karasik, Mikhail, and Manfred Heiting, sian Avant-Garde. Berkeley: University foto 4 (1928): 176. Translated by John eds. The Soviet Photobook 1920-1941· of California Press, 2012. E. Bowlt as "A Photographer," "An Göttingen: Steidl,
2015. Halfin, Igai. Terrorin My Soul: Communist Illustrated Letter to the Editor: At Kassil', Lev. "Talant, ne strashivshiisia Autobiographies on Trial. Cambridge, Home and Abroad," in Photography budnei." In Aleksandr Rodchenko MA: Harvard University Press, 2003. in the Modern Era: European Docu risuet, fotografiruet, sporit, by ments and Critical Writings, 1913-1940, Leonid Volkov-Lannit, 5-7. Moscow: Hanson, Stephen E. Time and Revolu tion: Marxism and the Design of Soviet ed. Christopher Phillips (New York: Institutions. Chapel Hill: University of Museum of Modern Art, 1989), North Carolina Press, 1997. Harte, Tim. Fast Forward: The Aesthet ics and Ideology of Speed in Russian Iskusstvo, 1968. Kataev, Valentin. Vremia, vperiod! 243-44. Ioffe, leremiia I. "Kul'tura i stil’: Sistema i Izbrannoe: Kul'tura i stil', 6-304. Mos Madison: University of Wisconsin cow: RAO Govoriashchaia kniga, 2010. Press, 2009. lated by Charles Malamuth as Time, Forward! (Evanston, IL: Northwestern printsipy sotsiologii iskusstv." In Avant-Garde Culture, 1910-1930. Heatherley, Owen. "The City without a Moscow: Federatsiia, 1932. Trans University Press, 1995). Kettering, Karen. "'Ever More Cosy and -------- . Novyistil՛. Moscow: Izogiz, 1932. Comfortable’: Stalinism and the Soviet "Iz doklada nachaľnika BBLaga S. Firina Domestic Interior, 1928-1938."Journal Centre: Disurbanism and Communism na torzhestvennom zasedanii Kom- Revisited." In Re-Centring the City: munisticheskoi Akademii i Instituta Global Mutations of Socialist Moder Sovetskogo Stroitel'stva ob itogakh 119-35· Khalid, Adeeb.
Making Uzbekistan: nity, edited by Jonathan Bach and stroitel'stva BBK.” In Gulag v Karelii: Nation, Empire, and Revolution in Michał Murawski, 63-72. London: UCL Press, 2020. Sborník dokumentov i materialov, the Early USSR. Ithaca, NY: Cornell Heftberger, Adelheid. “Stekliannyi Glaz (The Glass Eye) and Karmen—The of Design History 10, no. 2 (1997): University Press, 2016. 1930-1941, 76-79- Petrozavodsk: Karel'skii nauchnyi tsentr RAN, 1992. Khan-Magomedov, Selim. Arkhitektura "Iz dokladnoi zapiski upravlenüa po sovetskogo avangarda. Moscow: Actress, Editor and Director Lilia Brik.” delam BMS pri SNK KASSR v Sovnar- Apparatus: Film, Media and Digital Cul kom Respubliki o khode rabot po tures in Central and Eastern Europe 6 (2018). http://www.apparatusjournal pereseleniiu naseleniia iz zony Individual in Russia: A Study of Prac zatopleniia.” In Gulag v Karelii: Sborník .net/index.php/apparatus/article /view/i2i. dokumentov i materialov, 1930-1941, 49-56. Petrozavodsk: Karel'skii tices. Berkeley: University of California Press, 1999. Hellbeck, Jochen. Revolution on My Mind: Writing a Diary under Stalin. Stroiizdat, 1996. Kharkhordin, Oleg. The Collective and the Kiaer, Christina. "His and Her Construc nauchnyi tsentr RAN, 1992. tivism." In Rodchenko and Popova: Jakobson, Michael. Origins of the Gulag: Cambridge, MA: Harvard University The Soviet Prison Camp System, 1917- Press, 2006. 1934. Lexington: University Press of Kentucky, 1993. Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London: I. B. Tauris, 2007. Hirsch, Francine. Empire of Nations: Ethnographic
Knowledge and the Making of the Soviet Union. Ithaca, NY: Cornell University Press, 2005. Holzberger, Helena. "National in Front of the Camera, Soviet behind It: London: Verso, 2002. of the Book': El Lissitzky's Works on ums.” Oxford Art Journal 28, no. 3 (2005): 431-55. pean History 16, no. 4 (2018): 487-508. Hornby, Louise. Still Modernism: Kaganovsky, Lilya. The Voice of Tech nology: Soviet Cinema's Transition to tivism. Cambridge, MA: MIT Press, October 147 (2015): 55-77. Paper, 1919-1937.” PhD diss., Harvard University, 2015. 1925-1937·" Jouma/ of Modern Euro Socialist Objects of Russian Construc 2005. -------- . "Lyrical Socialist Realism." Johnson, Samuel. "'The Architecture Central Asia in Press Photography, Margarita Tupitsyn, 143-59- London: Tate, 2009. -------- . Imagine No Possessions: The Jameson, Frederic. A Singular Modernity: Essay on the Ontology of the Present. Jolies, Adam. “Stalin's Talking Muse Defining Constructivism, edited by -------- . "Rodchenko in Paris.” October 75 (1996): 3-33-------- . "The Short Life of the Equal Woman." Tate Etc., October 20, 2017. https://www.tate.org.uk/tate-etc /issue-i5-spring-2009/short-life -equal-women. Bibliography 225
-------- . "'Tsvetnye kartinki’ v azbuke kommunizma: Deineka i Rodchenko v zhurnale ‘Daiosh'.’" Iskusstvoznanie շ Thomas Y. Levin, 75-88. Cambridge, Stepanovoi. Moscow: Gosudarstvennyi MA: Harvard University Press, 1995· muzei izobrazitel'nykh iskusstv imeni A. S. Pushkina, 2014. -------- . "A Note on Portrait Photogra (2017): 140-65. phy.” In The Past's Threshold, edited -------- . "Was Socialist Realism Forced Labour? The Case of Aleksandr by Philippe Despoix and Maria Zinfert, 59-62. Translated by Conor Joyce. Deineka in the 1930s." Oxford Art Journal 3 (2005): 321-45. King, David. The Commissar Vanishes: The Falsification of Photographs and Art in Stalin's Russia. New York: Henry Berlin: Diaphanes, 2014· -------- . "Photography.” Translated by Thomas Y. Levin. Critical Inquiry 19, (Spring 1993): 421-36. Krauss, Rosalind. "The Photographic Ո0.3 Holt, Metropolitan, 1997. -------- . Ordinary Citizens: The Victims of Stalin. London: Francis Boutle, 2003. Russkii avangard, 2009. -------- , ed. Aleksandr Rodchenko: Exper iments for the Future: Diaries, Essays, Letters, and Other Writings. Trans lated by Jamey Gambrell. New York: Museum of Modern Art, 2005. Lavrentiev, Aleksandr, and Olga Conditions of Surrealism." October 19 Sviblova, eds. Alexander Rodchenko: (Winter 1981): 3-34. Revolution in Photography. Moscow: Kriebel, Sabine. Revolutionary Beauty: Kino-literatura: Pervaia výstavka. Mos -------- . Varvara Stepanova. Moscow: The Radical Photomontages ofJohn cow: Gosudarstvennaia akademiia Heartfield. Berkeley: University of khudozhestvennykh nauk, 1927. California
Press, 2014. Multimedia Complex of Visual Arts, 2008. Le Corbusier. Toward an Architecture. Translated by John Goodman. Los Klein, Joachim. "Belomorkanal: Litera Krylova, Anna. "The Tenacious Liberal Angeles: Getty Research Institute, tura i propaganda v stalinskoe vre- Subject in Soviet Studies." Kritika: mia." Novoe Literaturnoe Obozrenie 71 (2005): 231-62. Explorations in Russian and Eurasian 2007. Lee, Steven S. The Ethnic Avant-Garde: Klutsis, Gustav. "Fotomontazh как History 1, no. 1 (2000): 119-46. “Kuda itti? [sic].” Sovremennaia novyi vid agitatsionnogo iskusstva." In Izofront: Klassovaia bor'ba na fone prostranstvennykh iskusstv. Sborník arkhitektura 1-2 (1930): 4-6. Kunichika, Michael. "Landscape and Vision at the White Sea-Baltic Canal." statei ob"edineniia "Oktiabr', " edited by P. I. Novitskii, 119-34· Moscow: Ogiz Izogiz, 1931. Koerner, Joseph Leo. Caspar David New Haven, CT: Yale University Press, Visual Culture, edited by Valerie Ann Stuart Elden and Gerald Moore. 2008. -------- . “Our Native Antiquity": Archae under Stalin.” In Utopian Reality: In Rhythmanalysis: Space, Time and Everyday Life, 27-37. Translated by New Haven, CT: Yale University Press, 1990. Kokkori, Maria. "Exhibiting Malevich New York: Columbia University Press, 2015. Lefebvre, Henri. "From a Window.” In Picturing Russia: Explorations in Kivelson and Joan Neuberger, 254-58. Friedrich and the Subject of Landscape. Minority Cultures and World Revolution. London: Continuum, 2004. Lehmann, Ann-Sophie. "The Transpar ency of Color: Aesthetics, Materials, and Practices of Hand Coloring ology
and Aesthetics In the Culture Photographs between Rochester and of Russian Modernism. Brighton, MA: Yokohama.” Getty Research Journal 7 Academic Studies Press, 2015. (2015): 81-96. Lenin, Vladimir. Polnoesobranie Reconstructing Culture in Revolutionary Kurchanova, Natasha. "Osip Brik and Russia and Beyond, edited by Christina the Politics of the Avant-Garde." sochinenii. Moscow: Gosudarstvennoe Lodder, Maria Kokkori, and Maria October 134 (2000): 52-73. izdatel'stvo politicheskoi literatury, Mileeva, 133-52· Leiden: Brill, 2013. Kushner, Boris. "Otkrytoe pis'mo." 1958-65. Lenoe, Matthew E. Closer to the Masses: Kokurin, A. I., and lu. N. Morukov, eds. NovyiLefS (1928): 38-40. Translated Stalinskie stroiki GULaga 1930-1953. Moscow: Izdatel'stvo Materik, 2005. by John E. Bowlt as "Open Letter to Stalinist Culture, Social Revolution, and Rodchenko,” in Photography in the Soviet Newspapers. Cambridge, MA: Kosofsky Sedgwick, Eve. "Paranoid Modern Era: European Documents and Reading and Reparative Reading, Critical Writings, 1913-1940, ed. Chris Or You're So Paranoid You Probably topher Phillips (New York: Museum of Think This Essay Is about You.” In Touching Feeling: Affect, Pedagogy, Performativity, 123-52· Durham, NC: Duke University Press, 2003. Modern Art, 1989), 249-51. Lavrentiev, Aleksandr. Aleksandr Rod chenko. Moscow: S. A. Gordeev, 2011. -------- . Alexander Rodchenko: Kotkin, Stephen. Magnetic Mountain: Stalinism as Civilization. Berkeley: Photography 1924-1954. Edison, NJ: Knickerbocker, 1995. University of California Press, 1995. -------- . Stalin: Waiting for
Hitler, 1929- -------- . A. Μ. Rodchenko. V. F. Stepanova. 1941. New York: Penguin, 2017. Kovtun, Evgenii. "Varvara Stepanova's -------- . Maiakovskii-Rodchenko: Klassika Moscow: Kniga, 1989. konstruktivizma. Moscow: Fortuna Harvard University Press, 2004. Levit, Georgy S. "Looking at Russian Ecology through the Biosphere The ory.” In Ecology Revisited: Reflecting on Concepts, Advancing Science, edited by Astrid Schwarz and Kurt Jax, 33З- 47. New York: Springer, 2011. Liakhov, V. N. Oformlenie sovetskoi knigi: Superoblozhka, perepliot, oblozhka, forzats. Moscow: Izdatel'stvo "Kniga,” 1966. Lisitskii, EI'. "Chelovek mera vsekh portnykh.” Izvestiia ASNOVA, no. 1 (1926). -------- . "Glaz arkhitektora (Izlozhenie Anti-Book.” In From Surface to Space: Russia 1916-24, 57-62. Cologne: Gal El, 2015. -------- . Rakursy Rodchenko. Moscow: erie Gmurzynska, 1974. Iskusstvo, 1992. -------- . "Rodchenko v 'SSSR na stroike.’" promysh/ennost' 2 (January 1926): Sovetskoe foto i (1981): 38-39. -------- . Vgostiakh u Rodchenko і as "The Architect's Eye; A Review of Erich Mendelsohn's America (1926),” Kracauer, Siegfried. "The Mass Orna ment." In The Mass Ornament: Weimar Essays, edited and translated by 226 Bibliography knigi E. Mendel'sona).” Stroitel'naia 144-46. Translated by Alan Upchurch
in Photography in the Modern Era: Bowlt as "From Cubism and Futurism Print: Writings from 1816 to the Present, European Documents and Critical to Suprematism: The New Painterly edited by Vicki Goldberg, 339-48. Albuquerque: University of New Writings, 1913-1940, ed. Christopher Realism," in Russian Art of the Avant- Phillips (New York: Museum of Mod Garde: Theory and Criticism, 1902-1934, ern Art, 1989), 221-26. ed.John E. Bowlt (New York: Viking, --------- . "Letter to Jan Tschichold, 29 September 1932.” In Situating El Proletkult Movement in Revolutionary and Brian Reed, 256-57. Translated Russia. Berkeley: University of by David Britt. Los Angeles: Getty Research Institute, 2003. --------- . “Unser Buch (U.D.S.S.R.).” Photography, Film, 38-40. Translated 1976), 116-35· by Janet Seligman. Cambridge, MA: Maliy, Lynn. Culture of the Future: The Lissitzky, edited by Nancy Perloff MIT Press, 1969. Monday, Chris. "An Intellectual's Revolt against the Sun: Alexander California Press, 1990. Mandel'shtam, Osip. "Kholodnoe leto." 2, Proza, perevody, 294-96. Moscow: Translated by Helene Aldwinckle and Khudozhestvennaia kul'tura, 1990. Chayanov and Abram Bragin's Albidum (1928).” Russian History 42 In Sochineniia v dvukh tomakh, vol. Gutenberg-Jahrbuch (1927): 172-78. Mexico Press, 1988. --------- . "Typophoto.” In Painting, (2015): 304-42. Morukov, Mikhail. "The White Sea-Baltic Martin, Terry. Affirmative Action Empire: Canal." In The Economics of Forced Lissitzky: Life, Letters, Texts, by Sophie Nations and Nationalism in the Soviet Labor: The Soviet Gulag, edited by Lissitzky-
Küppers (London: Thames Union, 1923-1939. Ithaca, NY: Cornell Paul R. Gregory and Valery Lazarev, and Hudson, 1968), 360-63. University Press, 2001. Mary Whittall as "Our Book," in El Lissitzky-Küppers, Sophie. El Lissitzky: 151-62. Stanford: Hoover Institution, Marx, Karl. Marx and Engels Collected 2003. Moshkova, V. G. Kovry narodov Srednei Life, Letters, Texts. London: Thames Works, vol. 35, Karl Marx-Capital, and Hudson, 1968. V0I.1. London: Lawrence and Wishart Azii kontsa XIX-nachala XX w: Materi Electric, 2010. ały ekspeditsii 1929-1945 godov. Tash Livak, Leonid. In Search of Russian Modernism. Baltimore: Johns Hopkins University Press, 2018. kent: Izdatel'stvo "Fan" UzSSR, 1970. McLeod, Mary. "Modernism.” In Forty Muter, R. Istorila zhivopisi v XIX veke. Ways to Think about Architecture: Architectural History and Theory Today, Translated by V. Vengerova. Vol. 2. structivism: Kino-fot and Rodchenko's edited by lain Borden, Murray Fraser, Saint Petersburg: Tipografiia Spb. akts, Move into Photography." History of and Barbara Penner, 185-92. West obsh. pechatnogo dela v Rossii E. Photography 24, no. 4 (2000): 292-99. Sussex: John Wiley, 2014. Lodder, Christina. "Promoting Con Lucente, Angelina. "The Conflicted Ori gins of Soviet Visual Media: Painting, Photography, and Communication in Evdokimov, 1900. Mendelsohn, Erich. Amerika: Bilderbuch eines Architekten. Berlin: Mosse, 1926. Merkúrov, S. D. "Monumental’naia Russia, 1925-1932." Cahiers du monde skul'ptura na kanale Moskva-Volga.” russe 56, no. 2/3 (2015): 401-28. “Na pervom etape tvorcheskoi diskussii."
Proletarskoe foto 1 (January 1932): 10-12. Naiman, Eric. "Discourse Made Flesh: In Arkhitektura kanala Moskva-Volga, Healing and Terror in the Construction --------- . "Painting against Empire: Béla 68-72. Moscow: Izdatel'stvo Vseso- of Soviet Subjectivity." In Language Uitz and the Birth and Fate of Inter iuznoi akademii arkhitektury, 1939. and Revolution: Making of Modern nationalist Socialist Realism." Russian Michelson, Annette. “From Magician to Political Identities, edited by Igai Review 79, no. 4 (October 2020): Epistemologist: Dziga Vertov’s Man Halfin, 243-68. Portland, OR: F. Cass, 578-605. with a Movie Camera." October 162 2002. Lúgon, Olivier. "The Old Bridge, the His torian, and the New Photographer.” In (2017): 112-32. --------- . "On Soviet Subjects and the --------- . “The Wings of Hypothesis: Scholars Who Make Them." Russian Review 60, no. 3 (2001): 307-15. Moholy-Nagy: Future Present, edited On Montage and the Theory of the by Matthew S. Witkovsky, Carol S. Interval." In Montage and Modern Life, Neimark, Anna. "The Infrastructural Eliel, and Karole P. B. Vail, 105-16. Chi 1919-1942, edited by Matthew Teitel Monument: Stalin's Water Works cago: Art Institute of Chicago, 2016. baum, 60-68. Cambridge, MA: MIT under Construction and in Represen Press, 1992. tation." Future Anterior 9, no. 2 Luke, Megan. Kurt Schwitters: Space, Image, Exile. Chicago: University of Chicago Press, 2014. Maiakovskii, Vladimir. "Daiosh՛.” In Mikhailova, E. "Litfront." In Nesbet, Anne. Savage Junctures: Sergei tomakh, 6:506-13. Moscow: Ogiz Eisenstein and the Shape of Thinking.
Polnoe sobranie sochinenii, 4:346-47. RSFSR, gosudarstvennoe slovarno- Moscow: Nauka, 2016. entsiklopedicheskoe izdatel'svo --------- . "Razgovor s tovarishchem Len (Winter 2012): 1-14. Literaturnaia entsiklopediia v 11-ti London: I. B. Tauris, 2003. --------- . "Skyscrapers, Consular Territory, and Hell: What Bulgakov and Eizen- "Sovetskaia Entsiklopediia,” 1932. iným.” In Polnoe sobranie sochinenii, Mileeva, Maria. "The Creative Mistakes shtein Learned about Space from ll'f 10:17-20. Moscow: Khudozhestven- of Socialist Realism.” In New Narra and Petrov's America." Slavic Review naia literatura, 1958. tives of Russian and East European Art: Malevich, Kazimir. Ot kubizma i futu Between Traditions and Revolutions, 69, no. 2 (2010): 377-97. Neuberger, Joan. This Thing of Darkness: rizma к suprematizmu: Novyi zhivo- edited by Galina Mardilovich and Eisenstein's Ivan the Terrible in Stalin's pisnyi realizm.” In Sobranie sochinenii Maria Taroutina, 136-50. New York: Russia. Ithaca, NY: Cornell University v piati tomakh, edited by D. V. Sarabi- Routledge, 2019. anov et al., 1:35֊55· Moscow: Gileia, 1995-2004. Translated by John E. Moholy-Nagy, László. "From Pigment to Light, 1936.” In Photography in Press, 2019. Northrop, Douglas. Veiled Empire: Gender and Power in Stalinist Russia. Bibliography 227
Ithaca, NY: Cornell University Press, Pereleshin, B. "Vavilonskoe nasledie.” "The Revolutionary Archive of A.R.” 2004. ЗоОпеі(November 1929): 50-58. Perloff, Marjorie. The Futurist Moment: Robin, Régine. Socialist Realism: An Novitskii, P. I. "0 tvorcheskom metode V. A. Favorskogo." Brigada khudozhnikov 5-6 (1931): 37. Nunan, Timothy A. "Soviet Nationali ties Policy, USSR in Construction, and Avant-Garde, Avantguerre, and the Language of Rupture. Chicago: Univer sity of Chicago Press, 2003. Phillips, Christopher, ed. Photography in Soviet Documentary Photography in the Modern Era: European Documents Comparative Context, 1931-1937." Ab Imperio 2 (2010): 47-92. York: Museum of Modern Art, 1989· Okhitovich, M. "Zametki po teorii ras- seleniia." Sovremennaia arkhitektura 1-2 (1930): 7-16. Orlova, Galina. “‘Karty dlia slepykh’: and Critical Writings, 1913-1940. New Picture Taking with the Vest Pocket Autographic Kodak. Rochester, NY: Eastman Kodak Company, 1916. Platonov, Andrei. Kotlovan. Saint October 118 (2006): 153-58. Impossible Aesthetic. Translated by Catherine Porter. Stanford: Stanford University Press, 1992. Rodchenko, Aleksandr. "Chiornoe I beloe." In Opyty dlia budushchego: Dnevniki, stat'i, pis'ma, zapiski, edited by O. V, Mel'nikov and V. I. Schen nikov, 287-91. Moscow: Izdateľstvo "Granit," 1996 (hereafter Opyty dlia budushchego). Translated by Jamey Gambrell as "Black and White: Auto Politika i politizatsiia zreniia v Petersburg: Azbuka-klassika, 2002. biography,” in Aleksandr Rodchenko: stalinskuiu epokhu.” In Vizual'naia Translated by Robert Chandler,
Eliza Experiments for the Future: Diaries, antropologiia: Rezhimy vidimasti pri beth Chandler, and Olga Meerson as Essays, Letters, and Other Writings, sotsializme, edited by E. larskaia- Foundation Pit (New York: New York ed. Aleksandr Lavrentiev (New York: Review of Books, 2009). Smirnova and P.Romanov, 57-105. Platt, Kevin M. F. History in a Grotesque Moscow: Variant TsSPGI, 2009. -------- . "Rozhdenie vreditelia: Otritsa- Key: Russian Literature and the Idea tel'naia politicheskaia sakralizatsiia v of Revolution. Stanford: Stanford Strane Sovetov.” Zeit-Raume (Wiener Slawistischer Almanach) 49 (2003): University Press, 1997. Plotnikov, N.S., N. P. Podzemskaia, and lu. N. lakimenko, eds. Iskusstvo как 309-46. iazyk—lazyki iskusstvo: Gosudarstven- "Otkrytoe pis'mo gruppy Oktiabr" v naia akademka nauk i esteticheskaia teoriia 1920-kh godov. Moscow: Novoe redaktsiiu ‘Proletarskoe foto."' Proletarskoe foto 2 (1932): 3. Oushakine, Serguei Alex. "The Flexible and the Pliant: Disturbed Organisms literaturnoe obozrenie, 2017. "Postanovlenie TsK VKP(b) o plakatno! Museum of Modern Art, 2005), 304-8 (hereafter Experiments for the Future). -------- . “Iz manifesta suprematistov i bespredmetnikov.” In Opyty dlia budushchego, 67. Translated by Jamey Gambrell as "From the Manifesto of Suprematists and Non-Objective Painters," in Experiments for the Future, 85-86. -------- . "K foto v etom nomere.” Novyi Lef 3 (1928): 28-29. -------- . "Korabeľnyi dnevnik." In Opyty of Soviet Modernity." Cultural literature." In Za boľshevistskiiplakat: Anthropology 19, no. 3 (2004): Zadachi
izoiskusstva v sviazi s reshe- by Jamey Gambrell as "Ship's Log," in niem TsK VKP(b) 0 plakatnoi literature: Experiments for the Future, 98-108. Diskussiia i vystupleniia v institute Lila, -------- . "Krupnaia bezgramotnost’ ill 392-428. Panofsky, Erwin. Perspective as Symbolic Form. Translated by Christopher S. Wood. New York: Zone, 2012. 3-4. Moscow: Ogiz-lzogiz, 1932. Prishvin, Mikhail. Dnevniki, 1932-1935, Kniga vos'maia. Edited by la. Z. Panteleeva, R. P, ed. Μ. Gor'kii i sovetskaia pechat'. Moscow: Nauka, 1964-65. Papazian, Elizabeth. Manufacturing Truth: The Documentary Moment in Early Soviet Culture. DeKalb: Northern Illinois University Press, 2009. Paperno, Irina. Stories of Soviet Experi Grishina. Saint Petersburg: ООО "Izdateľstvo Rostok,” 2009. Reid, Susan. "Socialist Realism in the Stalinist Terror." Russian Review 60, no. 2 (April 2001): 153-84. Reischl, Katherine Hill. "In the Soviet School of Photography: Lessons in dlia budushchego, 81-90. Translated melkaia gadost՛?" Novyi Lef 6 (1928): 42-45. Translated by Jamey Gambrell as "Large-Scale Illiteracy or Dirty Little Tricks: Open Letter," in Experiments for the Future, 204-7· -------- . "Laboratornoe prokhozhdenie cherez iskusstvo zhivopisi i konstruktivno-prostranstvennye formy k industriaľnoi initsiative KONSTRUKTIVIZMA 1917-1921 (Avtomonografiia).” In Opyty dlia ence: Memoirs, Diaries, Dreams. Ithaca, Photographic Literacy." Modernism/ NY: Cornell University Press, 2009. modernity 3 (Print+, 2018). https:// budushchego, 109-15-Translated by Paperny, Vladimir. Architecture in the
modernismmodernity.org/articles Jamey Gambrell as “A Laboratory Pas /soviet-school-photography. sage," in Experiments for the Future, Age of Stalin: Culture Two. Translated -------- . Photographic Literacy: Cameras in the Hands of Russian Authors. Ithaca, by John Hill and Roann Barris in collaboration with the author. Cambridge: Cambridge University NY: Cornell University Press, 2018. -------- . '"Where I Have Been with My Press, 2002. Pasternak, Boris. "Liūdi i polozheniia: Avtobiograficheskii ocherk." Novyi Mir 1 (1967): 204-36. Translated by Nicolas Pasternak Slater as “People and Prop ositions," in People and Propositions. The Voice of Prose, ed. Christopher Camera': Sergei Tret'iakov and 123-31· -------- . "Liniia.” In Opyty dlia budu shchego, 95-98. Translated by Jamey Gambrell as "The Line," in Experiments for the Future, 111. Developing Operativity.” Russian -------- . "Master i kritika." Sovetskoe foto Literature 103-5 Üanuary-April 2019): 9 (1935): 4-5. -------- . Opyty dlia budushchego: 119-43. Renger-Patzsch, Albert. "Aims.” Trans Dnevniki, stat'i, pis'ma, zapiski. Edited lated by Joel Agee. (In Photography in by O. V. Mel'nikov and V. I. Schen Barns (Edinburgh: Polygon, 1990), the Modern Era, ed. Christopher Phil nikov. Moscow: Izdateľstvo "Granit,” 226-86. lips. New York: Museum of Modern 1996. Art, 1989), 104-5. 228 Bibliography
-------- . "Perestroika khudozhnika.” Sovetskoe foto 5-6 (1936): 19-21. Rodchenko, 14-17. Milan: Skira, 2016. Sander, August. Antlitz derzeit: Sechzig -------- . "Momenty tvorchestva." In A.M. Translated by Jamey Gambrell as Rodchenko. V. E Stepanova, by Alek Aufnahmen deutscher Menschen des 20. Jahrhunderts. Munich: Kurt Wolff, “Reconstructing the Artist," in sandr Lavrentiev, 139-43· Moscow: Experiments for the Future, 297-304. -------- . "Predosterezhenie." Novyi Lef 11 (1928): 36-37. Translated by Jamey Gambrell as "Warning!," in Experi Time: Bolshevik Festivals and Their ments for the Future, 212-14· A Study of the Central Black Earth -------- . "Protiv summirovannogo por 1929. Sarkisova, Oksana. Screening Soviet Kniga, 1989· Rolf, Malte. "Constructing a Soviet Nationalities: Kulturfilms from the Far North to Central Asia. London: I. B. Rivals during the First Five-Year Plan. Tauris, 2017. Schaaf, Larry. Records of the Dawn of Region." Kritika: Explorations in Russian Photography: Talbot's Notebooks P treta za momentaľnyi snimok.” Novyi and Eurasian History 1, no. 3 (Summer Cl Cambridge: Cambridge University Lef 4 (1928): 14-16. Translated by John 2000): 447-73. E. Bowlt as “Against the Synthetic Press, 1996. Romanenko, Ekaterina. "Photomontage Schaefer, William. Shadow Modernism: Portrait, for the Snapshot," in Photog for the Masses: The Soviet Periodical Photography, Writing, and Space in raphyin the Modern Era, ed. Christo Press of the 1930S." Design Issues 26, Shanghai, 1925-1937. Durham, NC: pher Phillips (New York: Museum of Modern Art, 1989), 238-42. no. 1
(Winter 2010): 29-39. Duke University Press, 2017. Schick, Christine. "Russian Constructiv Romberg, Kristin. "Art in the Age of ist Theory and Practice in the Visual -------- . "Puti sovremennoi fotografii.” NovyiLef 9 (1928): 31-39. Translated Binary Inversion: Russian Constructiv ist Graphic Design and the Interwar and Verbal Forms of Pro Eto." PhD by Jamey Gambrell as "The Paths of Grid." In New Narratives of Russian and diss., University of California, Berkeley, Contemporary Photography," in East European Art, edited by Galina Experiments for the Future, 207-12. Mardilovich and Maria Taroutina, -------- . "Rabota s Maiakovskim." In Opyty dlia budushchego, 203-66. Translated by Jamey Gambrell as 2011. Schlögel, Karl. Moscow, 1937. Translated by Rodney Livingstone. Cambridge: 115-35. New York: Routledge, 2020. -------- . "Festival." In Revoliutsiia! Polity, 2012. Schwartz, Frederic J. Blind Spots: Crit Demonstratsiia! Soviet Art Put to the "Working with Mayakovsky," in Experi Test, edited by Matthew S. Witkovsky ical Theory and the History of Art in ments for the Future, 214-30. and Devin Fore, 250-57. Chicago: Art Twentieth-Century Germany. New -------- . “Rodchenko v Parizhe. Iz pisem domoi.” Novyi Lef 2 (1928): 9-21. Translated by Jamey Gambrell as "In Haven, CT: Yale University Press, 2005. Institute of Chicago, 2017· Sekula, Allan. “The Body and the -------- . Gan's Constructivism: Aesthetic Theory for an Embedded Modernism. Archive.” October 39 (Winter 1986): Paris: From Letters Home, 1925,” in Oakland: University of California Press, Experiments for the Future,
148-86. 2018. -------- . "Sharlo.” In Opyty dlia budu shchego, 130-31. Translated by Jamey -------- . "Labor Demonstrations: Aleksei Gan's Island of the Young Pioneers, Gambrell as "Chariot," in Experiments Dziga Vertov's Kino-Eye, and the for the Future, 147-48. Rationalization of Artistic Labor." -------- . “Vsio—opyty.” In Opyty dlia budushchego, 91-93. Translated by Jamey Gambrell as "Everything Is Experiment," in Experiments for the Future, 108-11. -------- . "Vstrechi s V. V. Maiakovskim." Sovetskoe foto 4 (1940): 5. -------- . "Zapisnaia knizhka Lefa." Novyi Lef 6 (1927): 3-7. Translated by Jamey Gambrell as "Lef Notebook," in Experiments for the Future, 199-204. Rodchenko, Aleksandr, and Varvara Stepanova. "Kak my rabotali nad 'Pervoi konnoi՛." In A. Μ. Rodchenko. V. F. Stepanova, by Aleksandr Lavrentiev, 135-36. Moscow: Kniga, 1989· Translated by Wendy Salmond 1928. Shklovskii, Viktor. "Iskusstvo как October 145 (2013): 38-66. Rosenheim, Jeff L. "Foxtrot, 1935.” In The Waking Dream: Photography's First Century: Selections from the Gilman literaturnoe obozrenie, 2018. Trans Paper Company Collection, edited by lated by Alexandra Berlina as "Art as Maria Hambourg, 356-57. New York: Metropolitan Museum of Art, 1993. Device," in Viktor Shklovsky: A Reader, ed. Alexandra Berlina (New York: Rowell, Margit, Deborah Wye, and Bloomsbury Academic, 2017), 73-96. Joanne Greenspun, eds. The Russian Siddiqi, Asif. “Scientists and Specialists Avant-Garde Book, 1910-1934. New York: Museum of Modern Art, 2002. Sharashka." In The Soviet Gulag: Evi in the Gulag: Life and Death in
Stalin's Ruder, Cynthia Ann. Building Stalinism: dence, Interpretation, and Comparison, The Moscow Canal and the Creation of edited by Michael David-Fox, 87-113. SovietSpace. London: I. B. Tauris, 2018. Pittsburgh: University of Pittsburgh -------- . Making History for Stalin: The Press, 2016. Story of the Belomor Canal. Gainesville: University Press of Florida, 1998. Silina, Maria. “The Struggle against Naturalism: Soviet Art from the 1920s Constructivist Life, by Alexander Ryabchikova, Natalie. "Mezhrabpomfilm about My Father." In Alexander priiom." In Sobraniesochinenii, vol. 1, Revoliutsiia, 250-68. Moscow: Novoe Rutherford, Emma. Silhouette: The Art of the Shadow. New York: Rizzoli, 2009. Rodchenko, Varvara. "A Few Words obshchestvennogo obvinitelia. Mos cow: Gosudarstvennoe izdatel'stvo, as "How We Worked on the First Cavalry," in Varvara Stepanova: A Lavrentiev, ed.John E. Bowlt (Milan: Idea, 1988), 181. Յ-64. Shein, S. D. Sud nad ekonomicheskoi kontrrevoliutsiei v Donbasse: Zametki to the 1950s.” Canadian Art Review 41, no. 2 (2016): 91-104. Simmel, Georg. Rembrandt: An Essay between Experiment and Censorship: in the Philosophy of Art. Edited and The Case of The Glass Eye." Theatre. translated by Alan Scott and Helmut Fine Arts. Cinema. Music 3 (2019): Staubmann. New York: Routledge, 2005. 71-90. Bibliography 229
Skakov, Nariman. "Culture One and a Stepanova, Varvara. Chelovek ne mozhet Half." In Comintern Aesthetics, edited zhit' bez chuda: Pis'ma, poeticheskie by Amelia Μ. Glaser and Steven S. opyty, zapiski khudozhnitsy. Edited by Lee, 227-54. Toronto: University of Toronto Press, 2020. O. V. Mel'nikov. Moscow: Sfera, 1994. -------- . "Fotomontazh.” In A. Μ. Rod Slezkine, Yuri. "The USSR as a Com chenko. V. F. Stepanova, by Aleksandr munal Apartment, or How a Socialist Lavrentiev, 131-32. Moscow: Kniga, State Promoted Ethnic Particularism." 1989. Translated by John E. Bowlt as Slavic Review 53, no. 2 (Summer 1994): "Photomontage," in Illuminations: Women Writing on Photography from 414-52· Smith, T'ai. Bauhaus Weaving Theory: the t8sos to the Present, ed. Liz Heron From Feminine Craft to Mode of Design. Minneapolis: Minnesota University Press, 2014. of the Revolutionary Utopia: Early -------- . "Photo-Painting and AvantGarde in Soviet Russia.” History of Photography 24, no. 4 (2000): 283-91. -------- . "Rise and Fall of the Soviet Pantheon.” In Pantheons: Transforma tions of a Monumental Idea, edited by Richard Wrigley and Matthew Craske, 221-42. Burlington, VT: Ashgate, 2004. Til'berg, Margareta. Tsvetnaia vselen- and Val Williams (Durham, NC: Duke naia: Mikhail Matiushin ob iskusstve University Press, 1996), 64-66. Stephan, Halina. “Lef" and the Left Front izrenii. Moscow: Novoe literaturnoe Smyrnov, Andrey. "Synthesized Voices Attempts to Synthesize Speaking and /12/aleksandr-rodchenkos-lines -of-force. of the Arts. Munich: Otto Sagner, 1981. Stetler, Pepper. Stop Reading!
