Sergei Rachmaninoff: cross rhythms of the soul
"This book presents new information about Rachmaninoff accessed from unique sources previously unavailable in English. From the extraordinary women who inspired him, to his humanitarian work, to his religion, Nollan interweaves Rachmaninoff's personal struggles and triumphs into his concer...
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Zusammenfassung: | "This book presents new information about Rachmaninoff accessed from unique sources previously unavailable in English. From the extraordinary women who inspired him, to his humanitarian work, to his religion, Nollan interweaves Rachmaninoff's personal struggles and triumphs into his concert career"-- |
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505 | 8 | |a Rachmaninoff's Origins -- Early Education -- Birth of a Composer-Pianist -- Birth of a Conductor -- The Muses -- Mystery of an Immortal Beloved -- Marriage to Natalia Satina -- Rachmaninoff's Aesthetics -- Rachmaninoff's Religiosity -- Transitions -- The Legendary Virtuoso Pianist -- Rachmaninoff as Humanitarian -- Paradise Regained: The Villa Senar -- The Last Bow : Rachmaninoff and America -- Afterword. Rachmaninoff's Legacy in the Twenty-First Century | |
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Contents Acknowledgments ix 1 Introduction 1 Rachmaninoff’s Origins 13 2 Early Education 41 3 Birth of a Composer-Pianist 55 4 Birth of a Conductor 75 5 The Muses 97 6 Mystery of an Immortal Beloved 125 7 Marriage to Natalia Satina 145 8 Rachmaninoff’s Aesthetics 173 9 Rachmaninoff’s Religiosity 197 10 Transitions 223 11 The Legendary Virtuoso Pianist 243 12 Rachmaninoff as Humanitarian 263 13 Paradise Regained: The Villa Senar 283 14 The Last Bow: Rachmaninoff and America 303 vii
viii Contents Afterword: Rachmaninoff’s Legacy in the Twenty-First Century 335 Appendix I: Twists and Turns of a Mystery 347 Appendix П: List of Works 355 Selected Discography 361 Selected Bibliography 365 Further Reading 373 Index 375 About the Author and Principal Research Colleagues 385
Selected Bibliography SOURCES IN ENGLISH Album Notes. Rachmaninov Symphony no. 1 in D Minor, Op. 13, U.S.S.R. Symphony Orchestra. Conducted by Yevgeny Svetlanov. Recorded by Melodiya. Printed by EMI Records, Great Britain, ASD 2471, 1967. “Anton L Dahl (unknown-1932).” Find A Grave. https://www.findagave.com/memorial/137984530/anton-l-dahl#source . Accessed September 13, 2021. “Anton Luis Dahl: One-Time Pianist to Czar Dies on Los Angeles Street Corner.” The New York Times, November 1,1932,21. https://www.nytimes.com/1932/ll/01 /archives/anton-luis-dahl-onetime-pianist-to-czar-dies-on-los-angeles-street.htmL Bambarger, Bradley. “Sergei Rachmaninoff.” https://www.steinway.com/artists/sergei-rachmaninoff. Accessed August 11, 2021. Barber, Charles F. Lost in the Stars: The Forgotten Musical Life of Alexander Siloti. Lanham, MD: Scarecrow Press, 2002. Bazhanov, Nikolai. Rachmaninov. Translated by Andrew Bromfield. Moscow: Raduga, 1983. Berdyaev, Nicolas. The Russian Revolution. Translated by R.M. French. Ann Arbor, MI: University of Michigan Press, 1961. Originally published by London: Sheed and Ward, 1931. Berdyaev, Nikolai. “Salvation and Creativity.” Translated by Fr. Stephen Janos. Put’ 2 (January 1926): 26—46. Bertensson, Sergei, and Jay Leyda. Sergei Rachmaninoff: A Lifetime in Music. New York: New York University Press, 1956. Reprint, Bloomington, IN: Indiana Uni versity Press, 2001. Bird, The Revd Norman. “Letters: The Misappliance of Science.” The Guard ian, November 18, 2001. https://www.theguardian.com/news/2001/nov/18/letters .theobserver. Borovsky, Victor,
Chaliapin: A Critical Biography. New York: Alfred A. Knopf, 1988. 365
366 Selected Bibliography Bowen, Catherine Drinker. Beloved Friend: The Story of Tchaikowsky and Nadejda von Meek. Mineola, NY: Dover Publications, 1946. Reprint, Westport, CT: Green wood, 1975. Brower, Harriette. “’Beware of the Indifferent Piano Teacher,’ Warns Rachmaninoff.” Musician 30 (February 1925): 11-12. Bullard, Truman. “An Introduction to Russian Music.” In Russia and Western Civili zation: Cultural and Historical Encounters, edited by Russell Bova, 210-38. New York: Routledge, 2003. Campbell, Stuart, ed. Russians on Russian Music: 1880-1917. Cambridge, MA: Cambridge University Press, 2003. Chaplin, Charlie. My Autobiography. New York: Simon Schuster, 1964. Cohen, Steve. “The Stokowski Story: Rachmaninoff.” Audio interview, WHYY-FM, Philadelphia, 1968. https://www.stokowski.org/sitebuilderfiles/stokowski_story _1968_rachmaninoff.mp3. Accessed December 29, 2020. Dexter, Benning. “Rachmaninoff in the Flesh: Two Eyewitness Accounts.” Newslet ter of the Rachmaninoff Society, 2004. Dostoevsky, Fyodor. The Brothers Karamazov. Trans. Constance Garnett. New York: Norton, 1976. Downes, Olin. “Recital is Given by Rachmaninoff; Carnegie Hall is Crowded for Program of the Masters by Pianist in Afternoon.” New York Herald Tribune, November 8, 1942. Evans-Romain, Karen, Helena Goscilo, and Tatiana Smorodinskaya, eds. The Ency clopedia of Contemporary Russian Culture. London: Routledge Ltd., 2007. Fedotov, Georgy. The Russian Religious Mind. New York: Harper, 1960. Gerich, George. “Sergei Jaroff and the Don Cossack Choir.” December 1, 2015.
https://orthochristian.com/88292.html. “The Grand Hall of the Moscow Conservatory.” https://www.mosconsv.rn/museum/ english/bzk.html. Accessed June 14, 2022. Haldey, Olga. Mamontov’s Private Opera: The Search for Modernism in Russian Theatre. Bloomington, IN: Indiana University Press, 2010. Harrison, Max. Rachmaninoff: Life, Works, Recordings. London: Continuum, 2005. Hay lock, Julian. Sergei Rachmaninov. London: Pavilion Books, 1996. Holcman, Jan. “Hidden Treasures of Rachmaninoff.” Saturday Review 41 (August 30, 1958): 31-33. Holmes, John L. Composers on Composers. Westport, CT: Greenwood Press, 1990. Hosking, Geoffrey. The First Socialist Society. Cambridge, MA: Harvard University Press, 1985. Huth, Andrew. “Sergei Rachmaninov: man of steel and gold.” In Rachmaninov: Orchestral Works, conductor Mariss Jansons, St. Petersburg Philhaimonic Orches tra. 6 CD set. France: EMI, 2002, 14. Jakim, Boris and Robert Bird, eds. and trans. On Spiritual Unity: A Slavophile Reader. Hudson, NY: Lindisfarne Books, 1998. “John Chrysostom.” https://orthodoxwiki.org/John_Chrysostom. Accessed July 21, 2021.
Selected Bibliography 367 Johnson, Lawrence B. “Famed pianist left mark on chamber festival.” The Detroit News, May 28, 2005, 2. Klevantseva, Tatyana. “Prominent Russians: Ekaterina Dashkova.” https://russiapedia.rt.com/prominent-russians/history-and-mythology/ekaterina-dashkova/ . Accessed June 14, 2022. Laciar, Samuel L. Review. Public Ledger, November 7, 1936. “Lauter.” Antique Piano Shop, https://antiquepianoshop.com/online-museum/lauter/. Accessed on October 1, 2021. Lazor, Very Reverend Paul. “Introduction.” Holy Friday Matins. Yonkers, NY: St. Vladimir’s Seminary Press, 1980: 5-20. Liebling, Leonard. “Variations.” The Musical Courier 127 (April 5, 1943): 17. Martyn, Barrie, Rachmaninoff: Composer, Pianist, Conductor. Burlington, VT: Ash gate, 2000. Matushevski, Voytek. “Rachmaninoffs Last Tour.” Clavier (March 1993): 20. McAfee, Annalena. “Symphony for a True Survivor.” Evening Standard (March 25, 1993). McCarthy, Jack. “Rachmaninoff’s Philadelphia.” Historical Society of Pennsylvania, March 14, 2017, https://hsp.org/blogs/fondly-pennsylvania/rachmaninoff%E2%80 %99s-philadelphia. McLean, Anne. “Rachmaninoff: The Bohemian.” Studies in Music from the Univer sity of Western Ontario 15 (1995): 95-106. Meltzer, Ken. “Program Notes: Sergei Rachmaninoff, Symphony No. 2 in E Minor, Opus 27.” 2020. https://fwsymphony.org/program-notes/rachmaninoff-sergei-symphony-no-2-in-e-minor-opus-27. Miller, Matthew Lee. The American YMCA and Russian Culture. New York: Lex ington Books, 2013. Monsaingeon, Bruno. Sviatoslav Richter: Notebooks and Conversations. Trans. Stewart Spencer.
Princeton, NJ: Princeton University Press, 2001. Morosan, Vladimir, ed. Sergei Rachmaninoff: The Complete Choral Works. Bilingual edition. Madison, CT: Musica Russica, 1994, Series IX. Neely, Jack. “Gay Street’s Wallflower: The Andrew Johnson Hotel.” Knoxville His tory Project, https://knoxvillehistoryproject.org/andrew-johnson-hotel/ . Accessed December 25, 2020. Newmarch, Rosa Harriet. Tchaikovsky: His Life and Work. New York: Greenwood Press, 1969. Nikitin, B.S. Unpublished, untitled article on Rachmaninoff, Ivanovka, and Tambov. Given to author on June 13, 2007. Nikolsky, Y. Liner Notes. Rachmaninoff Plays and Conducts. Vista Vera-00039 (2003), Compact Disc. Noble, Jr., Clifton J. “Rachmaninoff Centennial.” https://www.smith.edu/rachmaninoff/about.php. Accessed June 5, 2022. Nollan, Valeria Z. “Rachmaninoff’s Music and Khomiakov’s Poetry.” In A.S. Kho miakov: Poet, Philosopher, Theologian, edited by Vladimir Tsurikov, 174-95. Jordanville, NY: Holy Trinity Seminary Press, 2004.
