The Norton scores: an anthology for listening
"The Norton Scores is an anthology of music designed for the listener. In its third edition, the one-volume Standard Edition includes fifty-two complete works and integral excerpts, ranging from Gregorian chant to twentieth-century masterpieces by Ives, Stravinsky, Varèse, Carter, and Davidovsk...
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Partitur Buch |
| Sprache: | No linguistic content |
| Veröffentlicht: |
New York
W.W. Norton & Company, Inc.
© 1977
|
| Ausgabe: | Third edition ; standard |
| Schlagworte: | |
| Zusammenfassung: | "The Norton Scores is an anthology of music designed for the listener. In its third edition, the one-volume Standard Edition includes fifty-two complete works and integral excerpts, ranging from Gregorian chant to twentieth-century masterpieces by Ives, Stravinsky, Varèse, Carter, and Davidovsky, illustrating the major forms, genres, and composers. By the use of a unique highlighting system, the following of full orchestral scores is greatly facilitated for the novice score reader, without obscuring any of the important subordinate lines and accompaniments. Rather than presenting 'pre-digested' scores, The Norton Scores provides valuable experience in following the real thing...The Norton Scores is the most comprehensive and versatile anthology available for the varying needs of music students, whether they are beginners or more advanced. The pedagogical soundness of the highlighting technique has been more than adequately proven in the years since its creation for the original edition. A companion set of recordings, including all the music in this volume, is available from the publisher." -- Back cover |
| Beschreibung: | Includes index |
| Beschreibung: | xiv, 1190 pages 21 cm |
| ISBN: | 0393021955 9780393021950 0393091112 9780393091113 |
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| 245 | 1 | 0 | |a The Norton scores |b an anthology for listening |c edited by Rober Kamien |
| 246 | 1 | 3 | |a Anthology for listening |
| 246 | 1 | 0 | |a Anthology for listening |
| 250 | |a Third edition ; standard | ||
| 264 | 1 | |a New York |b W.W. Norton & Company, Inc. |c © 1977 | |
| 300 | |a xiv, 1190 pages |c 21 cm | ||
| 336 | |b ntm |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Includes index | ||
| 505 | 8 | |a Preface -- How to follow the highlighted scores -- A note on performance practice -- Introit, Gaudeamus omnes / Gregorian chant -- Kyrie from messe de Notre Dame / Guillaume De Machaut -- Alma redemptoris mater / Guillaume Dufay -- Deploration sur la mort de Johan Okeghem ; Scaramella/ Josquin Des Prez -- Sanctus from missa ascendo ad patrem / Giovanni Pierluigi da Palestrina -- Scene from L'Orfeo / Claudio Monteverdi -- As Vesta was descending / Thomas Weelkes -- Dido's lament form Dido and Aeneas / Henry Purcell -- Excerpts fro Messiah: Overture ; Comfort ye ; Ev'ry valley ; Hallelujah / George Frideric Handel -- Organ fugue in G minor (Little) ; Brandenburg concerto no. 2 in F major ; Air and gugue from suite no. 2 in D major ; Excerpts from cantata no. 140, Wachet auf. Wachet auf, ruft uns die stimme ; Zion hort die wachter singen ; Gloria sei dir gesungen / Johann Sebastian Bach -- Symphony no. 94 in G major (Surprise) / Joseph Haydn -- | |
| 505 | 8 | |a Eine kleine nachtmusik ; Excerts from Don Giovanni. Catalogue aria ; Duet: las ci darem la mano ; Symphony in G minor, K. 550 / Wolfgang Amadeus Mozart -- Piano sonata in C minor, opus 13 (Pathetique) ; Symphony no. 5 in C minor / Ludwig Van Beethoven -- Erlkonig ; An Sylvia ; Fourth movement (Theme and variations) from Quintet in A major (trout) / Franz Schubert -- Fourth movement from Symphonie fantastique / Hector Berlioz -- First movement from violin concerto in E minor / Felix Mendelssohn -- Mazurka in C-sharp minor, Opus 6, no. 2. ; Etude in A minor, Opus 25, no. 11 ; Prelude in E minor, Opus 28, no. 4 / Frederick Francois Chopin -- Mondnacht from Liederkreis, Opus 39 / Robert Schumann -- Prelude to Tristan und Isolde / Richard Wagner -- Violetta's Scene from La traviata, Act I ; Opening of the Dies irae from Messa da Requiem / Giuseppe Verdi -- Third movement from Symphony no. 3 in F major / Johannes Brahms -- | |
