Histories of the musical:
"The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a mélange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals...
Saved in:
| Other Authors: | , , |
|---|---|
| Format: | Book |
| Language: | English |
| Published: |
New York, NY
Oxford University Press
[2018]
|
| Series: | An Oxford handbook of the American musical
volume 1 |
| Subjects: | |
| Online Access: | Inhaltsverzeichnis |
| Summary: | "The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a mélange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals have always sought to amuse more than instruct, and to make money more than make political change. In spite of their unapologetic commercialism, though, musicals have achieved supreme artistry and have influenced culture as much as if not more than any other art form in America, including avant-garde and high art on the one hand, and the full range of popular and commercial art on the other. Reflecting, refracting, and shaping U.S. culture since the early twentieth century, musicals converse with shifting dynamics of gender and sexuality, ethnicity and race, and the very question of what it means to be American and to be human."--Provided by publisher |
| Physical Description: | viii, 227 Seiten Illustrationen 21 cm |
| ISBN: | 9780190877767 |
Staff View
MARC
| LEADER | 00000nam a2200000 cb4500 | ||
|---|---|---|---|
| 001 | BV048561901 | ||
| 003 | DE-604 | ||
| 005 | 20230130 | ||
| 007 | t | ||
| 008 | 221115s2018 a||| |||| 00||| eng d | ||
| 020 | |a 9780190877767 |q pbk |9 978-0-19-087776-7 | ||
| 035 | |a (OCoLC)1362873047 | ||
| 035 | |a (DE-599)BVBBV048561901 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-12 | ||
| 084 | |a MUS |q DE-12 |2 fid | ||
| 245 | 1 | 0 | |a Histories of the musical |c edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf |
| 264 | 1 | |a New York, NY |b Oxford University Press |c [2018] | |
| 300 | |a viii, 227 Seiten |b Illustrationen |c 21 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 1 | |a An Oxford handbook of the American musical |v volume 1 | |
| 505 | 8 | |a Historiography. Narratives and values / Mitchell Morris ; Texts and authors / Jim Lovensheimer ; Musical styles and song conventions / Paul R. Laird ; Evolution of dance in the golden age of the American "book musical" / Liza Gennaro -- Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis ; Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris ; Integration / Geoffrey Block ; After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman | |
| 520 | 3 | |a "The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a mélange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals have always sought to amuse more than instruct, and to make money more than make political change. In spite of their unapologetic commercialism, though, musicals have achieved supreme artistry and have influenced culture as much as if not more than any other art form in America, including avant-garde and high art on the one hand, and the full range of popular and commercial art on the other. Reflecting, refracting, and shaping U.S. culture since the early twentieth century, musicals converse with shifting dynamics of gender and sexuality, ethnicity and race, and the very question of what it means to be American and to be human."--Provided by publisher | |
| 650 | 0 | 7 | |a Musical |0 (DE-588)4040801-2 |2 gnd |9 rswk-swf |
| 650 | 0 | 7 | |a Musikgeschichtsschreibung |0 (DE-588)4139339-9 |2 gnd |9 rswk-swf |
| 651 | 7 | |a USA |0 (DE-588)4078704-7 |2 gnd |9 rswk-swf | |
| 653 | 0 | |a Musicals / United States / History and criticism | |
| 653 | 0 | |a Comédies musicales / États-Unis / Histoire et critique | |
| 653 | 0 | |a Musicals | |
| 653 | 2 | |a United States | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 655 | 7 | |0 (DE-588)4143413-4 |a Aufsatzsammlung |2 gnd-content | |
| 689 | 0 | 0 | |a USA |0 (DE-588)4078704-7 |D g |
| 689 | 0 | 1 | |a Musical |0 (DE-588)4040801-2 |D s |
| 689 | 0 | 2 | |a Musikgeschichtsschreibung |0 (DE-588)4139339-9 |D s |
| 689 | 0 | |5 DE-604 | |
| 700 | 1 | |a Knapp, Raymond |d 1952- |0 (DE-588)173096220 |4 edt | |
| 700 | 1 | |a Morris, Mitchell |d 1961- |0 (DE-588)1025611489 |4 edt | |
| 700 | 1 | |a Wolf, Stacy |d 1950- |0 (DE-588)124609309 |4 edt | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 978-0-19-087777-4 |
| 830 | 0 | |a An Oxford handbook of the American musical |v volume 1 |w (DE-604)BV048510708 |9 1 | |
| 856 | 4 | 2 | |m Digitalisierung BSB München - ADAM Catalogue Enrichment |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033938080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 940 | 1 | |q BSB_NED_20230130 | |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033938080 | ||