368 Selected Bibliography Nollan, Valerie Zarin. “Nollan Plays Rachmaninoff.” Rhodes 10, no. 2 (Spring 2003), 28-32. Rhodes College Digital Archives, https://dlynx.rhodes.edu/jspui/bitstream /10267/7381/l/2003_spring_rhodes_magazine_150_dpi.pdf. Norris, Geoffrey. Rachmaninoff, 2nd ed. New York: Oxford University Press, 2001; First published in 1994. Ormandy, Eugene. Interview with Morris Henken. Philadelphia, PA (1973). Annen berg Rare Book Manuscript Library, University of Pennsylvania. WorldCat record id: 155901926. Ostrom, Natalia. Untitled liner notes. Rachmaninov Plays and Conducts. Vista Vera VVCD-00023 (1999) Vol. 2: 6. Compact Disc. Paperno, Dmitry. Notes of a Moscow Pianist. Portland, OR: Amadeus Press, 1998. Petro, Nicolai N. The Rebirth of Russian Democracy: An Interpretation of Political Culture. Cambridge, MA: Harvard University Press, 1997. Piggott, Patrick. Rachmaninov. London: Faber and Faber, 1978. --------- . Rachmaninov: Orchestral Music. Seattle: University of Washington Press, 1974. Polkinghorne, John, ed. The Work of Love: Creation as Kenosis. Grand Rapids, MI: William B. Eerdmans, 2001. Prokhorov, Vadim. “Oldies and Oddities: Sikorsky’s Piano Man.” Air Space/Smithsonian, November 2002, https://www.smithsonianmag.com/air-space-magazine/ oldies-amp-oddities-sikorskys-piano-man-36005729/. Rachmaninoff Network. “Breaking News: Parliament Canton Lucerne Supports Pur chase Villa Senar,” December 6, 2021. https://rachmaninoff.org/articles/news/199 -breaking-news-parliament-canton-lucerne-supports-purchase-villa-senar. Rachmaninoff, Sergei. “Declaration of
Intention.” January 11, 1939. Rachmaninoff Network: https://www.rachmaninoff.org/articles/archive/147-sergei-rachmaninoff -application-for-american-citizenship-1939. Accessed September 13, 2021. Rachmaninoff, Sergei. Letter to Frank C. Page, April 18, 1922. Section Bl: Cor respondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Ralph Μ. Easley, January 27,1931. Section Bl: Cor respondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. “Rachmaninoff Assails ‘Heartless’ Moderns; Music of Present Must Return to Fundamentals, He Says—‘Color and Rhythm’ Not Enough.” New York Times. February 25, 1932. Rachmaninoff, S.V. “Ten Important Attributes of Beautiful Pianoforte Playing,” The Etude (March 1910). Randall, Don Michael ed. The Harvard Dictionary ofMusic, 4th ed. Cambridge, MA: The Belknap Press of Harvard University Press, 2003. Ray, Brian. Program Notes. Piano recital at Rhodes College. September 22, 2014. Rimm, Robert. The Composer-Pianists: Hamelin and the Eight. Portland, OR: Ama deus Press, 2002. Robinson, Harlow. Russians in Hollywood, Hollywood’s Russians. Lebanon, NH: Northeastern University Press, 2007. Roosevelt, Priscilla. Life on the Russian Country Estate: A Social and Cultural His tory New Haven: Yale University Press, 1995.
Selected Bibliography 369 Rosen, Charles. Piano Notes: The World of the Pianist. New York: The Free Press, 2002. Rosenfeld, Paul. “Rachmaninoff.” The New Republic 18 (March 15, 1919): 208-10. Roy, Basanta Koornar. “Rachmaninoff is Reminiscent.” Musical Observer 26 (May 1927): 16. https://www.pianostreet.com/smf/index.php?topic=17183.0. “Ruth Laredo, 1937-2005: Renowned Performer of Rachmaninoff and Scriabin.” Clavier, July/August 2005. Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge, MA: Cambridge University Press, 2003. Satin, Sophia Vladimirovna. A 20* Century Life: The Memoirs of Sophia Satin. Lon don: The Rachmaninoff Society, 1997. Satina, Sophia. “Conversations with Sophia Vladimirovna Satina about Her Uncle Sergei Vasilyevich Rachmaninoff.” Ed. Harold Tillek. Unpublished memoir. Savikovskaya, Yulia. “Villa Senar: A Magical Place Supported by Rachmaninoff Foundation.” Interview with Ettore F. Volontieri, May 28, 2021. https://www . russianartandculture.com/villa-senar-a-magical-place-supported-by-rachmaninoff -foundation/. Schiff, Stacy. Véra (Mrs. Vladimir Nabokov). New York: Random House, 1999. Schloss, Edwin. Review. Philadelphia Record, November 7, 1936. Schonberg, Harold. The Great Pianists: From Mozart to the Present. New York: Simon Schuster, 1987. Soloviev, Vladimir. The Heart of Reality: Essays on Beauty, Love, and Ethics. Trans. Vladimir Wozniuk. Notre Dame, IN: University of Notre Dame Press, 2003. Soloukhin, Vladimir. A Time to Gather Stones. Translated by Valerie Z. Nollan. Evanston, IL: Northwestern
University Press, 1993. “Dr. Sophia Alexandrovna Satina: 1879-1975.” Find a Grave. https://www.findagrave .com/memorial/104618748/sophia-alexandrovna-satina. Accessed June 20, 2022. Steinberg, Michael. The Concerto: A Listener’s Guide. New York: Oxford University Press, 1998. Stokes, Martin, ed. Ethnicity, Identity, and Music: The Musical Construction of Place. Providence, RI: Berg Publishers, 1994. Sylvester, Richard D. Rachmaninoff’s Complete Songs. Bloomington: Indiana Uni versity Press, 2014. --------- . Tchaikovsky’s Complete Songs. Bloomington: Indiana University Press, 2002. Tarkovsky, Andrey. Sculpting in Time. Translated by Kitty Hunter-Blair. Austin, TX: University of Texas Press, 1987. “Theophany: The Sacramentality of Matter.” Go Forth 17, no. 3 (January 21, 2007). Publication of the Orthodox Church in America. Volkov, Solomon. From Russia to the West: the Musical Memoirs and Reminiscences of Nathan Milstein. Translated by Antonina W. Bouis. New York: Henry Holt, 1990. Voorhees, Sylvia. Letter representing Charles Foley, Inc. Archival work in Annen berg Rare Book and Manuscript Library, University of Pennsylvania.
370 Selected Bibliography --------- . Shostakovich and Stalin: The Extraordinary Relationship between the Great Composer and the Brutal Dictator. New York: Alfred A. Knopf, 2004. Walker, Robert. Rachmaninoff: His Life and Times, 2nd ed. Neptune City, NJ: Paganiniana Publications, Inc., 1981. West, Krista Μ. The Garments of Salvation: Orthodox Christian Liturgical Vesture. Yonkers, NY: St. Vladimir’s Seminary Press, 2013. Wheeler, Nicholas. “Meeting Report: The Russian Influence on American Music.” Washington, DC: Kennan Institute, 2003, XX: 11. Williams, Robert. “The Russian Revolution and the End of Time, 1900-1940.” Jah rbücher für Geschichte Osteuropas 43, no. З (1995): 364-401. Yasser, Joseph. “The Opening Theme of Rachmaninoffs Third Piano Concerto and Its Liturgical Prototype.” The Musical Quarterly LV, no. 3 (July 1969): 313-28. SOURCES IN RUSSIAN (cited according to Library of Congress transliteration system) Apetian, Z.A., ed. N.K. Medtner. Vospominaniia. Stat’i. Materiały. Moscow: Sovetskii kompozitor, 1981. --------- . S. Rakhmaninov. Literaturnoe nasledie. 3 vols. Moscow: Sovetskii kompozi tor, 1978, 1980. --------- . S.V. Rakhmaninov: Pis’ma. Moscow: Gos. muz. izd., 1955. --------- . Vospominaniia о Rakhmaninove. 2 vols., 5th ed. Moscow: Muzyka, 1988. Beschetnova, Alina Iosifovna. Sviatoi Ioann Prigorovskii. Pavlovskaia: Poligrafika, 2018. Chaliapin, F.I. Maska i dusha: Moi sorok let na teatrakh. Moscow: Moskovskii rabochii, 1989. Chinaev, Vladimir. “Stil’ modem i pianism Rakhmaninova.” Muzykal’naia akademiia 2 (1993): 202. Demidov, V.V. “Tak gde zhe rodilsia
Rakhmaninov?” Unpublished article, March 9, 2003. Dmitr’evskaia, E., and V. Dmitr’evskii. Rakhmaninov v Moskve. Moscow: Mos kovskii rabochii, 1993. Dobuzhinskii, M.V., ed. Pamiati Rakhmaninova. New York: Publication of S.A. Satina, 1946. Ermakov, A.I. Sergei Rakhmaninov. įstoki. Ivanovka: Muzei-usad’ba S.V. Rakhmani nova, 2003. Ermakov, A.I., and A.V. Zhogov, comp. Ivanovka: Vremena. Sobytiya. Sud’by. Mos cow: Irina Arkhipova Foundation, 2003. --------- . Znamenskoe: Raxmaninovskie mesta Tambovskoi oblasti Tambov: TOGUP, 2004. Gromyko, A.A. Pamiatnoe. Moscow: Izd. politicheskoi literatury, 1988, 2 vols. Ivanov, Aleksandr. “Istorila moskovskoi konservatorn.” April 20, 2016. http://moscowwalks.ru/2016/04/20/moscow-conservatorium/.
Selected Bibliography 371 Klenov, Viktor. LA. Ilyin: Pro et Contra. Lichnost i tvorchestvo Ivana Ilyina v vospominaniiakh, dokumentakh, i otsenkakh russkikh myslitelei i issledovatelei. Russkii put’ Series. St. Petersburg: Izd. russkogo Khristiianskogo gumanitarnogo instituta, 2004. Klimkova, Μ. A., ed. Tvorchestvo S.V. Rakhmaninova v kontekste mirovoi muzykal’noi kuľtury. Tambov: Izd. Tambovskogo gosudarstvennogo tekhnicheskogo univer siteta, 2003). Kovalyova-Ogorodnova, L.L. Rakhmaninov v Sankt-Peterburge. St. Petersburg: Predpriiatie S.-Peterburgskogo coiuza khudozhnikov, 1997. --------- . Sergei Rakhmaninov: Biografila. Sankt-Peterburg: Vita Nova, 2015. 2 vols. Medvedeva, LA., ed. Novoe о Rakhmaninove. Moscow: Deka-BC, 2006. Nikitin, B.S. Sergei Rakhmaninov: Dve zhizni. Revised and expanded edition. Mos cow: Klassika-XXI, 2008. --------- . Sergei Rakhmaninov: Dve zhizni. Moscow: Znanie, 1993. --------- . Sergei Rakhmaninov. Feodor Shaliapin. Moscow: OTiSS, 1998. Rachmaninoff, Sergei. Letter to Metropolitan Evlogii, January 3, 1929. Section Bl: Correspondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Nikolai Avierino, November 11, 1933. Section Bl: Correspondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Nina Koshetz, July 5, 1919. Section Bl: Correspon dence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rakhmaninov, Ivan Ivanovich, and N. Vasilenko, eds. Istoricheskie svedeniia о rode dvorian Rakhmaninovykh. Kiev: G.T. Korchak-
Novitskii, 1895. Rakhmaninova, N.A. “S.V. Rakhmaninov.” In Vospominaniia о Rakhmaninove, edited by Z.A. Apetian, 5th ed. Vol. II: 292-332. Moscow: Muzyka, 1988. Riesemann, Oskar von, Sergei Rakhmaninov: Vospominaniia zapisannye Oskarom fon Rizemanom. Translated by V.N. Chemberdzhi. Moscow: Raduga, 1992. Originally published in English as Rachmaninoff’s recollections, told to Oskar von Riesemann. London: The Macmillan Company, 1934. Satin, Sophie [S.A. Satina], ed. Pamiati Rakhmaninova. New York: Grenich Printing Corp., 1946. Savenko, S.I. Sergei Ivanovich Taneev. Moscow: Muzyka, 1984. Strel’nikov, B.N. “Iz vospominaniy N.M. Streľ nikova.” Senar.ru, 2006-2022. https:// senar.ru/memoirs/StrelnikovA Vanovskaia, I.N., ed. S.V. Rakhmaninov: Natsionaľnaia pamiať Rossii. Tambov: lulis, 2008. --------- . S.V. Rakhmaninov i Tambovskii krai v aspekte razvitiia regional’noi kul’tury: Materiały dokladov. ІП Rakhmaninovskie chteniia, Nov. 30, 2006. Tam bov: Tambovskoe gosudarstvennoe muzykal’no-pedagogicheskii institut imeni Rakhmaninova, 2007. Vostokova, Natal’ia and Tat’iana Gamazkova. “S.V. Rakhmaninov. Brasovo, Leto 1911.” Muzeinyi listok, Prilozhenie к Rossiiskoi muzykal’noi gazete, 40, no. 4 (November 2003).