| 505 | 8 | |a Romeo and Juliet, Overture-Fantasy ; Excerpts from The Nutcracker. March ; Arabian dance ; Dance of the toy flutes / Peter Ilyich Tchaikovsky -- Scene from La boheme, Act I / Giacomo Puccini -- Fourth movement from Symphony no. 4 / Gustav Mahler -- Prelude to "The afternoon of a faun" / Claude Debussy -- Excerpt from Five pieces for orchestra, Opus 16. Vorgefuhle ; Vergangenes ; A survivor from Warsaw / Arnold Schoenberg -- Putnam"s camp, Redding, Connecticut, from Three places in New England / Charles Ives -- First movement from Music for strings, percussion, and celesta / Bela Bartok -- Excerpts from The rite of spring. Opening scene ; Danse sacrale ; First movement from Symphony of psalms / Igor Stravinsky -- Pieces for orchestra, Opus 10, nos. 1 and 4 ; Anton Webern -- Ionisation / Edgard Varese -- Act III, scenes 4 and 5 from Wozzeck / Alban Berg -- Opening scene from Billy the kid ; Aaron Copland -- Third movement from String quartet 1931 / Ruth Crawford -- | |
| 505 | 8 | |a Etudes 4, 5, and 8 from Eight etudes and a fantasy for woodwind quartet / Elliott Carter -- El nino busca su voz from Ancient voices of children / George Crumb -- Synchronisms no. 1 for flute and electronic sounds / Mario Davidovsky -- Appendix A. Reading an orchestral score -- Appendix B. Instrumental names and abbreviations -- Appendix C. Glossary of musical terms used in the scores -- Index of forms and genres | |
| 520 | 3 | |a "The Norton Scores is an anthology of music designed for the listener. In its third edition, the one-volume Standard Edition includes fifty-two complete works and integral excerpts, ranging from Gregorian chant to twentieth-century masterpieces by Ives, Stravinsky, Varèse, Carter, and Davidovsky, illustrating the major forms, genres, and composers. By the use of a unique highlighting system, the following of full orchestral scores is greatly facilitated for the novice score reader, without obscuring any of the important subordinate lines and accompaniments. Rather than presenting 'pre-digested' scores, The Norton Scores provides valuable experience in following the real thing...The Norton Scores is the most comprehensive and versatile anthology available for the varying needs of music students, whether they are beginners or more advanced. The pedagogical soundness of the highlighting technique has been more than adequately proven in the years since its creation for the original edition. A companion set of recordings, including all the music in this volume, is available from the publisher." -- Back cover | |
| 653 | 0 | |a Music appreciation | |
| 653 | 0 | |a Musical analysis | |
| 653 | 0 | |a Musique / Appréciation | |
| 653 | 0 | |a Analyse musicale | |
| 653 | 0 | |a Music appreciation | |
| 653 | 0 | |a Musical analysis | |
| 653 | 6 | |a Collections | |
| 700 | 1 | |a Kamien, Roger |d 1934- |0 (DE-588)12232630X |4 edt | |
| 776 | 0 | 8 | |i Online version |a Kamien, Roger |t Norton scores |b 3rd ed., standard |d New York : W.W. Norton & Co., 1977 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033938296 | ||
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| contents | Preface -- How to follow the highlighted scores -- A note on performance practice -- Introit, Gaudeamus omnes / Gregorian chant -- Kyrie from messe de Notre Dame / Guillaume De Machaut -- Alma redemptoris mater / Guillaume Dufay -- Deploration sur la mort de Johan Okeghem ; Scaramella/ Josquin Des Prez -- Sanctus from missa ascendo ad patrem / Giovanni Pierluigi da Palestrina -- Scene from L'Orfeo / Claudio Monteverdi -- As Vesta was descending / Thomas Weelkes -- Dido's lament form Dido and Aeneas / Henry Purcell -- Excerpts fro Messiah: Overture ; Comfort ye ; Ev'ry valley ; Hallelujah / George Frideric Handel -- Organ fugue in G minor (Little) ; Brandenburg concerto no. 2 in F major ; Air and gugue from suite no. 2 in D major ; Excerpts from cantata no. 140, Wachet auf. Wachet auf, ruft uns die stimme ; Zion hort die wachter singen ; Gloria sei dir gesungen / Johann Sebastian Bach -- Symphony no. 94 in G major (Surprise) / Joseph Haydn -- Eine kleine nachtmusik ; Excerts from Don Giovanni. Catalogue aria ; Duet: las ci darem la mano ; Symphony in G minor, K. 550 / Wolfgang Amadeus Mozart -- Piano sonata in C minor, opus 13 (Pathetique) ; Symphony no. 5 in C minor / Ludwig Van Beethoven -- Erlkonig ; An Sylvia ; Fourth movement (Theme and variations) from Quintet in A major (trout) / Franz Schubert -- Fourth movement from Symphonie fantastique / Hector Berlioz -- First movement from violin concerto in E minor / Felix Mendelssohn -- Mazurka in C-sharp minor, Opus 6, no. 2. ; Etude in A minor, Opus 25, no. 11 ; Prelude in E minor, Opus 28, no. 4 / Frederick Francois Chopin -- Mondnacht from Liederkreis, Opus 39 / Robert Schumann -- Prelude to Tristan und Isolde / Richard Wagner -- Violetta's Scene from La traviata, Act I ; Opening of the Dies irae from Messa da Requiem / Giuseppe Verdi -- Third movement from Symphony no. 3 in F major / Johannes Brahms -- Romeo and Juliet, Overture-Fantasy ; Excerpts from The Nutcracker. March ; Arabian dance ; Dance of the toy flutes / Peter Ilyich Tchaikovsky -- Scene from La boheme, Act I / Giacomo Puccini -- Fourth movement from Symphony no. 4 / Gustav Mahler -- Prelude to "The afternoon of a faun" / Claude Debussy -- Excerpt from Five pieces for orchestra, Opus 16. Vorgefuhle ; Vergangenes ; A survivor from Warsaw / Arnold Schoenberg -- Putnam"s camp, Redding, Connecticut, from Three places in New England / Charles Ives -- First movement from Music for strings, percussion, and celesta / Bela Bartok -- Excerpts from The rite of spring. Opening scene ; Danse sacrale ; First movement from Symphony of psalms / Igor Stravinsky -- Pieces for orchestra, Opus 10, nos. 1 and 4 ; Anton Webern -- Ionisation / Edgard Varese -- Act III, scenes 4 and 5 from Wozzeck / Alban Berg -- Opening scene from Billy the kid ; Aaron Copland -- Third movement from String quartet 1931 / Ruth Crawford -- Etudes 4, 5, and 8 from Eight etudes and a fantasy for woodwind quartet / Elliott Carter -- El nino busca su voz from Ancient voices of children / George Crumb -- Synchronisms no. 1 for flute and electronic sounds / Mario Davidovsky -- Appendix A. Reading an orchestral score -- Appendix B. Instrumental names and abbreviations -- Appendix C. Glossary of musical terms used in the scores -- Index of forms and genres |
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| id | DE-604.BV048562118 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T21:00:14Z |
| indexdate | 2024-07-10T09:41:32Z |
| institution | BVB |
| isbn | 0393021955 9780393021950 0393091112 9780393091113 |
| language | No linguistic content |
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| physical | xiv, 1190 pages 21 cm |
| publishDate | 1977 |
| publishDateSearch | 1977 |
| publishDateSort | 1977 |
| publisher | W.W. Norton & Company, Inc. |
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| spelling | The Norton scores an anthology for listening edited by Rober Kamien Anthology for listening Third edition ; standard New York W.W. Norton & Company, Inc. © 1977 xiv, 1190 pages 21 cm ntm rdacontent n rdamedia nc rdacarrier Includes index Preface -- How to follow the highlighted scores -- A note on performance practice -- Introit, Gaudeamus omnes / Gregorian chant -- Kyrie from messe de Notre Dame / Guillaume De Machaut -- Alma redemptoris mater / Guillaume Dufay -- Deploration sur la mort de Johan Okeghem ; Scaramella/ Josquin Des Prez -- Sanctus from missa ascendo ad patrem / Giovanni Pierluigi da Palestrina -- Scene from L'Orfeo / Claudio Monteverdi -- As Vesta was descending / Thomas Weelkes -- Dido's lament form Dido and Aeneas / Henry Purcell -- Excerpts fro Messiah: Overture ; Comfort ye ; Ev'ry valley ; Hallelujah / George Frideric Handel -- Organ fugue in G minor (Little) ; Brandenburg concerto no. 2 in F major ; Air and gugue from suite no. 2 in D major ; Excerpts from cantata no. 140, Wachet auf. Wachet auf, ruft uns die stimme ; Zion hort die wachter singen ; Gloria sei dir gesungen / Johann Sebastian Bach -- Symphony no. 94 in G major (Surprise) / Joseph Haydn -- Eine kleine nachtmusik ; Excerts from Don Giovanni. Catalogue aria ; Duet: las ci darem la mano ; Symphony in G minor, K. 550 / Wolfgang Amadeus Mozart -- Piano sonata in C minor, opus 13 (Pathetique) ; Symphony no. 5 in C minor / Ludwig Van Beethoven -- Erlkonig ; An Sylvia ; Fourth movement (Theme and variations) from Quintet in A major (trout) / Franz Schubert -- Fourth movement from Symphonie fantastique / Hector Berlioz -- First movement from violin concerto in E minor / Felix Mendelssohn -- Mazurka in C-sharp minor, Opus 6, no. 2. ; Etude in A minor, Opus 25, no. 11 ; Prelude in E minor, Opus 28, no. 4 / Frederick Francois Chopin -- Mondnacht from Liederkreis, Opus 39 / Robert Schumann -- Prelude to Tristan und Isolde / Richard Wagner -- Violetta's Scene from La traviata, Act I ; Opening of the Dies irae from Messa da Requiem / Giuseppe Verdi -- Third movement from Symphony no. 3 in F major / Johannes Brahms -- Romeo and Juliet, Overture-Fantasy ; Excerpts from The Nutcracker. March ; Arabian dance ; Dance of the toy flutes / Peter Ilyich Tchaikovsky -- Scene from La boheme, Act I / Giacomo Puccini -- Fourth movement from Symphony no. 4 / Gustav Mahler -- Prelude to "The afternoon of a faun" / Claude Debussy -- Excerpt from Five pieces for orchestra, Opus 16. Vorgefuhle ; Vergangenes ; A survivor from Warsaw / Arnold Schoenberg -- Putnam"s camp, Redding, Connecticut, from Three places in New England / Charles Ives -- First movement from Music for strings, percussion, and celesta / Bela Bartok -- Excerpts from The rite of spring. Opening scene ; Danse sacrale ; First movement from Symphony of psalms / Igor Stravinsky -- Pieces for orchestra, Opus 10, nos. 1 and 4 ; Anton Webern -- Ionisation / Edgard Varese -- Act III, scenes 4 and 5 from Wozzeck / Alban Berg -- Opening scene from Billy the kid ; Aaron Copland -- Third movement from String quartet 1931 / Ruth Crawford -- Etudes 4, 5, and 8 from Eight etudes and a fantasy for woodwind quartet / Elliott Carter -- El nino busca su voz from Ancient voices of children / George Crumb -- Synchronisms no. 1 for flute and electronic sounds / Mario Davidovsky -- Appendix A. Reading an orchestral score -- Appendix B. Instrumental names and abbreviations -- Appendix C. Glossary of musical terms used in the scores -- Index of forms and genres "The Norton Scores is an anthology of music designed for the listener. In its third edition, the one-volume Standard Edition includes fifty-two complete works and integral excerpts, ranging from Gregorian chant to twentieth-century masterpieces by Ives, Stravinsky, Varèse, Carter, and Davidovsky, illustrating the major forms, genres, and composers. By the use of a unique highlighting system, the following of full orchestral scores is greatly facilitated for the novice score reader, without obscuring any of the important subordinate lines and accompaniments. Rather than presenting 'pre-digested' scores, The Norton Scores provides valuable experience in following the real thing...The Norton Scores is the most comprehensive and versatile anthology available for the varying needs of music students, whether they are beginners or more advanced. The pedagogical soundness of the highlighting technique has been more than adequately proven in the years since its creation for the original edition. A companion set of recordings, including all the music in this volume, is available from the publisher." -- Back cover Music appreciation Musical analysis Musique / Appréciation Analyse musicale Collections Kamien, Roger 1934- (DE-588)12232630X edt Online version Kamien, Roger Norton scores 3rd ed., standard New York : W.W. Norton & Co., 1977 |