Look! Modern Vision and the Weimar Photo Singing Voice in Post-Revolutionary graphic Book. Ann Arbor: University of Russia (1920s)." In Electrified Voices: Michigan Press, 2015. obozrenie, 2008. Trenin, V. "Trevozhnyi signal druz'iam." Novyi Lef 8 (1928): 30-36. Tretiakov, Sergei. "Fotomontazh khu- dozhnika-bol’shevika." Sovetskoe foto 12 (1935): 3-8. -------- . "Fotozametki." Novyi Lef 8 Medial, Socio-Historical and Cultural Stierli, Martino. Montage and Metropolis: Aspects of Voice Transfer, edited by Architecture, Modernity, and the Rep Dmitri Zakharine and Nils Meise, 163- resentation of Space. New Haven, CT: Bowlt as "Photo-Notes," in Photogra Yale University Press, 2019. phy in the Modern Era, ed. Christopher Phillips (New York: Museum of Mod 85· Göttingen: V R Unipress, 2013. Spieker, Sven. The Big Archive: Art from Stites, Richard. Revolutionary Dreams: Bureaucracy. Cambridge, MA: MIT Utopian Vision and Experimental Life Press, 2008. in the Russian Revolution. New York: Stalin, Iosif. "God velikogo pereloma: К XII godovshchine Oktiabria." In Oxford University Press, 1989. Stoichita, Victor I. A Short History of the Shadow. Translated by Anne-Marie Sochineniia, 12:118-35. Moscow: Gosudarstvennoe izdatel’stvo politicheskoi literatury, 1949. Translated Glasheen. London: Reaktion, 1997. (1928): 40-43. Translated by John E. ern Art, 1989), 252-55. -------- . "Kino к iubileiu.” NovyiLef to (1927): 27-31. -------- . "Moi zritel’nyi dnevnik." Sovetskoe foto 2 (1934): 24· -------- . “Ot fotoserii—k dliteľnomu Sudhalter, Adrian. "Representing the nabliudeniiu."
Proletarskoe foto 4 as "A Year of Great Change," in Works, Constructor." In Engineer Agitator (1931): 20-43. Translated by Devin by Joseph Stalin (Moscow: Foreign Constructor: The Artist Reinvented, Fore as “From the Photo-Series to Extended Photo-Observation," in Languages, 1954), 12:124-41. -------- . Ό politicheskikh zadachakh Universiteta Narodov Vostoka. Rech' na sobranii studentov.” In Sochineniia, 7:133-52. Moscow: Ogiz, 1947· Trans lated as "The Political Tasks of the University of the Peoples of the East: Speech Delivered at a Meeting of t9l8-t939, edited by Jodi Hauptman and Adrian Sudhalter, 38-49. New York: Museum of Modern Art, 2020. Symons, Stéphane. More than Life: Georg Simmel and Walter Benjamin in Art. Evanston, IL: Northwestern Uni versity Press, 2017Talbot, H. F. "XXXVII. Some Account October 118 (Fall 2006): 71-77. -------- . "Prodolzhenie sleduet.” Novyi Lef 12 (1928): 1-4. -------- . "Skvoz' neprotiortye ochki." Novyi Lef 9 (1928): 20-24· Tretiakov, Sergei, and Solomon Telingater. Dzhon Khartfil'd. Moscow: Ogiz, Students of the Communist University of the Art of Photogenic Drawing." of the Toilers of the East," in Works, Philosophical Magazine series 3,14, 1936. Troeller, Jordan. "Lucia Moholy’s Idle by Joseph Stalin (Moscow: Foreign no. 88 (1839): 196-211. Tarabukin, Nikolai. Ot mo/'berta к mash Trotskii, Lev. Istorila russkoi revoliutsii. Languages, 1954), 7:135-54· Hands." October tyz (2020): 68-108. ine. Moscow: Izdatel’stvo "Rabotnik Berlin: Izdatel’stvo "Granit," 1931-ЗЗ. 11 ianvaria 1933 g." In Sochineniia, prosveshcheniia," 192З· Translated
by Translated by Max Eastman as History 13:216-33. Moscow: Gosudarstvennoe Izdatel’stvo politicheskoi literatury, Christina Lodder as "From the Easel of the Russian Revolution (Chicago: to the Machine,” in Modern Art and 1952. Translated as "Work in the Modernism: A Critical Anthology, ed. Haymarket, 2017). -------- . Literatura i revoliutsiia. Moscow: -------- . "0 rabote v derevne. Rech' Countryside," in Works, by Joseph Francis Frascina and Charles Harrison Stalin (Moscow: Foreign Languages, (New York: Westview, 1987), 135-42· 1954), 14:220-39· Stavrinaki, Maria. Dada Presentism: An -------- . "Portret, как problema stilla." In Iskusstvo portreta: Sborník statei, Essay on Art and History. Translated by edited by A. G. Gabrichevskii, 159-93. Daniela Ginsburg. Stanford: Stanford Moscow: Gosudarstvennaia akademija University Press, 2016. Steimatsky, Noa. The Face on Film. New khudozhestvennykh nauk, 1928. Taylor, Brandon. "Aleksandr Rodchen York: Oxford University Press, 2017. ko's Lines of Force." Tate Papers 12 '"Stekliannyi dom' S. Μ. Eizenshteina." Iskusstvo kino 3 (1979): 94-113. 230 (Autumn 2009). https://www.tate.org. uk/research/publications/tate-papers Bibliography Izdatel’stvo "Krasnaia nov',” 192З· Translated by Rose Strunsky as Litera ture and Revolution, ed. William Keach (Chicago: Haymarket, 2005). Trudy Pervogo Vsesoiuznogo S"ezda po okhrane prirody v SSSR. Moscow: Izdatel’stvo "Vlast narodov," 1935Tsai, Joyce. László Moholy-Nagy: Painting after Photography. Oakland: University of California Press, 2018. Tsires, A. G. "lazyk portretnogo
izobrazheniia.” In Iskusstvopor Rodchenko risuet, fotografiruet, sporit. treta: Sborník statei, edited by A. G. Moscow: Iskusstvo, 1968. Gabrichevskii, 86-158. Moscow: Gosudarstvennaia akademiia khudozhestvennykh nauk, 1928. Labor: Alexander Rodchenko and the -------- . "Fata na foto (к rukografii ili к White Sea-Baltic Canal.” In Picturing fotografii?)." Novy!Lef 11 (1928): 28-36. Vronskaya, Alla. "The Utopia of Person Tucker, Robert C. Stalin in Power: The ality: Moisei Ginzburg’s Project for the Revolution from Above, 1928-1941. Moscow Park of Culture and Leisure." New York: W. W. Norton, 1990. Tugendkhol'd, la. Iskusstvo oktiabr'skoi epokhi. Leningrad: Academia, 1930. -------- . "Lenin i iskusstvo.” Pravda 94 (April 22,1928): з. Tupitsyn, Margarita. "Aleksandr -------- . "The Visual Economy of Forced Russia: Explorations in Visual Culture, edited by Valerie Ann Kivelson and Joan Neuberger, 168-74. New Haven, CT: Yale University Press, 2008. -------- . "When Photographs Speak, to Quaestio Rossica 4 (2015): 40-56. Vujošević, Tijana. Modernism and the Whom Do They Talk? The Origins and Audience of SSSR na stroike (USSR in Making of the Soviet New Man. Man chester: Manchester University Press, 2017. Výstavka rabot masterov sovetskogo Construction)." Left History 6, no. 2 (2000): 53-82. Young, James Edward. At Memory's Rodchenko: Woman with a Leica or foto-iskusstva. Moscow: Glavnoe Edge: After-Images of the Holocaust 'Letters Not about Love."' History of upravlenie kinofotopromyshlennosti TsK soiuza fotokinorabotnikov, 1935. in Contemporary Art and Architecture.
Photography 27, no. 2 (Summer 2003): 172-87. -------- . Moscow Vanguard Art 1922֊ 1992- New Haven, CT: Yale University Press, 2017. -------- . The Soviet Photograph, 1924- 1937. New Haven, CT: Yale University Press, 1996. Turvey, Malcolm. Doubting Vision: Film and the Revelationist Tradition. New York: Oxford University Press, 2008. New Haven, CT: Yale University Press, Wagner, Anne Middleton. Three Artists 2006. (Three Women): Modernism and the Yumibe, Joshua. Moving Color: Early Art of Hesse, Krasner, and O'Keeffe. Film, Mass Culture, Modernism. New Berkeley: University of California Brunswick, NJ: Rutgers University Press, 2012. Press, 1996. Weiner, Douglas R. Models of Nature: Yurchak, Alexei. "Bodies of Lenin: The Ecology, Conservation and Cultural Hidden Science of Communist Sov Revolution in Soviet Russia. Pittsburgh: ereignty." Representations 129, no. 1 University of Pittsburgh Press, 2000. (Winter 2015): 116-57. Zakovyrina, Nataliia. "Osobennosti Weissman, Terri. The Realisms of Ber -------- . The Filming of Modern Life: Euro enice Abbott: Documentary Photog razvitiia sovetskoi fotozhurnalis- pean Avant-Garde Film of the 1920s. raphy and Political Action. Berkeley: tiki I92o-i93okh godov i zhurnal Cambridge, MA: MIT Press, 2013. University of California Press, 2011. 'Sovetskoe foto."' PhD diss., Sankt- Udovički-Selb, Danilo. Soviet Archi Widdis, Emma. "The Cinematic Pastoral Peterburgskii gosudarstvennyi tectural Avant-Gardes: Architecture in the 1930S.“ In Picturing Russia: and Stalin's Revolution from Above, Explorations in Visual Culture, edited 1928-1938.
London: Bloomsbury by Valerie Ann Kivelson, and Joan Moscow: Eksmo, 2009. Translated Visual Arts, 2020. Neuberger, 175-80. New Haven, CT: by Clarence Brown as We (New York: -------- , ed. Narkomfin. Moscow, 1928- 1930. Tübingen: Wasmuth, 2016. Ushakov, D. N., ed. Tolkovyi slovar՛ russkogoiazyka. Moscow: Ogiz, 1935-40. -------- . Tolkovyi slovar’ russkogo iazyka pod redaktsiei prof. D. N. Ushakova. Moscow: Gosudarstvennoe izdatel'stvo innostrannykh i natsion- al’nykh slovarei, 1949. Vaingurt, Julia. Wonderlands of the universitet, 2008. Zamiatin, Evgenii. My; Rasskazy. Penguin, 2021). Yale University Press, 2008. -------- . “Faktura: Depth and Surface Zelinksii, Kornelii. Poeziia как smysl: Kniga o konstruktivizme. Moscow: OGI, in Early Soviet Set Design." Studies in Russian and Soviet Cinema 3, no. 1 (2009): 5-32. -------- . Socialist Senses: Film, Feeling, and the Soviet Subject, 1917-1940. Bloom 2015. Zervigón, Andrės Mario./ohn Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant- ington: Indiana University Press, 2017. Garde Photomontage. Chicago: Uni versity of Chicago Press, 2013. -------- . Visions of a New Land: Soviet Film from the Revolution to the Second Zhinkin, N. I. "Portretnye formy." In Avant-Garde: Technology and the Arts World War. New Haven, CT: Yale Iskusstvo portreta: Sborník statei, in Russia of the 1920s. Evanston, IL: University Press, 2003. edited by A. G. Gabrichevskii, 7-52. Northwestern University Press, 2013. Vatulescu, Cristina. Police Aesthetics: Literature, Film, and the Secret Police in Soviet Times. Stanford:
Stanford University Press, 2010. Vernadsky, Vladimir. The Biosphere. Translated by David B. Langmuir. New York: Copernicus, 1998. Vertov, Dziga. "Kino-Eye." In Kino-Eye: Williams, Raymond. Keywords: A Vocab ulary of Culture and Society. New York: Oxford University Press, 1983. Williams, Robert C. "The Russian 1900-1940.” Jahrbücher für Geschichte Zubovich, Katherine. Moscow Monu Photomontage as a Weapon of World Life in Stalin's Capital. Princeton, NJ: Princeton University Press, 2021. WarII and Cold War. Chicago: Art Insti tute of Chicago, 2016. Volkov-Lannit, Leonid. Aleksandr Minneapolis: Minnesota University Press, 2014. Osteuropas 43, no. 3 (1995): З64-401. Wolf, Erika. Aleksandr Zhitomirsky: The Writings of Dziga Vertov, edited by of California Press, 1984. khudozhestvennykh nauk, 1928. Zimmerman, Claire. Photographic Architecture in the Twentieth Century. Revolution and the End of Time: Annette Michelson, 60-78. Translated by Kevin O'Brien. Berkeley: University Moscow: Gosudarstvennaia akademiia -------- . "Alexander Rodchenko." Art- mental: Soviet Skyscrapers and Urban Zvedeniuk, F. Z. "Dzhakhon Abidova." In Khudzhum—znachit nastuplenie, Margins. September π, 2001. edited by F. Z. Dmitrieva, 162-66. https://artmargins.com/alexander -rodchenko/. Tashkent: Uzbekistan, 1987. Bibliography 231
Index Page numbers in italics refer to 218Ո23; vanguard and, 60, 78. See also portrait of, 158, 758; "The Photo-Still illustrations. abstraction; modernism; photography; Against the Painting" (essay), 209Ո6; return to order 5x5=25 (exhibition), 188 avant-garde urbanism, 23; disurbanism, 21, 55-59, 58,106,114; glass architec ture, 59-60 A Abbott, Berenice, 212Ո51 Abidova, Dzhakhon, 201, 202-4 Abroad (Za rubezhom) (journal), 189 abstraction, 1-2, 31,42,60-61, 74, 84, 89-90,146-48,18ο. See also modernism acceleration. See Five-Year Plans; modernization advertisement, 28,28-29, 29, 75, 76, 77,113,154-55,188, 213089. See also Rodchenko, Aleksandr, works agitation, 18-19,136, 160,18i; stands and kiosks, 72,84,120,121 AKHRR, 77 Albidum (film), 170-71, 171,180-81, 2i 7Ո4, 218Ո32. See also Rodchenko, Aleksandr, works Alpert, Maks, 102 "What the Eye Does Not See" (article), 37,42 Bulgakowa, Oksana, 60 Burliuk, David, 9 Avraamov, Arsenii, 221 м 5 Azerbaijan, 200 byt. See Soviet life В Case of the Economic Counterrevolution, backwardness. See Five-Year Plans; modernization Bakhtin, Mikhail, 26 c The (Delo ob ekonomicheskoi kontrrevoliutsii v Donbasse: Fil'ma- dokument) (film), շւշոտ7 Balázs, Béla, 200 Cassiday, Julie, 86 Barnet, Boris, 211П11 Censorship, 102-3, 128, 180, 219Ո93 Central Committee of the All-Union Barr, Alfred, 5 Barshch, Mikhail, 57,58 Communist Party, 138; “On the Barthes, Roland, 135,182, 2ізп6і Reconstruction of Literary and Artistic Belomorsko-Baltiiskii kanal imeni Stalina. See History of Construction Organizations" (decree), 91; science and, 109 (Belomorsko-
Baltiiskii kanal imeni Central Institute of Labor, 159 Stalina: Istorila stroiteľstva) (edited de Certeau, Michel, 42 Cheremnykh, Mikhail, 159, 160 volume) Benjamin, Walter, 23; distraction, Chernyshevsky, Nikolai, 108 Alymov, Sergei, 216-17Ո41 21ՕՈ66; Little History of Photography chronotope, 26, 50 anarchism, 19, 208Ո65 (book), 213Ո65; long exposure, 95; Chuzhak, Nikolai, 17,18, 207Ո31 Anarchy (Anarkhiia) (newspaper), Moscow Diary (book), 42,120; visual cinema, 37,130, 201, 217Ո48; close-up, 208Ո65 Anarkhiia (newspaper). See Anarchy literacy (view of), 85 (Anarkhiia) Berman, Matvei, 186 92; feature and nonfiction, 67; film still, 35, 50-51, 84,170; glass, 60; haptic and, 175; kino-eye and kinoks, Andry de Boisregard, Nicolas, 132-33 Annenkov, Yury, 76 Bird, Robert, 120,122, 215Ո54 blindness, 41, 97, 210Ո49; class, 159. See also photography Aragon, Louis, 10 Bloch, Ernst, 52 architectural photography. See pho tography blueprint, 138,141,145-48,184 Boccioni, Umberto, 167 Cinema Publishing House (Kinoizdat), architecture, 15, 30-31, 35, 37-45, Bolshoi Theater, 154-55, 154, 2і8п2б book design. See publication design 189 circulation, 149-50,156,180 Bourke-White, Margaret, 149 circus. See Rodchenko, Aleksandr, works 59-63,106, 2Օ9Ո45- See also modern urban space; modernism Arkhangelsk, 119,148 Armstrong, Carol, 146 Artists' Brigade, The (Brigada khudozh nikov) (journal), 2i6m6 Brigada khudozhnikov (journal). See Artists' Brigade, The (Brigada khudozhnikov) Brik, Lilia, 26; portraits in Mayakovsky's Arvatov, Boris, 15, 19 About This, 71-72; Rodchenko's Aseev, Nikolai, 73
portraits of, 72-76, 73, 74; The Glass Eye (film), 50-52 ASNOVA, 39, 41 ASNOVA News (Izvestiia ASNOVA) (journal), 39-40, 39,172 avant-garde art, 10,14, 84, 110,115, 181,188; European, 209Ո23, 217Ո19; haptic and, 175-76,183; optical and, Brik, Osip, 10, 27, 44, 68, 78, 79,115; "Against Romanticism” (article), 18-19; "From Painting to Calico-Print" (essay), 81; "From Painting to Photo" 158,199-200; Soviet, 1-7,15, 20, 24, (essay), 24,42-43; New Lef, 17; pho tography (view of), 37; portraiture SI-51, 60, 65, 158-59, 194, 2Օ7Ո21, (view of), 81-82, 94; Rodchenko's 35-37,45, 92,158, 209Ո30; kulturfilm, 50; painting and, 26, 63,180; photo graphy and, 50-51, 63, 70, 199; Soviet, 60, 67-68,148 Clark, T.J., 114, 210Ո63 class enemy. See Stalin, Josef close-up, 35, 87-88, 90, 92,116-19,125, 132-ՅՅ, 155,185. See also cinema; Rodchenko, Aleksandr Cohen, Yves, 149 collage, 2,15, 72,136-37· See also photomontage collectivity, 29, 45-48,148,161; individ uality and, 6, 24, 32, 55, 57-60, 94. See also Soviet life collectivization, 57, ш-12; refusal of, see kulak 233
color, 1, 21, 48-50,128-30,170-71, 175-83 color photography. See photography Writers, 6,18,130. See also Gorky, difference, 46, 50-55,119, 132-ՅՅ, 217Ո42; class, 116 Maxim; socialist realism Dinamo Stadium, Moscow, 170,176 First Five-Year Plan. See Five-Year Plans communal living. See Soviet life disurbanism. See avant-garde urbanism communism, 57, 201. See also Central Dmitrov, 218Ո41 documentary practice, illusion of, First State Cotton-Printing Factory, Moscow, 9 Committee of the All-Union Five-Day Week, The (Piatidnevka) (journal), 217Ո43. SeealsoDaiosh՛ 147; New Lef and, 17-18, 91-92,110; Communist Party Rodchenko and, 2-3, 21, 28-29,41, 65-71, 82-86,112,169-70, 211Ո11; Communist Party of the Soviet Union. See Central Committee of the Five-Year Plans, 1, 7, 21,109-10,171, 192; acceleration, 10-13, 208Ո29; "Daiosh"’ (slogan), 154; First, 1, 7, Stepanova and, 136-38. See also factography; photography; unveiling All-Union Communist Party complicity, 19,102 10-15, 7 7, 24, 67, 92, 93,104,114, 120-21, izi, 143,155· See also map (cartography); rupture; Stalin, Josef; domesticity. See Soviet life concealment, 86,181-83, 204 constructivism, 6,17-19, 73, 81,116-19, Donbas, 10, 173 White Sea-Baltic Canal 130,177, 194; dematerialization and, Dovzhenko, Aleksandr, 78, 92 219Ո69; easelism and, 2; faktura, in- Dubna, 186 forced labor. See Gulag 12, 180; futurity and, 11-13, 208Ո36; industry and, 119; laboratory period, E 28; tectonics, 44; Working Group of eclecticism, 3-7,18,169, 207Ո20. See formalism, 4, 7, 20,102,109,127,173, 186,197- See also avant-garde art; also modernism;
shadow oeuvre eclecticism; modernism; realism; Fore, Devin, 37 Constructivists, 9, 44 contemplation, 14, 20,106,110-11,123, 131-32. See also landscape; stillness; science; socialist realism Eisenstein, Sergei, 63, 207Ո18, 210Ո62; Battleship Potemkin (film), 59-60; The Glass House (Ят, unrealized), 59-60; obraz (idea of), 68, 211 ni 3; October suspension contemporaneity, 15, 24, 32-34, 54, 208Ո48; architecture and, 41; histor (film), 67-68; typage, 68, 85, 213065; icism and, 26, 52; modernity and, 15; Foucault, Michel, 133 Fridliand, Semion, 92,173 futurism, 5, 9,12,15,17, 39,108,167, 188. See also avant-garde art see also tipazh multiplanarity and, 26, 48, 51-52, 81; Ekk, Nikolai, 99,103 G "steamship of contemporaneity," 15; Ekster, Aleksandra, 188 electrification. See modernization Gabrichevskii, Aleksandr, 70, 212Ո25 subjectivity and, 65-67, 71; verticality embeddedness, 15,19, 92. Seealso and, 26. See also Ioffe, leremiia; Soviet life contemporaneity; modernism Contemporary Architecture (SA) (Sovremennaia arkhitektura) (journal), 24,54, 55-60, 55,58,114, 132,189 Coral, The (Die Koralle) (journal), 36 Corot, Jean-Baptiste-Camille, 106, embodied vision, 33-З5, 41. Seealso oblique view Engels, Friedrich, 56 engineer, 82-85,142-48. See also constructivism; Shakhty trial Equitable Building, New York, 37, 214П17 crayon, 3, 21,174-75,180 Cronan, Todd, 54, 77 40 excess. See photography cubism, 34 cyanotype. See photography; blueprint exoticism, 51 D factography, 17-18, 32, 91, пі, 207Ո18, GAKHN, 82, 209Ո25, 211-12Ո23; Ten Years of Soviet Photography (exhibi tion), 211Ո21; The
Art of the Portrait (edited volume), 69-70, 76 Gan, Aleksei, 44,188, 212Ո38 Gastev, Aleksei, 159,188 gender, 46-47, 72; division of labor and, 189-90,193; landscape and, 148 GINKHUK, 70 Ginzburg, Lidiya, 19 Ginzburg, Moisei, 15; Narkomfin House, 59; plan for Moscow’s reconstruction, 56-57, 58; social condenser (idea of), F 57-59· See also avant-garde urbanism Dada, 6, 207Ո20 216Ո29; journalistic sketch, 17. See Daiosh' (journal), 154-55, 155,217Ո43See also Rodchenko, Aleksandr, works also documentary practice; Tretyakov, Sergei GIZ. SeeGosizdat glass architecture. See avant-garde urbanism glass-plate camera, 14, 73 Gorky, Maxim, 100, 132, 159; letter to DeCou, Branson, 120, 727, 215Ո48 faktura. See constructivism defamiliarization, 130,181-83, 215Ո70. See also avant-garde art; modernism; Shklovsky, Viktor farsightedness, 159-60. See also vigi lance Favorskii, Vladimir, 142, 2i6ni6 "0 kochke i 0 tochke" (article about Deineka, Aleksandr, 178, 217Ո43 Fifteen Years of Azerbaijan SSR (book), ways of seeing), 121; speech at the dematerialization, 191, 219Ո69. See also 193, 194 figuration, 6. See also socialist realism materialism demonstration, 42-46, 91,132,182, film. Seecinema 21ՕՈ67 de-StaIinization, 186. See also Stalin, Finland, 97 Josef Dickerman, Leah, 33,142,146-47,155, 187, 211П9, 215Ո46 Die Koralle (journal). See Coral, The 167,186 First All-Union Congress on the Pro Index ism), 120,126; January g (book), 182; First All-Union Congress of Soviet Writers, 130. Seealso History of Con struction (Belomorsko-Baltiiskii kanal imeni Stalina: Istorila stroiteľstva) Gosizdat,
28-29, 28, wo gouache, 21, 180 Gough, Maria, 18,112, 208Ո36 tection of Nature, 110. See also Soviet GPU.SeeOGPU environmentalism graphic design. See publication design First All-Union Congress of Soviet (Die Koralle) 234 Firin, Semion, 106,107,143-44,146, Aleksandr Peregudov (against real Great Purge. See Great Terror