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 781.5 |e 22/bsb |f 0905 |g 73 |
| 942 | 1 | 1 | |c 901 |e 22/bsb |f 0904 |g 73 |
| 942 | 1 | 1 | |c 901 |e 22/bsb |f 0905 |g 73 |
Record in the Search Index
| _version_ | 1804184576187170816 |
|---|---|
| adam_text | CONTENTS Contributors About the Companion Website Introduction vii ix 1 By Mitchell Morris PART ONE HISTORIOGRAPHY 1. Narratives and Values 11 Mitchell Morris 2. Texts and Authors 29 Jim Lovensheimer 3. Musical Styles and Song Conventions Paul R. Laird 51
vi I 4. CONTENTS Evolution of Dance in the Golden Age of the American “Book Musical” 71 Liza Gennaro PART TWO TRANSFORMATIONS 5. Minstrelsy and Theatrical Miscegenation 99 Thomas L. Riis 6. Tin Pan Alley Songs on Stage and Screen Before World War II 125 Raymond Knapp and Mitchell Morris 7. Integration 153 Geoffrey Block 8. After the “Golden Age” 177 Jessica Sternfeld and Elizabeth L. Wollman References Index 199 209
|
| adam_txt |
CONTENTS Contributors About the Companion Website Introduction vii ix 1 By Mitchell Morris PART ONE HISTORIOGRAPHY 1. Narratives and Values 11 Mitchell Morris 2. Texts and Authors 29 Jim Lovensheimer 3. Musical Styles and Song Conventions Paul R. Laird 51
vi I 4. CONTENTS Evolution of Dance in the Golden Age of the American “Book Musical” 71 Liza Gennaro PART TWO TRANSFORMATIONS 5. Minstrelsy and Theatrical Miscegenation 99 Thomas L. Riis 6. Tin Pan Alley Songs on Stage and Screen Before World War II 125 Raymond Knapp and Mitchell Morris 7. Integration 153 Geoffrey Block 8. After the “Golden Age” 177 Jessica Sternfeld and Elizabeth L. Wollman References Index 199 209 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author2 | Knapp, Raymond 1952- Morris, Mitchell 1961- Wolf, Stacy 1950- |
| author2_role | edt edt edt |
| author2_variant | r k rk m m mm s w sw |
| author_GND | (DE-588)173096220 (DE-588)1025611489 (DE-588)124609309 |
| author_facet | Knapp, Raymond 1952- Morris, Mitchell 1961- Wolf, Stacy 1950- |
| building | Verbundindex |
| bvnumber | BV048561901 |
| contents | Historiography. Narratives and values / Mitchell Morris ; Texts and authors / Jim Lovensheimer ; Musical styles and song conventions / Paul R. Laird ; Evolution of dance in the golden age of the American "book musical" / Liza Gennaro -- Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis ; Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris ; Integration / Geoffrey Block ; After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman |
| ctrlnum | (OCoLC)1362873047 (DE-599)BVBBV048561901 |
| format | Book |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>03824nam a2200577 cb4500</leader><controlfield tag="001">BV048561901</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">20230130 </controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">221115s2018 a||| |||| 00||| eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9780190877767</subfield><subfield code="q">pbk</subfield><subfield code="9">978-0-19-087776-7</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1362873047</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048561901</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-12</subfield></datafield><datafield tag="084" ind1=" " ind2=" "><subfield code="a">MUS</subfield><subfield code="q">DE-12</subfield><subfield code="2">fid</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Histories of the musical</subfield><subfield code="c">edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">New York, NY</subfield><subfield code="b">Oxford University Press</subfield><subfield code="c">[2018]</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">viii, 227 Seiten</subfield><subfield code="b">Illustrationen</subfield><subfield code="c">21 cm</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="1" ind2=" "><subfield code="a">An Oxford handbook of the American musical</subfield><subfield code="v">volume 1</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Historiography. Narratives and values / Mitchell Morris ; Texts and authors / Jim Lovensheimer ; Musical styles and song conventions / Paul R. Laird ; Evolution of dance in the golden age of the American "book musical" / Liza Gennaro -- Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis ; Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris ; Integration / Geoffrey Block ; After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman</subfield></datafield><datafield tag="520" ind1="3" ind2=" "><subfield code="a">"The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a