372 Selected Bibliography Yasser, I.S. Untitled. In Pamiati Rakhmaninova. S.A. Satina, ed. New York: Grenich Printing Corporation, 1946: 150-75. Zvereva, S.G., ed. Aleksandr Kastal’skii. Stat’i, Materiały, Vospominaniia, Perepiska. Russkaia dukhovnaia muzyka v dokumentakh I materialakh V. Moscow: Znak, 2006. SOURCES IN OTHER LANGUAGES Biesold, Maria, Sergej Rachmaninoff, 1873-1943: Zwischen Moskau und New York: eine Kunstlerbiographie. Weinheim: Beltz/Quadriga, 1991. D’Antoni, Claudio A., Rachmaninov. Personalità e poetica (Roma: Bardi Editore, 2002). --------- . Dinamica rappresentativa del ‘suono-parola’: La “drammaturgia com pressa” delle Romanze di Rachmaninov. Roma: Cromografica, 2009. Guccini, Gerardo. “Spettacolo e visione nella drammaturgia di Arrigo Boito.” Mefistofele. Teatro alla Scala, Program (February 20 - March 18, 1995): 47-48. Poivre D’Arvor, Catherine, Rachmaninoff: la passion au bout des doigts. Monte Carlo: Le Rocher, 1986. Séroff, Victor. Rachmaninoff. Translated by Michel Bourdet-Pleville. Paris: Robert Laffont, 1954.
Index Page numbers followed with “n” refer to endnotes. Albrecht, Konstantin Karlovich, 64 Aleko (Rachmaninoff), 11, 71-72, 82, 129, 166 Aleksandr П, 25, 78, 117, 232 Aleksandr Ш, 25 Aleksandrova, Nadezhda Aleksandrovna, 112 Aleksandrovich, Arkady, 33, 34 All-Night Vigil (Rachmaninoff), 206-8, 219,319, 340 Altani, Ippolit, 84-85 American jazz, 305-6, 319 Antipov, Valentin Ivanovich, 190, 340, 350 Arensky, A. S., 56, 61-63, 68, 69 Arkadievna, Varvara, 146,148,152,15556, 159, 161, 163, 216, 223-26, 266 Arkadievna, Yulia, 33, 35 Artemova, Anna Pavlovna, 264 Asafiev, Boris Vladimirovich, 202 Avierino, Nikolai Konstantinovich, 252, 273 Bagrinovsky, Mikhail, 85 Balakirev, Mily, 60 Bambarger, Bradley, 256-57 baptism, 15 Barclay, Dagmar Rybner, 289 Bazikov, Aleksandr Sergeevich, 277 beauty, 185 Beketova, N. V., 184 The Bells (Rachmaninoff), 209-11, 296-97 “bended” note (jazz), 307 Berdyaev, Nikolai, 181, 228 Berman, Lazar, 250 Bertensson, Sergei, 237, 308, 339 Bird, Robert, 183 Blok, Aleksandr, 35 “The Blue Bird” (Maeterlinck), 178 blues, 306, 307 Blues Scale, 307 Böcklin, Arnold, 209 Bohemian Club, 239, 240 Boito, Arrigo, 87, 92 Bokarov, Viktor, 330 Bolsheviks, 192, 229-32, 234, 274; Revolution of 1917, 4, 119, 127, 129, 167, 208, 227, 232, 290 Bolshoi Theatre, 84, 85 Boris Godunov (Pushkin), 78 Borodin, Aleksandr, 60 Borovsky, Victor, 77, 88, 92 Brandt, Irina Aleksandrovna, 118, 119, 147, 148, 154, 157, 159, 180, 200201, 216, 223 375
376 Index Brandukov, Anatoly, 158, 159, 163 Bullard, Truman, 109, 304 Bunin, Ivan, 130 Butakov, P. L, 17 Butakova, Sofla Aleksandrovna, 15-17, 23, 24, 27, 199, 200 Byzantine-Russian Orthodoxy, 342 Catherine II (the Great), 31 Certificate of the Tambov Meeting of Deputies of the Nobility, 30 Chaliapin, Boris Feodorovich, 217, 325, 326 Chaliapin, Feodor Ivanovich, 77, 82, 84, 85, 125, 130, 164, 166, 173-74, 177, 178, 188, 206, 247, 248, 259, 292, 304, 308, 309, 315, 320; music tour: (to Varazze, 87-93; to Yalta, 86-87); and Rachmaninoff, 76, 78-81, 87-93 Chaplin, Charlie, 308 Chasins, Abram, 185 Chekhov, Anton, 87 Chekhov, Mikhail, 279-80, 321 Chinaev, Vladimir, 257-58 Chopin, Frédéric François, 249; В flat minor Sonata, 249, 258, 324, 331 Chopin Variations (Rachmaninoff), 164, 294 Conius, Boris, 293 Conius, Olga Nikolaevna, 324 conscious counterfeit, 207 contractual agreement, 238 Corelli Variations (Rachmaninoff), 164, 285, 286, 294 The Covetous Knight (Rachmaninoff), 166 creativity, 181-82 The Critical Edition of the Complete Works of Sergei Vasilievich Rachmaninoff (Antipov), 340 Cross, Gustav, 26 Cui, César, 60 culminating point, 180, 247 Dahl, Anton-Luis, 127, 349, 350, 352 Dahl, Elena (Lana), 90, 126-34, 157, 293, 325, 347-52 Dahl, Nikolai, 125-26, 128, 130-33, 348, 350, 353 Dahl family, 126, 130, 350 Danilin, Nikolay, 205-7 Davydov, K. Yu., 26 Defert, Madame, 20 Delius, Frederick, 187 Demiansky, Vladimir Vasilievich, 26-27 Demidov, Valery Vasilievich, 37nl0 Dexter, Benning, 244 Dies irae, 115, 177, 209-10, 226-27, 286, 298, 319 The Divine Comedy (Dante), 90 Donnelly,
Lena, 329 Dostoevsky, Fyodor, 134 ecclesiology, 217 Ellis, Charles, 238 Ellis, George, 184 emigration, 265, 274 Engel, Yury, 85 equal temperament, 174 Ermakov, Aleksander Ivanovich, 134, 145, 263 estate culture, 28 estate of Ivanovka, 51, 67, 98, 99, 224-26 eternal themes, 109 Études-Tableaux (Rachmaninoff), 188, 191-92, 226-27 Farrar, Geraldine, 312 Faust (Goethe), 91, 177-78 Fedotov, Georgy Petrovich, 181, 214, 274 Findeisen, Nikolay Fyodorovich, 115 The Firebird (Stravinsky), 253 Foley, Charles, 238, 310, 312, 315, 323, 328 Francesca da Rimini (Rachmaninoff), 128, 129, 132, 166 Francesca da Rimini (Tchaikovsky), 90 Ganzburg, Grigory, 187-88 Gieseking, Walter, 169, 243, 244
Index Glagolev, Sergei Mikhailovich, 276-77 Glazunov, Aleksandr, 115, 218 Glinka, Mikhail, 174 Goldenweiser, A. B., 141, 297 Golenishchev-Kutuzov, A., 118 Golitsyn, Aleksandr, 325, 326 Greiner, A.V., 291 Gromyko, Andrei, 321 gypsies, 43-44 gypsy women, 44 Harrison, Max, 47, 115, 135,162, 212, 215, 309, 341 Henderson, W. J., 249 Henken, Morris, 295 Herzog, Sigmund, 240 Hirst, Arthur, 323 Hitler, 276, 299, 300, 318-19 Hofmann, Josef, 237, 243, 314 Holcman, Jan, 249 Holy Friday Matins, 213 homosexuality/homosexual, 47, 50, 284 Horowitz, Vladimir, 169, 243, 244, 320 Huth, Andrew, 305 Ilyin, Ivan Aleksandrovich, 274-75 Inferno (Dante), 90 instability, 224-26 Institute of Music Pedagogy, 276, 277 integral approach to art, 186-87 International Phonetic Alphabet (IPA), 341 Isle of the Dead (Rachmaninoff), 166, 186, 209-10 Ivanova, Maria (Marina) Aleksandrovna, 102, 117-21, 148, 158 Jaroff, Serge, 205-6 jazz, 305-7, 319 Kamenka, Boris Abramovich, 236 Kashkin, N. D„ 57 Kastalsky, Aleksandr, 206, 207, 212 kenotic love, 184 Khomiakov, Aleksei Stepanovich, 183 377 Kievan-Pechersk Russian Orthodox chant, 186 Komissarzhevskaia, Vera Fedorovna, 34-35 Koshetz, Nina, 191, 192 Kostina, Aleksandra Gennadievna, 342 Kovaleva-Ogorodnova, Liudmila, 130 Kreisler, Fritz, 237, 238, 285-86, 310, 312, 328 Laciar, Samuel L., 298-99 land decree of October 26, 1917, 227 Laredo, Ruth, 244, 328 La Scala. See Teatro alla Scala Lenin, Vladimir, 228 “Letter to K.S. Stanislavsky” (Rachmaninoff), 178 Leyda, Jay, 237, 339 Lied, 306-7 Liszt, Franz, 34, 42, 61, 63, 66, 69, 191, 245 liturgy, 198, 204 Liturgy of St.