Great Terror, 1,3,103,186; blacked-out portraits, 190, 202-3, 219093. See ū/տօ Gulag; Shakhty trial; Stalin, Josef; vigilance Karelia, 97,103-5,110,119-26,128-33, 146,172; Rodchenko's photographs of, see Rodchenko, Aleksandr, works Kassil', Lev, 209Ո16, 2i4n6 Lenin, Vladimir, 46, 200, 211 ni 5; cinema and, 68, 211П11; The Death of Lenin (poster), 201; mausoleum, շո ոշ; por traits of, 65-66, 69,120,186,195-96, Grishanin, Vladimir, 91 Kataev, Valentin, 10 198; spontaneity (idea of), 107; Three Groys, Boris, по Kazakhstan, 188,193 Kazan, 8-9 Songs of Lenin (film), 199-202; What Is to Be Done? (book), 107-8 Gulag, 20, 97-99,104,143,148,186, 213Ո3; reforging (idea of), 20, 99,103, Kazan Art School, 9 Leningrad, 97,119,148. See also Saint Petersburg 105,133,146,184 Guminer, lakov, 11, 71 Kiaer, Christina, 13, 29, 74, 207-8Ո24, 212Ո37, 217Ո46 kino-eye. See Vertov, Dziga Life (magazine), 149 H Kino-fot (journal), 188 Lissitzky, El, i, 10, 59,190, 211Ո101, hand-colored photography. See Kinoizdat. See Cinema Publishing House photography (Kinoizdat) Hanson, Stephen, 11 kinoks. See Vertov, Dziga Heartfield, John, 10,102; photomon Klodt, Peter, 154 Klutsis, Gustav, 84, 218Ո26; photomon tages, 181, 182, 21ՕՈ73, 216Ո12; trips to the Soviet Union, 191 tage (view of), 136,138, 216Ո14 Lerski, Helmar, 89-90, 90 218Ո23; "Architect’s Eye" (review of Mendelsohn's America), 38-39; arti cle for ASNOVA News, 39-40, 39,63; Beat the Whites with the Red Wedge (poster), 50; Food Industry (publication design), 219Ո79; Industry of Socialism heliography. See photography Kodak, 33, 209Ո24 (publication
design), 192, 219Ո79; Herschel, John, 145 Komsomol, 92 Hicks, Jeremy, 201 Kovtun, Yevgeny, 188 "Our Book" (article), 191-92, 192, 196; Pressa exhibition (photomural), History of Construction (Belomorsko- Kracauer, Siegfried, 65,168 218Ո26; USSR in Construction issues stroite/'stva) (edited volume), 99, Kramatorsk, 217013 Krasnov, Piotr, 127-28 Craft Fair, 213Ո89 143-44, 143,146-50,167, 168. See also Kruchenykh, Aleksei, 108,188 Lissitzky-Küppers, Sophie, 102,190 Gorky, Maxim; Rodchenko, Aleksandr, kulak, 85,112,159, 160. See also Litfront, 91, 213Ո75 Baltiiskii kanal imeni Stalina: Istorija works. blindness; class enemy (publication design), 102,147; Zurich litso [face]. See Soviet life long exposure. See photography Hughes, Langston, 202 kulturfilm. See cinema hujum campaign, 199-202. See also unveiling; women's emancipation L Lumière Brothers, 130 Ladovsky, Nikolai, 59 Lunacharsky, Anatoly, 188 Lúgon, Olivier, 183 I landscape, 20, 27, 55-57,104-ЗЗ, 135, lagoda, Genrikh, 105, 217Ո8 Μ Ignatovich, Boris, 47, 47,102,170-71 144,170,215073; gendered, 148. See also nature Langman, Eleazar, 193 Hf, Hya, 42 Latvian SSR, 10 illustrated book, 7,10,167-68,191-93 Imperial Academy of Arts, 119 Lee, Steven, 51, 207Ո21 Mandelstam, Osip, 23-24, 26, 46, 56 map (cartography), 119-22; "living," Lef (group), 4-5,17-19, 56, 67, 84,120, 128,174,199; Grishanin’s critique of, 148-49, 216Ո36 Martin, Ira W., 31 icons, 27, 34,120 individuality. See collectivity; Soviet life indigenization. See nationalities policy Magnitogorsk, 149 Malevich, Kazimir, 97,102,108,180 91-92; landscape and, ш-12,130;
Marx, Karl, 56, 215Ո78 industrialization. See modernization; modernity and, 15; MOSSKH critique Masters of Soviet Photo-Art (exhibition), Five-Year Plans; New Economic Policy Industry of Socialism (book). See of, 127; photography and, 42, 46,110; photomontage and, 136; portraiture 103,170,172 materialism, 68,110,191. See also Lissitzky, El Ioffe, leremiia, 79; multiplanar contem and, 81; Rodchenko's portraits of Lef members, 73, 78. See also docu dematerialization Mayakovsky, Vladimir, 9, 27,44, 65, poraneity (idea of), 26, 52; Culture and mentary practice; factography; 211П15,212Ո35; About This (poetry Style (book), 52; portraiture (view of), 81-82 Lef, New Lef (group); New Lef book), 71-74,137; A Conversation with a Financial Inspector about Poetry (Novyi Lef) loganson, Karl, 194, 208Ո36 Lef (journal), 17,174,188. See also New ludin, Pavel, 190 with Rodchenko, 28, 28,29,188; cri Izogiz, 102, 138, 193, 214Ո6 Lef (group); New Lef (Novyi Lef) Lefebvre, Henri, 53-54 Izvestiia ASNOVA (journal). See ASNOVA Left Opposition, 1,18, 65,109 sonality, 212Ո47; Daiosh' (poem), 155; Leica, 14, 21, 73, 104, 208Ո41, 210Ո76 Lemberg, Aleksandr, 104, 108,109,173 public demonstrations (view of), 46; journal design. See publication design Lemberg, Regina, 170,173-74,182-83; portraits by Rodchenko, see Rod chenko, Aleksandr, works 94-95, 95; suicide, 94-95,173; Syphilis (poetry book), 84; To Sergei Esenin К Lemberg, Evgeniia (Zhenia), 21,173, News (Izvestiia ASNOVA) J Kaganovich, Lazar’, 217Ո8 Kandinsky, Vasily, 102, 2іі-і2п2з 216Ո35, photographs by Rodchenko, see Rodchenko, Aleksandr,
works (poetry book), 76, 76; collaborations tique of October (film), 68; cult of per Rodchenko's portraits of, 76, 77, 78, (poetry book), 84; trip to America, 51 Mendelsohn, Erich, 37-40, 209Ո41 Merkúrov, Sergei, 186 Mezhrabpomfilm, 200 Index 235
Miasnitskaia Street, Moscow. See Rodchenko, Aleksandr; Rodchenko, practice; factography; Lef (group); Petrov, Yevgeny, 42 Lef; New LefINovyi Left Petrozavodsk albums. See National NewLeffNovyiLef) (journal), 4-5, 8, 24, Aleksandr, works 28, 65,110-12,136,171, 210Ո76; no. Mies van der Rohe, Ludwig, бо Museum of the Republic of Karelia, Petrozavodsk modernism, 2, 7, 95, 210Ո49; photog 1 (1927), 17-18, 31, 31; no. 2 (1928), Petrusov, Georgy, 128 raphy and, 3, 21, 29-46, 60-63, 65, 217Ո4; no. 3 (1928), 61, 61, 65; no. 4 67-71, 86-94,114-19,175-76, 217Ո42; "shadow," 207Ո6; Soviet art and, (1928), 67-71; no. 8 (1928), 50-51, 51, 110; no. 9 (1929, special photo-issue), photo-essay. See documentary practice; factography; repetition 15; totalitarianism and, 20. See also 32-41,33,34,36,38,111-12; no. 11 abstraction; avant-garde art; avant- (1928), 199; subscription advertise 30-33, 35, 37-45; black-and-white, 84, 181-82; blindness and, 41,157; cam garde urbanism; blindness ment, 77- See also Lef (group); Lef, era-less, 146-47; cinema and, 50-51, photography, anti-, 186; architectural, modernization, 1-2; backwardness and, New Lef (group) 5,10, 24,192; industrial development New Objectivity, 90 20,106,131-32; contemporaneity and, and, io, 18, 52,104,110,116,120-21, New Vision, 31, 37 New World (journal), 212047 24, 26, 32-41, 71; cyanotype, 145-46; as distraction, 45, 210Ո66; documen space and, 26; village life and, 42, 52. New York, 5, 37, 40, 42 Nikandrov, Vasilii, 68, 211mi tary, 2-3,17-18, 21, 65-71, 91-92, no, 136,147,169-70,199-200; excess See also contemporaneity; Five-Year
Nizhny Novgorod, 130 and, 175,180, 216Ո20; as exposing, Plans; New Economic Policy Novy/Lef (journal). See New Lef (Novyi Lef) 86,158-59, 203-4; hand-colored and retouched, 21, 48-50, 88,128-32,151, 0 157-58,167,170-71,175-83, 218Ո24; heliography, 3,147; landscape, 20, 27, oblique vision, 17, 21, 27-39, 51,105-6, 55-57,104-ЗЗ, 170; long-exposure, 162,183, 216Ո14- See also embodied vision; perspective; photography 66,131,136-38,147,169; modernist, October Group, 47, 91-92, 102, 170, 173; anthology, 136 3, 21, 29-46, 60-63, 65, 67-71, 86-94, 114-19,175-76, 217Ո42; monumen October Revolution, 5-6; loth anniver tality and, 87,168-69,185-87; opacity 130,156; mass-media and, 130; still ness and, 14; tradition and, 196; urban Moholy-Nagy, Laszlo, 10; Painting Photography Film (book), 146; paint ing, 175; photography, 31-З2,183; typophoto, 191 montage, 20,44, 68, 92,181. See also photomontage monumentality, 4, 87,138,168-69, 185-87,191-95, 21ІП9. See also sculpture Moscow, 9, 23-29, 42,47-48, 51,102, sary, 18, 67-68 120,148; Ginzburg's plan for, 56-57, Ogiz, 190,193 58; Rodchenko's photographs of, OGPU, 83,123,126,143 Okhitovich, Mikhail, 56-57 see Rodchenko, Aleksandr, works Moscow Planetarium, 94 Moscow-Volga Canal, 100,184-89, opacity. See photography OSA, 56,106. See also avant-garde urbanism 217Ո8, 218Ո41 Mosselprom, 28, 29,113,120 63, 82,180,199; contemplation and, 13, 94-95, 131; as medium, 2-4, 21, 60, and, 3,176-83; painting and, 34-35, 42-43, 63, 65, 68-71, 77, 81-82; as perception, 2, 37,110; photo-essay, 20, 99-103,119-22,135-38,146-47, 150-51,155-56,184-86; photo
montage and, 48,136-38,181,188, 216Ո14; physiognomy and, 85-86, 89-90; portraiture and, 3,21,65-95, 116,167,175-76,181-83,186, 202; MOSSKH, 127 P Mukhina, Vera, 167 Museum of Modern Art, New York, 5, painted photography. See photography post-, 187; reality and, 33-38, 63, painting, 1-2, 5-6,12, 21,106,173, 82-86,183,184-86, 204; scale and, 175-81,193,198, 207Ո3; cinema and, 26, 63,180; landscape and, 113,119, 207Ո5 N 130; mural, 28,113; photography and, Narkomfin House. See Ginzburg, Moisei National Museum of the Republic of Karelia, Petrozavodsk, 103 nationalism, 192,197, 215Ո7Յ. See also nationalities policy nationalities policy, 192,194, 219Ո75. See also nationalism nature, 20, 27-28, 36, 55-57, 71,103-26, 128-33,140, 214Ո24. See also avantgarde urbanism; landscape; Lenin, 44-45, 59,177-78; tactility and, 21, 50, “parade” photobook, 193-94. See also Ten Years of Soviet Uzbekistan (book) Pasternak, Boris, 78 rality and, 13-14, 24, 26, 44-45, 51-52, 71, 81-82,149,177-78, 210Ո72; trans parency and, 21, 60-63,180,197-99, ment, 127,142 perekovka. See Gulag 218Ո34; as technology, 1-2,4,14, periphery, 27, 56,114,116.Seeabo avant-garde urbanism Trotsky, Leon perspective, 44,125,142; multiplanarity Nesbet, Anne, 42 and, 52; oblique vision and, 33-35, New Economic Policy (NEP), 10,13,19, 106,122; verticality and, 26, 40. See also Ioffe, leremiia 236 Index 128-32,167,170-71,175-83; tempo People’s Commissariat for Enlighten Perm', 189 New Lef (group), 4, 9,17-18, 77, 84, 207П18. See also documentary 3,14, 66-71, 79-82,131-32, 210Ո72; surrealist, 217Ո42; as suspension, 24,
34-35,42-43, 63, 65, 68-71, 77, 81-82 Panofsky, Erwin, 26 Vladimir; Soviet environmentalism; 28-29,107, 109,114, 210Ո64. See also modernization 35,122,137,185, 216Ո20; as scanning, 45; as shadow, 3,13,196; snapshot, 21, 65, 85,145-47; urban, 24, 28-32, 41 -46, 51 ; as waiting, 45,132 photomontage, 15, 20, 92-94,122-23, 135-44,148-58, 160-65,195, 201; photography and, 48,136-38,181, 188, 216Ո14; suture, 216П12. See also Heartfield, John; repetition; Stepanova, Varvara; Tretyakov, Sergei Pertsov, Viktor, 68 photomural, 218Ո26 Peter the Great, 119 physiognomy, 68, 76, 85-86, 89-91, Petrograd. See Leningrad 196-97, 213Ո65. See also portraiture; tipazh
Piatidnevka (journal). See Five-Day Week, The (Piatidnevka) architecture (view of), 30-31, 35, apartment on Miasnitskaia Street, 27, 37-41, 42-46; bird's-eye point of view, 177,178,212Ո35; teaching career at Pioneer movement. See Soviet life 34; book design, 3,10, 2i, 188-89, VKHUTEMAS, 25,127,142; temporality Platonov, Andrei, 94 191-201; childhood, 8, 9; close-up, (idea of), 12-13, 24, 71; trip to the Pogodin, Nikolai, 99 White Sea-Baltic Canal, 20, 97-103, poligrafía, 136,188,195 35, 87-88, 90, 92,116-19,132-ЗЗ, 155; collaborations with Gosizdat, Politburo, 140 28, 82, 99-100; collaborations with 41-46, 51; urban space (view of), 21, Popova, Liubov, 188,211-12Ո23; textile design, 9, 74, 212Ո37 poster, 11, 28, 85,137,154,159,192, 199, 201 portraiture, 3, 65,196; defaced, 4, 202-3; photography and, 71-95,116,167, 119; urban photography, 24,28-32, Mayakovsky, 28, 71-72, 76, 84,137; 27, 35, 37-41; view from above/from collaborations with Stepanova, 9-10, below, 34-35,41-46; view "from the 21, 55-57, 165, 173, 184-204, 211Ո21, 216Ո21; collage, 2,15, 72,136-37; 41-46 collectivity (view of), 24, 47-48, 59; navel,” 33-35; view from the window, Rodchenko, Aleksandr, works, 5x5=25 (publication design), 188; to Years of 175-76,181-83; relational, 21, 8i, color (view of), 48-50,130,171,175, 180; colored and retouched photog 90, 212Ո51; "summed-up," 67-71; raphy, 21, 48, 88, 130-31, 151, 156-57, synthetic, 186. See also physiognomy; 167-71,175-83, 218Ո23; constructiv 196,197,198,202,203; About This (illus tipazh; unveiling ism, 2, 9, 11,19, 44,142,176-77,194; trations and cover
design), 71-72, 72, Pravda (newspaper), 23, 69,172 covers design, 14,31, 33-34, 50-52, Prishvin, Mikhail, 97,123-25; photo 7i, 76,82-84; defacing of photo 137, 137,188; Abroad (graphic design), 189; advertisements (design): 28-29, graphs, 3, 4, 21,183, 202-4; diaries, see Rodchenko, Aleksandr, writings; 28,29,75, 76,133,188, advertisement for New Lef (photographs and design), 127,136; advertisement, 28; clothing documentary photography, 2-3,41, 77; advertisements (photographs): and textile design, 74, 76, 212Ո37; 66, 67-69, 86,169-70,183; eclecticism, 3-7,18,169; embodied vision (idea 28-29, 28,29, Daiosh' billboard, 154, of), 33-35; expulsion from the Octo 84; Albidum (colored and retouched ber Group, 91,102,173; glass-plate camera, 14, 73; graphic design, 28-29, prints): 170-71, Foxtrot, 170, 170, Rumba, 170, Woman with Mirrors, 171, graphs of Karelia, 124,125,125 productivism, 1, 6,18-19, 46, 81,112, “transitional objects," 13 progress. See modernization; Five-Year Plans; New Economic Policy Proletarian Photo (Proletarskoe foto) (journal). See Soviet Photo (Sovetskoe foto) Proletarskoe foto (journal). See Soviet Photo (Sovetskoe foto) publication design, 3,10,187-90; book, 2i, 188-89,191-201; covers, 31, 33-34, Soviet Uzbekistan (publication design, with Stepanova), 21, 192-203, 193, 154; agitational stands and kiosks, 72, 75,77,137; journal design, 3, 20, 180-81; Albidum (set designs), 170, 99-102,119-20,125-26,173,184-87, 217Ո4; AMO factory (photo-series), 189; Kodak Vest Pocket, 33, 209Ո24; landscape photography, 20, 27-28, 155-56, 155; At the Telephone, 79-82, 80;
blooming trees (photo-series), 55-57,104-6,112-33; Leica, 14,73, 104, 208Ո4Ն 210Ո76; long exposure, 55-57, 54,55; Chemical Treatment of the Forest (film, unrealized), 112; circus 94-95,131; multiplicity (idea of), 66, performances (paintings), 176-77, 178; circus performances (photographs), 50-52, 71, 82-84, 76; graphic, 9, 75, 77,137; journal, 20, 55-57, 99-102, 119-20,125-26,173,184-87,189. See 69; nature (view of), 20, 27-28, 55-57, also poligrafiia 105-6, 162; painting, ι-շ, 5, 9,12, 26, 168, 169; colleagues and friends (pho to-portraits): 73-82, Nikolai Aseev, purposiveness, 18 35, 63,102,173,176-77; participation in the Masters of Soviet Photo-Art 73, Lilia Brik, 73-75, 73, 74, Aleksandr Dovzhenko, 78, Olga (Rodchenko's Pushkino, 27, 31, 56,105,113,115,122, exhibition, 170,172; perspective (idea mother), 172, Osip Brik, 158, 158, Vlad of), 26, 34-35, 209Ո25; photographic imir Mayakovsky, 76-78, 77, 94-95, 95, archive, 18, 66-67; photomontage, 3, 173, Regina Lemberg, 170,175, 176, 182, 183, Evgeniia (Zhenia) Lemberg Pudovkin, Vsevolod, 213Ո65 127,132 R RAPP, 213Ո75 realism, 7,130,146,175,186. See also socialist realism relational portraiture. See portraiture 103-26; oblique vision, 21, 27-39, 51, 4,15, 20, 99-102,119-123,135-144, 148-65,181, 216Ո12; photo-series, 10, 24-26, 27-28, 30-33, 41-45, 52-55, 55-57, 60-63, 86-94,112-19; politics, 19,172; portraits of Rodchenko: at (Woman with Leica), 17Յ, 174, Varvara Stepanova, 74-75, 75, 79-82, 80, infor mal get-togethers, 212Ո35; Construc tion no. 106 (on Black), 176-77, 177; Red Army, 23,144 reforging (perekovka). See
Gulag the White Sea-Baltic Canal, 104, 106, Courtyard (photo-series): 10, 24-26, 107, Skurikhin's, 88, 89; portraiture: 21, 24,41-50, 52-55,132, Assembling for a Renger-Patzsch, Albert, 31,44 65-82, 86-95, gendered portraiture, 71-78,167-68, relational portraiture, Demonstration, 42-48, 43, 59, 91,114, 21, 81, 90, type, 86; posthumous 48-50,48,49, Courtyard in Summer, 52-55,53; Donbas (photo-series), repetition, 20,148-58. See also photomontage; scarcity reportage, 18, 83,171 · See also documentary practice; factography reproduction, 4,167,185-88, 218Ո24 retouching. See photography exhibitions, 207Ո5; press assignments (reportage), 7,155, 214Ո16, 217Ո46; Sept, 35, 208Ո41, 210Ո76; set and costume design, 5,170, 207Ո4, 217Ո4; 132,170, Assembling colored versions, 173; First Cavalry (publication design, with Stepanova), 4,189-91; GAKHN's global "cine-literature" exhibition return to order, 6 shadow oeuvre, 2-6; Shklovsky's doc (exhibition and publication design, Rodchenko, Aleksandr, advertising, umentary about Rodchenko, 208Ո26; with Stepanova), 211Ո21 ; Glass and snapshot photography, 3,14, 66-71, Light (photo-series), 60-63, 61, 62, 65, 79-82,131-32; still life, 60-63; studio 181; The History of the VKP(b) in Posters 28-29, 75,113; agitation and propa ganda, 20, 84, 99-100, тоз, 146-47; Index 237
(poster design), 16, 137, 201; House on the Miasnitskaia Street (photo-series): 30-33,30, 90,106, Balconies, 30-31, 211Ո9; Wrecker-People (book-cover design), 82-84, 83 Rodchenko, Aleksandr, writings: "Against the Summed-Up Portrait, Simmel, Georg, 70-71, 81 Skurikhin, Anatolii, 89,18i Slavin, Lev, 99 for the Snapshot” (article), 4, 65-71, snapshot photography. See photog raphy Karelian Landscape, 128, Evening, 131, 81, 86, 95,113, 131; contributions to socialism, 10,18, 29, 91,121,127,192, 132-ՅՅ; Kino-fot (publication design), Anarchy, 208Ո65; correspondence 188; Kruchenykh’s Zaum' (publication with Osip Brik, 115; correspondence design), 188; Mosselprom building with Varvara Stepanova, 97,104,113; socialist modernity. See Soviet life (mural), 133; New Lef (cover designs), diaries, 19,173-74,176; film script, 44; "Paths of Contemporary Photogra socialist realism, 2, 6-7, 8, 68; bird's- 30, Fire Escape, 30-31, 31; Karelia (unpublished photographs): 128-33, 31, 31, 32-ՅՅ, 33, 50-51, 50; Pioneers {Third, Decisive) (photo-series): 21, 196-97- See also Five-Year Plans; NEP; Stalin, Josef eye point of view, 215Ո54; ideinosi', 86-94,165,173,181, Pioneer Girl, phy" (article), 4, 32-41; "Reconstruc tion of the Artist" (article), 103,172; 87-88, 87,92-94, The Bugler, 87-88, 88, 92-94; Pure Red Color, Pure Blue Color, to the editor, 32, 32; text for Glass and, 187 Solovetsky forced labor camp, 148 Pure Yellow Color (painting triptych), and Light, 61-63; "Working with Solovki (film), 148 1-2, 2,180; Pushkino pine trees (pho to-series), 27, 28, 31, 56,105, ns, 122, Mayakovsky"
(essay), 45, 94 Sovetskoe foto (journal). See Soviet Rodchenko, Mikhail (father), 8, 9 126,132; "revolutionary archive," 68; Rodchenko, Olga (mother), 8,172 Reconstruction of Moscow (publication Rodchenko, Varvara (daughter), 27, 35, design, with Stepanova), 216Ո21, 97,191 Rolf, Malte, 47 Soviet calendar. See Soviet life Romberg, Kristin, 19,44, 21ՕՈ67, 215Ո70 room-space, 45 Soviet environmentalism, 107-10 218Ո54; TheRedArmy(publication design, with Stepanova), 218054, Soviet Cinema (publication design, with Stepanova), 218Ո54; spatial constructions, 116-19, 116, 117, 118, 194, 795; sport events (paintings), 177; sport events (photographs): 168,170, response to Soviet Photo's letter Soviet cinema. See cinema Soviet life: byt, 24,154; bytie, 56; calen Rückenfigur, 123,126,160 21, 42-43, 57-60, 81; domesticity, 24, 27, 45-46; litso, 85-86; modernity, Equestrian Competition, 170,177-78, Russian Empire, 8, 202 29,45-48, 57-60,161; communal life, 10-13, 31, 46-47; Pioneer movement, 45, 87-88, 92; queue, 210Ո64; sub jectivity, 57-60, 66, 199; temporality, Street Trade (photo-series), 34, 35-36; s Syphilis (publication design), 84; To Saint Petersburg, 8. See also Leningrad Sergei Esenin (publication design), 84; Sander, August, 88-90 USSR in Construction no. 12 (1933); White Sea-Baltic Canal issue (photo scarcity, 151,156 Schick, Christine, 72 graphs, photomontages, and publica science, 20, 71,109-10,121. Seealso tion design): 20, 99-103, toi, 119-120, formalism; modernization; Soviet 135-65, 198, Attack on the Land, 138- environmentalism 10-15; tipazh, 85-96; urban life, 21,
23, sculpture, 65, 70, 184; photography and, landscapes, 119-20,120,122-23, 122, 125-26, 726, "Let's bring forth water!" 154,185-87· See also monumentality secret police. See OGPU serfdom, 8 (placard), 151-52, 152,753,156, locks, shadow oeuvre. See Rodchenko, 150-51, 151, workers, 156-58, 156,157, 160-62, 767, 163; USSR in Construction Shaikhet, Arkady, 83,102 Aleksandr; photography no. 11 (1935; Kazakhstan issue; pub lication design, with Stepanova), 193; Shakhty trial, 82-86,143,196-97,199. USSR in Construction no. 2 (1938; Mos Josef Shaposhnikov, Boris, 70 cow-Volga Canal issue; publication art dar, 11; collectivity and individuality, Dinamo Stadium, 170, 177-78, 779, 151, 139,140,141,156,159-62, 162, cover, too, 179, dams, 163-65, 164, Photo (Sovetskoe foto) Soviet avant-garde art. See avant-garde ROPF, 91, 213Ո72 Rousseau, Théodore, 106 rupture, 10,14,130, 208Ո30. Seealso Five-Year Plans Jump from a Bar, 178, 179, Wheel, 169; 146, 216Ո26; landscape, 130, 215Ո73; narodnost', 216Ո26; photography See also Great Terror; specialist; Stalin, design, with Stepanova), 184-87, 184, Shegaľ, Grigorii, 154 185,186,189, 218Ո41; Vakhtan plant Shelton Hotel, New York, 40 (photo-series), 112-19, ’14, 7 75, 117, 118; White Sea-Baltic Canal: photo Shevchenko, Aleksandr, 127 24-32, 50-52; village life, 42, 52; women's role in, 46-47 Soviet literature, 10-11,59, 94,108-9, 120,130,192,215054 Soviet pavilion at the 1925 Paris International Exposition, 10, 211Ո9 Soviet Photo (Sovetskoe foto) (journal), 18,103,165,173, 213Ո72, 217Ո11; "At Home and Abroad" (letter to the editor), 31-32, 32;