mélange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals have always sought to amuse more than instruct, and to make money more than make political change. In spite of their unapologetic commercialism, though, musicals have achieved supreme artistry and have influenced culture as much as if not more than any other art form in America, including avant-garde and high art on the one hand, and the full range of popular and commercial art on the other. Reflecting, refracting, and shaping U.S. culture since the early twentieth century, musicals converse with shifting dynamics of gender and sexuality, ethnicity and race, and the very question of what it means to be American and to be human."--Provided by publisher</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="650" ind1="0" ind2="7"><subfield code="a">Musikgeschichtsschreibung</subfield><subfield code="0">(DE-588)4139339-9</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="651" ind1=" " ind2="7"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="2">gnd</subfield><subfield code="9">rswk-swf</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musicals / United States / History and criticism</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Comédies musicales / États-Unis / Histoire et critique</subfield></datafield><datafield tag="653" ind1=" " ind2="0"><subfield code="a">Musicals</subfield></datafield><datafield tag="653" ind1=" " ind2="2"><subfield code="a">United States</subfield></datafield><datafield tag="653" ind1=" " ind2="6"><subfield code="a">Criticism, interpretation, etc</subfield></datafield><datafield tag="655" ind1=" " ind2="7"><subfield code="0">(DE-588)4143413-4</subfield><subfield code="a">Aufsatzsammlung</subfield><subfield code="2">gnd-content</subfield></datafield><datafield tag="689" ind1="0" ind2="0"><subfield code="a">USA</subfield><subfield code="0">(DE-588)4078704-7</subfield><subfield code="D">g</subfield></datafield><datafield tag="689" ind1="0" ind2="1"><subfield code="a">Musical</subfield><subfield code="0">(DE-588)4040801-2</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2="2"><subfield code="a">Musikgeschichtsschreibung</subfield><subfield code="0">(DE-588)4139339-9</subfield><subfield code="D">s</subfield></datafield><datafield tag="689" ind1="0" ind2=" "><subfield code="5">DE-604</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Knapp, Raymond</subfield><subfield code="d">1952-</subfield><subfield code="0">(DE-588)173096220</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Morris, Mitchell</subfield><subfield code="d">1961-</subfield><subfield code="0">(DE-588)1025611489</subfield><subfield code="4">edt</subfield></datafield><datafield tag="700" ind1="1" ind2=" "><subfield code="a">Wolf, Stacy</subfield><subfield code="d">1950-</subfield><subfield code="0">(DE-588)124609309</subfield><subfield code="4">edt</subfield></datafield><datafield tag="776" ind1="0" ind2="8"><subfield code="i">Erscheint auch als</subfield><subfield code="n">Online-Ausgabe</subfield><subfield code="z">978-0-19-087777-4</subfield></datafield><datafield tag="830" ind1=" " ind2="0"><subfield code="a">An Oxford handbook of the American musical</subfield><subfield code="v">volume 1</subfield><subfield code="w">(DE-604)BV048510708</subfield><subfield code="9">1</subfield></datafield><datafield tag="856" ind1="4" ind2="2"><subfield code="m">Digitalisierung BSB München - ADAM Catalogue Enrichment</subfield><subfield code="q">application/pdf</subfield><subfield code="u">http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033938080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA</subfield><subfield code="3">Inhaltsverzeichnis</subfield></datafield><datafield tag="940" ind1="1" ind2=" "><subfield code="q">BSB_NED_20230130</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033938080</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">781.5</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">901</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0904</subfield><subfield code="g">73</subfield></datafield><datafield tag="942" ind1="1" ind2="1"><subfield code="c">901</subfield><subfield code="e">22/bsb</subfield><subfield code="f">0905</subfield><subfield code="g">73</subfield></datafield></record></collection> |
| genre | (DE-588)4143413-4 Aufsatzsammlung gnd-content |
| genre_facet | Aufsatzsammlung |
| geographic | USA (DE-588)4078704-7 gnd |
| geographic_facet | USA |
| id | DE-604.BV048561901 |
| illustrated | Illustrated |
| index_date | 2024-07-03T21:00:10Z |
| indexdate | 2024-07-10T09:41:32Z |
| institution | BVB |