John Chrysostom (Rachmaninoff), 204-5, 212 Lodyzhenskaia, Anna, 90, 102, 111-17, 120, 132, 158 Lodyzhensky, Petr Viktorovich, 111-13 love and orthodox kenosis, 184 Maeterlinck, Maurice, 178 Maksimov, Leonid, 42, 43, 49, 50, 61 Malatesta, Paolo, 90 Mamontov, Savva Ivanovich, 76-78, 82, 84; Private Opera Company, 76-78, 84, 86, 87, 92, 93 Mandrovsky, Nikolay, 276 Manfred (Byron), 78, 105 Martyn, Barrie, 136, 138, 140, 141, 158, 164, 169, 177, 189, 215, 226, 314, 316 McLean, Anne, 239, 285, 286 Medtner, Nikolai Karlovich, 142, 25052, 259, 272, 313, 314, 345 Mefistofele (Boito), 87, 103 Meltzer, Ken, 175 Mikhailovna, Anna, 272
378 Moiseiwitsch, Benno, 327-28 monarchy, 232 Monna Vanna (Rachmaninoff), 129, 166, 178 Morceau de Fantaisie in G minor (Rachmaninoff), 90, 128, 131 Morosan, Vladimir, 203, 208 Morozov, Nikita Semenovich, 88,163, 167, 175, 205, 267, 313 Moscow Art Theatre, 308, 309 Moscow Conservatory, 42, 52, 55-57, 59, 62; curriculum of, 61; Orthodox liturgical music, 63 Moscow Synodal Choir, 202, 203, 206, 208,211-12 Moscow Synodal School, 202, 203, 208 Mussorgsky, Modest, 60 National Civic Federation (NCF), 273 Naumov, Aleksei Aleksandrovich, 90, 350 NCF. See National Civic Federation (NCF) Nemirovich-Danchenko, Vladimir, 71 Nezhdanova, Antonina, 190 Nicholas II, 156, 192, 211, 232, 237 Nikitin, Boris Semenovich, 48, 51, 100, 104, 113, 119, 134, 136, 139, 255, 268, 274, 277, 291, 330, 352 Nikolsky, Y„ 245 Nollan, Alex, 332nll Norris, Geoffrey, 68, 204, 211 Obolensky, 283 О Mother of God, Perpetually Praying (Rachmaninoff), 203, 215 Ormandy, Eugene, 295-96, 317-19 Ornatskaia, Anna Dmitrievna, 20, 26 Orthodox: Christianity, 6, 197-98, 201-2, 209, 213; Church, 197-98, 204, 207, 212, 218, 219; faithful, 202, 213-16; liturgical music, 205, 219; parishioner, 213; piety, 214; religiosity, 214; theology, 213, 217-18 Orthodox Divine Liturgy, 204 Index orthodox kenosis, love and, 184 Orthodox Pascha (Easter), 203^1 Ostrom, Natalia, 269 Ostromyslensky, Ivan, 273 Pabst, Pavel, 64, 146, 153 Paganini, Niccolo, 245 Panteley-Utselitel (Panteley the Healer, Rachmaninoff), 92, 215 Parker, H. T., 240 Pavlovna, Anna, 58 peasant revolt against the Bolshevik regime, 228 Peer Gynt Suite (Grieg), 85 Peter I
(the Great), 31, 60 Petrovna, Elizabeth, 31 Philadelphia Orchestra, 169, 170, 190, 295, 296, 298, 299, 317 Piggott, Patrick, 168, 176 Platonic aesthetics, 185 Plevitskaia, Nadezhda, 316 Poe, Edgar Allan, 210-11 poetry, 181, 183 political turmoil, 224 Pressman, Matvey, 42,43, 45, 50, 61 Příbytková, Zoya, 170 Prokofiev, Sergei, 191, 223, 238, 319 Pushkin, Aleksandr, 28, 50 Putin, Vladimir, 345 Rachmaninoff, Aleksandr Gerasimovich, 32, 33 Rachmaninoff, Alexandre, 8, 127-30, 134-35, 293, 300, 330, 351-52; meetings and conversations with, 347-50 Rachmaninoff, Fyodor levlievich, 31 Rachmaninoff, Gerasim levlievich, 31 Rachmaninoff, Liubov Petrovna (Butakova), 17-26, 35, 41-^12, 156, 159-61, 200, 266-67 Rachmaninoff, Maria Arkadievna, 32-33 Rachmaninoff, Sergei Vasilievich, 7, 55, 56, 58, 60, 61, 82, 84-86, 97-100, 127-30, 134; activities
Index with their corresponding dates (1890s to 1900s), 131-32, 139; aesthetics, 173-93; agony of exile, 256; American critical reviews, 337; American tours, 304; archive, 9-10; aristocratic background, 29; art songs, 306-7, 341; attitude toward performing on stage, 255; baptism, 15; beauty in the classical sense, 185; Beethoven’s ninth symphony, 253; benefit recitals for the Soviet Red Army, 276; biographies of, 339; birth, 13-15; and Brandukov, Anatoly, 158-59; cancer diagnosis, 325-26; Chaliapin, Feodor and, 76, 78-81, 87-93; character of, 157-58; Chopin’s В flat minor Sonata, 249, 258, 324, 331; church practices of family, 200, 201; church-related activities of, 201; clan, 27-32; college and university musicology courses, 340-41; compassion of, 264, 270; composing the set of ten preludes (1903), 165; concerns to support the family, 236; concert in America (1919-1925), 313; Concerto No. 1, 67-70, 132, 318; Concerto No. 2, 70, 126, 128, 140, 142, 158, 187-90, 303, 308, 314, 336; Concerto No. 3, 166-69, 186, 314, 318; Concerto No. 4, 285, 303, 313-16, 318, 319; concert season of 1933-1934, 294; concert tour of the United States, 237-40; conducting of Grieg’s Peer Gynt Suite, 85; content of music courses, 62-63; creative life, 185; critics on, 169-70, 188, 240, 314, 338-39; (Symphony No. 3, 298-99); culminating point, 180; as a dazzling pianist and musician, 244; death and burial service, 326-30; dedication of Opus 38 to Koshetz, Nina, 191; deep intimacy with Skalon, Natalia, 162; depth of personality, 133; donation of money, 219, 270, 319; early musical 379 education,
41-52; as “easygoing agnostic,” 212; emotional world, 136, 138; empathy for others, 265; The Etude interview, 179, 181; European and Russian music, 70; examination grade of “5 plus,” 62; expansive style of playing, 245; failure of the Symphony No. 1, 126, 131, 134; familial lineage, 29, 31; family name Rachmanin, 32; fear of death, 210; final concert tour, 323; financial assistance: (to Avierino, Nikolai, 273; to Fedotov, Georgy, 274; to Ilyin, Ivan Aleksandrovich, 275; to Medtner, Nikolai Karlovich, 272; to Russia, 267-69; to Sikorsky Aircraft Corporation, 270-71; to TAIR publishing house, 271); Folia and Dies irae themes, 286; French and German fluency, 337; gravesite, 328-30; Grieg concerto, 69; gypsy culture, 71-72; historic scholarly publication on music, 340; as humanitarian, 4-5, 263-80; initial impressions of Zverev, Nikolay, 4647; integral approach to art, 186-87; jazz and, 305, 306; and Koshetz, Nina, 191; leaving the Russia, 228, 230, 231, 233, 252, 336; legacy, 335-45; as legendary virtuoso pianist, 243-59; letter of protest, signing the, 30; letter to: (Morozov, Nikita, 167-68,175; Natalia (Tatusha) Skalon, 161-62; Skalon, Liudmila, 77; Skalon, Natalia, 76,104-7, 152,161-62; Slonov, Mikhail Akimovich, 68); love and orthodox kenosis, 184-85; marriage of daughters, 284, 293; memorial plaster statue, 330; meta-authorial position of control, 187-93; meta level of control, 247; missing letters, 10-11; money help to Russian Orthodox church, 271-72; moral and ethical man, 133; music, 3-4, 11; (celebrations, 339; as ocean of
380 Index passion, 187-88; in the West, 336); musical heritage, 26, 32-33, 36; musical influence, 256-57; musical presentation of Russian Paschal bells, 204; musical training/education for, 26-27; musical works, examples of, 70; music education with Zverev, Nikolay, 42—4-5; music study: (with Arensky, Taneev and Siloti, 63; at Moscow Conservatory, 42, 52; at St. Petersburg Conservatory, 26; two majors, piano and special theory, 63, 66; music tour: to Varazze, 87-93; to Yalta, 86-87); New York program for the first concert, 317-18; noble heritage, 29; November 26 concert, 318; October 27, 1901 concerto, 141; opinion on modern music, 192; Orthodox music, 197, 203, 208; Orthodox piety, 197; penniless and jobless conditions, 235-36; performance in the White House, 313; performance style, 250; Piano Sonata No. 1,166, 177; Piano Sonata No. 2,189; poetry and music collaboration, 181, 183; prelude in E flat major, 165; prodigious talents in instrumental and choral, 51; purchase of a house at 610 North Elm Drive, 320; purchasing the land, 287-89; quality and color of the sound, 250; quarrel with Zverev, Nikolay, 47^19, 63,154-55; recording methods, 309-10; rehearsal work, 85; relationship with: (Chaliapin, Feodor, 76,190; Mamontov, Savva Ivanovich, 76; Satina, Natalia Aleksandrovna, 4); religiosity, 197219; romantic style of performance, 257-58; Russianness, 7; Russian Orthodox religiosity, 5; Russian patriotism, 269; sacred choral music, 197, 200, 202-9, 215, 217, 218; and Satina, Natalia Aleksandrovna, 155-56; (dedication of two songs to Satina, 156-57; engagement plan, 153-54;
harmonious relations, 159; marriage, 145-70; memoir, 151-52; opposition to the marriage, 156; wedding trip in Europe, 163, 164); Scandinavian tour, 233-34; self-criticism, 182; sense of stage presence, 247; socio-political status of highest ranks, 32; Sofia’s emotional intimacy with, 148-49; sonata, 176-77; state of depression, 134; Steinberg’s assessment of, 169; studies in Russia and England, 340; support to: (American anti Bolshevik, 272-73; the large extended family of, 266); Symphony No. 1, 106, 111, 114-16, 126, 131, 164, 274; Symphony No. 2, 128, 166, 175-76, 245; Symphony No. 3, 128, 297-99, 305; Tchaikovsky as mentor to, 75; tonal compositions, 252; tone poem, 71; transcendent pianism, 188; twelve songs of Opus 21, 135-39; U.S. citizenship, 322, 333n39; views of monarchy, 232; women in life, 3, 9,158; (Dahl, Elena, 126-33, 135; Ivanova, Maria (Marina) Aleksandrovna, 117-21; Lodyzhenskaia, Anna, 111-17, 120; Skalon, Vera Dmitrievna, 100-111, 120); working method of, 189-90; Youth Symphony of 1891, 175 Rachmaninoff, Tatiana, 151, 165, 201, 239, 285, 292, 293, 299, 300, 319, 323, 324, 329 Rachmaninoff, Vasily Arkadievich, 17-19, 21-23, 25, 30, 33, 35, 41, 71, 154, 161, 216 Rachmaninoff Cycle, 317 Rachmaninoff Foundation, 335 Rachmaninoff Network, 344 “The Raising of Lazarus” (Khomiakov), 183-84 RCA Victor, 306, 310, 318 Red Army, 265, 275, 276, 319