critique of the October Group, 91-92 Sovkino, 68 Sovremennaia arkhitektura (journal). See Contemporary Architecture (SA) (Sovremennaia arkhitektura) specialist, 143. See also Great Terror sport, 102,168,170,183 SSSR na stroike (journal). See USSR in Construction (SSSR na stroike) Stalin, Josef, 10-11,191,198; 1933 address at Party Plenum, 159; cult of Shishkin, Ivan, 113, 113,119 Shklovsky, Viktor, 8, 44, 68,144, 215Ո70 personality, 78; representations of, graphs in History of Construction, 99, 103,128, 729,143, 143,150, Labor Day monument at the White Sea-Baltic show trial. See Shakhty trial; Stalin, Josef Shterenberg, Abram, 193 tion from above and, 24; show trials, Canal (photograph), 167, 768; Workers' Shub, Esfir, 67 "The Year of the Great Break" (article), Club (furniture and interior design), silhouette, 195-97. See also physiognomy 208Ո30. See also Great Purge; Shakhty 238 Index 119-20, 184-86, 195-97, 202; revolu 82-86; Stalinism, 19, 20, 65,109-10; trial
Stalinism. See Stalin, Josef surveillance. Seevigilance Stavrinaki, Maria, 6 suspension, 24, 44-45, 59, 132, 177-78, 180, 21ՕՈ62. See also contemplation; Stepanova, Varvara: to Years of Soviet Uzbekistan (publication design, with stillness Trotsky, Leon, 68; Literature and Revolution (book), 107; nature (view of), 107-10; uneven and combined development (idea of), 15, 208Ո44 Rodchenko), 21,192-203, 793, 196, suture. See photomontage Tsai, Joyce, 175 197, 198,202,203; Abroad (graphic synthetic portraiture. See portraiture Tsires, Aleksei, 70 design), 189; Class Struggle (graphic Tugendkhol'd, Iakov, 69-70 design), 218Ո55; collaborations with T Turkestan avant-garde, 193 Rodchenko, 9-10, 21, 54, 55-57, 55,58, tactility, 21,48-50,128-32,167,170-71, Turkmenistan, 200 165, 173, 184-204, 784,785, 193, 196, 197, 198,202, 211Ո21, 216Ո21; Con temporary Architecture (SA) disurban- 175-83, 2ՕՅ-4- See also avant-garde art; photography ism issue (graphic design), 54, 55-57, Talbot, William Henry Fox, 3,13, 207Ո7 Tansykbayev, Ural, 198 55,58,189; correspondence with Tarabukin, Nikolai, 1; The Art of the Por Rodchenko, 97, 104, 113; defacing trait (essay in edited book), 70-71, 80 U unveiling, 86,198-199; documentary practice and, 199-201. See also doc umentary practice; hujum campaign; physiognomy; portraiture of photographs, 3,4, 2i, 183, 202-4; Tashkent, 199, 202, 203, 219Ո91 urban photography. See photography diaries, 5, 27, 46, 208Ո41; First Cavalry (publication design, with Rodchenko), Taylorism, 11,159 USSR in Construction (SSSR na stroike) 4,189-91; Five-Year Plan volume
technology, 6,11, 20, 66, 71,109,136, 140,183,191; techno-industrial (journal), 99-102; first issue's edi torial preface, 147; issues designed (publication design, unpublished), socialism, 18. See also modernization; by Lissitzky, 102; issues designed 92-93; From Merchant Moscow to Socialist Moscow (publication design), photography by Rodchenko and Stepanova, see 189; GAKHN's global "cine-literature" exhibition (exhibition and publication design, with Rodchenko), 211Ո21; Gaust chaba, 187-88, 187; graphic design, 10, 54, 55-57, 55,58,102,138, 167,173,184-204, 184,785,193,196, 197,198,202, 211Ո21, 216Ո21; illness, 191; Kino-fot (publication design), 188; Literature and Art (graphic design), 218Ո55; Our Achievements (graphic design), 218Ո55; photograph of Rod chenko, 73; photography, 9,136-38, 188-89; "Photomontage” (text, unpublished), 136-38; Reconstruction of Moscow (publication design, with Rodchenko), 216Ո21, 218Ո54; 7he Red Army (publication design, with Rod Technology and Life (Tekhnika i zhizn') (journal), 212Ո38 tectonics. See constructivism Tekhnika izhizn' (journal). See Technol ogy and Life (Tekhnika izhizn') temporality, 13-16, 24; modern tem Rodchenko, Aleksandr, works; issues designed by Troshin, 101,102; no. 12 (1933; White Sea-Baltic Canal issue), see Rodchenko, Aleksandr, works Uzbekistan, 188,192-94, 200, 202, 219Ո91, 219Ո94 porality, 20-21, 26; Rodchenko’s idea of, see Rodchenko, Aleksandr. See also contemporaneity; modernization; photography; Soviet life Ten Years of Soviet Photography (exhibition). SeeGAKHN Ten Years of Soviet Uzbekistan (book). See
Rodchenko, Aleksandr, works Third, Decisive (pioneer camp), 88 tipazh. See Soviet life. See also Eisen stein, Sergei V Vakhtan, 112-19,123,133 vanguard, 60, 78,107,110, 207021. See also avant-garde art Vatulescu, Cristina, 159, 213Ո67 Vernadsky, Vladimir, 109 verticality, 26, 34, 40-46, 52, 59, 82,123, 178,197-99· See also contemporane ity; oblique vision; perspective Vertov, Dziga, 15, 207П18; TheEleventh chenko), 218Ո54, 218Ո57; Rodchenko's totalitarianism, 6,20, 59,147. See also Great Terror; Shakhty trial; Stalin, Josef; photographs of Stepanova, 74-75, 75, At the Telephone, 79-82, 80; Soviet transparency, 42, 59,141,175,195-202. Movie Camera (film), 155,158; Sixth See also photography; unveiling Trave/(magazine), 202 Part of the World (film), 200; Three Songs of Lenin (film), 199-202 Cinema (publication design, with Rodchenko), 218Ո54; studio-apart ment on Miasnitskaia Street, 27,177, 178,212Ո35; textile design, 9, 212Ո38; USSR in Construction no. 11 (1935; vigilance trauma, 21,17Յ Trenin, Vladimir, 5 Tretyakov, Sergei, 10,19,174,188; color Kazakhstan issue; publication design, with Rodchenko), 193; USSR in Con tography (view of), 17-18, 32, 207П18; photography (view of), 181-82; fac- struction no. 2 (1938; Moscow-Volga monograph and other texts on Canal issue; publication design, with Heartfield, 181, 218Ո35; nature (view Rodchenko), 184-87,184,185,186, of), по-п; photomontage (view of), 136; "Photo-Notes" (article), 110-11; 189, 218Ո41; writings, 9,136-38 Stetler, Pepper, 89 stillness, 14, 84,131-32· See also contemplation; suspension Stuttgart, 38 subjectivity,
24, 32, 45-48, 55, 57-60, (film), 67; kino-eye, 35-37,45,92, 158, 209Ո30; kinoks, 158; Leninist Kino-pravda (film), 200; Man with a Vesnin, Aleksandr, 188 view from above/from below. See oblique vision; verticality. See also perspective view from the window. See oblique vision; perspective; verticality vigilance, 42, 59,159-60. See also farsightedness Rechevik (book), 212Ո59; "Through violence, 3, 6, 130, 175, 181-83, 203 VKHUTEIN. See VKHUTEMAS Dirty Glasses” (article), 111-113,120 VKHUTEMAS, 23-27, 30, 42,46, 70,127, Tretyakov Gallery, Moscow, 113; An Experimental Composite Marxist Exposition (exhibition), 102, 21409 65-94, 180,199. See also collectivity; Triolet, Elsa, 10 contemporaneity; litso; Soviet life Troshin, Nikolai, toi, 102 142, 2Օ9Ո5, 211Ո21 VKP(b). See Central Committee of the All-Union Communist Party Volkov-Lannit, Leonid, 199 Vronskaya, Alla, 57 Index 239
w water, 60-63,119-21,132-33,146, 151-54,163-65,185-86 White Ѕеа-ßaltic Canal, 97-99, 104, 105, 106,107,119-121,135,149,156; propaganda, 20,99,135-36,138,172; USSR in Construction no. 12 (19ՅՅ; special issue), see Rodchenko, Aleksandr, works. See also Ekk, Nikolai; Gulag; History of Construction (Belomorsko-Baltiiskii kanal imeni Stalina:Istorila stroitel'stva); Karelia; Magnitogorsk; modernization; Moscow-Volga Canal; Pogodin, Nikolai; Prishvin, Mikhail; Rodchenko, Aleksandr; Rodchenko, Aleksandr, works; Rodchenko, Aleksandr, writings; Solovki (film) Wolf, Erika, 147, 207ns, 214Ո16 women's emancipation, 46-47,197-99. See also hujum campaign; Soviet life Working Group of Constructivists. See constructivism World War II, 27,189, 203, 219Ո94 wrecker (saboteur). See Shakhty trial Y Yezhov, Nikolai, 186 Young, James, 186 z Zamyatin, Yevgeny, 59 Za rubezhom (journal). See Abroad (Za rubezhom) Zhemchuzhnyi, Vitalii, 50-51; Rodchenko's photograph of, 73, 7Յ Zhinkin, Nikolai, 70, 76 240 Index |
adam_txt |
Contents ix xiii 1 23 65 97 135 167 205 207 221 233 241 Acknowledgments A Note on Translation and Transliteration Introduction. Rodchenko’s Contemporaneity Chapter 1. Perspectives on the Collective Chapter 2. The Socialist Face Chapter 3. Still Nature Chapter 4. Engineered Chaos Chapter 5. Ih e Photographer’s Hand Glossary and Abbreviations Notes Bibliography Index Credits
Bibliography ARCHIVES CONSULTED by Rodney Livingstone. New York: In Dnevnik moikh vstrech: Tsikl tragedii, 192-230. Moscow: Direkt Canadian Centre for Architecture Central State Archive of Literature and Art [Tsentral'nyi gosudarstvennyi arkhiv literatury i iskusstva, TsGALI] Berghahn, 2010. Baldwin, Kate. Beyond the Color Line and Media, 2016. Applebaum, Anne. Gulag: A History. the Iron Curtain: Reading Encounters between Black and Red. Durham, NC: London: Penguin, 2004. Duke University Press, 2002. Armstrong, Carol. Scenes in a Library: Getty Research Institute Reading the Photograph in the Book, Moscow Multimedia Museum 1843-1875. Cambridge, MA: MIT Press, N. A. Nekrasov Library [Biblioteka im. 1998. N. A. Nekrasova] National Archive of the Republic of Karelia [Natsionaľnyi arkhiv Respubliki Kareliia] National Museum of the Republic of Baron, Nick. "Conflict and Complicity: 1923-1933." Cahiers du Monde Russe 42, no. 2-4 (2001): 615-48. Arnow, Jan. Handbook of Alternative Photographic Processes. New York: --------- . Soviet Karelia: Politics, Planning, Van Nostrand Reinhold, 1982. and Terrorin Stalin's Russia, 1920-1939. New York: Routledge, 2007. Arsenjuk, Luka. Movement, Action, Barr, Alfred H., Jr. "Russian Diary 1927- Image, Montage: Sergei Eisenstein Karelia [Natsional'nyi muzei Respubliki and the Cinema in Crisis. Minneapolis: Kareliia] University of Minnesota Press, 2018. Russian National Library [Rossiiskaia natsional'naia biblioteka] The Expansion of the Karelian Gulag, 28." October 7 (Winter 1978): 10-51. Barshch, Μ. 0., and Μ. la. Ginzburg. Arvatov, Boris.
Iskusstva i proizvodstvo: "Zelionyi gorod: Sotsialisticheskaia rekonstruktsiia Moskvy." Sovremen- Sborník statei. Moscow: Proletkul't, 1926. Translated by Shushan Avag- naia arkhitektura 1-2 (1930): 17-37- Photo Documents [Rossiiskii gosu yan as Art and Production, ed.John Barthes, Roland. Camera Lucida: Reflec darstvennyi arkhiv kinofotodokumen- Roberts and Alexei Penzin (London: tions on Photography. Translated by tov, RGAKFD] Pluto, 2017). Russian State Archive of Cine and Russian State Archive of Literature and Richard Howard. New York: Farrar, Straus and Giroux, 1981. Attwood, Lynne. Genderand Housing Art [Rossiiskii gosudarstvennyi arkhiv in Soviet Russia: Private Life in a Public literatury i iskusstva, RGALI] Space. Manchester: Manchester Russian State Library [Rossiiskaia gosudarstvennaia biblioteka] Special Collections and Archives, Bassin, Mark. "Ί Object to Rain that Is Cheerless': Landscape Art and the Stalinist Aesthetic Imagination.” University Press, 2010. Bailes, Kendall E. Technology and Society Ecumene 7, no. 3 (2000): 313-36. Batchen, Geoffrey. Forget Me Not: under Lenin and Stalin: The Origins University Library, University of of Soviet Technical Intelligentsia, Photography and Remembrance. New California, Santa Cruz 1917-1941. Princeton, NJ: Princeton York: Princeton Architectural Press, State Archive of the Russian Federation [Gosudarstvennyi arkhiv Rossiiskoi Federatsii, GARF] BIBLIOGRAPHY Abykaeva-Tiesenhausen, Aliya. Central Asia in Art: From Soviet Orientalism to the New Republics. London: I. B. Tauris, 2016. Agranovskii, Abram, AL Alevich, and
Grigorii Ryklin. Liudi-vrediteli: Shakhtinskoe delo. Moscow: Gosudarstvennoe izdatel’stvo, 1928. Alexander Rodchenko. Zurich: Skira, 2016. Alloula, Malek. The Colonial Harem. Translated by Myrna Godzich and Wlad Godzich. Minneapolis: University of Minnesota Press, 1986. Annenkov, Iurii. "Vladimir Maiakovskii.” University Press, 1978. 2004. Baker, George. "Photography between Bellion, Wendy. "Heads of State: Profiles Narrativity and Stasis: August Sander, and Politics in Jeffersonian America.” Degeneration, and the Decay of the In New Media, 1740-1915, edited by Portrait.” October 76 (Spring 1996): Lisa Gitelman and Geoffrey B. Pingree, 31-60. Cambridge, MA: MIT Press, 2003. 72-113· Bakhtin, Mikhail. "Formy vremeni і Belodubrovskaya, Maria. Not Accord khronotopa v romane: Ocherki po ing to Plan: Filmmaking under Stalin. istoricheskoi poetike." In Voprosy Ithaca, NY: Cornell University Press, literatury i estetiki: Issledovaniia 2017. Benjamin, Walter. "Little History of raznykh let, 236-407. Moscow: Khudozhestvennaia literatura, 1975. Photography." In Selected Writings, Translated by Caryl Emerson and vol. 2, pt. 2, 1931-1934, edited by Michael Holquist as "Forms of Time Michael W. Jennings, Howard Eiland, and of the Chronotope in the Novel," and Gary Smith, 507-30. Translated by in The Dialogic Imagination: Four Rodney Livingstone. Cambridge, MA: Essays by Μ. Μ. Bakhtin, ed. Michael Belknap Press of Harvard University Holquist (Austin: University of Texas Press, 1981), 84-258. Balász, Béla. "The Face of Things." In Press, 1999· --------- . Moscow Diary. Edited by Gary
Smith. Translated by Richard Sieburth. Béla Balász: Early Film Theory, edited Cambridge, MA: Harvard University by Erica Carter, 46-52. Translated Press, 1986. Bibliography 221
-------- . “Surrealism: The Last Snapshot of the European Intelligentsia." In Reflections: Essays, Aphorisms, Autobiographical Writings, edited by Peter Demetz, 47-56. Translated Boym, Svetlana. Architecture of the Off-Modern. New York: Temple Hoyne Buell Center and Princeton Architectural Press, 2008. Brain, Stephen. Song of the Forest: by Edmund Jephcott. New York: Russian Forestry and Stalinist Envi Harcourt, 1978. ronmentalism, 1905-19ՏՅ· Pittsburgh: University of Pittsburgh Press, 2011. —:—. The Work of Art in the Age of Its Technological Reproducibility, and Brik, Osip. "Chego ne vidit glaz." Other Writings on Media. Edited by Sovetskoekino 2 (1926): 22-23. Trans Michael W. Jennings, Brigid Doherty, lated by John E. Bowlt as "What the and Thomas Y. Levin. Translated Eye Does Not See," in Photography by Edmund Jephcott et al. Cambridge, in the Modern Era, ed. Christopher Phillips (New York: Museum of MA: Harvard University Press, 2008. Bernstein, Michael André. Foregone Conclusions: Against Apocalyptic History. Berkeley: University of Modern Art, 1989), 219-20. -------- . "Chitatel'l" NovyiLefs (1927): 1-2. (19205-19305)." Russian Literature 103-5 flanuary-April 2019): 209-33. Burgin, Victor. "Looking at Photo graphs.” In Thinking Photography, 142-53- London: Macmillan, 1982. Burliuk, D„ Aleksandr Kruchionykh, V.Maiakovskii, and Viktor Khlebnikov. "Poshchiochina obshchestvennomu vkusu.” In Poshchiochina obshchest vennomu vkusu, unpaginated. Mos cow: G. L. Kuz'min, 1913. Cassiday, Julie A. The Enemy on Trial: Early Soviet Courts on Stage and Screen. DeKalb:
Northern Illinois University Press, 2000. de Certeau, Michel. “Walking in the California Press, 1994. Beyer, Oskar, ed. Erich Mendelsohn: -------- . "Ot kartiny к foto." NovyiLef3 (1928): 29-ЗЗ· Translated by John E. 1:91-110. Translated by Steven Letters of an Architect. Translated by Geoffrey Strachan. London: Bowlt as "From the Painting to the Rendall. Berkeley: University of Photograph," in Photography in the Abelard-Schuman, 1967. Modern Era, ed. Christopher Phillips Bird, Robert. "The Poetics of Peat in Soviet Literary and Visual Culture, 1918-1959." Slavic Review 70, no. 3 (2011): 591-614. -------- . "Stalin’s Well-Kept Garden: Horticulture, Aesthetics, and Soviet Statecraft." Russian Review 79, no. 3 (2020): 432-52. Bird, Robert, Christina Kiaer, and Zach ary Cahill, eds. Revolution Every Day: A Calendar. Milan: Mousse, 2017. Bloch, Ernst. "Nonsynchronism and the Obligation to Its Dialectics." Trans lated by Mark Ritter. New German Critiqueis (Spring 1977): 22-38. (New York: Museum of Modern Art, 1989), 227-ЗЗ. -------- . "Protiv romantiki." Novyi Lefio (1927): 1-2. del'shtama "Kholodnoe leto"(1923): lazykovoi kommentarii: Saint Peters burg: Izdatel'stvo Evropeiskogo uni versiteta v Sankt-Peterburge, 2018. California Press, 1984. Chadaga, Julia Bekman. Optical Play: Glass, Vision, and Spectacle in Russian Culture. Evanston, IL: Northwestern University Press, 2014· Chatterjee, Choi, and Karen Petrone. -------- . "Ring Lefa." Novyi Lef 4 (1928): "Models of Selfhood and Subjectivity: 27-36. Brunson, Molly. Russian Realisms: The Soviet Case in Historical Perspec
Literature and Painting, 1840-1890. DeKalb: Northern Illinois University Press, 2016. tive." Slavic Review 67, no. 4 (2008): 967-86. Chernyshevskii, Nikolai. Chto delat'? Iz rasskazov 0 novykh liudiakh. Len Buchli, Victor. An Archaeology of Social ingrad: Nauka, 1975. Translated by ism. Oxford: Berg, 1999Buchloh, Benjamin H. D. "Figures of Michael Katz as What Is to Be Done? (Ithaca, NY: Cornell University Press, Authority, Ciphers of Regression: 1989). Chlenova, Masha. "Innovative, Polem Notes on the Return of Representa tion in European Painting." October 16 Bobrik, Marina. Proza Osipa Мап- City.” In The Practice of Everyday Life, (Spring 1981): 39-68. -------- . “From Faktura to Factography." October 30 (Fall 1984): 83-118. -------- . "Residual Resemblance: Three ical, Dogmatic: The Case of Soviet Experimental Displays, 1930-193З·” In Curatorial Challenges: Interdisciplinary Perspectives on Contemporary Curat ing, edited by Malene Vest Hansen, Notes on the Ends of Portraiture." In Anne Folke Henningsen, and Anne Reversibility." Art in America (April Formalism and Historicity: Models and Gregersen, 223-36. London: Rout 1988): 160-81. Methods in Twentieth-Century Art, Bois, Yve֊Alain. "El Lissitzky: Radical -------- . "Lissitzky, Malevich, and the Question of Space." In Suprématisme, 29-43. Translated by A. Hindry. Paris: Galerie Jean Chauvelin, 1977. Bokov, Anna. Avant-Garde as Method: 471-508. Cambridge, MA: MIT Press, 2015· Buck-Morss, Susan. Dreamworld and Artists of the Russian Soviet Republic, Catastrophe: The Passing of Mass 38-55. Chuzhak, Nikolai. "Krivoe
zerkało: Lef v prelomlenii 'Lefa.’” Oktiabr' mysli 2 Utopia in East and West. Cambridge, MA: MIT Press, 2000. Vkhutemas and the Pedagogy of Space, 1920-1930. Zurich: Park, 2020. Bonnell, Victoria E. Iconography of Power: Soviet Political Posters under ledge, 2019-------- . "Staging Soviet Art: 15 Years of Bulgakowa, Oksana. "Eisenstein, the Glass House, and the Spherical Book: 1932-ЗЗ·" October 147 (Winter 2014): (1924): 39-46. Clark, Katerina. Moscow, the Fourth From the Comedy of the Eye to the Rome: Stalinism, Cosmopolitanism, Lenin and Stalin. Berkeley: University Drama of Enlightenment." Rouge and the Evolution of Soviet Culture, of California Press, 1997. (2005). http://www.rouge.com.aU/7 /eisenstein.html. University Press, 2011. Bowlt, John E, ed. Russian Art of the Avant-Garde: Theory and Criticism, Burghardt, Anja. "Picturing Non 1931-1941. Cambridge, MA: Harvard -------- . The Soviet Novel: History as Rit 1902-1934. New York: Thames and Russian Ethnicities in the Journals ual. Bloomington: Indiana University Hudson, 2017. Sovetskoe foto and SSSR na stroike Press, 2000. 222 Bibliography
Clark, T. J. Farewell to an Idea: Episodes from a History of Modernism. New Haven, CT: Yale University Press, 1999. -------- . Picasso and Truth: From Cubism to Guernica. Princeton, NJ: Princeton University Press, 2013. Cohen, Jean-Louis. Building a New New World: Amerikanizm in Russian Archi /objectphoto/assets/essays Age and Beyond, edited by Evgeny /Daffner.pdf. Dobrenko and Galin Tihanov, 43-63. Pittsburgh: University of Pittsburgh David-Fox, Michael. Showcasing the Press, 2011. Draskoczy, Julie. Belomor: Criminality Great Experiment: Cultural Diplomacy and Western Visitors to the Soviet and Creativity in Stalin's Gulag. Brigh Union, 1921-1941. New York: Oxford ton, MA: Academic Studies Press, University Press, 2014. Degot, Ekaterina. "The Copy Is the Crime: Unofficial Art and the Appro 2014. Duttlinger, Carolin. "From Photography for Architecture; New Haven, CT: Yale priation of Official Photography.” In to Film and Back Again: Helmar Ler- University Press, 2020. Beyond Memory: Soviet Nonconformist ski's Dramaturgy of the Human Face." tecture. Montreal: Canadian Centre Cohen, Yves. "Circulatory Localities: The Photography and Photo-Related Works Monatshefte 109, no. 2 (2017): 229-42. of Art, edited by Diane Neumaier, Eisenstein, Sergei. Glass House: Du projet Kritika: Explorations in Russian and Eur 103-18. New Brunswick, NJ:Jane de film au filme comme projet. Edited asian History 11, no. 1 (2010): 11-45· Voorhees Zimmerli Art Museum and by François Albera. Dijon: Les presses Colomina, Beatriz. Privacy and Publicity: Rutgers University Press, 2004. du réel, 2009.