| spellingShingle | The Norton scores an anthology for listening Preface -- How to follow the highlighted scores -- A note on performance practice -- Introit, Gaudeamus omnes / Gregorian chant -- Kyrie from messe de Notre Dame / Guillaume De Machaut -- Alma redemptoris mater / Guillaume Dufay -- Deploration sur la mort de Johan Okeghem ; Scaramella/ Josquin Des Prez -- Sanctus from missa ascendo ad patrem / Giovanni Pierluigi da Palestrina -- Scene from L'Orfeo / Claudio Monteverdi -- As Vesta was descending / Thomas Weelkes -- Dido's lament form Dido and Aeneas / Henry Purcell -- Excerpts fro Messiah: Overture ; Comfort ye ; Ev'ry valley ; Hallelujah / George Frideric Handel -- Organ fugue in G minor (Little) ; Brandenburg concerto no. 2 in F major ; Air and gugue from suite no. 2 in D major ; Excerpts from cantata no. 140, Wachet auf. Wachet auf, ruft uns die stimme ; Zion hort die wachter singen ; Gloria sei dir gesungen / Johann Sebastian Bach -- Symphony no. 94 in G major (Surprise) / Joseph Haydn -- Eine kleine nachtmusik ; Excerts from Don Giovanni. Catalogue aria ; Duet: las ci darem la mano ; Symphony in G minor, K. 550 / Wolfgang Amadeus Mozart -- Piano sonata in C minor, opus 13 (Pathetique) ; Symphony no. 5 in C minor / Ludwig Van Beethoven -- Erlkonig ; An Sylvia ; Fourth movement (Theme and variations) from Quintet in A major (trout) / Franz Schubert -- Fourth movement from Symphonie fantastique / Hector Berlioz -- First movement from violin concerto in E minor / Felix Mendelssohn -- Mazurka in C-sharp minor, Opus 6, no. 2. ; Etude in A minor, Opus 25, no. 11 ; Prelude in E minor, Opus 28, no. 4 / Frederick Francois Chopin -- Mondnacht from Liederkreis, Opus 39 / Robert Schumann -- Prelude to Tristan und Isolde / Richard Wagner -- Violetta's Scene from La traviata, Act I ; Opening of the Dies irae from Messa da Requiem / Giuseppe Verdi -- Third movement from Symphony no. 3 in F major / Johannes Brahms -- Romeo and Juliet, Overture-Fantasy ; Excerpts from The Nutcracker. March ; Arabian dance ; Dance of the toy flutes / Peter Ilyich Tchaikovsky -- Scene from La boheme, Act I / Giacomo Puccini -- Fourth movement from Symphony no. 4 / Gustav Mahler -- Prelude to "The afternoon of a faun" / Claude Debussy -- Excerpt from Five pieces for orchestra, Opus 16. Vorgefuhle ; Vergangenes ; A survivor from Warsaw / Arnold Schoenberg -- Putnam"s camp, Redding, Connecticut, from Three places in New England / Charles Ives -- First movement from Music for strings, percussion, and celesta / Bela Bartok -- Excerpts from The rite of spring. Opening scene ; Danse sacrale ; First movement from Symphony of psalms / Igor Stravinsky -- Pieces for orchestra, Opus 10, nos. 1 and 4 ; Anton Webern -- Ionisation / Edgard Varese -- Act III, scenes 4 and 5 from Wozzeck / Alban Berg -- Opening scene from Billy the kid ; Aaron Copland -- Third movement from String quartet 1931 / Ruth Crawford -- Etudes 4, 5, and 8 from Eight etudes and a fantasy for woodwind quartet / Elliott Carter -- El nino busca su voz from Ancient voices of children / George Crumb -- Synchronisms no. 1 for flute and electronic sounds / Mario Davidovsky -- Appendix A. Reading an orchestral score -- Appendix B. Instrumental names and abbreviations -- Appendix C. Glossary of musical terms used in the scores -- Index of forms and genres |
| title | The Norton scores an anthology for listening |
| title_alt | Anthology for listening |
| title_auth | The Norton scores an anthology for listening |
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| title_exact_search_txtP | The Norton scores an anthology for listening |
| title_full | The Norton scores an anthology for listening edited by Rober Kamien |
| title_fullStr | The Norton scores an anthology for listening edited by Rober Kamien |
| title_full_unstemmed | The Norton scores an anthology for listening edited by Rober Kamien |
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