Index Red Cross, 275-76 Red Terror, 228 religious philosophy, 186 Rhapsody on a Theme of Paganini (Rachmaninoff), 164, 245, 285, 286, 294, 295, 299, 305, 318, 336 Richter, Sviatoslav, 191 Riesemann, Oskar von, 44, 46, 48, 288 Rimsky-Korsakov, Nikolay, 52, 60, 69, 108, 117,164 RMS. See Russian Musical Society (RMS) Robinson, Harlow, 278 Romanticism, 184, 257-58 Rosen, Charles, 258-59 Rosenfeld, Paul, 337 Ross, Alex, 259 Rostovtsova, Liudmila, 106, 132 Rubinstein, Anton, 57-61, 64, 158, 304 Rubinstein, Arthur, 243 Rubinstein, Nikolay, 57-61 Rusalka (The mermaid, Dargomyzhsky), 84 Russian: art songs, 107-10; church bells, 198-200; estates, 28-29; monarchy, 30; nobility, 27-31; Orthodox Church, 14; Orthodox religiosity, 28, 200; Paschal bells, 204; prisoners of war (POW), 275-76; religious philosophy, 181; symphony, 297-98 Russian Musical Society (RMS), 52, 57,58 Russia’s imperial heritage, 229 Rybner, Dagmar, 238-39, 266 Sabaneev, L. L., 125 Sackville West, Edward, 337 sacred choral music, 197, 200, 202-8, 215 Safonov, Vasily, 55, 61, 63-67; personality differences between Siloti and, 66 Sakhnovsky, Yury Sergeeevich, 112 Samson, Jim, 245 381 Sanborn, Pitts, 314 Satina, Natalia Aleksandrovna, 4, 9-10, 23, 76, 90, 99, 104, 106-8, 110, 111, 120, 126, 127, 129, 132, 133, 135, 139, 140, 145, 149, 150, 216, 217, 236, 239, 240, 250, 253, 256, 266, 267, 285, 293, 294, 308, 320, 322, 324-26, 328-30, 347-49; characteristics and interests, 146; facing the series of difficult final examinations, 152-53; and Ivanova, Maria (Marina), 148; protectiveness, 147; unstable and turbulent
childhood, 154 Satina, Sofia Aleksandrovna, 1, 8, 10, 33, 112, 139, 147, 199, 200, 233, 266, 292, 326, 330, 344-45; characterization of her husband in memoir, 151; emotional intimacy with Rachmaninoff, 148-49; protection of Rachmaninoff, 150-51; recollection of Trubnikova, Anna, 151; as a scientist, 149-50 Satina, Sophia, 263, 283, 284, 293, 300 Satina, Varvara Arkadievna, 33, 216 Savenko, S. I., 57 Schidlovsky, Nicolas, 344 Schloss, Edwin, 298 Schonberg, Harold, 246, 250, 256 Scriabin, Alexander, 248 self-criticism, 182 Sergei Zharov. See Jaroff, Serge Serkin, Rudolf, 328 Seroff, Victor, 114 Shaginian, Marietta, 189,191, 210, 232, 248, 306 Shchepkina-Kupernik, T. L., 268 Sheffield Festival, 296-97 Sikorsky, Igor, 270-71 Sikorsky Aircraft Corporation, 270 Siloti, Aleksandr Ilyich, 29, 34, 42, 49, 61, 63-67, 69, 84, 163, 164, 229, 233, 244, 245; personality differences between Safonov, Vasily and, 66
382 Index Tarkovsky, Andrei, 210, 229 Tchaikovsky, Petr Ilyich, 50, 52, 57-65, 68-69, 108; death of, 75-76 Teatro alla Scala, 63, 87, 89-93 Teliakovsky, Vladimir, 82, 84 “Ten Important Attributes of Beautiful Pianoforte Playing,” 179 Three Russian Songs (Rachmaninoff), 313-16 Threlfall, Robert, 187, 294 Tillek, Harold, 293 Tiuneev, Boris, 189 Tolbuzin, Sergei Petrovich, 106 Tolstoy, Alexei, 215 Tolstoy, Leo, 114, 173, 182 “To My Children” (Khomiakov), 183-84 Toscanini, Arturo, 87 transcendent pianism, 188 Trio élégiaque (Rachmaninoff), 76 tripartite musical identity, 182 Trubnikova, Anna, 132,151, 154, 200 tsar’s rule, 25 Skalon, Liudmila Dmitrievna, 102, 105, 106, 110, 111 Skalon, Natalia Dmitrievna, 102-7, 110, 111 ; Rachmaninoff’s letter to, 76, 104-7, 152, 161-62 Skalon, Vera Dmitrievna, 10, 100-111, 120, 157 Skavronskaia, Ekaterina, 31 Slonov, Mikhail Akimovich, 67, 68, 112, 117 Smolensky, Stepan, 63 Soloviev, Vladimir, 181, 186 Somov, Evgeny, 133, 266, 294 Sorabji, Kaikhosru Shapurji, 303, 314 Soviet Embassy, 4, 269, 273, 275, 319 Spalding, Charles, 238 Spring (Rachmaninoff), 163 Stanislavsky, Konstantin, 81 Stasov, Vladimir, 56, 78 Stefan IV, 31, 32 Steinberg, Michael, 141, 169 Steinway, Henry Ziegler, 133, 256 St. Nicholas Cathedral, 237 Stokes, Martin, 229 Stokowski, Leopold, 190, 308, 314, 315, 318,319 St. Panteley, 215-16 St. Petersburg Conservatory, 26, 52, 56-60; curriculum of, 61 Stravinsky, Igor, 130, 253 Strelnikov, Nikolay Mikhailovich, 15, 16 St. Sergius Orthodox Theological Institute, 218 subconscious counterfeit, 207, 22Խ25 Svetlanov, Yevgeny, 116
Swartz, Anne, 304 Sylvester, Richard D., 110, 138 Symphonic Dances (Rachmaninoffs), 305, 318-19 Variations on a Theme of Corelli (Rachmaninoff), 164, 285-86, 305 Variations on the Theme of Chopin’s Prelude in C minor (Rachmaninoffs), 164 Vasilievich, Vladimir, 78 Velimirovic, Milos, 212 Vespers service, 219, 220n22 Vigil service, 220n22 Villa Senar, 287-94, 297, 299, 300, 344 Volkonsky, Petr Prince, 283-85. See also Wolkonsky, Petr Prince Volontieri, Ettore F., 287, 289 TAIR publishing house, 285 Tambov Rebellion, 228 Taneyev, Sergei Ivanovich, 56, 61-66, 68, 140-41 Walker, Robert, 297-98 Waller, “Fats”, 306 Walt Disney, 307-8 Western musical education, 61 UK Rachmaninoff Society, 335
Index Whiteman, Paul, 305-6 Wolkonsky, Irina, 151, 165, 201, 238, 271, 280, 283-84, 299, 315, 323, 326, 329-30 Wolkonsky, Petr Prince, 283-85 Wolkonsky, Sophia, 285, 293-94, 299, 330 Wood, Henry Sir, 296-97 World War I, 17,119, 192, 208, 218, 223-25, 235, 237, 265 World War П, 7, 116, 265, 269, 275, 276 383 Yasser, Joseph, 186, 207, 286 Year of Rachmaninoff, 345 Youth Symphony of 1891, 175 Yuzefovich, Igor, 304 Zhukovskaia, Elena, 146, 153, 154 Zverev, Nikolay Sergeevich, 42-45, 49-52, 61, 72, 158; piano teaching, 46; quarrel between Rachmaninoff and, 47-49, 63; Rachmaninoffs impressions of, 46-47; rumor as homosexual, 47; teaching method, 47 |
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Contents Acknowledgments ix 1 Introduction 1 Rachmaninoff’s Origins 13 2 Early Education 41 3 Birth of a Composer-Pianist 55 4 Birth of a Conductor 75 5 The Muses 97 6 Mystery of an Immortal Beloved 125 7 Marriage to Natalia Satina 145 8 Rachmaninoff’s Aesthetics 173 9 Rachmaninoff’s Religiosity 197 10 Transitions 223 11 The Legendary Virtuoso Pianist 243 12 Rachmaninoff as Humanitarian 263 13 Paradise Regained: The Villa Senar 283 14 The Last Bow: Rachmaninoff and America 303 vii
viii Contents Afterword: Rachmaninoff’s Legacy in the Twenty-First Century 335 Appendix I: Twists and Turns of a Mystery 347 Appendix П: List of Works 355 Selected Discography 361 Selected Bibliography 365 Further Reading 373 Index 375 About the Author and Principal Research Colleagues 385
Selected Bibliography SOURCES IN ENGLISH Album Notes. Rachmaninov Symphony no. 1 in D Minor, Op. 13, U.S.S.R. Symphony Orchestra. Conducted by Yevgeny Svetlanov. Recorded by Melodiya. Printed by EMI Records, Great Britain, ASD 2471, 1967. “Anton L Dahl (unknown-1932).” Find A Grave. https://www.findagave.com/memorial/137984530/anton-l-dahl#source . Accessed September 13, 2021. “Anton Luis Dahl: One-Time Pianist to Czar Dies on Los Angeles Street Corner.” The New York Times, November 1,1932,21. https://www.nytimes.com/1932/ll/01 /archives/anton-luis-dahl-onetime-pianist-to-czar-dies-on-los-angeles-street.htmL Bambarger, Bradley. “Sergei Rachmaninoff.” https://www.steinway.com/artists/sergei-rachmaninoff. Accessed August 11, 2021. Barber, Charles F. Lost in the Stars: The Forgotten Musical Life of Alexander Siloti. Lanham, MD: Scarecrow Press, 2002. Bazhanov, Nikolai. Rachmaninov. Translated by Andrew Bromfield. Moscow: Raduga, 1983. Berdyaev, Nicolas. The Russian Revolution. Translated by R.M. French. Ann Arbor, MI: University of Michigan Press, 1961. Originally published by London: Sheed and Ward, 1931. Berdyaev, Nikolai. “Salvation and Creativity.” Translated by Fr. Stephen Janos. Put’ 2 (January 1926): 26—46. Bertensson, Sergei, and Jay Leyda. Sergei Rachmaninoff: A Lifetime in Music. New York: New York University Press, 1956. Reprint, Bloomington, IN: Indiana Uni versity Press, 2001. Bird, The Revd Norman. “Letters: The Misappliance of Science.” The Guard ian, November 18, 2001. https://www.theguardian.com/news/2001/nov/18/letters .theobserver. Borovsky, Victor,
Chaliapin: A Critical Biography. New York: Alfred A. Knopf, 1988. 365
366 Selected Bibliography Bowen, Catherine Drinker. Beloved Friend: The Story of Tchaikowsky and Nadejda von Meek. Mineola, NY: Dover Publications, 1946. Reprint, Westport, CT: Green wood, 1975. Brower, Harriette. “’Beware of the Indifferent Piano Teacher,’ Warns Rachmaninoff.” Musician 30 (February 1925): 11-12. Bullard, Truman. “An Introduction to Russian Music.” In Russia and Western Civili zation: Cultural and Historical Encounters, edited by Russell Bova, 210-38. New York: Routledge, 2003. Campbell, Stuart, ed. Russians on Russian Music: 1880-1917. Cambridge, MA: Cambridge University Press, 2003. Chaplin, Charlie. My Autobiography. New York: Simon Schuster, 1964. Cohen, Steve. “The Stokowski Story: Rachmaninoff.” Audio interview, WHYY-FM, Philadelphia, 1968. https://www.stokowski.org/sitebuilderfiles/stokowski_story _1968_rachmaninoff.mp3. Accessed December 29, 2020. Dexter, Benning. “Rachmaninoff in the Flesh: Two Eyewitness Accounts.” Newslet ter of the Rachmaninoff Society, 2004. Dostoevsky, Fyodor. The Brothers Karamazov. Trans. Constance Garnett. New York: Norton, 1976. Downes, Olin. “Recital is Given by Rachmaninoff; Carnegie Hall is Crowded for Program of the Masters by Pianist in Afternoon.” New York Herald Tribune, November 8, 1942. Evans-Romain, Karen, Helena Goscilo, and Tatiana Smorodinskaya, eds. The Ency clopedia of Contemporary Russian Culture. London: Routledge Ltd., 2007. Fedotov, Georgy. The Russian Religious Mind. New York: Harper, 1960. Gerich, George. “Sergei Jaroff and the Don Cossack Choir.” December 1, 2015.