Modern Architecture as Mass Media. Dickerman, Leah Anne. "Aleksandr Example of Stalinism in the 1930s." Cambridge, MA: MIT Press, 1994· Rodchenko's Camera-Eye: Lef Vision Compton, Susan P. Russian Avant- and the Production of Revolutionary Garde Books, 1917-34. London: British Library, 1992. Cooke, Catherine. "Cities of Socialism: Technology and Ideology in the Soviet Union in the 1920s." In Modern City Revisited, edited by Thomas Deckker, 26-55. London: Spon, 2000. -------- [as Eizenshtein, Sergei]. Izbrannye proizvedeniia v shesti tomakh. Moscow: Izdatel'stvo "Iskusstvo,” 1964. Consciousness.” PhD diss., Columbia Ermakova, E. S., and M. L. Khomutova, University, 1997-------- . "Camera Obscura: Socialist Real eds. Turkestanskii avangard. Katalog ism in the Shadow of Photography." muzei vostoka, 2009. Ernst, F. "Muzei Belomorsko-Baltiiskogo October93 (Summer 2000): 138-53. -------- . "The Fact and the Photograph." vystavki. Moscow: Gosudarstvennyi kanala imeni tov. Stalina." Belomorsko-Baltiiskii kombinat 3 -------- . "Extensive or Intensive Devel October 118 (2006): 132-52· -------- . "Lenin in the Age of Mechanical opment? A Century of Debates and Reproduction." In Disturbing Remains: Experience in Moscow.” In Cities for Memory, History, and Crisis in the moskovsko! zhurna/istiki: Uchebnoe the New Millennium, edited by Marcial Twentieth Century, edited by Michael posobie. Moscow: Flinta, 2005. Echenique and Andrew Saint, 165-76. S. Roth and Charles G. Salas, 77-110. London: Spon, 2001. Los Angeles: Getty Research Institute, Corwin, Sarah. “Picturing Efficiency: (1936):
30-35. Esin, Boris, and Ivan Kuznetsov. Tri veka Favorskii, V. A. "Zabyť 'igru v inzhenera' (Anketa 0 khudozhestvennoi aka demii)." Brigada khudozhnlkov 4-5 Precisionism, Scientific Management 1997. -------- . "The Propagandizing of Things.” and the Effacement of Labor." Repre In Aleksandr Rodchenko, edited by sentations Są, no. 1 (2003): 139-65. Magdalena Dabrowski, Leah Dicker Jr. Ecocide in the USSR: Health and Crimp, Douglas. “Pictures.” October 8 man, and Peter Galassi, 62-99. New Nature under Siege. New York: Basic, (Spring 1979): 75-88. Cronan, Todd. "Rodchenko's Photo graphic Communism." In Photog raphy and Failure: One Medium's Entanglement with Flops, Underdogs, and Disappointments, edited by Kris Belden-Adams, 27-44. New York: Bloomsbury Academic, 2017. Dabrowski, Magdalena, Leah Dicker York: Museum of Modern Art, 1998. ishes: The Falsification of Photographs Graphic Design, 1917-1937. Selections Revealed: Finishing Practices Observed in the Thomas Walter Collection." In Object: Photo. Modern Photographs: The Thomas Walther Collection 1909-1949· An Online Project of the Museum of Modern Art, edited Ordinary Life in Extraordinary Times. Soviet Russia in the 1930s. Oxford: Oxford University Press, 2000. -------- . Tear Off the Masks! Identity and from the Merrill C. Berman Collection. Press, 1996. Daffner, Lee Ann. "Retouching Fitzpatrick, Sheila. Everyday Stalinism: 755-57. -------- , ed. Building the Collective: Soviet New York: Princeton Architectural Photography before Photoshop. New Haven, CT: Yale University Press, 2012. and Art in Stalin's Russia, by
David King." Art Bulletin 80, no. 4 (1998): Rodchenko. New York: Museum of Modern Art, 1998. 1992· Fineman, Mia. Faking It: Manipulated -------- . "Review of The Commissar Van man, and Peter Galassi, eds. Aleksandr (1932): ю-11. Feshbach, Murray, and Alfred Friendly, Imposture in Twentieth-Century Russia. Princeton, NJ: Princeton University Doane, Mary Ann. "The Close-Up: Scale and Detail in the Cinema." differences: A journal of Feminist Cultural Studies nosti i vremeni v khudozhestvenno- 14, no. 3 (2003): 89-111. izobrazitel'nykh proizvedeniiakh. -------- . "Facing a Universal Language." - Press, 2005. Florenskii, Pavel. Analiz prostranstven- Moscow: Izdatel'skaia gruppa New German Critique 41, no. 2 (2014): 111-24. Dobrenko, Evgeny. "Literary Criticism "Progress," 1993-------- . Beyond Vision: Essays on the Perception of Art. Edited by Nicoletta by Mitra Abbaspour, Lee Ann Daffner, and the Transformation of the Literary Misler. Translated by Wendy Salmond. and Maria Morris Hambourg. New Field during the Cultural Revolution, London: Reaktion, 2002. York: Museum of Modern Art, 2014. 1928-1932·" In A History of Russian Literary Theory and Criticism: The Soviet https://www.moma.org/interactives Fore, Devin. "Demonstration.” In Revoliutsiia! Demonstratsiia! Soviet Bibliography 223
Art Put to the Test, edited by Matthew Cybernetics. Cambridge, MA: MIT S. Witkovsky and Devin Fore, Press, 2002. Film, by Jay Leyda (London: Allen and Unwin, 1960), 407-9· 288-94. Chicago: Art Institute of Chicago, 2017. Getty, J. Arch. “Samokritika Rituals in the Stalinist Central Committee, 1933-38." na Pervom vsesoiuznom s"ezde -------- . "The GAKhN Dictionary: An Russian Review 58, no. 1 (1999): 49-70. sovetskikh pisatelei 17 avgusta 1934 Introduction." October 162 (2017): Ghidini, Maria Candida. "'Formy 39-40. zhizni'—postupok, portret, i zhest—v -------- . "Introduction.” October 118 (2006): 3-10. -------- . "The Metabiotic State: Dziga Vertov's Eleventh Year." October 145 (Summer 2013): 3֊37. -------- . "The Operative Word in Soviet Factography." October 118 (2006): tomakh, 23:298-333· Moscow: GIKh, 1953. Translated by Julius Katzer as onykh GAKhN." Logos 75, no. 2 (2010): "Soviet Literature: Address Delivered to the First All-Union Congress of nym stolom. Leningrad: Sovetskii pisateľ, 1989. Ginzburg, Μ. la. Stil' i epokha. Problemy sovremennoi arkhitektury. Moscow: Gosudarstvennoe izdatel’stvo, 1924. Rehumanization of Art and Literature. Translated by Mark Sutcliffe and Frank Cambridge, MA: MIT Press, 2012. Althaus as Style and Epoch: Issues in -------- , ed. "Special Issue on Soviet goda.” In Sobranie sochinenii v tridtsati teoreticheskikh razmyshleniiakh uchi- 52-77. Ginzburg, Lidiia. Chelovekzapis'men- 95-131· -------- . Realism after Modernism: The -------- . "Sovetskaia literatura: Doklad Soviet Writers, August 17,1934," in On Literature (Moscow: Progress,
1982), 307-50. Gough, Maria. The Artist as Producer: Russian Constructivism in Revolution. Berkeley: University of California Press, 2005. -------- . "Back in the USSR: John Modern Architecture, ed.John Nichol Heartfield, Gustav Klucis, and the Factography.” October 118 (Fall 2006): son and Mark Sutcliffe (Moscow: Medium of Soviet Propaganda." 3-178. Fontanka, 2019). New German Critique 36, no. 2 (2009): Forgione, Nancy. '"The Shadow Only': Shadow and Silhouette in Late Nineteenth-Century Paris." Art Bulletin 81, no. 3 (1999): 490-512. Glaser, Amelia Μ., and Steven S. Lee, eds. Comintern Aesthetics. Toronto: University of Toronto Press, 2020. Glisic, Iva. The Futurist Files: Avant- FosterJohn Bellamy. Marx's Ecology: Garde, Politics, and Ideology in Russia, Materialism and Nature. New York: 1905-1930. Ithaca, NY: Cornell University Press, 2020. Monthly Review Press, 2000. 133-83. -------- . “Faktura: The Making of the Russian Avant-Garde." Res: Anthropol ogy and Aesthetics 36 (Autumn 1999): 32-59. -------- . "Lissitzky on Broadway." In Object: Photo. Modern Photographs: Foucault, Michel. Discipline and Punish: Golan, Romy. Modernity and Nostalgia: The Birth of the Prison. Translated by Art and Politics in France between the The Thomas Walther Collection 19091949. An Online Project of the Museum Alan Sheridan. New York: Vintage, Wars. New Haven, CT: Yale University of Modern Art, edited by Mitra 1995. Fridliand, S. "Molchanie—ne vsegda Press, 1995"Golosa rabochikh, kolkhoznikov, zoloto.” Pro/etarskoefoto 1 (January 1932): 17-18. -------- . "Trevozhnye signály." Sovetskoe
foto 5-6 (1936): 22-27. Maria Morris Hambourg. New York: fotoreportiorov na tvorcheskoi Museum of Modern Art, 2014. https:// diskussii.” Proletarskoe foto 1 (January www.moma.org/interactives 1932): 13-17. Gor’kii, Μ., L. Averbakh, S. Firin, et al. Belomorsko-Baltiiskii kanal imeni Gabara, Esther. Errant Modernism: The Abbaspour, Lee Ann Daffner, and /objectphoto/assets/essays /Gough.pdf. -------- . “Portrait under Construction: Ethos of Photography in Mexico and Statina: Istorila stroitel'stva. Moscow: Lotte Jacobi in Soviet Russia and Cen Brazil. Durham, NC: Duke University Gosudarstvennoe izdatel’stvo, 1934. tral Asia." October 173 (2020): 65-117. Translated by Amabel Williams-Ellis Press, 2009. Gabrichevskii, A. G., ed. Iskusstvo -------- . "Press." In Revo/iutsiia! Demon- as Belomor: An Account of the Con stratsiia! Soviet Art Put to the Test, portreta: Sborník statei. Moscow: Gosudarstvennaia akademija struction of the New Canal between edited by Matthew S. Witkovsky and the White Sea and the Baltic Sea (New Devin Fore, 78-85. Chicago: Art khudozhestvennykh nauk, 1928. York: Harrison Smith and Robert Haas, “The GAKhN Dictionary of Artistic Terms, 1923-1929·" Translated by Masha Chlenova. October 162 (2017): 41-107. Galassi, Peter. "Rodchenko and Pho tography's Revolution.” In Aleksandr 1935). Gor’kii, Maksim. “0 kochke i 0 tochke." In Sobrantesochinenii v tridtsati tomakh, 27:42-52. Moscow: GIKh, 1953. -------- . "Rech' na sliote udarnikov Rodchenko, edited by Magdalena Belomorstroia." In Sobrantesochinenii Dabrowski, Leah Dickerman, and v tridtsati tomakh,
27:187-98. Moscow: Peter Galassi, 100-137. New York: Museum of Modern Art, 1998. Gastev, Aleksei. Kak nado rabotad: Prak- ticheskoe vvedenie v nauku organizatsii truda. Moscow: Ekonomika, 1966. Gerovitch, Slava. From Newspeak to Cyberspeak: A History of Soviet 224 GIKh, 1953. -------- . "Sinematograf Lium'era." In Sobrante sochinenii v tridtsati tomakh, 23:242-46. Moscow: GIKh, 195З· Trans lated by Leda Swan [Jay Leyda] as Institute of Chicago, 2017. -------- . "Radical Tourism: Sergei Tret’iakov at the Communist Lighthouse.” October 118 (2006): 159-78. -------- . "Tarabukin, Spengler, and the Art of Production." October 93 (Summer 2000): 79-108. Graham, Loren R. The Ghost of the Exe cuted Engineer: Technology and the Fall of the Soviet Union. Cambridge, MA: Harvard University Press, 199З. Grimaldo Grigsby, Darcy. Colossal: Engineering the Suez Canal, Statue of Liberty, Eiffel Tower, and Panama "The Kingdom of Shadows,” in Kino: Canal: Transcontinental Ambition in A History of the Russian and Soviet France and the United States during the Bibliography
Long Nineteenth Century. Pittsburgh: Photography, Literature, Film. New Periscope, 2012. York: Oxford University Press, 2017. Grishanin, V. "Ideologicheskie problemy Sound. Bloomington: Indiana University Press, 2018. Kamp, Marianne. "Jahon Obidova Hughes, Langston. "Farewell to foto (Zametki o nekotorykh vyska- Mahomet." In The Collected Works of (1900-1967)." In Russia's People of zyvaniiakh i koe-kakoi produktsii)." Langston Hughes: Essays on Art, Race, Empire: Life Stories from Eurasia, 1500 Proletarskoefoto 1 (lanuary 1932): 3-9. Groys, Boris. The Total Art of Stalinism: Politics, and World Affairs, edited by to the Present, edited by Stephen Μ. Norris and William Sunderland, 309- Avant-Garde, Aesthetic Dictatorship, Christopher C. De Santi, 9:i33-4O. Columbia: University of Missouri and Beyond. Translated by Charles Press, 2002. Press, 2012. Rougle. London: Verso, 2011. -------- , ed. Russian Cosmism. Cam bridge, MA: MIT Press, 2018. Gurianova, Nina. The Aesthetics of Anar chy: Art and Ideology in the Early Rus 18. Bloomington: Indiana University -------- . The New Woman in Uzbekistan: Ignatovich, Boris. "Ob odnoi opasnoi Islam, Modernity, and Unveiling under tendentsil." Sovetskoe foto 7 Communism. Seattle: University of (1935): 13. Washington Press, 2006. "Illiustrirovannoe pis'mo v redaktsiiu: Nashi i za granitsa [s/c]." Sovetskoe Karasik, Mikhail, and Manfred Heiting, sian Avant-Garde. Berkeley: University foto 4 (1928): 176. Translated by John eds. The Soviet Photobook 1920-1941· of California Press, 2012. E. Bowlt as "A Photographer," "An Göttingen: Steidl,
2015. Halfin, Igai. Terrorin My Soul: Communist Illustrated Letter to the Editor: At Kassil', Lev. "Talant, ne strashivshiisia Autobiographies on Trial. Cambridge, Home and Abroad," in Photography budnei." In Aleksandr Rodchenko MA: Harvard University Press, 2003. in the Modern Era: European Docu risuet, fotografiruet, sporit, by ments and Critical Writings, 1913-1940, Leonid Volkov-Lannit, 5-7. Moscow: Hanson, Stephen E. Time and Revolu tion: Marxism and the Design of Soviet ed. Christopher Phillips (New York: Institutions. Chapel Hill: University of Museum of Modern Art, 1989), North Carolina Press, 1997. Harte, Tim. Fast Forward: The Aesthet ics and Ideology of Speed in Russian Iskusstvo, 1968. Kataev, Valentin. Vremia, vperiod! 243-44. Ioffe, leremiia I. "Kul'tura i stil’: Sistema i Izbrannoe: Kul'tura i stil', 6-304. Mos Madison: University of Wisconsin cow: RAO Govoriashchaia kniga, 2010. Press, 2009. lated by Charles Malamuth as Time, Forward! (Evanston, IL: Northwestern printsipy sotsiologii iskusstv." In Avant-Garde Culture, 1910-1930. Heatherley, Owen. "The City without a Moscow: Federatsiia, 1932. Trans University Press, 1995). Kettering, Karen. "'Ever More Cosy and -------- . Novyistil՛. Moscow: Izogiz, 1932. Comfortable’: Stalinism and the Soviet "Iz doklada nachaľnika BBLaga S. Firina Domestic Interior, 1928-1938."Journal Centre: Disurbanism and Communism na torzhestvennom zasedanii Kom- Revisited." In Re-Centring the City: munisticheskoi Akademii i Instituta Global Mutations of Socialist Moder Sovetskogo Stroitel'stva ob itogakh 119-35· Khalid, Adeeb.
Making Uzbekistan: nity, edited by Jonathan Bach and stroitel'stva BBK.” In Gulag v Karelii: Nation, Empire, and Revolution in Michał Murawski, 63-72. London: UCL Press, 2020. Sborník dokumentov i materialov, the Early USSR. Ithaca, NY: Cornell Heftberger, Adelheid. “Stekliannyi Glaz (The Glass Eye) and Karmen—The of Design History 10, no. 2 (1997): University Press, 2016. 1930-1941, 76-79- Petrozavodsk: Karel'skii nauchnyi tsentr RAN, 1992. Khan-Magomedov, Selim. Arkhitektura "Iz dokladnoi zapiski upravlenüa po sovetskogo avangarda. Moscow: Actress, Editor and Director Lilia Brik.” delam BMS pri SNK KASSR v Sovnar- Apparatus: Film, Media and Digital Cul kom Respubliki o khode rabot po tures in Central and Eastern Europe 6 (2018). http://www.apparatusjournal pereseleniiu naseleniia iz zony Individual in Russia: A Study of Prac zatopleniia.” In Gulag v Karelii: Sborník .net/index.php/apparatus/article /view/i2i. dokumentov i materialov, 1930-1941, 49-56. Petrozavodsk: Karel'skii tices. Berkeley: University of California Press, 1999. Hellbeck, Jochen. Revolution on My Mind: Writing a Diary under Stalin. Stroiizdat, 1996. Kharkhordin, Oleg. The Collective and the Kiaer, Christina. "His and Her Construc nauchnyi tsentr RAN, 1992. tivism." In Rodchenko and Popova: Jakobson, Michael. Origins of the Gulag: Cambridge, MA: Harvard University The Soviet Prison Camp System, 1917- Press, 2006. 1934. Lexington: University Press of Kentucky, 1993. Hicks, Jeremy. Dziga Vertov: Defining Documentary Film. London: I. B. Tauris, 2007. Hirsch, Francine. Empire of Nations: Ethnographic
Knowledge and the Making of the Soviet Union. Ithaca, NY: Cornell University Press, 2005. Holzberger, Helena. "National in Front of the Camera, Soviet behind It: London: Verso, 2002. of the Book': El Lissitzky's Works on ums.” Oxford Art Journal 28, no. 3 (2005): 431-55. pean History 16, no. 4 (2018): 487-508. Hornby, Louise. Still Modernism: Kaganovsky, Lilya. The Voice of Tech nology: Soviet Cinema's Transition to tivism. Cambridge, MA: MIT Press, October 147 (2015): 55-77. Paper, 1919-1937.” PhD diss., Harvard University, 2015. 1925-1937·" Jouma/ of Modern Euro Socialist Objects of Russian Construc 2005. -------- . "Lyrical Socialist Realism." Johnson, Samuel. "'The Architecture Central Asia in Press Photography, Margarita Tupitsyn, 143-59- London: Tate, 2009. -------- . Imagine No Possessions: The Jameson, Frederic. A Singular Modernity: Essay on the Ontology of the Present. Jolies, Adam. “Stalin's Talking Muse Defining Constructivism, edited by -------- . "Rodchenko in Paris.” October 75 (1996): 3-33-------- . "The Short Life of the Equal Woman." Tate Etc., October 20, 2017. https://www.tate.org.uk/tate-etc /issue-i5-spring-2009/short-life -equal-women. Bibliography 225
-------- . "'Tsvetnye kartinki’ v azbuke kommunizma: Deineka i Rodchenko v zhurnale ‘Daiosh'.’" Iskusstvoznanie շ Thomas Y. Levin, 75-88. Cambridge, Stepanovoi. Moscow: Gosudarstvennyi MA: Harvard University Press, 1995· muzei izobrazitel'nykh iskusstv imeni A. S. Pushkina, 2014. -------- . "A Note on Portrait Photogra (2017): 140-65. phy.” In The Past's Threshold, edited -------- . "Was Socialist Realism Forced Labour? The Case of Aleksandr by Philippe Despoix and Maria Zinfert, 59-62. Translated by Conor Joyce. Deineka in the 1930s." Oxford Art Journal 3 (2005): 321-45. King, David. The Commissar Vanishes: The Falsification of Photographs and Art in Stalin's Russia. New York: Henry Berlin: Diaphanes, 2014· -------- . "Photography.” Translated by Thomas Y. Levin. Critical Inquiry 19, (Spring 1993): 421-36. Krauss, Rosalind. "The Photographic Ո0.3 Holt, Metropolitan, 1997. -------- . Ordinary Citizens: The Victims of Stalin. London: Francis Boutle, 2003. Russkii avangard, 2009. -------- , ed. Aleksandr Rodchenko: Exper iments for the Future: Diaries, Essays, Letters, and Other Writings. Trans lated by Jamey Gambrell. New York: Museum of Modern Art, 2005. Lavrentiev, Aleksandr, and Olga Conditions of Surrealism." October 19 Sviblova, eds. Alexander Rodchenko: (Winter 1981): 3-34. Revolution in Photography. Moscow: Kriebel, Sabine. Revolutionary Beauty: Kino-literatura: Pervaia výstavka. Mos -------- . Varvara Stepanova. Moscow: The Radical Photomontages ofJohn cow: Gosudarstvennaia akademiia Heartfield. Berkeley: University of khudozhestvennykh nauk, 1927. California
Press, 2014. Multimedia Complex of Visual Arts, 2008. Le Corbusier. Toward an Architecture. Translated by John Goodman. Los Klein, Joachim. "Belomorkanal: Litera Krylova, Anna. "The Tenacious Liberal Angeles: Getty Research Institute, tura i propaganda v stalinskoe vre- Subject in Soviet Studies." Kritika: mia." Novoe Literaturnoe Obozrenie 71 (2005): 231-62. Explorations in Russian and Eurasian 2007. Lee, Steven S. The Ethnic Avant-Garde: Klutsis, Gustav. "Fotomontazh как History 1, no. 1 (2000): 119-46. “Kuda itti? [sic].” Sovremennaia novyi vid agitatsionnogo iskusstva." In Izofront: Klassovaia bor'ba na fone prostranstvennykh iskusstv. Sborník arkhitektura 1-2 (1930): 4-6. Kunichika, Michael. "Landscape and Vision at the White Sea-Baltic Canal." statei ob"edineniia "Oktiabr', " edited by P. I. Novitskii, 119-34· Moscow: Ogiz Izogiz, 1931. Koerner, Joseph Leo. Caspar David New Haven, CT: Yale University Press, Visual Culture, edited by Valerie Ann Stuart Elden and Gerald Moore. 2008. -------- . “Our Native Antiquity": Archae under Stalin.” In Utopian Reality: In Rhythmanalysis: Space, Time and Everyday Life, 27-37. Translated by New Haven, CT: Yale University Press, 1990. Kokkori, Maria. "Exhibiting Malevich New York: Columbia University Press, 2015. Lefebvre, Henri. "From a Window.” In Picturing Russia: Explorations in Kivelson and Joan Neuberger, 254-58. Friedrich and the Subject of Landscape. Minority Cultures and World Revolution. London: Continuum, 2004. Lehmann, Ann-Sophie. "The Transpar ency of Color: Aesthetics, Materials, and Practices of Hand Coloring ology
and Aesthetics In the Culture Photographs between Rochester and of Russian Modernism. Brighton, MA: Yokohama.” Getty Research Journal 7 Academic Studies Press, 2015. (2015): 81-96. Lenin, Vladimir. Polnoesobranie Reconstructing Culture in Revolutionary Kurchanova, Natasha. "Osip Brik and Russia and Beyond, edited by Christina the Politics of the Avant-Garde." sochinenii. Moscow: Gosudarstvennoe Lodder, Maria Kokkori, and Maria October 134 (2000): 52-73. izdatel'stvo politicheskoi literatury, Mileeva, 133-52· Leiden: Brill, 2013. Kushner, Boris. "Otkrytoe pis'mo." 1958-65. Lenoe, Matthew E. Closer to the Masses: Kokurin, A. I., and lu. N. Morukov, eds. NovyiLefS (1928): 38-40. Translated Stalinskie stroiki GULaga 1930-1953. Moscow: Izdatel'stvo Materik, 2005. by John E. Bowlt as "Open Letter to Stalinist Culture, Social Revolution, and Rodchenko,” in Photography in the Soviet Newspapers. Cambridge, MA: Kosofsky Sedgwick, Eve. "Paranoid Modern Era: European Documents and Reading and Reparative Reading, Critical Writings, 1913-1940, ed. Chris Or You're So Paranoid You Probably topher Phillips (New York: Museum of Think This Essay Is about You.” In Touching Feeling: Affect, Pedagogy, Performativity, 123-52· Durham, NC: Duke University Press, 2003. Modern Art, 1989), 249-51. Lavrentiev, Aleksandr. Aleksandr Rod chenko. Moscow: S. A. Gordeev, 2011. -------- . Alexander Rodchenko: Kotkin, Stephen. Magnetic Mountain: Stalinism as Civilization. Berkeley: Photography 1924-1954. Edison, NJ: Knickerbocker, 1995. University of California Press, 1995. -------- . Stalin: Waiting for
Hitler, 1929- -------- . A. Μ. Rodchenko. V. F. Stepanova. 1941. New York: Penguin, 2017. Kovtun, Evgenii. "Varvara Stepanova's -------- . Maiakovskii-Rodchenko: Klassika Moscow: Kniga, 1989. konstruktivizma. Moscow: Fortuna Harvard University Press, 2004. Levit, Georgy S. "Looking at Russian Ecology through the Biosphere The ory.” In Ecology Revisited: Reflecting on Concepts, Advancing Science, edited by Astrid Schwarz and Kurt Jax, 33З- 47. New York: Springer, 2011. Liakhov, V. N. Oformlenie sovetskoi knigi: Superoblozhka, perepliot, oblozhka, forzats. Moscow: Izdatel'stvo "Kniga,” 1966. Lisitskii, EI'. "Chelovek mera vsekh portnykh.” Izvestiia ASNOVA, no. 1 (1926). -------- . "Glaz arkhitektora (Izlozhenie Anti-Book.” In From Surface to Space: Russia 1916-24, 57-62. Cologne: Gal El, 2015. -------- . Rakursy Rodchenko. Moscow: erie Gmurzynska, 1974. Iskusstvo, 1992. -------- . "Rodchenko v 'SSSR na stroike.’" promysh/ennost' 2 (January 1926): Sovetskoe foto i (1981): 38-39. -------- . Vgostiakh u Rodchenko і as "The Architect's Eye; A Review of Erich Mendelsohn's America (1926),” Kracauer, Siegfried. "The Mass Orna ment." In The Mass Ornament: Weimar Essays, edited and translated by 226 Bibliography knigi E. Mendel'sona).” Stroitel'naia 144-46. Translated by Alan Upchurch
in Photography in the Modern Era: Bowlt as "From Cubism and Futurism Print: Writings from 1816 to the Present, European Documents and Critical to Suprematism: The New Painterly edited by Vicki Goldberg, 339-48. Albuquerque: University of New Writings, 1913-1940, ed. Christopher Realism," in Russian Art of the Avant- Phillips (New York: Museum of Mod Garde: Theory and Criticism, 1902-1934, ern Art, 1989), 221-26. ed.John E. Bowlt (New York: Viking, --------- . "Letter to Jan Tschichold, 29 September 1932.” In Situating El Proletkult Movement in Revolutionary and Brian Reed, 256-57. Translated Russia. Berkeley: University of by David Britt. Los Angeles: Getty Research Institute, 2003. --------- . “Unser Buch (U.D.S.S.R.).” Photography, Film, 38-40. Translated 1976), 116-35· by Janet Seligman. Cambridge, MA: Maliy, Lynn. Culture of the Future: The Lissitzky, edited by Nancy Perloff MIT Press, 1969. Monday, Chris. "An Intellectual's Revolt against the Sun: Alexander California Press, 1990. Mandel'shtam, Osip. "Kholodnoe leto." 2, Proza, perevody, 294-96. Moscow: Translated by Helene Aldwinckle and Khudozhestvennaia kul'tura, 1990. Chayanov and Abram Bragin's Albidum (1928).” Russian History 42 In Sochineniia v dvukh tomakh, vol. Gutenberg-Jahrbuch (1927): 172-78. Mexico Press, 1988. --------- . "Typophoto.” In Painting, (2015): 304-42. Morukov, Mikhail. "The White Sea-Baltic Martin, Terry. Affirmative Action Empire: Canal." In The Economics of Forced Lissitzky: Life, Letters, Texts, by Sophie Nations and Nationalism in the Soviet Labor: The Soviet Gulag, edited by Lissitzky-
Küppers (London: Thames Union, 1923-1939. Ithaca, NY: Cornell Paul R. Gregory and Valery Lazarev, and Hudson, 1968), 360-63. University Press, 2001. Mary Whittall as "Our Book," in El Lissitzky-Küppers, Sophie. El Lissitzky: 151-62. Stanford: Hoover Institution, Marx, Karl. Marx and Engels Collected 2003. Moshkova, V. G. Kovry narodov Srednei Life, Letters, Texts. London: Thames Works, vol. 35, Karl Marx-Capital, and Hudson, 1968. V0I.1. London: Lawrence and Wishart Azii kontsa XIX-nachala XX w: Materi Electric, 2010. ały ekspeditsii 1929-1945 godov. Tash Livak, Leonid. In Search of Russian Modernism. Baltimore: Johns Hopkins University Press, 2018. kent: Izdatel'stvo "Fan" UzSSR, 1970. McLeod, Mary. "Modernism.” In Forty Muter, R. Istorila zhivopisi v XIX veke. Ways to Think about Architecture: Architectural History and Theory Today, Translated by V. Vengerova. Vol. 2. structivism: Kino-fot and Rodchenko's edited by lain Borden, Murray Fraser, Saint Petersburg: Tipografiia Spb. akts, Move into Photography." History of and Barbara Penner, 185-92. West obsh. pechatnogo dela v Rossii E. Photography 24, no. 4 (2000): 292-99. Sussex: John Wiley, 2014. Lodder, Christina. "Promoting Con Lucente, Angelina. "The Conflicted Ori gins of Soviet Visual Media: Painting, Photography, and Communication in Evdokimov, 1900. Mendelsohn, Erich. Amerika: Bilderbuch eines Architekten. Berlin: Mosse, 1926. Merkúrov, S. D. "Monumental’naia Russia, 1925-1932." Cahiers du monde skul'ptura na kanale Moskva-Volga.” russe 56, no. 2/3 (2015): 401-28. “Na pervom etape tvorcheskoi diskussii."
Proletarskoe foto 1 (January 1932): 10-12. Naiman, Eric. "Discourse Made Flesh: In Arkhitektura kanala Moskva-Volga, Healing and Terror in the Construction --------- . "Painting against Empire: Béla 68-72. Moscow: Izdatel'stvo Vseso- of Soviet Subjectivity." In Language Uitz and the Birth and Fate of Inter iuznoi akademii arkhitektury, 1939. and Revolution: Making of Modern nationalist Socialist Realism." Russian Michelson, Annette. “From Magician to Political Identities, edited by Igai Review 79, no. 4 (October 2020): Epistemologist: Dziga Vertov’s Man Halfin, 243-68. Portland, OR: F. Cass, 578-605. with a Movie Camera." October 162 2002. Lúgon, Olivier. "The Old Bridge, the His torian, and the New Photographer.” In (2017): 112-32. --------- . "On Soviet Subjects and the --------- . “The Wings of Hypothesis: Scholars Who Make Them." Russian Review 60, no. 3 (2001): 307-15. Moholy-Nagy: Future Present, edited On Montage and the Theory of the by Matthew S. Witkovsky, Carol S. Interval." In Montage and Modern Life, Neimark, Anna. "The Infrastructural Eliel, and Karole P. B. Vail, 105-16. Chi 1919-1942, edited by Matthew Teitel Monument: Stalin's Water Works cago: Art Institute of Chicago, 2016. baum, 60-68. Cambridge, MA: MIT under Construction and in Represen Press, 1992. tation." Future Anterior 9, no. 2 Luke, Megan. Kurt Schwitters: Space, Image, Exile. Chicago: University of Chicago Press, 2014. Maiakovskii, Vladimir. "Daiosh՛.” In Mikhailova, E. "Litfront." In Nesbet, Anne. Savage Junctures: Sergei tomakh, 6:506-13. Moscow: Ogiz Eisenstein and the Shape of Thinking.