| isbn | 9780190877767 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033938080 |
| oclc_num | 1362873047 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | viii, 227 Seiten Illustrationen 21 cm |
| psigel | BSB_NED_20230130 |
| publishDate | 2018 |
| publishDateSearch | 2018 |
| publishDateSort | 2018 |
| publisher | Oxford University Press |
| record_format | marc |
| series | An Oxford handbook of the American musical |
| series2 | An Oxford handbook of the American musical |
| spelling | Histories of the musical edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf New York, NY Oxford University Press [2018] viii, 227 Seiten Illustrationen 21 cm txt rdacontent n rdamedia nc rdacarrier An Oxford handbook of the American musical volume 1 Historiography. Narratives and values / Mitchell Morris ; Texts and authors / Jim Lovensheimer ; Musical styles and song conventions / Paul R. Laird ; Evolution of dance in the golden age of the American "book musical" / Liza Gennaro -- Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis ; Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris ; Integration / Geoffrey Block ; After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman "The American musical is a paradox. On stage or screen, musicals at once hold a dominant and a contested place in the worlds of entertainment, art, and scholarship. Born from a mélange of performance forms that included opera and operetta, vaudeville and burlesque, minstrelsy and jazz, musicals have always sought to amuse more than instruct, and to make money more than make political change. In spite of their unapologetic commercialism, though, musicals have achieved supreme artistry and have influenced culture as much as if not more than any other art form in America, including avant-garde and high art on the one hand, and the full range of popular and commercial art on the other. Reflecting, refracting, and shaping U.S. culture since the early twentieth century, musicals converse with shifting dynamics of gender and sexuality, ethnicity and race, and the very question of what it means to be American and to be human."--Provided by publisher Musical (DE-588)4040801-2 gnd rswk-swf Musikgeschichtsschreibung (DE-588)4139339-9 gnd rswk-swf USA (DE-588)4078704-7 gnd rswk-swf Musicals / United States / History and criticism Comédies musicales / États-Unis / Histoire et critique Musicals United States Criticism, interpretation, etc (DE-588)4143413-4 Aufsatzsammlung gnd-content USA (DE-588)4078704-7 g Musical (DE-588)4040801-2 s Musikgeschichtsschreibung (DE-588)4139339-9 s DE-604 Knapp, Raymond 1952- (DE-588)173096220 edt Morris, Mitchell 1961- (DE-588)1025611489 edt Wolf, Stacy 1950- (DE-588)124609309 edt Erscheint auch als Online-Ausgabe 978-0-19-087777-4 An Oxford handbook of the American musical volume 1 (DE-604)BV048510708 1 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033938080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Histories of the musical An Oxford handbook of the American musical Historiography. Narratives and values / Mitchell Morris ; Texts and authors / Jim Lovensheimer ; Musical styles and song conventions / Paul R. Laird ; Evolution of dance in the golden age of the American "book musical" / Liza Gennaro -- Transformations. Minstrelsy and theatrical miscegenation / Thomas L. Riis ; Tin Pan Alley songs on stage and screen before World War II / Raymond Knapp and Mitchell Morris ; Integration / Geoffrey Block ; After the "golden age" / Jessica Sternfeld and Elizabeth L. Wollman Musical (DE-588)4040801-2 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd |
| subject_GND | (DE-588)4040801-2 (DE-588)4139339-9 (DE-588)4078704-7 (DE-588)4143413-4 |
| title | Histories of the musical |
| title_auth | Histories of the musical |
| title_exact_search | Histories of the musical |
| title_exact_search_txtP | Histories of the musical |
| title_full | Histories of the musical edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf |
| title_fullStr | Histories of the musical edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf |
| title_full_unstemmed | Histories of the musical edited by Raymond Knapp, Mitchell Morris, and Stacy Wolf |
| title_short | Histories of the musical |
| title_sort | histories of the musical |
| topic | Musical (DE-588)4040801-2 gnd Musikgeschichtsschreibung (DE-588)4139339-9 gnd |
| topic_facet | Musical Musikgeschichtsschreibung USA Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033938080&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV048510708 |
| work_keys_str_mv | AT knappraymond historiesofthemusical AT morrismitchell historiesofthemusical AT wolfstacy historiesofthemusical |