https://orthochristian.com/88292.html. “The Grand Hall of the Moscow Conservatory.” https://www.mosconsv.rn/museum/ english/bzk.html. Accessed June 14, 2022. Haldey, Olga. Mamontov’s Private Opera: The Search for Modernism in Russian Theatre. Bloomington, IN: Indiana University Press, 2010. Harrison, Max. Rachmaninoff: Life, Works, Recordings. London: Continuum, 2005. Hay lock, Julian. Sergei Rachmaninov. London: Pavilion Books, 1996. Holcman, Jan. “Hidden Treasures of Rachmaninoff.” Saturday Review 41 (August 30, 1958): 31-33. Holmes, John L. Composers on Composers. Westport, CT: Greenwood Press, 1990. Hosking, Geoffrey. The First Socialist Society. Cambridge, MA: Harvard University Press, 1985. Huth, Andrew. “Sergei Rachmaninov: man of steel and gold.” In Rachmaninov: Orchestral Works, conductor Mariss Jansons, St. Petersburg Philhaimonic Orches tra. 6 CD set. France: EMI, 2002, 14. Jakim, Boris and Robert Bird, eds. and trans. On Spiritual Unity: A Slavophile Reader. Hudson, NY: Lindisfarne Books, 1998. “John Chrysostom.” https://orthodoxwiki.org/John_Chrysostom. Accessed July 21, 2021.
Selected Bibliography 367 Johnson, Lawrence B. “Famed pianist left mark on chamber festival.” The Detroit News, May 28, 2005, 2. Klevantseva, Tatyana. “Prominent Russians: Ekaterina Dashkova.” https://russiapedia.rt.com/prominent-russians/history-and-mythology/ekaterina-dashkova/ . Accessed June 14, 2022. Laciar, Samuel L. Review. Public Ledger, November 7, 1936. “Lauter.” Antique Piano Shop, https://antiquepianoshop.com/online-museum/lauter/. Accessed on October 1, 2021. Lazor, Very Reverend Paul. “Introduction.” Holy Friday Matins. Yonkers, NY: St. Vladimir’s Seminary Press, 1980: 5-20. Liebling, Leonard. “Variations.” The Musical Courier 127 (April 5, 1943): 17. Martyn, Barrie, Rachmaninoff: Composer, Pianist, Conductor. Burlington, VT: Ash gate, 2000. Matushevski, Voytek. “Rachmaninoffs Last Tour.” Clavier (March 1993): 20. McAfee, Annalena. “Symphony for a True Survivor.” Evening Standard (March 25, 1993). McCarthy, Jack. “Rachmaninoff’s Philadelphia.” Historical Society of Pennsylvania, March 14, 2017, https://hsp.org/blogs/fondly-pennsylvania/rachmaninoff%E2%80 %99s-philadelphia. McLean, Anne. “Rachmaninoff: The Bohemian.” Studies in Music from the Univer sity of Western Ontario 15 (1995): 95-106. Meltzer, Ken. “Program Notes: Sergei Rachmaninoff, Symphony No. 2 in E Minor, Opus 27.” 2020. https://fwsymphony.org/program-notes/rachmaninoff-sergei-symphony-no-2-in-e-minor-opus-27. Miller, Matthew Lee. The American YMCA and Russian Culture. New York: Lex ington Books, 2013. Monsaingeon, Bruno. Sviatoslav Richter: Notebooks and Conversations. Trans. Stewart Spencer.
Princeton, NJ: Princeton University Press, 2001. Morosan, Vladimir, ed. Sergei Rachmaninoff: The Complete Choral Works. Bilingual edition. Madison, CT: Musica Russica, 1994, Series IX. Neely, Jack. “Gay Street’s Wallflower: The Andrew Johnson Hotel.” Knoxville His tory Project, https://knoxvillehistoryproject.org/andrew-johnson-hotel/ . Accessed December 25, 2020. Newmarch, Rosa Harriet. Tchaikovsky: His Life and Work. New York: Greenwood Press, 1969. Nikitin, B.S. Unpublished, untitled article on Rachmaninoff, Ivanovka, and Tambov. Given to author on June 13, 2007. Nikolsky, Y. Liner Notes. Rachmaninoff Plays and Conducts. Vista Vera-00039 (2003), Compact Disc. Noble, Jr., Clifton J. “Rachmaninoff Centennial.” https://www.smith.edu/rachmaninoff/about.php. Accessed June 5, 2022. Nollan, Valeria Z. “Rachmaninoff’s Music and Khomiakov’s Poetry.” In A.S. Kho miakov: Poet, Philosopher, Theologian, edited by Vladimir Tsurikov, 174-95. Jordanville, NY: Holy Trinity Seminary Press, 2004.
368 Selected Bibliography Nollan, Valerie Zarin. “Nollan Plays Rachmaninoff.” Rhodes 10, no. 2 (Spring 2003), 28-32. Rhodes College Digital Archives, https://dlynx.rhodes.edu/jspui/bitstream /10267/7381/l/2003_spring_rhodes_magazine_150_dpi.pdf. Norris, Geoffrey. Rachmaninoff, 2nd ed. New York: Oxford University Press, 2001; First published in 1994. Ormandy, Eugene. Interview with Morris Henken. Philadelphia, PA (1973). Annen berg Rare Book Manuscript Library, University of Pennsylvania. WorldCat record id: 155901926. Ostrom, Natalia. Untitled liner notes. Rachmaninov Plays and Conducts. Vista Vera VVCD-00023 (1999) Vol. 2: 6. Compact Disc. Paperno, Dmitry. Notes of a Moscow Pianist. Portland, OR: Amadeus Press, 1998. Petro, Nicolai N. The Rebirth of Russian Democracy: An Interpretation of Political Culture. Cambridge, MA: Harvard University Press, 1997. Piggott, Patrick. Rachmaninov. London: Faber and Faber, 1978. --------- . Rachmaninov: Orchestral Music. Seattle: University of Washington Press, 1974. Polkinghorne, John, ed. The Work of Love: Creation as Kenosis. Grand Rapids, MI: William B. Eerdmans, 2001. Prokhorov, Vadim. “Oldies and Oddities: Sikorsky’s Piano Man.” Air Space/Smithsonian, November 2002, https://www.smithsonianmag.com/air-space-magazine/ oldies-amp-oddities-sikorskys-piano-man-36005729/. Rachmaninoff Network. “Breaking News: Parliament Canton Lucerne Supports Pur chase Villa Senar,” December 6, 2021. https://rachmaninoff.org/articles/news/199 -breaking-news-parliament-canton-lucerne-supports-purchase-villa-senar. Rachmaninoff, Sergei. “Declaration of
Intention.” January 11, 1939. Rachmaninoff Network: https://www.rachmaninoff.org/articles/archive/147-sergei-rachmaninoff -application-for-american-citizenship-1939. Accessed September 13, 2021. Rachmaninoff, Sergei. Letter to Frank C. Page, April 18, 1922. Section Bl: Cor respondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Ralph Μ. Easley, January 27,1931. Section Bl: Cor respondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. “Rachmaninoff Assails ‘Heartless’ Moderns; Music of Present Must Return to Fundamentals, He Says—‘Color and Rhythm’ Not Enough.” New York Times. February 25, 1932. Rachmaninoff, S.V. “Ten Important Attributes of Beautiful Pianoforte Playing,” The Etude (March 1910). Randall, Don Michael ed. The Harvard Dictionary ofMusic, 4th ed. Cambridge, MA: The Belknap Press of Harvard University Press, 2003. Ray, Brian. Program Notes. Piano recital at Rhodes College. September 22, 2014. Rimm, Robert. The Composer-Pianists: Hamelin and the Eight. Portland, OR: Ama deus Press, 2002. Robinson, Harlow. Russians in Hollywood, Hollywood’s Russians. Lebanon, NH: Northeastern University Press, 2007. Roosevelt, Priscilla. Life on the Russian Country Estate: A Social and Cultural His tory New Haven: Yale University Press, 1995.
Selected Bibliography 369 Rosen, Charles. Piano Notes: The World of the Pianist. New York: The Free Press, 2002. Rosenfeld, Paul. “Rachmaninoff.” The New Republic 18 (March 15, 1919): 208-10. Roy, Basanta Koornar. “Rachmaninoff is Reminiscent.” Musical Observer 26 (May 1927): 16. https://www.pianostreet.com/smf/index.php?topic=17183.0. “Ruth Laredo, 1937-2005: Renowned Performer of Rachmaninoff and Scriabin.” Clavier, July/August 2005. Samson, Jim. Virtuosity and the Musical Work: The Transcendental Studies of Liszt. Cambridge, MA: Cambridge University Press, 2003. Satin, Sophia Vladimirovna. A 20* Century Life: The Memoirs of Sophia Satin. Lon don: The Rachmaninoff Society, 1997. Satina, Sophia. “Conversations with Sophia Vladimirovna Satina about Her Uncle Sergei Vasilyevich Rachmaninoff.” Ed. Harold Tillek. Unpublished memoir. Savikovskaya, Yulia. “Villa Senar: A Magical Place Supported by Rachmaninoff Foundation.” Interview with Ettore F. Volontieri, May 28, 2021. https://www . russianartandculture.com/villa-senar-a-magical-place-supported-by-rachmaninoff -foundation/. Schiff, Stacy. Véra (Mrs. Vladimir Nabokov). New York: Random House, 1999. Schloss, Edwin. Review. Philadelphia Record, November 7, 1936. Schonberg, Harold. The Great Pianists: From Mozart to the Present. New York: Simon Schuster, 1987. Soloviev, Vladimir. The Heart of Reality: Essays on Beauty, Love, and Ethics. Trans. Vladimir Wozniuk. Notre Dame, IN: University of Notre Dame Press, 2003. Soloukhin, Vladimir. A Time to Gather Stones. Translated by Valerie Z. Nollan. Evanston, IL: Northwestern
University Press, 1993. “Dr. Sophia Alexandrovna Satina: 1879-1975.” Find a Grave. https://www.findagrave .com/memorial/104618748/sophia-alexandrovna-satina. Accessed June 20, 2022. Steinberg, Michael. The Concerto: A Listener’s Guide. New York: Oxford University Press, 1998. Stokes, Martin, ed. Ethnicity, Identity, and Music: The Musical Construction of Place. Providence, RI: Berg Publishers, 1994. Sylvester, Richard D. Rachmaninoff’s Complete Songs. Bloomington: Indiana Uni versity Press, 2014. --------- . Tchaikovsky’s Complete Songs. Bloomington: Indiana University Press, 2002. Tarkovsky, Andrey. Sculpting in Time. Translated by Kitty Hunter-Blair. Austin, TX: University of Texas Press, 1987. “Theophany: The Sacramentality of Matter.” Go Forth 17, no. 3 (January 21, 2007). Publication of the Orthodox Church in America. Volkov, Solomon. From Russia to the West: the Musical Memoirs and Reminiscences of Nathan Milstein. Translated by Antonina W. Bouis. New York: Henry Holt, 1990. Voorhees, Sylvia. Letter representing Charles Foley, Inc. Archival work in Annen berg Rare Book and Manuscript Library, University of Pennsylvania.