Polnoe sobranie sochinenii, 4:346-47. RSFSR, gosudarstvennoe slovarno- Moscow: Nauka, 2016. entsiklopedicheskoe izdatel'svo --------- . "Razgovor s tovarishchem Len (Winter 2012): 1-14. Literaturnaia entsiklopediia v 11-ti London: I. B. Tauris, 2003. --------- . "Skyscrapers, Consular Territory, and Hell: What Bulgakov and Eizen- "Sovetskaia Entsiklopediia,” 1932. iným.” In Polnoe sobranie sochinenii, Mileeva, Maria. "The Creative Mistakes shtein Learned about Space from ll'f 10:17-20. Moscow: Khudozhestven- of Socialist Realism.” In New Narra and Petrov's America." Slavic Review naia literatura, 1958. tives of Russian and East European Art: Malevich, Kazimir. Ot kubizma i futu Between Traditions and Revolutions, 69, no. 2 (2010): 377-97. Neuberger, Joan. This Thing of Darkness: rizma к suprematizmu: Novyi zhivo- edited by Galina Mardilovich and Eisenstein's Ivan the Terrible in Stalin's pisnyi realizm.” In Sobranie sochinenii Maria Taroutina, 136-50. New York: Russia. Ithaca, NY: Cornell University v piati tomakh, edited by D. V. Sarabi- Routledge, 2019. anov et al., 1:35֊55· Moscow: Gileia, 1995-2004. Translated by John E. Moholy-Nagy, László. "From Pigment to Light, 1936.” In Photography in Press, 2019. Northrop, Douglas. Veiled Empire: Gender and Power in Stalinist Russia. Bibliography 227
Ithaca, NY: Cornell University Press, Pereleshin, B. "Vavilonskoe nasledie.” "The Revolutionary Archive of A.R.” 2004. ЗоОпеі(November 1929): 50-58. Perloff, Marjorie. The Futurist Moment: Robin, Régine. Socialist Realism: An Novitskii, P. I. "0 tvorcheskom metode V. A. Favorskogo." Brigada khudozhnikov 5-6 (1931): 37. Nunan, Timothy A. "Soviet Nationali ties Policy, USSR in Construction, and Avant-Garde, Avantguerre, and the Language of Rupture. Chicago: Univer sity of Chicago Press, 2003. Phillips, Christopher, ed. Photography in Soviet Documentary Photography in the Modern Era: European Documents Comparative Context, 1931-1937." Ab Imperio 2 (2010): 47-92. York: Museum of Modern Art, 1989· Okhitovich, M. "Zametki po teorii ras- seleniia." Sovremennaia arkhitektura 1-2 (1930): 7-16. Orlova, Galina. “‘Karty dlia slepykh’: and Critical Writings, 1913-1940. New Picture Taking with the Vest Pocket Autographic Kodak. Rochester, NY: Eastman Kodak Company, 1916. Platonov, Andrei. Kotlovan. Saint October 118 (2006): 153-58. Impossible Aesthetic. Translated by Catherine Porter. Stanford: Stanford University Press, 1992. Rodchenko, Aleksandr. "Chiornoe I beloe." In Opyty dlia budushchego: Dnevniki, stat'i, pis'ma, zapiski, edited by O. V, Mel'nikov and V. I. Schen nikov, 287-91. Moscow: Izdateľstvo "Granit," 1996 (hereafter Opyty dlia budushchego). Translated by Jamey Gambrell as "Black and White: Auto Politika i politizatsiia zreniia v Petersburg: Azbuka-klassika, 2002. biography,” in Aleksandr Rodchenko: stalinskuiu epokhu.” In Vizual'naia Translated by Robert Chandler,
Eliza Experiments for the Future: Diaries, antropologiia: Rezhimy vidimasti pri beth Chandler, and Olga Meerson as Essays, Letters, and Other Writings, sotsializme, edited by E. larskaia- Foundation Pit (New York: New York ed. Aleksandr Lavrentiev (New York: Review of Books, 2009). Smirnova and P.Romanov, 57-105. Platt, Kevin M. F. History in a Grotesque Moscow: Variant TsSPGI, 2009. -------- . "Rozhdenie vreditelia: Otritsa- Key: Russian Literature and the Idea tel'naia politicheskaia sakralizatsiia v of Revolution. Stanford: Stanford Strane Sovetov.” Zeit-Raume (Wiener Slawistischer Almanach) 49 (2003): University Press, 1997. Plotnikov, N.S., N. P. Podzemskaia, and lu. N. lakimenko, eds. Iskusstvo как 309-46. iazyk—lazyki iskusstvo: Gosudarstven- "Otkrytoe pis'mo gruppy Oktiabr" v naia akademka nauk i esteticheskaia teoriia 1920-kh godov. Moscow: Novoe redaktsiiu ‘Proletarskoe foto."' Proletarskoe foto 2 (1932): 3. Oushakine, Serguei Alex. "The Flexible and the Pliant: Disturbed Organisms literaturnoe obozrenie, 2017. "Postanovlenie TsK VKP(b) o plakatno! Museum of Modern Art, 2005), 304-8 (hereafter Experiments for the Future). -------- . “Iz manifesta suprematistov i bespredmetnikov.” In Opyty dlia budushchego, 67. Translated by Jamey Gambrell as "From the Manifesto of Suprematists and Non-Objective Painters," in Experiments for the Future, 85-86. -------- . "K foto v etom nomere.” Novyi Lef 3 (1928): 28-29. -------- . "Korabeľnyi dnevnik." In Opyty of Soviet Modernity." Cultural literature." In Za boľshevistskiiplakat: Anthropology 19, no. 3 (2004): Zadachi
izoiskusstva v sviazi s reshe- by Jamey Gambrell as "Ship's Log," in niem TsK VKP(b) 0 plakatnoi literature: Experiments for the Future, 98-108. Diskussiia i vystupleniia v institute Lila, -------- . "Krupnaia bezgramotnost’ ill 392-428. Panofsky, Erwin. Perspective as Symbolic Form. Translated by Christopher S. Wood. New York: Zone, 2012. 3-4. Moscow: Ogiz-lzogiz, 1932. Prishvin, Mikhail. Dnevniki, 1932-1935, Kniga vos'maia. Edited by la. Z. Panteleeva, R. P, ed. Μ. Gor'kii i sovetskaia pechat'. Moscow: Nauka, 1964-65. Papazian, Elizabeth. Manufacturing Truth: The Documentary Moment in Early Soviet Culture. DeKalb: Northern Illinois University Press, 2009. Paperno, Irina. Stories of Soviet Experi Grishina. Saint Petersburg: ООО "Izdateľstvo Rostok,” 2009. Reid, Susan. "Socialist Realism in the Stalinist Terror." Russian Review 60, no. 2 (April 2001): 153-84. Reischl, Katherine Hill. "In the Soviet School of Photography: Lessons in dlia budushchego, 81-90. Translated melkaia gadost՛?" Novyi Lef 6 (1928): 42-45. Translated by Jamey Gambrell as "Large-Scale Illiteracy or Dirty Little Tricks: Open Letter," in Experiments for the Future, 204-7· -------- . "Laboratornoe prokhozhdenie cherez iskusstvo zhivopisi i konstruktivno-prostranstvennye formy k industriaľnoi initsiative KONSTRUKTIVIZMA 1917-1921 (Avtomonografiia).” In Opyty dlia ence: Memoirs, Diaries, Dreams. Ithaca, Photographic Literacy." Modernism/ NY: Cornell University Press, 2009. modernity 3 (Print+, 2018). https:// budushchego, 109-15-Translated by Paperny, Vladimir. Architecture in the
modernismmodernity.org/articles Jamey Gambrell as “A Laboratory Pas /soviet-school-photography. sage," in Experiments for the Future, Age of Stalin: Culture Two. Translated -------- . Photographic Literacy: Cameras in the Hands of Russian Authors. Ithaca, by John Hill and Roann Barris in collaboration with the author. Cambridge: Cambridge University NY: Cornell University Press, 2018. -------- . '"Where I Have Been with My Press, 2002. Pasternak, Boris. "Liūdi i polozheniia: Avtobiograficheskii ocherk." Novyi Mir 1 (1967): 204-36. Translated by Nicolas Pasternak Slater as “People and Prop ositions," in People and Propositions. The Voice of Prose, ed. Christopher Camera': Sergei Tret'iakov and 123-31· -------- . "Liniia.” In Opyty dlia budu shchego, 95-98. Translated by Jamey Gambrell as "The Line," in Experiments for the Future, 111. Developing Operativity.” Russian -------- . "Master i kritika." Sovetskoe foto Literature 103-5 Üanuary-April 2019): 9 (1935): 4-5. -------- . Opyty dlia budushchego: 119-43. Renger-Patzsch, Albert. "Aims.” Trans Dnevniki, stat'i, pis'ma, zapiski. Edited lated by Joel Agee. (In Photography in by O. V. Mel'nikov and V. I. Schen Barns (Edinburgh: Polygon, 1990), the Modern Era, ed. Christopher Phil nikov. Moscow: Izdateľstvo "Granit,” 226-86. lips. New York: Museum of Modern 1996. Art, 1989), 104-5. 228 Bibliography
-------- . "Perestroika khudozhnika.” Sovetskoe foto 5-6 (1936): 19-21. Rodchenko, 14-17. Milan: Skira, 2016. Sander, August. Antlitz derzeit: Sechzig -------- . "Momenty tvorchestva." In A.M. Translated by Jamey Gambrell as Rodchenko. V. E Stepanova, by Alek Aufnahmen deutscher Menschen des 20. Jahrhunderts. Munich: Kurt Wolff, “Reconstructing the Artist," in sandr Lavrentiev, 139-43· Moscow: Experiments for the Future, 297-304. -------- . "Predosterezhenie." Novyi Lef 11 (1928): 36-37. Translated by Jamey Gambrell as "Warning!," in Experi Time: Bolshevik Festivals and Their ments for the Future, 212-14· A Study of the Central Black Earth -------- . "Protiv summirovannogo por 1929. Sarkisova, Oksana. Screening Soviet Kniga, 1989· Rolf, Malte. "Constructing a Soviet Nationalities: Kulturfilms from the Far North to Central Asia. London: I. B. Rivals during the First Five-Year Plan. Tauris, 2017. Schaaf, Larry. Records of the Dawn of Region." Kritika: Explorations in Russian Photography: Talbot's Notebooks P treta za momentaľnyi snimok.” Novyi and Eurasian History 1, no. 3 (Summer Cl Cambridge: Cambridge University Lef 4 (1928): 14-16. Translated by John 2000): 447-73. E. Bowlt as “Against the Synthetic Press, 1996. Romanenko, Ekaterina. "Photomontage Schaefer, William. Shadow Modernism: Portrait, for the Snapshot," in Photog for the Masses: The Soviet Periodical Photography, Writing, and Space in raphyin the Modern Era, ed. Christo Press of the 1930S." Design Issues 26, Shanghai, 1925-1937. Durham, NC: pher Phillips (New York: Museum of Modern Art, 1989), 238-42. no. 1
(Winter 2010): 29-39. Duke University Press, 2017. Schick, Christine. "Russian Constructiv Romberg, Kristin. "Art in the Age of ist Theory and Practice in the Visual -------- . "Puti sovremennoi fotografii.” NovyiLef 9 (1928): 31-39. Translated Binary Inversion: Russian Constructiv ist Graphic Design and the Interwar and Verbal Forms of Pro Eto." PhD by Jamey Gambrell as "The Paths of Grid." In New Narratives of Russian and diss., University of California, Berkeley, Contemporary Photography," in East European Art, edited by Galina Experiments for the Future, 207-12. Mardilovich and Maria Taroutina, -------- . "Rabota s Maiakovskim." In Opyty dlia budushchego, 203-66. Translated by Jamey Gambrell as 2011. Schlögel, Karl. Moscow, 1937. Translated by Rodney Livingstone. Cambridge: 115-35. New York: Routledge, 2020. -------- . "Festival." In Revoliutsiia! Polity, 2012. Schwartz, Frederic J. Blind Spots: Crit Demonstratsiia! Soviet Art Put to the "Working with Mayakovsky," in Experi Test, edited by Matthew S. Witkovsky ical Theory and the History of Art in ments for the Future, 214-30. and Devin Fore, 250-57. Chicago: Art Twentieth-Century Germany. New -------- . “Rodchenko v Parizhe. Iz pisem domoi.” Novyi Lef 2 (1928): 9-21. Translated by Jamey Gambrell as "In Haven, CT: Yale University Press, 2005. Institute of Chicago, 2017· Sekula, Allan. “The Body and the -------- . Gan's Constructivism: Aesthetic Theory for an Embedded Modernism. Archive.” October 39 (Winter 1986): Paris: From Letters Home, 1925,” in Oakland: University of California Press, Experiments for the Future,
148-86. 2018. -------- . "Sharlo.” In Opyty dlia budu shchego, 130-31. Translated by Jamey -------- . "Labor Demonstrations: Aleksei Gan's Island of the Young Pioneers, Gambrell as "Chariot," in Experiments Dziga Vertov's Kino-Eye, and the for the Future, 147-48. Rationalization of Artistic Labor." -------- . “Vsio—opyty.” In Opyty dlia budushchego, 91-93. Translated by Jamey Gambrell as "Everything Is Experiment," in Experiments for the Future, 108-11. -------- . "Vstrechi s V. V. Maiakovskim." Sovetskoe foto 4 (1940): 5. -------- . "Zapisnaia knizhka Lefa." Novyi Lef 6 (1927): 3-7. Translated by Jamey Gambrell as "Lef Notebook," in Experiments for the Future, 199-204. Rodchenko, Aleksandr, and Varvara Stepanova. "Kak my rabotali nad 'Pervoi konnoi՛." In A. Μ. Rodchenko. V. F. Stepanova, by Aleksandr Lavrentiev, 135-36. Moscow: Kniga, 1989· Translated by Wendy Salmond 1928. Shklovskii, Viktor. "Iskusstvo как October 145 (2013): 38-66. Rosenheim, Jeff L. "Foxtrot, 1935.” In The Waking Dream: Photography's First Century: Selections from the Gilman literaturnoe obozrenie, 2018. Trans Paper Company Collection, edited by lated by Alexandra Berlina as "Art as Maria Hambourg, 356-57. New York: Metropolitan Museum of Art, 1993. Device," in Viktor Shklovsky: A Reader, ed. Alexandra Berlina (New York: Rowell, Margit, Deborah Wye, and Bloomsbury Academic, 2017), 73-96. Joanne Greenspun, eds. The Russian Siddiqi, Asif. “Scientists and Specialists Avant-Garde Book, 1910-1934. New York: Museum of Modern Art, 2002. Sharashka." In The Soviet Gulag: Evi in the Gulag: Life and Death in
Stalin's Ruder, Cynthia Ann. Building Stalinism: dence, Interpretation, and Comparison, The Moscow Canal and the Creation of edited by Michael David-Fox, 87-113. SovietSpace. London: I. B. Tauris, 2018. Pittsburgh: University of Pittsburgh -------- . Making History for Stalin: The Press, 2016. Story of the Belomor Canal. Gainesville: University Press of Florida, 1998. Silina, Maria. “The Struggle against Naturalism: Soviet Art from the 1920s Constructivist Life, by Alexander Ryabchikova, Natalie. "Mezhrabpomfilm about My Father." In Alexander priiom." In Sobraniesochinenii, vol. 1, Revoliutsiia, 250-68. Moscow: Novoe Rutherford, Emma. Silhouette: The Art of the Shadow. New York: Rizzoli, 2009. Rodchenko, Varvara. "A Few Words obshchestvennogo obvinitelia. Mos cow: Gosudarstvennoe izdatel'stvo, as "How We Worked on the First Cavalry," in Varvara Stepanova: A Lavrentiev, ed.John E. Bowlt (Milan: Idea, 1988), 181. Յ-64. Shein, S. D. Sud nad ekonomicheskoi kontrrevoliutsiei v Donbasse: Zametki to the 1950s.” Canadian Art Review 41, no. 2 (2016): 91-104. Simmel, Georg. Rembrandt: An Essay between Experiment and Censorship: in the Philosophy of Art. Edited and The Case of The Glass Eye." Theatre. translated by Alan Scott and Helmut Fine Arts. Cinema. Music 3 (2019): Staubmann. New York: Routledge, 2005. 71-90. Bibliography 229
Skakov, Nariman. "Culture One and a Stepanova, Varvara. Chelovek ne mozhet Half." In Comintern Aesthetics, edited zhit' bez chuda: Pis'ma, poeticheskie by Amelia Μ. Glaser and Steven S. opyty, zapiski khudozhnitsy. Edited by Lee, 227-54. Toronto: University of Toronto Press, 2020. O. V. Mel'nikov. Moscow: Sfera, 1994. -------- . "Fotomontazh.” In A. Μ. Rod Slezkine, Yuri. "The USSR as a Com chenko. V. F. Stepanova, by Aleksandr munal Apartment, or How a Socialist Lavrentiev, 131-32. Moscow: Kniga, State Promoted Ethnic Particularism." 1989. Translated by John E. Bowlt as Slavic Review 53, no. 2 (Summer 1994): "Photomontage," in Illuminations: Women Writing on Photography from 414-52· Smith, T'ai. Bauhaus Weaving Theory: the t8sos to the Present, ed. Liz Heron From Feminine Craft to Mode of Design. Minneapolis: Minnesota University Press, 2014. of the Revolutionary Utopia: Early -------- . "Photo-Painting and AvantGarde in Soviet Russia.” History of Photography 24, no. 4 (2000): 283-91. -------- . "Rise and Fall of the Soviet Pantheon.” In Pantheons: Transforma tions of a Monumental Idea, edited by Richard Wrigley and Matthew Craske, 221-42. Burlington, VT: Ashgate, 2004. Til'berg, Margareta. Tsvetnaia vselen- and Val Williams (Durham, NC: Duke naia: Mikhail Matiushin ob iskusstve University Press, 1996), 64-66. Stephan, Halina. “Lef" and the Left Front izrenii. Moscow: Novoe literaturnoe Smyrnov, Andrey. "Synthesized Voices Attempts to Synthesize Speaking and /12/aleksandr-rodchenkos-lines -of-force. of the Arts. Munich: Otto Sagner, 1981. Stetler, Pepper. Stop Reading!
Look! Modern Vision and the Weimar Photo Singing Voice in Post-Revolutionary graphic Book. Ann Arbor: University of Russia (1920s)." In Electrified Voices: Michigan Press, 2015. obozrenie, 2008. Trenin, V. "Trevozhnyi signal druz'iam." Novyi Lef 8 (1928): 30-36. Tretiakov, Sergei. "Fotomontazh khu- dozhnika-bol’shevika." Sovetskoe foto 12 (1935): 3-8. -------- . "Fotozametki." Novyi Lef 8 Medial, Socio-Historical and Cultural Stierli, Martino. Montage and Metropolis: Aspects of Voice Transfer, edited by Architecture, Modernity, and the Rep Dmitri Zakharine and Nils Meise, 163- resentation of Space. New Haven, CT: Bowlt as "Photo-Notes," in Photogra Yale University Press, 2019. phy in the Modern Era, ed. Christopher Phillips (New York: Museum of Mod 85· Göttingen: V R Unipress, 2013. Spieker, Sven. The Big Archive: Art from Stites, Richard. Revolutionary Dreams: Bureaucracy. Cambridge, MA: MIT Utopian Vision and Experimental Life Press, 2008. in the Russian Revolution. New York: Stalin, Iosif. "God velikogo pereloma: К XII godovshchine Oktiabria." In Oxford University Press, 1989. Stoichita, Victor I. A Short History of the Shadow. Translated by Anne-Marie Sochineniia, 12:118-35. Moscow: Gosudarstvennoe izdatel’stvo politicheskoi literatury, 1949. Translated Glasheen. London: Reaktion, 1997. (1928): 40-43. Translated by John E. ern Art, 1989), 252-55. -------- . "Kino к iubileiu.” NovyiLef to (1927): 27-31. -------- . "Moi zritel’nyi dnevnik." Sovetskoe foto 2 (1934): 24· -------- . “Ot fotoserii—k dliteľnomu Sudhalter, Adrian. "Representing the nabliudeniiu."
Proletarskoe foto 4 as "A Year of Great Change," in Works, Constructor." In Engineer Agitator (1931): 20-43. Translated by Devin by Joseph Stalin (Moscow: Foreign Constructor: The Artist Reinvented, Fore as “From the Photo-Series to Extended Photo-Observation," in Languages, 1954), 12:124-41. -------- . Ό politicheskikh zadachakh Universiteta Narodov Vostoka. Rech' na sobranii studentov.” In Sochineniia, 7:133-52. Moscow: Ogiz, 1947· Trans lated as "The Political Tasks of the University of the Peoples of the East: Speech Delivered at a Meeting of t9l8-t939, edited by Jodi Hauptman and Adrian Sudhalter, 38-49. New York: Museum of Modern Art, 2020. Symons, Stéphane. More than Life: Georg Simmel and Walter Benjamin in Art. Evanston, IL: Northwestern Uni versity Press, 2017Talbot, H. F. "XXXVII. Some Account October 118 (Fall 2006): 71-77. -------- . "Prodolzhenie sleduet.” Novyi Lef 12 (1928): 1-4. -------- . "Skvoz' neprotiortye ochki." Novyi Lef 9 (1928): 20-24· Tretiakov, Sergei, and Solomon Telingater. Dzhon Khartfil'd. Moscow: Ogiz, Students of the Communist University of the Art of Photogenic Drawing." of the Toilers of the East," in Works, Philosophical Magazine series 3,14, 1936. Troeller, Jordan. "Lucia Moholy’s Idle by Joseph Stalin (Moscow: Foreign no. 88 (1839): 196-211. Tarabukin, Nikolai. Ot mo/'berta к mash Trotskii, Lev. Istorila russkoi revoliutsii. Languages, 1954), 7:135-54· Hands." October tyz (2020): 68-108. ine. Moscow: Izdatel’stvo "Rabotnik Berlin: Izdatel’stvo "Granit," 1931-ЗЗ. 11 ianvaria 1933 g." In Sochineniia, prosveshcheniia," 192З· Translated
by Translated by Max Eastman as History 13:216-33. Moscow: Gosudarstvennoe Izdatel’stvo politicheskoi literatury, Christina Lodder as "From the Easel of the Russian Revolution (Chicago: to the Machine,” in Modern Art and 1952. Translated as "Work in the Modernism: A Critical Anthology, ed. Haymarket, 2017). -------- . Literatura i revoliutsiia. Moscow: -------- . "0 rabote v derevne. Rech' Countryside," in Works, by Joseph Francis Frascina and Charles Harrison Stalin (Moscow: Foreign Languages, (New York: Westview, 1987), 135-42· 1954), 14:220-39· Stavrinaki, Maria. Dada Presentism: An -------- . "Portret, как problema stilla." In Iskusstvo portreta: Sborník statei, Essay on Art and History. Translated by edited by A. G. Gabrichevskii, 159-93. Daniela Ginsburg. Stanford: Stanford Moscow: Gosudarstvennaia akademija University Press, 2016. Steimatsky, Noa. The Face on Film. New khudozhestvennykh nauk, 1928. Taylor, Brandon. "Aleksandr Rodchen York: Oxford University Press, 2017. ko's Lines of Force." Tate Papers 12 '"Stekliannyi dom' S. Μ. Eizenshteina." Iskusstvo kino 3 (1979): 94-113. 230 (Autumn 2009). https://www.tate.org. uk/research/publications/tate-papers Bibliography Izdatel’stvo "Krasnaia nov',” 192З· Translated by Rose Strunsky as Litera ture and Revolution, ed. William Keach (Chicago: Haymarket, 2005). Trudy Pervogo Vsesoiuznogo S"ezda po okhrane prirody v SSSR. Moscow: Izdatel’stvo "Vlast narodov," 1935Tsai, Joyce. László Moholy-Nagy: Painting after Photography. Oakland: University of California Press, 2018. Tsires, A. G. "lazyk portretnogo
izobrazheniia.” In Iskusstvopor Rodchenko risuet, fotografiruet, sporit. treta: Sborník statei, edited by A. G. Moscow: Iskusstvo, 1968. Gabrichevskii, 86-158. Moscow: Gosudarstvennaia akademiia khudozhestvennykh nauk, 1928. Labor: Alexander Rodchenko and the -------- . "Fata na foto (к rukografii ili к White Sea-Baltic Canal.” In Picturing fotografii?)." Novy!Lef 11 (1928): 28-36. Vronskaya, Alla. "The Utopia of Person Tucker, Robert C. Stalin in Power: The ality: Moisei Ginzburg’s Project for the Revolution from Above, 1928-1941. Moscow Park of Culture and Leisure." New York: W. W. Norton, 1990. Tugendkhol'd, la. Iskusstvo oktiabr'skoi epokhi. Leningrad: Academia, 1930. -------- . "Lenin i iskusstvo.” Pravda 94 (April 22,1928): з. Tupitsyn, Margarita. "Aleksandr -------- . "The Visual Economy of Forced Russia: Explorations in Visual Culture, edited by Valerie Ann Kivelson and Joan Neuberger, 168-74. New Haven, CT: Yale University Press, 2008. -------- . "When Photographs Speak, to Quaestio Rossica 4 (2015): 40-56. Vujošević, Tijana. Modernism and the Whom Do They Talk? The Origins and Audience of SSSR na stroike (USSR in Making of the Soviet New Man. Man chester: Manchester University Press, 2017. Výstavka rabot masterov sovetskogo Construction)." Left History 6, no. 2 (2000): 53-82. Young, James Edward. At Memory's Rodchenko: Woman with a Leica or foto-iskusstva. Moscow: Glavnoe Edge: After-Images of the Holocaust 'Letters Not about Love."' History of upravlenie kinofotopromyshlennosti TsK soiuza fotokinorabotnikov, 1935. in Contemporary Art and Architecture.
Photography 27, no. 2 (Summer 2003): 172-87. -------- . Moscow Vanguard Art 1922֊ 1992- New Haven, CT: Yale University Press, 2017. -------- . The Soviet Photograph, 1924- 1937. New Haven, CT: Yale University Press, 1996. Turvey, Malcolm. Doubting Vision: Film and the Revelationist Tradition. New York: Oxford University Press, 2008. New Haven, CT: Yale University Press, Wagner, Anne Middleton. Three Artists 2006. (Three Women): Modernism and the Yumibe, Joshua. Moving Color: Early Art of Hesse, Krasner, and O'Keeffe. Film, Mass Culture, Modernism. New Berkeley: University of California Brunswick, NJ: Rutgers University Press, 2012. Press, 1996. Weiner, Douglas R. Models of Nature: Yurchak, Alexei. "Bodies of Lenin: The Ecology, Conservation and Cultural Hidden Science of Communist Sov Revolution in Soviet Russia. Pittsburgh: ereignty." Representations 129, no. 1 University of Pittsburgh Press, 2000. (Winter 2015): 116-57. Zakovyrina, Nataliia. "Osobennosti Weissman, Terri. The Realisms of Ber -------- . The Filming of Modern Life: Euro enice Abbott: Documentary Photog razvitiia sovetskoi fotozhurnalis- pean Avant-Garde Film of the 1920s. raphy and Political Action. Berkeley: tiki I92o-i93okh godov i zhurnal Cambridge, MA: MIT Press, 2013. University of California Press, 2011. 'Sovetskoe foto."' PhD diss., Sankt- Udovički-Selb, Danilo. Soviet Archi Widdis, Emma. "The Cinematic Pastoral Peterburgskii gosudarstvennyi tectural Avant-Gardes: Architecture in the 1930S.“ In Picturing Russia: and Stalin's Revolution from Above, Explorations in Visual Culture, edited 1928-1938.