370 Selected Bibliography --------- . Shostakovich and Stalin: The Extraordinary Relationship between the Great Composer and the Brutal Dictator. New York: Alfred A. Knopf, 2004. Walker, Robert. Rachmaninoff: His Life and Times, 2nd ed. Neptune City, NJ: Paganiniana Publications, Inc., 1981. West, Krista Μ. The Garments of Salvation: Orthodox Christian Liturgical Vesture. Yonkers, NY: St. Vladimir’s Seminary Press, 2013. Wheeler, Nicholas. “Meeting Report: The Russian Influence on American Music.” Washington, DC: Kennan Institute, 2003, XX: 11. Williams, Robert. “The Russian Revolution and the End of Time, 1900-1940.” Jah rbücher für Geschichte Osteuropas 43, no. З (1995): 364-401. Yasser, Joseph. “The Opening Theme of Rachmaninoffs Third Piano Concerto and Its Liturgical Prototype.” The Musical Quarterly LV, no. 3 (July 1969): 313-28. SOURCES IN RUSSIAN (cited according to Library of Congress transliteration system) Apetian, Z.A., ed. N.K. Medtner. Vospominaniia. Stat’i. Materiały. Moscow: Sovetskii kompozitor, 1981. --------- . S. Rakhmaninov. Literaturnoe nasledie. 3 vols. Moscow: Sovetskii kompozi tor, 1978, 1980. --------- . S.V. Rakhmaninov: Pis’ma. Moscow: Gos. muz. izd., 1955. --------- . Vospominaniia о Rakhmaninove. 2 vols., 5th ed. Moscow: Muzyka, 1988. Beschetnova, Alina Iosifovna. Sviatoi Ioann Prigorovskii. Pavlovskaia: Poligrafika, 2018. Chaliapin, F.I. Maska i dusha: Moi sorok let na teatrakh. Moscow: Moskovskii rabochii, 1989. Chinaev, Vladimir. “Stil’ modem i pianism Rakhmaninova.” Muzykal’naia akademiia 2 (1993): 202. Demidov, V.V. “Tak gde zhe rodilsia
Rakhmaninov?” Unpublished article, March 9, 2003. Dmitr’evskaia, E., and V. Dmitr’evskii. Rakhmaninov v Moskve. Moscow: Mos kovskii rabochii, 1993. Dobuzhinskii, M.V., ed. Pamiati Rakhmaninova. New York: Publication of S.A. Satina, 1946. Ermakov, A.I. Sergei Rakhmaninov. įstoki. Ivanovka: Muzei-usad’ba S.V. Rakhmani nova, 2003. Ermakov, A.I., and A.V. Zhogov, comp. Ivanovka: Vremena. Sobytiya. Sud’by. Mos cow: Irina Arkhipova Foundation, 2003. --------- . Znamenskoe: Raxmaninovskie mesta Tambovskoi oblasti Tambov: TOGUP, 2004. Gromyko, A.A. Pamiatnoe. Moscow: Izd. politicheskoi literatury, 1988, 2 vols. Ivanov, Aleksandr. “Istorila moskovskoi konservatorn.” April 20, 2016. http://moscowwalks.ru/2016/04/20/moscow-conservatorium/.
Selected Bibliography 371 Klenov, Viktor. LA. Ilyin: Pro et Contra. Lichnost i tvorchestvo Ivana Ilyina v vospominaniiakh, dokumentakh, i otsenkakh russkikh myslitelei i issledovatelei. Russkii put’ Series. St. Petersburg: Izd. russkogo Khristiianskogo gumanitarnogo instituta, 2004. Klimkova, Μ. A., ed. Tvorchestvo S.V. Rakhmaninova v kontekste mirovoi muzykal’noi kuľtury. Tambov: Izd. Tambovskogo gosudarstvennogo tekhnicheskogo univer siteta, 2003). Kovalyova-Ogorodnova, L.L. Rakhmaninov v Sankt-Peterburge. St. Petersburg: Predpriiatie S.-Peterburgskogo coiuza khudozhnikov, 1997. --------- . Sergei Rakhmaninov: Biografila. Sankt-Peterburg: Vita Nova, 2015. 2 vols. Medvedeva, LA., ed. Novoe о Rakhmaninove. Moscow: Deka-BC, 2006. Nikitin, B.S. Sergei Rakhmaninov: Dve zhizni. Revised and expanded edition. Mos cow: Klassika-XXI, 2008. --------- . Sergei Rakhmaninov: Dve zhizni. Moscow: Znanie, 1993. --------- . Sergei Rakhmaninov. Feodor Shaliapin. Moscow: OTiSS, 1998. Rachmaninoff, Sergei. Letter to Metropolitan Evlogii, January 3, 1929. Section Bl: Correspondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Nikolai Avierino, November 11, 1933. Section Bl: Correspondence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rachmaninoff, Sergei. Letter to Nina Koshetz, July 5, 1919. Section Bl: Correspon dence of Sergei Rachmaninoff, “A,” Music Division, Library of Congress. Rakhmaninov, Ivan Ivanovich, and N. Vasilenko, eds. Istoricheskie svedeniia о rode dvorian Rakhmaninovykh. Kiev: G.T. Korchak-
Novitskii, 1895. Rakhmaninova, N.A. “S.V. Rakhmaninov.” In Vospominaniia о Rakhmaninove, edited by Z.A. Apetian, 5th ed. Vol. II: 292-332. Moscow: Muzyka, 1988. Riesemann, Oskar von, Sergei Rakhmaninov: Vospominaniia zapisannye Oskarom fon Rizemanom. Translated by V.N. Chemberdzhi. Moscow: Raduga, 1992. Originally published in English as Rachmaninoff’s recollections, told to Oskar von Riesemann. London: The Macmillan Company, 1934. Satin, Sophie [S.A. Satina], ed. Pamiati Rakhmaninova. New York: Grenich Printing Corp., 1946. Savenko, S.I. Sergei Ivanovich Taneev. Moscow: Muzyka, 1984. Strel’nikov, B.N. “Iz vospominaniy N.M. Streľ nikova.” Senar.ru, 2006-2022. https:// senar.ru/memoirs/StrelnikovA Vanovskaia, I.N., ed. S.V. Rakhmaninov: Natsionaľnaia pamiať Rossii. Tambov: lulis, 2008. --------- . S.V. Rakhmaninov i Tambovskii krai v aspekte razvitiia regional’noi kul’tury: Materiały dokladov. ІП Rakhmaninovskie chteniia, Nov. 30, 2006. Tam bov: Tambovskoe gosudarstvennoe muzykal’no-pedagogicheskii institut imeni Rakhmaninova, 2007. Vostokova, Natal’ia and Tat’iana Gamazkova. “S.V. Rakhmaninov. Brasovo, Leto 1911.” Muzeinyi listok, Prilozhenie к Rossiiskoi muzykal’noi gazete, 40, no. 4 (November 2003).
372 Selected Bibliography Yasser, I.S. Untitled. In Pamiati Rakhmaninova. S.A. Satina, ed. New York: Grenich Printing Corporation, 1946: 150-75. Zvereva, S.G., ed. Aleksandr Kastal’skii. Stat’i, Materiały, Vospominaniia, Perepiska. Russkaia dukhovnaia muzyka v dokumentakh I materialakh V. Moscow: Znak, 2006. SOURCES IN OTHER LANGUAGES Biesold, Maria, Sergej Rachmaninoff, 1873-1943: Zwischen Moskau und New York: eine Kunstlerbiographie. Weinheim: Beltz/Quadriga, 1991. D’Antoni, Claudio A., Rachmaninov. Personalità e poetica (Roma: Bardi Editore, 2002). --------- . Dinamica rappresentativa del ‘suono-parola’: La “drammaturgia com pressa” delle Romanze di Rachmaninov. Roma: Cromografica, 2009. Guccini, Gerardo. “Spettacolo e visione nella drammaturgia di Arrigo Boito.” Mefistofele. Teatro alla Scala, Program (February 20 - March 18, 1995): 47-48. Poivre D’Arvor, Catherine, Rachmaninoff: la passion au bout des doigts. Monte Carlo: Le Rocher, 1986. Séroff, Victor. Rachmaninoff. Translated by Michel Bourdet-Pleville. Paris: Robert Laffont, 1954.