London: Bloomsbury by Valerie Ann Kivelson, and Joan Moscow: Eksmo, 2009. Translated Visual Arts, 2020. Neuberger, 175-80. New Haven, CT: by Clarence Brown as We (New York: -------- , ed. Narkomfin. Moscow, 1928- 1930. Tübingen: Wasmuth, 2016. Ushakov, D. N., ed. Tolkovyi slovar՛ russkogoiazyka. Moscow: Ogiz, 1935-40. -------- . Tolkovyi slovar’ russkogo iazyka pod redaktsiei prof. D. N. Ushakova. Moscow: Gosudarstvennoe izdatel'stvo innostrannykh i natsion- al’nykh slovarei, 1949. Vaingurt, Julia. Wonderlands of the universitet, 2008. Zamiatin, Evgenii. My; Rasskazy. Penguin, 2021). Yale University Press, 2008. -------- . “Faktura: Depth and Surface Zelinksii, Kornelii. Poeziia как smysl: Kniga o konstruktivizme. Moscow: OGI, in Early Soviet Set Design." Studies in Russian and Soviet Cinema 3, no. 1 (2009): 5-32. -------- . Socialist Senses: Film, Feeling, and the Soviet Subject, 1917-1940. Bloom 2015. Zervigón, Andrės Mario./ohn Heartfield and the Agitated Image: Photography, Persuasion, and the Rise of Avant- ington: Indiana University Press, 2017. Garde Photomontage. Chicago: Uni versity of Chicago Press, 2013. -------- . Visions of a New Land: Soviet Film from the Revolution to the Second Zhinkin, N. I. "Portretnye formy." In Avant-Garde: Technology and the Arts World War. New Haven, CT: Yale Iskusstvo portreta: Sborník statei, in Russia of the 1920s. Evanston, IL: University Press, 2003. edited by A. G. Gabrichevskii, 7-52. Northwestern University Press, 2013. Vatulescu, Cristina. Police Aesthetics: Literature, Film, and the Secret Police in Soviet Times. Stanford:
Stanford University Press, 2010. Vernadsky, Vladimir. The Biosphere. Translated by David B. Langmuir. New York: Copernicus, 1998. Vertov, Dziga. "Kino-Eye." In Kino-Eye: Williams, Raymond. Keywords: A Vocab ulary of Culture and Society. New York: Oxford University Press, 1983. Williams, Robert C. "The Russian 1900-1940.” Jahrbücher für Geschichte Zubovich, Katherine. Moscow Monu Photomontage as a Weapon of World Life in Stalin's Capital. Princeton, NJ: Princeton University Press, 2021. WarII and Cold War. Chicago: Art Insti tute of Chicago, 2016. Volkov-Lannit, Leonid. Aleksandr Minneapolis: Minnesota University Press, 2014. Osteuropas 43, no. 3 (1995): З64-401. Wolf, Erika. Aleksandr Zhitomirsky: The Writings of Dziga Vertov, edited by of California Press, 1984. khudozhestvennykh nauk, 1928. Zimmerman, Claire. Photographic Architecture in the Twentieth Century. Revolution and the End of Time: Annette Michelson, 60-78. Translated by Kevin O'Brien. Berkeley: University Moscow: Gosudarstvennaia akademiia -------- . "Alexander Rodchenko." Art- mental: Soviet Skyscrapers and Urban Zvedeniuk, F. Z. "Dzhakhon Abidova." In Khudzhum—znachit nastuplenie, Margins. September π, 2001. edited by F. Z. Dmitrieva, 162-66. https://artmargins.com/alexander -rodchenko/. Tashkent: Uzbekistan, 1987. Bibliography 231
Index Page numbers in italics refer to 218Ո23; vanguard and, 60, 78. See also portrait of, 158, 758; "The Photo-Still illustrations. abstraction; modernism; photography; Against the Painting" (essay), 209Ո6; return to order 5x5=25 (exhibition), 188 avant-garde urbanism, 23; disurbanism, 21, 55-59, 58,106,114; glass architec ture, 59-60 A Abbott, Berenice, 212Ո51 Abidova, Dzhakhon, 201, 202-4 Abroad (Za rubezhom) (journal), 189 abstraction, 1-2, 31,42,60-61, 74, 84, 89-90,146-48,18ο. See also modernism acceleration. See Five-Year Plans; modernization advertisement, 28,28-29, 29, 75, 76, 77,113,154-55,188, 213089. See also Rodchenko, Aleksandr, works agitation, 18-19,136, 160,18i; stands and kiosks, 72,84,120,121 AKHRR, 77 Albidum (film), 170-71, 171,180-81, 2i 7Ո4, 218Ո32. See also Rodchenko, Aleksandr, works Alpert, Maks, 102 "What the Eye Does Not See" (article), 37,42 Bulgakowa, Oksana, 60 Burliuk, David, 9 Avraamov, Arsenii, 221 м 5 Azerbaijan, 200 byt. See Soviet life В Case of the Economic Counterrevolution, backwardness. See Five-Year Plans; modernization Bakhtin, Mikhail, 26 c The (Delo ob ekonomicheskoi kontrrevoliutsii v Donbasse: Fil'ma- dokument) (film), շւշոտ7 Balázs, Béla, 200 Cassiday, Julie, 86 Barnet, Boris, 211П11 Censorship, 102-3, 128, 180, 219Ո93 Central Committee of the All-Union Barr, Alfred, 5 Barshch, Mikhail, 57,58 Communist Party, 138; “On the Barthes, Roland, 135,182, 2ізп6і Reconstruction of Literary and Artistic Belomorsko-Baltiiskii kanal imeni Stalina. See History of Construction Organizations" (decree), 91; science and, 109 (Belomorsko-
Baltiiskii kanal imeni Central Institute of Labor, 159 Stalina: Istorila stroiteľstva) (edited de Certeau, Michel, 42 Cheremnykh, Mikhail, 159, 160 volume) Benjamin, Walter, 23; distraction, Chernyshevsky, Nikolai, 108 Alymov, Sergei, 216-17Ո41 21ՕՈ66; Little History of Photography chronotope, 26, 50 anarchism, 19, 208Ո65 (book), 213Ո65; long exposure, 95; Chuzhak, Nikolai, 17,18, 207Ո31 Anarchy (Anarkhiia) (newspaper), Moscow Diary (book), 42,120; visual cinema, 37,130, 201, 217Ո48; close-up, 208Ո65 Anarkhiia (newspaper). See Anarchy literacy (view of), 85 (Anarkhiia) Berman, Matvei, 186 92; feature and nonfiction, 67; film still, 35, 50-51, 84,170; glass, 60; haptic and, 175; kino-eye and kinoks, Andry de Boisregard, Nicolas, 132-33 Annenkov, Yury, 76 Bird, Robert, 120,122, 215Ո54 blindness, 41, 97, 210Ո49; class, 159. See also photography Aragon, Louis, 10 Bloch, Ernst, 52 architectural photography. See pho tography blueprint, 138,141,145-48,184 Boccioni, Umberto, 167 Cinema Publishing House (Kinoizdat), architecture, 15, 30-31, 35, 37-45, Bolshoi Theater, 154-55, 154, 2і8п2б book design. See publication design 189 circulation, 149-50,156,180 Bourke-White, Margaret, 149 circus. See Rodchenko, Aleksandr, works 59-63,106, 2Օ9Ո45- See also modern urban space; modernism Arkhangelsk, 119,148 Armstrong, Carol, 146 Artists' Brigade, The (Brigada khudozh nikov) (journal), 2i6m6 Brigada khudozhnikov (journal). See Artists' Brigade, The (Brigada khudozhnikov) Brik, Lilia, 26; portraits in Mayakovsky's Arvatov, Boris, 15, 19 About This, 71-72; Rodchenko's Aseev, Nikolai, 73
portraits of, 72-76, 73, 74; The Glass Eye (film), 50-52 ASNOVA, 39, 41 ASNOVA News (Izvestiia ASNOVA) (journal), 39-40, 39,172 avant-garde art, 10,14, 84, 110,115, 181,188; European, 209Ո23, 217Ո19; haptic and, 175-76,183; optical and, Brik, Osip, 10, 27, 44, 68, 78, 79,115; "Against Romanticism” (article), 18-19; "From Painting to Calico-Print" (essay), 81; "From Painting to Photo" 158,199-200; Soviet, 1-7,15, 20, 24, (essay), 24,42-43; New Lef, 17; pho tography (view of), 37; portraiture SI-51, 60, 65, 158-59, 194, 2Օ7Ո21, (view of), 81-82, 94; Rodchenko's 35-37,45, 92,158, 209Ո30; kulturfilm, 50; painting and, 26, 63,180; photo graphy and, 50-51, 63, 70, 199; Soviet, 60, 67-68,148 Clark, T.J., 114, 210Ո63 class enemy. See Stalin, Josef close-up, 35, 87-88, 90, 92,116-19,125, 132-ՅՅ, 155,185. See also cinema; Rodchenko, Aleksandr Cohen, Yves, 149 collage, 2,15, 72,136-37· See also photomontage collectivity, 29, 45-48,148,161; individ uality and, 6, 24, 32, 55, 57-60, 94. See also Soviet life collectivization, 57, ш-12; refusal of, see kulak 233
color, 1, 21, 48-50,128-30,170-71, 175-83 color photography. See photography Writers, 6,18,130. See also Gorky, difference, 46, 50-55,119, 132-ՅՅ, 217Ո42; class, 116 Maxim; socialist realism Dinamo Stadium, Moscow, 170,176 First Five-Year Plan. See Five-Year Plans communal living. See Soviet life disurbanism. See avant-garde urbanism communism, 57, 201. See also Central Dmitrov, 218Ո41 documentary practice, illusion of, First State Cotton-Printing Factory, Moscow, 9 Committee of the All-Union Five-Day Week, The (Piatidnevka) (journal), 217Ո43. SeealsoDaiosh՛ 147; New Lef and, 17-18, 91-92,110; Communist Party Rodchenko and, 2-3, 21, 28-29,41, 65-71, 82-86,112,169-70, 211Ո11; Communist Party of the Soviet Union. See Central Committee of the Five-Year Plans, 1, 7, 21,109-10,171, 192; acceleration, 10-13, 208Ո29; "Daiosh"’ (slogan), 154; First, 1, 7, Stepanova and, 136-38. See also factography; photography; unveiling All-Union Communist Party complicity, 19,102 10-15, 7 7, 24, 67, 92, 93,104,114, 120-21, izi, 143,155· See also map (cartography); rupture; Stalin, Josef; domesticity. See Soviet life concealment, 86,181-83, 204 constructivism, 6,17-19, 73, 81,116-19, Donbas, 10, 173 White Sea-Baltic Canal 130,177, 194; dematerialization and, Dovzhenko, Aleksandr, 78, 92 219Ո69; easelism and, 2; faktura, in- Dubna, 186 forced labor. See Gulag 12, 180; futurity and, 11-13, 208Ո36; industry and, 119; laboratory period, E 28; tectonics, 44; Working Group of eclecticism, 3-7,18,169, 207Ո20. See formalism, 4, 7, 20,102,109,127,173, 186,197- See also avant-garde art; also modernism;
shadow oeuvre eclecticism; modernism; realism; Fore, Devin, 37 Constructivists, 9, 44 contemplation, 14, 20,106,110-11,123, 131-32. See also landscape; stillness; science; socialist realism Eisenstein, Sergei, 63, 207Ո18, 210Ո62; Battleship Potemkin (film), 59-60; The Glass House (Ят, unrealized), 59-60; obraz (idea of), 68, 211 ni 3; October suspension contemporaneity, 15, 24, 32-34, 54, 208Ո48; architecture and, 41; histor (film), 67-68; typage, 68, 85, 213065; icism and, 26, 52; modernity and, 15; Foucault, Michel, 133 Fridliand, Semion, 92,173 futurism, 5, 9,12,15,17, 39,108,167, 188. See also avant-garde art see also tipazh multiplanarity and, 26, 48, 51-52, 81; Ekk, Nikolai, 99,103 G "steamship of contemporaneity," 15; Ekster, Aleksandra, 188 electrification. See modernization Gabrichevskii, Aleksandr, 70, 212Ո25 subjectivity and, 65-67, 71; verticality embeddedness, 15,19, 92. Seealso and, 26. See also Ioffe, leremiia; Soviet life contemporaneity; modernism Contemporary Architecture (SA) (Sovremennaia arkhitektura) (journal), 24,54, 55-60, 55,58,114, 132,189 Coral, The (Die Koralle) (journal), 36 Corot, Jean-Baptiste-Camille, 106, embodied vision, 33-З5, 41. Seealso oblique view Engels, Friedrich, 56 engineer, 82-85,142-48. See also constructivism; Shakhty trial Equitable Building, New York, 37, 214П17 crayon, 3, 21,174-75,180 Cronan, Todd, 54, 77 40 excess. See photography cubism, 34 cyanotype. See photography; blueprint exoticism, 51 D factography, 17-18, 32, 91, пі, 207Ո18, GAKHN, 82, 209Ո25, 211-12Ո23; Ten Years of Soviet Photography (exhibi tion), 211Ո21; The
Art of the Portrait (edited volume), 69-70, 76 Gan, Aleksei, 44,188, 212Ո38 Gastev, Aleksei, 159,188 gender, 46-47, 72; division of labor and, 189-90,193; landscape and, 148 GINKHUK, 70 Ginzburg, Lidiya, 19 Ginzburg, Moisei, 15; Narkomfin House, 59; plan for Moscow’s reconstruction, 56-57, 58; social condenser (idea of), F 57-59· See also avant-garde urbanism Dada, 6, 207Ո20 216Ո29; journalistic sketch, 17. See Daiosh' (journal), 154-55, 155,217Ո43See also Rodchenko, Aleksandr, works also documentary practice; Tretyakov, Sergei GIZ. SeeGosizdat glass architecture. See avant-garde urbanism glass-plate camera, 14, 73 Gorky, Maxim, 100, 132, 159; letter to DeCou, Branson, 120, 727, 215Ո48 faktura. See constructivism defamiliarization, 130,181-83, 215Ո70. See also avant-garde art; modernism; Shklovsky, Viktor farsightedness, 159-60. See also vigi lance Favorskii, Vladimir, 142, 2i6ni6 "0 kochke i 0 tochke" (article about Deineka, Aleksandr, 178, 217Ո43 Fifteen Years of Azerbaijan SSR (book), ways of seeing), 121; speech at the dematerialization, 191, 219Ո69. See also 193, 194 figuration, 6. See also socialist realism materialism demonstration, 42-46, 91,132,182, film. Seecinema 21ՕՈ67 de-StaIinization, 186. See also Stalin, Finland, 97 Josef Dickerman, Leah, 33,142,146-47,155, 187, 211П9, 215Ո46 Die Koralle (journal). See Coral, The 167,186 First All-Union Congress on the Pro Index ism), 120,126; January g (book), 182; First All-Union Congress of Soviet Writers, 130. Seealso History of Con struction (Belomorsko-Baltiiskii kanal imeni Stalina: Istorila stroiteľstva) Gosizdat,
28-29, 28, wo gouache, 21, 180 Gough, Maria, 18,112, 208Ո36 tection of Nature, 110. See also Soviet GPU.SeeOGPU environmentalism graphic design. See publication design First All-Union Congress of Soviet (Die Koralle) 234 Firin, Semion, 106,107,143-44,146, Aleksandr Peregudov (against real Great Purge. See Great Terror
Great Terror, 1,3,103,186; blacked-out portraits, 190, 202-3, 219093. See ū/տօ Gulag; Shakhty trial; Stalin, Josef; vigilance Karelia, 97,103-5,110,119-26,128-33, 146,172; Rodchenko's photographs of, see Rodchenko, Aleksandr, works Kassil', Lev, 209Ո16, 2i4n6 Lenin, Vladimir, 46, 200, 211 ni 5; cinema and, 68, 211П11; The Death of Lenin (poster), 201; mausoleum, շո ոշ; por traits of, 65-66, 69,120,186,195-96, Grishanin, Vladimir, 91 Kataev, Valentin, 10 198; spontaneity (idea of), 107; Three Groys, Boris, по Kazakhstan, 188,193 Kazan, 8-9 Songs of Lenin (film), 199-202; What Is to Be Done? (book), 107-8 Gulag, 20, 97-99,104,143,148,186, 213Ո3; reforging (idea of), 20, 99,103, Kazan Art School, 9 Leningrad, 97,119,148. See also Saint Petersburg 105,133,146,184 Guminer, lakov, 11, 71 Kiaer, Christina, 13, 29, 74, 207-8Ո24, 212Ո37, 217Ո46 kino-eye. See Vertov, Dziga Life (magazine), 149 H Kino-fot (journal), 188 Lissitzky, El, i, 10, 59,190, 211Ո101, hand-colored photography. See Kinoizdat. See Cinema Publishing House photography (Kinoizdat) Hanson, Stephen, 11 kinoks. See Vertov, Dziga Heartfield, John, 10,102; photomon Klodt, Peter, 154 Klutsis, Gustav, 84, 218Ո26; photomon tages, 181, 182, 21ՕՈ73, 216Ո12; trips to the Soviet Union, 191 tage (view of), 136,138, 216Ո14 Lerski, Helmar, 89-90, 90 218Ո23; "Architect’s Eye" (review of Mendelsohn's America), 38-39; arti cle for ASNOVA News, 39-40, 39,63; Beat the Whites with the Red Wedge (poster), 50; Food Industry (publication design), 219Ո79; Industry of Socialism heliography. See photography Kodak, 33, 209Ո24 (publication
design), 192, 219Ո79; Herschel, John, 145 Komsomol, 92 Hicks, Jeremy, 201 Kovtun, Yevgeny, 188 "Our Book" (article), 191-92, 192, 196; Pressa exhibition (photomural), History of Construction (Belomorsko- Kracauer, Siegfried, 65,168 218Ո26; USSR in Construction issues stroite/'stva) (edited volume), 99, Kramatorsk, 217013 Krasnov, Piotr, 127-28 Craft Fair, 213Ո89 143-44, 143,146-50,167, 168. See also Kruchenykh, Aleksei, 108,188 Lissitzky-Küppers, Sophie, 102,190 Gorky, Maxim; Rodchenko, Aleksandr, kulak, 85,112,159, 160. See also Litfront, 91, 213Ո75 Baltiiskii kanal imeni Stalina: Istorija works. blindness; class enemy (publication design), 102,147; Zurich litso [face]. See Soviet life long exposure. See photography Hughes, Langston, 202 kulturfilm. See cinema hujum campaign, 199-202. See also unveiling; women's emancipation L Lumière Brothers, 130 Ladovsky, Nikolai, 59 Lunacharsky, Anatoly, 188 Lúgon, Olivier, 183 I landscape, 20, 27, 55-57,104-ЗЗ, 135, lagoda, Genrikh, 105, 217Ո8 Μ Ignatovich, Boris, 47, 47,102,170-71 144,170,215073; gendered, 148. See also nature Langman, Eleazar, 193 Hf, Hya, 42 Latvian SSR, 10 illustrated book, 7,10,167-68,191-93 Imperial Academy of Arts, 119 Lee, Steven, 51, 207Ո21 Mandelstam, Osip, 23-24, 26, 46, 56 map (cartography), 119-22; "living," Lef (group), 4-5,17-19, 56, 67, 84,120, 128,174,199; Grishanin’s critique of, 148-49, 216Ո36 Martin, Ira W., 31 icons, 27, 34,120 individuality. See collectivity; Soviet life indigenization. See nationalities policy Magnitogorsk, 149 Malevich, Kazimir, 97,102,108,180 91-92; landscape and, ш-12,130;
Marx, Karl, 56, 215Ո78 industrialization. See modernization; modernity and, 15; MOSSKH critique Masters of Soviet Photo-Art (exhibition), Five-Year Plans; New Economic Policy Industry of Socialism (book). See of, 127; photography and, 42, 46,110; photomontage and, 136; portraiture 103,170,172 materialism, 68,110,191. See also Lissitzky, El Ioffe, leremiia, 79; multiplanar contem and, 81; Rodchenko's portraits of Lef members, 73, 78. See also docu dematerialization Mayakovsky, Vladimir, 9, 27,44, 65, poraneity (idea of), 26, 52; Culture and mentary practice; factography; 211П15,212Ո35; About This (poetry Style (book), 52; portraiture (view of), 81-82 Lef, New Lef (group); New Lef book), 71-74,137; A Conversation with a Financial Inspector about Poetry (Novyi Lef) loganson, Karl, 194, 208Ո36 Lef (journal), 17,174,188. See also New ludin, Pavel, 190 with Rodchenko, 28, 28,29,188; cri Izogiz, 102, 138, 193, 214Ո6 Lef (group); New Lef (Novyi Lef) Lefebvre, Henri, 53-54 Izvestiia ASNOVA (journal). See ASNOVA Left Opposition, 1,18, 65,109 sonality, 212Ո47; Daiosh' (poem), 155; Leica, 14, 21, 73, 104, 208Ո41, 210Ո76 Lemberg, Aleksandr, 104, 108,109,173 public demonstrations (view of), 46; journal design. See publication design Lemberg, Regina, 170,173-74,182-83; portraits by Rodchenko, see Rod chenko, Aleksandr, works 94-95, 95; suicide, 94-95,173; Syphilis (poetry book), 84; To Sergei Esenin К Lemberg, Evgeniia (Zhenia), 21,173, News (Izvestiia ASNOVA) J Kaganovich, Lazar’, 217Ո8 Kandinsky, Vasily, 102, 2іі-і2п2з 216Ո35, photographs by Rodchenko, see Rodchenko, Aleksandr,
works (poetry book), 76, 76; collaborations tique of October (film), 68; cult of per Rodchenko's portraits of, 76, 77, 78, (poetry book), 84; trip to America, 51 Mendelsohn, Erich, 37-40, 209Ո41 Merkúrov, Sergei, 186 Mezhrabpomfilm, 200 Index 235
Miasnitskaia Street, Moscow. See Rodchenko, Aleksandr; Rodchenko, practice; factography; Lef (group); Petrov, Yevgeny, 42 Lef; New LefINovyi Left Petrozavodsk albums. See National NewLeffNovyiLef) (journal), 4-5, 8, 24, Aleksandr, works 28, 65,110-12,136,171, 210Ո76; no. Mies van der Rohe, Ludwig, бо Museum of the Republic of Karelia, Petrozavodsk modernism, 2, 7, 95, 210Ո49; photog 1 (1927), 17-18, 31, 31; no. 2 (1928), Petrusov, Georgy, 128 raphy and, 3, 21, 29-46, 60-63, 65, 217Ո4; no. 3 (1928), 61, 61, 65; no. 4 67-71, 86-94,114-19,175-76, 217Ո42; "shadow," 207Ո6; Soviet art and, (1928), 67-71; no. 8 (1928), 50-51, 51, 110; no. 9 (1929, special photo-issue), photo-essay. See documentary practice; factography; repetition 15; totalitarianism and, 20. See also 32-41,33,34,36,38,111-12; no. 11 abstraction; avant-garde art; avant- (1928), 199; subscription advertise 30-33, 35, 37-45; black-and-white, 84, 181-82; blindness and, 41,157; cam garde urbanism; blindness ment, 77- See also Lef (group); Lef, era-less, 146-47; cinema and, 50-51, photography, anti-, 186; architectural, modernization, 1-2; backwardness and, New Lef (group) 5,10, 24,192; industrial development New Objectivity, 90 20,106,131-32; contemporaneity and, and, io, 18, 52,104,110,116,120-21, New Vision, 31, 37 New World (journal), 212047 24, 26, 32-41, 71; cyanotype, 145-46; as distraction, 45, 210Ո66; documen space and, 26; village life and, 42, 52. New York, 5, 37, 40, 42 Nikandrov, Vasilii, 68, 211mi tary, 2-3,17-18, 21, 65-71, 91-92, no, 136,147,169-70,199-200; excess See also contemporaneity; Five-Year
Nizhny Novgorod, 130 and, 175,180, 216Ո20; as exposing, Plans; New Economic Policy Novy/Lef (journal). See New Lef (Novyi Lef) 86,158-59, 203-4; hand-colored and retouched, 21, 48-50, 88,128-32,151, 0 157-58,167,170-71,175-83, 218Ո24; heliography, 3,147; landscape, 20, 27, oblique vision, 17, 21, 27-39, 51,105-6, 55-57,104-ЗЗ, 170; long-exposure, 162,183, 216Ո14- See also embodied vision; perspective; photography 66,131,136-38,147,169; modernist, October Group, 47, 91-92, 102, 170, 173; anthology, 136 3, 21, 29-46, 60-63, 65, 67-71, 86-94, 114-19,175-76, 217Ո42; monumen October Revolution, 5-6; loth anniver tality and, 87,168-69,185-87; opacity 130,156; mass-media and, 130; still ness and, 14; tradition and, 196; urban Moholy-Nagy, Laszlo, 10; Painting Photography Film (book), 146; paint ing, 175; photography, 31-З2,183; typophoto, 191 montage, 20,44, 68, 92,181. See also photomontage monumentality, 4, 87,138,168-69, 185-87,191-95, 21ІП9. See also sculpture Moscow, 9, 23-29, 42,47-48, 51,102, sary, 18, 67-68 120,148; Ginzburg's plan for, 56-57, Ogiz, 190,193 58; Rodchenko's photographs of, OGPU, 83,123,126,143 Okhitovich, Mikhail, 56-57 see Rodchenko, Aleksandr, works Moscow Planetarium, 94 Moscow-Volga Canal, 100,184-89, opacity. See photography OSA, 56,106. See also avant-garde urbanism 217Ո8, 218Ո41 Mosselprom, 28, 29,113,120 63, 82,180,199; contemplation and, 13, 94-95, 131; as medium, 2-4, 21, 60, and, 3,176-83; painting and, 34-35, 42-43, 63, 65, 68-71, 77, 81-82; as perception, 2, 37,110; photo-essay, 20, 99-103,119-22,135-38,146-47, 150-51,155-56,184-86; photo
montage and, 48,136-38,181,188, 216Ո14; physiognomy and, 85-86, 89-90; portraiture and, 3,21,65-95, 116,167,175-76,181-83,186, 202; MOSSKH, 127 P Mukhina, Vera, 167 Museum of Modern Art, New York, 5, painted photography. See photography post-, 187; reality and, 33-38, 63, painting, 1-2, 5-6,12, 21,106,173, 82-86,183,184-86, 204; scale and, 175-81,193,198, 207Ո3; cinema and, 26, 63,180; landscape and, 113,119, 207Ո5 N 130; mural, 28,113; photography and, Narkomfin House. See Ginzburg, Moisei National Museum of the Republic of Karelia, Petrozavodsk, 103 nationalism, 192,197, 215Ո7Յ. See also nationalities policy nationalities policy, 192,194, 219Ո75. See also nationalism nature, 20, 27-28, 36, 55-57, 71,103-26, 128-33,140, 214Ո24. See also avantgarde urbanism; landscape; Lenin, 44-45, 59,177-78; tactility and, 21, 50, “parade” photobook, 193-94. See also Ten Years of Soviet Uzbekistan (book) Pasternak, Boris, 78 rality and, 13-14, 24, 26, 44-45, 51-52, 71, 81-82,149,177-78, 210Ո72; trans parency and, 21, 60-63,180,197-99, ment, 127,142 perekovka. See Gulag 218Ո34; as technology, 1-2,4,14, periphery, 27, 56,114,116.Seeabo avant-garde urbanism Trotsky, Leon perspective, 44,125,142; multiplanarity Nesbet, Anne, 42 and, 52; oblique vision and, 33-35, New Economic Policy (NEP), 10,13,19, 106,122; verticality and, 26, 40. See also Ioffe, leremiia 236 Index 128-32,167,170-71,175-83; tempo People’s Commissariat for Enlighten Perm', 189 New Lef (group), 4, 9,17-18, 77, 84, 207П18. See also documentary 3,14, 66-71, 79-82,131-32, 210Ո72; surrealist, 217Ո42; as suspension, 24,
34-35,42-43, 63, 65, 68-71, 77, 81-82 Panofsky, Erwin, 26 Vladimir; Soviet environmentalism; 28-29,107, 109,114, 210Ո64. See also modernization 35,122,137,185, 216Ո20; as scanning, 45; as shadow, 3,13,196; snapshot, 21, 65, 85,145-47; urban, 24, 28-32, 41 -46, 51 ; as waiting, 45,132 photomontage, 15, 20, 92-94,122-23, 135-44,148-58, 160-65,195, 201; photography and, 48,136-38,181, 188, 216Ո14; suture, 216П12. See also Heartfield, John; repetition; Stepanova, Varvara; Tretyakov, Sergei Pertsov, Viktor, 68 photomural, 218Ո26 Peter the Great, 119 physiognomy, 68, 76, 85-86, 89-91, Petrograd. See Leningrad 196-97, 213Ո65. See also portraiture; tipazh
Piatidnevka (journal). See Five-Day Week, The (Piatidnevka) architecture (view of), 30-31, 35, apartment on Miasnitskaia Street, 27, 37-41, 42-46; bird's-eye point of view, 177,178,212Ո35; teaching career at Pioneer movement. See Soviet life 34; book design, 3,10, 2i, 188-89, VKHUTEMAS, 25,127,142; temporality Platonov, Andrei, 94 191-201; childhood, 8, 9; close-up, (idea of), 12-13, 24, 71; trip to the Pogodin, Nikolai, 99 White Sea-Baltic Canal, 20, 97-103, poligrafía, 136,188,195 35, 87-88, 90, 92,116-19,132-ЗЗ, 155; collaborations with Gosizdat, Politburo, 140 28, 82, 99-100; collaborations with 41-46, 51; urban space (view of), 21, Popova, Liubov, 188,211-12Ո23; textile design, 9, 74, 212Ո37 poster, 11, 28, 85,137,154,159,192, 199, 201 portraiture, 3, 65,196; defaced, 4, 202-3; photography and, 71-95,116,167, 119; urban photography, 24,28-32, Mayakovsky, 28, 71-72, 76, 84,137; 27, 35, 37-41; view from above/from collaborations with Stepanova, 9-10, below, 34-35,41-46; view "from the 21, 55-57, 165, 173, 184-204, 211Ո21, 216Ո21; collage, 2,15, 72,136-37; 41-46 collectivity (view of), 24, 47-48, 59; navel,” 33-35; view from the window, Rodchenko, Aleksandr, works, 5x5=25 (publication design), 188; to Years of 175-76,181-83; relational, 21, 8i, color (view of), 48-50,130,171,175, 180; colored and retouched photog 90, 212Ո51; "summed-up," 67-71; raphy, 21, 48, 88, 130-31, 151, 156-57, synthetic, 186. See also physiognomy; 167-71,175-83, 218Ո23; constructiv 196,197,198,202,203; About This (illus tipazh; unveiling ism, 2, 9, 11,19, 44,142,176-77,194; trations and cover
design), 71-72, 72, Pravda (newspaper), 23, 69,172 covers design, 14,31, 33-34, 50-52, Prishvin, Mikhail, 97,123-25; photo 7i, 76,82-84; defacing of photo 137, 137,188; Abroad (graphic design), 189; advertisements (design): 28-29, graphs, 3, 4, 21,183, 202-4; diaries, see Rodchenko, Aleksandr, writings; 28,29,75, 76,133,188, advertisement for New Lef (photographs and design), 127,136; advertisement, 28; clothing documentary photography, 2-3,41, 77; advertisements (photographs): and textile design, 74, 76, 212Ո37; 66, 67-69, 86,169-70,183; eclecticism, 3-7,18,169; embodied vision (idea 28-29, 28,29, Daiosh' billboard, 154, of), 33-35; expulsion from the Octo 84; Albidum (colored and retouched ber Group, 91,102,173; glass-plate camera, 14, 73; graphic design, 28-29, prints): 170-71, Foxtrot, 170, 170, Rumba, 170, Woman with Mirrors, 171, graphs of Karelia, 124,125,125 productivism, 1, 6,18-19, 46, 81,112, “transitional objects," 13 progress. See modernization; Five-Year Plans; New Economic Policy Proletarian Photo (Proletarskoe foto) (journal). See Soviet Photo (Sovetskoe foto) Proletarskoe foto (journal). See Soviet Photo (Sovetskoe foto) publication design, 3,10,187-90; book, 2i, 188-89,191-201; covers, 31, 33-34, Soviet Uzbekistan (publication design, with Stepanova), 21, 192-203, 193, 154; agitational stands and kiosks, 72, 75,77,137; journal design, 3, 20, 180-81; Albidum (set designs), 170, 99-102,119-20,125-26,173,184-87, 217Ո4; AMO factory (photo-series), 189; Kodak Vest Pocket, 33, 209Ո24; landscape photography, 20, 27-28, 155-56, 155; At the Telephone, 79-82, 80;
blooming trees (photo-series), 55-57,104-6,112-33; Leica, 14,73, 104, 208Ո4Ն 210Ո76; long exposure, 55-57, 54,55; Chemical Treatment of the Forest (film, unrealized), 112; circus 94-95,131; multiplicity (idea of), 66, performances (paintings), 176-77, 178; circus performances (photographs), 50-52, 71, 82-84, 76; graphic, 9, 75, 77,137; journal, 20, 55-57, 99-102, 119-20,125-26,173,184-87,189. See 69; nature (view of), 20, 27-28, 55-57, also poligrafiia 105-6, 162; painting, ι-շ, 5, 9,12, 26, 168, 169; colleagues and friends (pho to-portraits): 73-82, Nikolai Aseev, purposiveness, 18 35, 63,102,173,176-77; participation in the Masters of Soviet Photo-Art 73, Lilia Brik, 73-75, 73, 74, Aleksandr Dovzhenko, 78, Olga (Rodchenko's Pushkino, 27, 31, 56,105,113,115,122, exhibition, 170,172; perspective (idea mother), 172, Osip Brik, 158, 158, Vlad of), 26, 34-35, 209Ո25; photographic imir Mayakovsky, 76-78, 77, 94-95, 95, archive, 18, 66-67; photomontage, 3, 173, Regina Lemberg, 170,175, 176, 182, 183, Evgeniia (Zhenia) Lemberg Pudovkin, Vsevolod, 213Ո65 127,132 R RAPP, 213Ո75 realism, 7,130,146,175,186. See also socialist realism relational portraiture. See portraiture 103-26; oblique vision, 21, 27-39, 51, 4,15, 20, 99-102,119-123,135-144, 148-65,181, 216Ո12; photo-series, 10, 24-26, 27-28, 30-33, 41-45, 52-55, 55-57, 60-63, 86-94,112-19; politics, 19,172; portraits of Rodchenko: at (Woman with Leica), 17Յ, 174, Varvara Stepanova, 74-75, 75, 79-82, 80, infor mal get-togethers, 212Ո35; Construc tion no. 106 (on Black), 176-77, 177; Red Army, 23,144 reforging (perekovka). See
Gulag the White Sea-Baltic Canal, 104, 106, Courtyard (photo-series): 10, 24-26, 107, Skurikhin's, 88, 89; portraiture: 21, 24,41-50, 52-55,132, Assembling for a Renger-Patzsch, Albert, 31,44 65-82, 86-95, gendered portraiture, 71-78,167-68, relational portraiture, Demonstration, 42-48, 43, 59, 91,114, 21, 81, 90, type, 86; posthumous 48-50,48,49, Courtyard in Summer, 52-55,53; Donbas (photo-series), repetition, 20,148-58. See also photomontage; scarcity reportage, 18, 83,171 · See also documentary practice; factography reproduction, 4,167,185-88, 218Ո24 retouching. See photography exhibitions, 207Ո5; press assignments (reportage), 7,155, 214Ո16, 217Ո46; Sept, 35, 208Ո41, 210Ո76; set and costume design, 5,170, 207Ո4, 217Ո4; 132,170, Assembling colored versions, 173; First Cavalry (publication design, with Stepanova), 4,189-91; GAKHN's global "cine-literature" exhibition return to order, 6 shadow oeuvre, 2-6; Shklovsky's doc (exhibition and publication design, Rodchenko, Aleksandr, advertising, umentary about Rodchenko, 208Ո26; with Stepanova), 211Ո21 ; Glass and snapshot photography, 3,14, 66-71, Light (photo-series), 60-63, 61, 62, 65, 79-82,131-32; still life, 60-63; studio 181; The History of the VKP(b) in Posters 28-29, 75,113; agitation and propa ganda, 20, 84, 99-100, тоз, 146-47; Index 237
(poster design), 16, 137, 201; House on the Miasnitskaia Street (photo-series): 30-33,30, 90,106, Balconies, 30-31, 211Ո9; Wrecker-People (book-cover design), 82-84, 83 Rodchenko, Aleksandr, writings: "Against the Summed-Up Portrait, Simmel, Georg, 70-71, 81 Skurikhin, Anatolii, 89,18i Slavin, Lev, 99 for the Snapshot” (article), 4, 65-71, snapshot photography. See photog raphy Karelian Landscape, 128, Evening, 131, 81, 86, 95,113, 131; contributions to socialism, 10,18, 29, 91,121,127,192, 132-ՅՅ; Kino-fot (publication design), Anarchy, 208Ո65; correspondence 188; Kruchenykh’s Zaum' (publication with Osip Brik, 115; correspondence design), 188; Mosselprom building with Varvara Stepanova, 97,104,113; socialist modernity. See Soviet life (mural), 133; New Lef (cover designs), diaries, 19,173-74,176; film script, 44; "Paths of Contemporary Photogra socialist realism, 2, 6-7, 8, 68; bird's- 30, Fire Escape, 30-31, 31; Karelia (unpublished photographs): 128-33, 31, 31, 32-ՅՅ, 33, 50-51, 50; Pioneers {Third, Decisive) (photo-series): 21, 196-97- See also Five-Year Plans; NEP; Stalin, Josef eye point of view, 215Ո54; ideinosi', 86-94,165,173,181, Pioneer Girl, phy" (article), 4, 32-41; "Reconstruc tion of the Artist" (article), 103,172; 87-88, 87,92-94, The Bugler, 87-88, 88, 92-94; Pure Red Color, Pure Blue Color, to the editor, 32, 32; text for Glass and, 187 Solovetsky forced labor camp, 148 Pure Yellow Color (painting triptych), and Light, 61-63; "Working with Solovki (film), 148 1-2, 2,180; Pushkino pine trees (pho to-series), 27, 28, 31, 56,105, ns, 122, Mayakovsky"
(essay), 45, 94 Sovetskoe foto (journal). See Soviet Rodchenko, Mikhail (father), 8, 9 126,132; "revolutionary archive," 68; Rodchenko, Olga (mother), 8,172 Reconstruction of Moscow (publication Rodchenko, Varvara (daughter), 27, 35, design, with Stepanova), 216Ո21, 97,191 Rolf, Malte, 47 Soviet calendar. See Soviet life Romberg, Kristin, 19,44, 21ՕՈ67, 215Ո70 room-space, 45 Soviet environmentalism, 107-10 218Ո54; TheRedArmy(publication design, with Stepanova), 218054, Soviet Cinema (publication design, with Stepanova), 218Ո54; spatial constructions, 116-19, 116, 117, 118, 194, 795; sport events (paintings), 177; sport events (photographs): 168,170, response to Soviet Photo's letter Soviet cinema. See cinema Soviet life: byt, 24,154; bytie, 56; calen Rückenfigur, 123,126,160 21, 42-43, 57-60, 81; domesticity, 24, 27, 45-46; litso, 85-86; modernity, Equestrian Competition, 170,177-78, Russian Empire, 8, 202 29,45-48, 57-60,161; communal life, 10-13, 31, 46-47; Pioneer movement, 45, 87-88, 92; queue, 210Ո64; sub jectivity, 57-60, 66, 199; temporality, Street Trade (photo-series), 34, 35-36; s Syphilis (publication design), 84; To Saint Petersburg, 8. See also Leningrad Sergei Esenin (publication design), 84; Sander, August, 88-90 USSR in Construction no. 12 (1933); White Sea-Baltic Canal issue (photo scarcity, 151,156 Schick, Christine, 72 graphs, photomontages, and publica science, 20, 71,109-10,121. Seealso tion design): 20, 99-103, toi, 119-120, formalism; modernization; Soviet 135-65, 198, Attack on the Land, 138- environmentalism 10-15; tipazh, 85-96; urban life, 21,
23, sculpture, 65, 70, 184; photography and, landscapes, 119-20,120,122-23, 122, 125-26, 726, "Let's bring forth water!" 154,185-87· See also monumentality secret police. See OGPU serfdom, 8 (placard), 151-52, 152,753,156, locks, shadow oeuvre. See Rodchenko, 150-51, 151, workers, 156-58, 156,157, 160-62, 767, 163; USSR in Construction Shaikhet, Arkady, 83,102 Aleksandr; photography no. 11 (1935; Kazakhstan issue; pub lication design, with Stepanova), 193; Shakhty trial, 82-86,143,196-97,199. USSR in Construction no. 2 (1938; Mos Josef Shaposhnikov, Boris, 70 cow-Volga Canal issue; publication art dar, 11; collectivity and individuality, Dinamo Stadium, 170, 177-78, 779, 151, 139,140,141,156,159-62, 162, cover, too, 179, dams, 163-65, 164, Photo (Sovetskoe foto) Soviet avant-garde art. See avant-garde ROPF, 91, 213Ո72 Rousseau, Théodore, 106 rupture, 10,14,130, 208Ո30. Seealso Five-Year Plans Jump from a Bar, 178, 179, Wheel, 169; 146, 216Ո26; landscape, 130, 215Ո73; narodnost', 216Ո26; photography See also Great Terror; specialist; Stalin, design, with Stepanova), 184-87, 184, Shegaľ, Grigorii, 154 185,186,189, 218Ո41; Vakhtan plant Shelton Hotel, New York, 40 (photo-series), 112-19, ’14, 7 75, 117, 118; White Sea-Baltic Canal: photo Shevchenko, Aleksandr, 127 24-32, 50-52; village life, 42, 52; women's role in, 46-47 Soviet literature, 10-11,59, 94,108-9, 120,130,192,215054 Soviet pavilion at the 1925 Paris International Exposition, 10, 211Ո9 Soviet Photo (Sovetskoe foto) (journal), 18,103,165,173, 213Ո72, 217Ո11; "At Home and Abroad" (letter to the editor), 31-32, 32;
critique of the October Group, 91-92 Sovkino, 68 Sovremennaia arkhitektura (journal). See Contemporary Architecture (SA) (Sovremennaia arkhitektura) specialist, 143. See also Great Terror sport, 102,168,170,183 SSSR na stroike (journal). See USSR in Construction (SSSR na stroike) Stalin, Josef, 10-11,191,198; 1933 address at Party Plenum, 159; cult of Shishkin, Ivan, 113, 113,119 Shklovsky, Viktor, 8, 44, 68,144, 215Ո70 personality, 78; representations of, graphs in History of Construction, 99, 103,128, 729,143, 143,150, Labor Day monument at the White Sea-Baltic show trial. See Shakhty trial; Stalin, Josef Shterenberg, Abram, 193 tion from above and, 24; show trials, Canal (photograph), 167, 768; Workers' Shub, Esfir, 67 "The Year of the Great Break" (article), Club (furniture and interior design), silhouette, 195-97. See also physiognomy 208Ո30. See also Great Purge; Shakhty 238 Index 119-20, 184-86, 195-97, 202; revolu 82-86; Stalinism, 19, 20, 65,109-10; trial
Stalinism. See Stalin, Josef surveillance. Seevigilance Stavrinaki, Maria, 6 suspension, 24, 44-45, 59, 132, 177-78, 180, 21ՕՈ62. See also contemplation; Stepanova, Varvara: to Years of Soviet Uzbekistan (publication design, with stillness Trotsky, Leon, 68; Literature and Revolution (book), 107; nature (view of), 107-10; uneven and combined development (idea of), 15, 208Ո44 Rodchenko), 21,192-203, 793, 196, suture. See photomontage Tsai, Joyce, 175 197, 198,202,203; Abroad (graphic synthetic portraiture. See portraiture Tsires, Aleksei, 70 design), 189; Class Struggle (graphic Tugendkhol'd, Iakov, 69-70 design), 218Ո55; collaborations with T Turkestan avant-garde, 193 Rodchenko, 9-10, 21, 54, 55-57, 55,58, tactility, 21,48-50,128-32,167,170-71, Turkmenistan, 200 165, 173, 184-204, 784,785, 193, 196, 197, 198,202, 211Ո21, 216Ո21; Con temporary Architecture (SA) disurban- 175-83, 2ՕՅ-4- See also avant-garde art; photography ism issue (graphic design), 54, 55-57, Talbot, William Henry Fox, 3,13, 207Ո7 Tansykbayev, Ural, 198 55,58,189; correspondence with Tarabukin, Nikolai, 1; The Art of the Por Rodchenko, 97, 104, 113; defacing trait (essay in edited book), 70-71, 80 U unveiling, 86,198-199; documentary practice and, 199-201. See also doc umentary practice; hujum campaign; physiognomy; portraiture of photographs, 3,4, 2i, 183, 202-4; Tashkent, 199, 202, 203, 219Ո91 urban photography. See photography diaries, 5, 27, 46, 208Ո41; First Cavalry (publication design, with Rodchenko), Taylorism, 11,159 USSR in Construction (SSSR na stroike) 4,189-91; Five-Year Plan volume
technology, 6,11, 20, 66, 71,109,136, 140,183,191; techno-industrial (journal), 99-102; first issue's edi torial preface, 147; issues designed (publication design, unpublished), socialism, 18. See also modernization; by Lissitzky, 102; issues designed 92-93; From Merchant Moscow to Socialist Moscow (publication design), photography by Rodchenko and Stepanova, see 189; GAKHN's global "cine-literature" exhibition (exhibition and publication design, with Rodchenko), 211Ո21; Gaust chaba, 187-88, 187; graphic design, 10, 54, 55-57, 55,58,102,138, 167,173,184-204, 184,785,193,196, 197,198,202, 211Ո21, 216Ո21; illness, 191; Kino-fot (publication design), 188; Literature and Art (graphic design), 218Ո55; Our Achievements (graphic design), 218Ո55; photograph of Rod chenko, 73; photography, 9,136-38, 188-89; "Photomontage” (text, unpublished), 136-38; Reconstruction of Moscow (publication design, with Rodchenko), 216Ո21, 218Ո54; 7he Red Army (publication design, with Rod Technology and Life (Tekhnika i zhizn') (journal), 212Ո38 tectonics. See constructivism Tekhnika izhizn' (journal). See Technol ogy and Life (Tekhnika izhizn') temporality, 13-16, 24; modern tem Rodchenko, Aleksandr, works; issues designed by Troshin, 101,102; no. 12 (1933; White Sea-Baltic Canal issue), see Rodchenko, Aleksandr, works Uzbekistan, 188,192-94, 200, 202, 219Ո91, 219Ո94 porality, 20-21, 26; Rodchenko’s idea of, see Rodchenko, Aleksandr. See also contemporaneity; modernization; photography; Soviet life Ten Years of Soviet Photography (exhibition). SeeGAKHN Ten Years of Soviet Uzbekistan (book). See
Rodchenko, Aleksandr, works Third, Decisive (pioneer camp), 88 tipazh. See Soviet life. See also Eisen stein, Sergei V Vakhtan, 112-19,123,133 vanguard, 60, 78,107,110, 207021. See also avant-garde art Vatulescu, Cristina, 159, 213Ո67 Vernadsky, Vladimir, 109 verticality, 26, 34, 40-46, 52, 59, 82,123, 178,197-99· See also contemporane ity; oblique vision; perspective Vertov, Dziga, 15, 207П18; TheEleventh chenko), 218Ո54, 218Ո57; Rodchenko's totalitarianism, 6,20, 59,147. See also Great Terror; Shakhty trial; Stalin, Josef; photographs of Stepanova, 74-75, 75, At the Telephone, 79-82, 80; Soviet transparency, 42, 59,141,175,195-202. Movie Camera (film), 155,158; Sixth See also photography; unveiling Trave/(magazine), 202 Part of the World (film), 200; Three Songs of Lenin (film), 199-202 Cinema (publication design, with Rodchenko), 218Ո54; studio-apart ment on Miasnitskaia Street, 27,177, 178,212Ո35; textile design, 9, 212Ո38; USSR in Construction no. 11 (1935; vigilance trauma, 21,17Յ Trenin, Vladimir, 5 Tretyakov, Sergei, 10,19,174,188; color Kazakhstan issue; publication design, with Rodchenko), 193; USSR in Con tography (view of), 17-18, 32, 207П18; photography (view of), 181-82; fac- struction no. 2 (1938; Moscow-Volga monograph and other texts on Canal issue; publication design, with Heartfield, 181, 218Ո35; nature (view Rodchenko), 184-87,184,185,186, of), по-п; photomontage (view of), 136; "Photo-Notes" (article), 110-11; 189, 218Ո41; writings, 9,136-38 Stetler, Pepper, 89 stillness, 14, 84,131-32· See also contemplation; suspension Stuttgart, 38 subjectivity,
24, 32, 45-48, 55, 57-60, (film), 67; kino-eye, 35-37,45,92, 158, 209Ո30; kinoks, 158; Leninist Kino-pravda (film), 200; Man with a Vesnin, Aleksandr, 188 view from above/from below. See oblique vision; verticality. See also perspective view from the window. See oblique vision; perspective; verticality vigilance, 42, 59,159-60. See also farsightedness Rechevik (book), 212Ո59; "Through violence, 3, 6, 130, 175, 181-83, 203 VKHUTEIN. See VKHUTEMAS Dirty Glasses” (article), 111-113,120 VKHUTEMAS, 23-27, 30, 42,46, 70,127, Tretyakov Gallery, Moscow, 113; An Experimental Composite Marxist Exposition (exhibition), 102, 21409 65-94, 180,199. See also collectivity; Triolet, Elsa, 10 contemporaneity; litso; Soviet life Troshin, Nikolai, toi, 102 142, 2Օ9Ո5, 211Ո21 VKP(b). See Central Committee of the All-Union Communist Party Volkov-Lannit, Leonid, 199 Vronskaya, Alla, 57 Index 239
w water, 60-63,119-21,132-33,146, 151-54,163-65,185-86 White Ѕеа-ßaltic Canal, 97-99, 104, 105, 106,107,119-121,135,149,156; propaganda, 20,99,135-36,138,172; USSR in Construction no. 12 (19ՅՅ; special issue), see Rodchenko, Aleksandr, works. See also Ekk, Nikolai; Gulag; History of Construction (Belomorsko-Baltiiskii kanal imeni Stalina:Istorila stroitel'stva); Karelia; Magnitogorsk; modernization; Moscow-Volga Canal; Pogodin, Nikolai; Prishvin, Mikhail; Rodchenko, Aleksandr; Rodchenko, Aleksandr, works; Rodchenko, Aleksandr, writings; Solovki (film) Wolf, Erika, 147, 207ns, 214Ո16 women's emancipation, 46-47,197-99. See also hujum campaign; Soviet life Working Group of Constructivists. See constructivism World War II, 27,189, 203, 219Ո94 wrecker (saboteur). See Shakhty trial Y Yezhov, Nikolai, 186 Young, James, 186 z Zamyatin, Yevgeny, 59 Za rubezhom (journal). See Abroad (Za rubezhom) Zhemchuzhnyi, Vitalii, 50-51; Rodchenko's photograph of, 73, 7Յ Zhinkin, Nikolai, 70, 76 240 Index |
any_adam_object | 1 |
any_adam_object_boolean | 1 |
author | Glebova, Aglaya K. |
author2 | Rodčenko, Aleksandr Michajlovič 1891-1956 |
author2_role | pht |
author2_variant | a m r am amr |
author_GND | (DE-588)1279210907 (DE-588)118641999 |
author_facet | Glebova, Aglaya K. Rodčenko, Aleksandr Michajlovič 1891-1956 |
author_role | aut |
author_sort | Glebova, Aglaya K. |
author_variant | a k g ak akg |
building | Verbundindex |
bvnumber | BV048567880 |
classification_rvk | LI 73430 AP 94100 |
ctrlnum | (OCoLC)1355510044 (DE-599)HBZHT021571221 |
discipline | Kunstgeschichte Allgemeines |
discipline_str_mv | Kunstgeschichte Allgemeines |
era | Geschichte 1920-1940 gnd |
era_facet | Geschichte 1920-1940 |
format | Book |
fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>00000nam a2200000 c 4500</leader><controlfield tag="001">BV048567880</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230621</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221117s2022 a||| m||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780300254037</subfield><subfield code="9">978-0-300-25403-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1355510044</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)HBZHT021571221</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-19</subfield><subfield code="a">DE-188</subfield><subfield code="a">DE-Y3</subfield><subfield code="a">DE-11</subfield><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">OST</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">LI 73430</subfield><subfield code="0">(DE-625)96957:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">AP 94100</subfield><subfield code="0">(DE-625)8146:</subfield><subfield code="2">rvk</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">2</subfield><subfield code="2">KUBA2</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Glebova, Aglaya K.</subfield><subfield code="e">Verfasser</subfield><subfield code="0">(DE-588)1279210907</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Aleksandr Rodchenko - photography in the time of Stalin</subfield><subfield code="c">Aglaya K. Glebova</subfield></datafield><datafield tag="246" ind1="1" ind2="3"><subfield code="a">Photography in the time of Stalin</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New Haven ; London</subfield><subfield code="b">Yale University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xiii, 241 Seiten</subfield><subfield code="b">Illustrationen (teilweise farbig)</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">sti</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="600" ind1="1" ind2="7"><subfield code="a">Rodčenko, Aleksandr Michajlovič</subfield><subfield code="d">1891-1956</subfield><subfield code="0">(DE-588)118641999</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="648" ind1=" " ind2="7"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4113937-9</subfield><subfield code="a">Hochschulschrift</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">Rodčenko, Aleksandr Michajlovič</subfield><subfield code="d">1891-1956</subfield><subfield code="0">(DE-588)118641999</subfield><subfield code="D">p</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Fotografie</subfield><subfield code="0">(DE-588)4045895-7</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Geschichte 1920-1940</subfield><subfield code="A">z</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rodčenko, Aleksandr Michajlovič</subfield><subfield code="d">1891-1956</subfield><subfield code="0">(DE-588)118641999</subfield><subfield code="4">pht</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Rodčenko, Aleksandr Michajlovič</subfield><subfield code="d">1891-1956</subfield><subfield code="e">Sonstige</subfield><subfield code="0">(DE-588)118641999</subfield><subfield code="4">oth</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Literaturverzeichnis</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Register // Gemischte Register</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="n">oe</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230621</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09042</subfield><subfield code="g">947.08</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">709</subfield><subfield code="e">22/bsb</subfield><subfield code="f">09043</subfield><subfield code="g">947.08</subfield></datafield><datafield tag="943" ind1="1" ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033943980</subfield></datafield></record></collection> |
genre | (DE-588)4113937-9 Hochschulschrift gnd-content |
genre_facet | Hochschulschrift |
id | DE-604.BV048567880 |
illustrated | Illustrated |
index_date | 2024-07-03T21:01:17Z |
indexdate | 2024-09-23T22:10:43Z |
institution | BVB |
isbn | 9780300254037 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033943980 |
oclc_num | 1355510044 |
open_access_boolean | |
owner | DE-19 DE-BY-UBM DE-188 DE-Y3 DE-11 DE-12 |
owner_facet | DE-19 DE-BY-UBM DE-188 DE-Y3 DE-11 DE-12 |
physical | xiii, 241 Seiten Illustrationen (teilweise farbig) |
psigel | BSB_NED_20230621 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Yale University Press |
record_format | marc |
spelling | Glebova, Aglaya K. Verfasser (DE-588)1279210907 aut Aleksandr Rodchenko - photography in the time of Stalin Aglaya K. Glebova Photography in the time of Stalin New Haven ; London Yale University Press [2022] © 2022 xiii, 241 Seiten Illustrationen (teilweise farbig) txt rdacontent sti rdacontent n rdamedia nc rdacarrier Rodčenko, Aleksandr Michajlovič 1891-1956 (DE-588)118641999 gnd rswk-swf Geschichte 1920-1940 gnd rswk-swf Fotografie (DE-588)4045895-7 gnd rswk-swf (DE-588)4113937-9 Hochschulschrift gnd-content Rodčenko, Aleksandr Michajlovič 1891-1956 (DE-588)118641999 p Fotografie (DE-588)4045895-7 s Geschichte 1920-1940 z DE-604 Rodčenko, Aleksandr Michajlovič 1891-1956 (DE-588)118641999 pht Rodčenko, Aleksandr Michajlovič 1891-1956 Sonstige (DE-588)118641999 oth Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
spellingShingle | Glebova, Aglaya K. Aleksandr Rodchenko - photography in the time of Stalin Rodčenko, Aleksandr Michajlovič 1891-1956 (DE-588)118641999 gnd Fotografie (DE-588)4045895-7 gnd |
subject_GND | (DE-588)118641999 (DE-588)4045895-7 (DE-588)4113937-9 |
title | Aleksandr Rodchenko - photography in the time of Stalin |
title_alt | Photography in the time of Stalin |
title_auth | Aleksandr Rodchenko - photography in the time of Stalin |
title_exact_search | Aleksandr Rodchenko - photography in the time of Stalin |
title_exact_search_txtP | Aleksandr Rodchenko - photography in the time of Stalin |
title_full | Aleksandr Rodchenko - photography in the time of Stalin Aglaya K. Glebova |
title_fullStr | Aleksandr Rodchenko - photography in the time of Stalin Aglaya K. Glebova |
title_full_unstemmed | Aleksandr Rodchenko - photography in the time of Stalin Aglaya K. Glebova |
title_short | Aleksandr Rodchenko - photography in the time of Stalin |
title_sort | aleksandr rodchenko photography in the time of stalin |
topic | Rodčenko, Aleksandr Michajlovič 1891-1956 (DE-588)118641999 gnd Fotografie (DE-588)4045895-7 gnd |
topic_facet | Rodčenko, Aleksandr Michajlovič 1891-1956 Fotografie Hochschulschrift |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033943980&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT glebovaaglayak aleksandrrodchenkophotographyinthetimeofstalin AT rodcenkoaleksandrmichajlovic aleksandrrodchenkophotographyinthetimeofstalin AT glebovaaglayak photographyinthetimeofstalin AT rodcenkoaleksandrmichajlovic photographyinthetimeofstalin |