Index Page numbers followed with “n” refer to endnotes. Albrecht, Konstantin Karlovich, 64 Aleko (Rachmaninoff), 11, 71-72, 82, 129, 166 Aleksandr П, 25, 78, 117, 232 Aleksandr Ш, 25 Aleksandrova, Nadezhda Aleksandrovna, 112 Aleksandrovich, Arkady, 33, 34 All-Night Vigil (Rachmaninoff), 206-8, 219,319, 340 Altani, Ippolit, 84-85 American jazz, 305-6, 319 Antipov, Valentin Ivanovich, 190, 340, 350 Arensky, A. S., 56, 61-63, 68, 69 Arkadievna, Varvara, 146,148,152,15556, 159, 161, 163, 216, 223-26, 266 Arkadievna, Yulia, 33, 35 Artemova, Anna Pavlovna, 264 Asafiev, Boris Vladimirovich, 202 Avierino, Nikolai Konstantinovich, 252, 273 Bagrinovsky, Mikhail, 85 Balakirev, Mily, 60 Bambarger, Bradley, 256-57 baptism, 15 Barclay, Dagmar Rybner, 289 Bazikov, Aleksandr Sergeevich, 277 beauty, 185 Beketova, N. V., 184 The Bells (Rachmaninoff), 209-11, 296-97 “bended” note (jazz), 307 Berdyaev, Nikolai, 181, 228 Berman, Lazar, 250 Bertensson, Sergei, 237, 308, 339 Bird, Robert, 183 Blok, Aleksandr, 35 “The Blue Bird” (Maeterlinck), 178 blues, 306, 307 Blues Scale, 307 Böcklin, Arnold, 209 Bohemian Club, 239, 240 Boito, Arrigo, 87, 92 Bokarov, Viktor, 330 Bolsheviks, 192, 229-32, 234, 274; Revolution of 1917, 4, 119, 127, 129, 167, 208, 227, 232, 290 Bolshoi Theatre, 84, 85 Boris Godunov (Pushkin), 78 Borodin, Aleksandr, 60 Borovsky, Victor, 77, 88, 92 Brandt, Irina Aleksandrovna, 118, 119, 147, 148, 154, 157, 159, 180, 200201, 216, 223 375
376 Index Brandukov, Anatoly, 158, 159, 163 Bullard, Truman, 109, 304 Bunin, Ivan, 130 Butakov, P. L, 17 Butakova, Sofla Aleksandrovna, 15-17, 23, 24, 27, 199, 200 Byzantine-Russian Orthodoxy, 342 Catherine II (the Great), 31 Certificate of the Tambov Meeting of Deputies of the Nobility, 30 Chaliapin, Boris Feodorovich, 217, 325, 326 Chaliapin, Feodor Ivanovich, 77, 82, 84, 85, 125, 130, 164, 166, 173-74, 177, 178, 188, 206, 247, 248, 259, 292, 304, 308, 309, 315, 320; music tour: (to Varazze, 87-93; to Yalta, 86-87); and Rachmaninoff, 76, 78-81, 87-93 Chaplin, Charlie, 308 Chasins, Abram, 185 Chekhov, Anton, 87 Chekhov, Mikhail, 279-80, 321 Chinaev, Vladimir, 257-58 Chopin, Frédéric François, 249; В flat minor Sonata, 249, 258, 324, 331 Chopin Variations (Rachmaninoff), 164, 294 Conius, Boris, 293 Conius, Olga Nikolaevna, 324 conscious counterfeit, 207 contractual agreement, 238 Corelli Variations (Rachmaninoff), 164, 285, 286, 294 The Covetous Knight (Rachmaninoff), 166 creativity, 181-82 The Critical Edition of the Complete Works of Sergei Vasilievich Rachmaninoff (Antipov), 340 Cross, Gustav, 26 Cui, César, 60 culminating point, 180, 247 Dahl, Anton-Luis, 127, 349, 350, 352 Dahl, Elena (Lana), 90, 126-34, 157, 293, 325, 347-52 Dahl, Nikolai, 125-26, 128, 130-33, 348, 350, 353 Dahl family, 126, 130, 350 Danilin, Nikolay, 205-7 Davydov, K. Yu., 26 Defert, Madame, 20 Delius, Frederick, 187 Demiansky, Vladimir Vasilievich, 26-27 Demidov, Valery Vasilievich, 37nl0 Dexter, Benning, 244 Dies irae, 115, 177, 209-10, 226-27, 286, 298, 319 The Divine Comedy (Dante), 90 Donnelly,
Lena, 329 Dostoevsky, Fyodor, 134 ecclesiology, 217 Ellis, Charles, 238 Ellis, George, 184 emigration, 265, 274 Engel, Yury, 85 equal temperament, 174 Ermakov, Aleksander Ivanovich, 134, 145, 263 estate culture, 28 estate of Ivanovka, 51, 67, 98, 99, 224-26 eternal themes, 109 Études-Tableaux (Rachmaninoff), 188, 191-92, 226-27 Farrar, Geraldine, 312 Faust (Goethe), 91, 177-78 Fedotov, Georgy Petrovich, 181, 214, 274 Findeisen, Nikolay Fyodorovich, 115 The Firebird (Stravinsky), 253 Foley, Charles, 238, 310, 312, 315, 323, 328 Francesca da Rimini (Rachmaninoff), 128, 129, 132, 166 Francesca da Rimini (Tchaikovsky), 90 Ganzburg, Grigory, 187-88 Gieseking, Walter, 169, 243, 244
Index Glagolev, Sergei Mikhailovich, 276-77 Glazunov, Aleksandr, 115, 218 Glinka, Mikhail, 174 Goldenweiser, A. B., 141, 297 Golenishchev-Kutuzov, A., 118 Golitsyn, Aleksandr, 325, 326 Greiner, A.V., 291 Gromyko, Andrei, 321 gypsies, 43-44 gypsy women, 44 Harrison, Max, 47, 115, 135,162, 212, 215, 309, 341 Henderson, W. J., 249 Henken, Morris, 295 Herzog, Sigmund, 240 Hirst, Arthur, 323 Hitler, 276, 299, 300, 318-19 Hofmann, Josef, 237, 243, 314 Holcman, Jan, 249 Holy Friday Matins, 213 homosexuality/homosexual, 47, 50, 284 Horowitz, Vladimir, 169, 243, 244, 320 Huth, Andrew, 305 Ilyin, Ivan Aleksandrovich, 274-75 Inferno (Dante), 90 instability, 224-26 Institute of Music Pedagogy, 276, 277 integral approach to art, 186-87 International Phonetic Alphabet (IPA), 341 Isle of the Dead (Rachmaninoff), 166, 186, 209-10 Ivanova, Maria (Marina) Aleksandrovna, 102, 117-21, 148, 158 Jaroff, Serge, 205-6 jazz, 305-7, 319 Kamenka, Boris Abramovich, 236 Kashkin, N. D„ 57 Kastalsky, Aleksandr, 206, 207, 212 kenotic love, 184 Khomiakov, Aleksei Stepanovich, 183 377 Kievan-Pechersk Russian Orthodox chant, 186 Komissarzhevskaia, Vera Fedorovna, 34-35 Koshetz, Nina, 191, 192 Kostina, Aleksandra Gennadievna, 342 Kovaleva-Ogorodnova, Liudmila, 130 Kreisler, Fritz, 237, 238, 285-86, 310, 312, 328 Laciar, Samuel L., 298-99 land decree of October 26, 1917, 227 Laredo, Ruth, 244, 328 La Scala. See Teatro alla Scala Lenin, Vladimir, 228 “Letter to K.S. Stanislavsky” (Rachmaninoff), 178 Leyda, Jay, 237, 339 Lied, 306-7 Liszt, Franz, 34, 42, 61, 63, 66, 69, 191, 245 liturgy, 198, 204 Liturgy of St.
John Chrysostom (Rachmaninoff), 204-5, 212 Lodyzhenskaia, Anna, 90, 102, 111-17, 120, 132, 158 Lodyzhensky, Petr Viktorovich, 111-13 love and orthodox kenosis, 184 Maeterlinck, Maurice, 178 Maksimov, Leonid, 42, 43, 49, 50, 61 Malatesta, Paolo, 90 Mamontov, Savva Ivanovich, 76-78, 82, 84; Private Opera Company, 76-78, 84, 86, 87, 92, 93 Mandrovsky, Nikolay, 276 Manfred (Byron), 78, 105 Martyn, Barrie, 136, 138, 140, 141, 158, 164, 169, 177, 189, 215, 226, 314, 316 McLean, Anne, 239, 285, 286 Medtner, Nikolai Karlovich, 142, 25052, 259, 272, 313, 314, 345 Mefistofele (Boito), 87, 103 Meltzer, Ken, 175 Mikhailovna, Anna, 272
378 Moiseiwitsch, Benno, 327-28 monarchy, 232 Monna Vanna (Rachmaninoff), 129, 166, 178 Morceau de Fantaisie in G minor (Rachmaninoff), 90, 128, 131 Morosan, Vladimir, 203, 208 Morozov, Nikita Semenovich, 88,163, 167, 175, 205, 267, 313 Moscow Art Theatre, 308, 309 Moscow Conservatory, 42, 52, 55-57, 59, 62; curriculum of, 61; Orthodox liturgical music, 63 Moscow Synodal Choir, 202, 203, 206, 208,211-12 Moscow Synodal School, 202, 203, 208 Mussorgsky, Modest, 60 National Civic Federation (NCF), 273 Naumov, Aleksei Aleksandrovich, 90, 350 NCF. See National Civic Federation (NCF) Nemirovich-Danchenko, Vladimir, 71 Nezhdanova, Antonina, 190 Nicholas II, 156, 192, 211, 232, 237 Nikitin, Boris Semenovich, 48, 51, 100, 104, 113, 119, 134, 136, 139, 255, 268, 274, 277, 291, 330, 352 Nikolsky, Y„ 245 Nollan, Alex, 332nll Norris, Geoffrey, 68, 204, 211 Obolensky, 283 О Mother of God, Perpetually Praying (Rachmaninoff), 203, 215 Ormandy, Eugene, 295-96, 317-19 Ornatskaia, Anna Dmitrievna, 20, 26 Orthodox: Christianity, 6, 197-98, 201-2, 209, 213; Church, 197-98, 204, 207, 212, 218, 219; faithful, 202, 213-16; liturgical music, 205, 219; parishioner, 213; piety, 214; religiosity, 214; theology, 213, 217-18 Orthodox Divine Liturgy, 204 Index orthodox kenosis, love and, 184 Orthodox Pascha (Easter), 203^1 Ostrom, Natalia, 269 Ostromyslensky, Ivan, 273 Pabst, Pavel, 64, 146, 153 Paganini, Niccolo, 245 Panteley-Utselitel (Panteley the Healer, Rachmaninoff), 92, 215 Parker, H. T., 240 Pavlovna, Anna, 58 peasant revolt against the Bolshevik regime, 228 Peer Gynt Suite (Grieg), 85 Peter I
(the Great), 31, 60 Petrovna, Elizabeth, 31 Philadelphia Orchestra, 169, 170, 190, 295, 296, 298, 299, 317 Piggott, Patrick, 168, 176 Platonic aesthetics, 185 Plevitskaia, Nadezhda, 316 Poe, Edgar Allan, 210-11 poetry, 181, 183 political turmoil, 224 Pressman, Matvey, 42,43, 45, 50, 61 Příbytková, Zoya, 170 Prokofiev, Sergei, 191, 223, 238, 319 Pushkin, Aleksandr, 28, 50 Putin, Vladimir, 345 Rachmaninoff, Aleksandr Gerasimovich, 32, 33 Rachmaninoff, Alexandre, 8, 127-30, 134-35, 293, 300, 330, 351-52; meetings and conversations with, 347-50 Rachmaninoff, Fyodor levlievich, 31 Rachmaninoff, Gerasim levlievich, 31 Rachmaninoff, Liubov Petrovna (Butakova), 17-26, 35, 41-^12, 156, 159-61, 200, 266-67 Rachmaninoff, Maria Arkadievna, 32-33 Rachmaninoff, Sergei Vasilievich, 7, 55, 56, 58, 60, 61, 82, 84-86, 97-100, 127-30, 134; activities
Index with their corresponding dates (1890s to 1900s), 131-32, 139; aesthetics, 173-93; agony of exile, 256; American critical reviews, 337; American tours, 304; archive, 9-10; aristocratic background, 29; art songs, 306-7, 341; attitude toward performing on stage, 255; baptism, 15; beauty in the classical sense, 185; Beethoven’s ninth symphony, 253; benefit recitals for the Soviet Red Army, 276; biographies of, 339; birth, 13-15; and Brandukov, Anatoly, 158-59; cancer diagnosis, 325-26; Chaliapin, Feodor and, 76, 78-81, 87-93; character of, 157-58; Chopin’s В flat minor Sonata, 249, 258, 324, 331; church practices of family, 200, 201; church-related activities of, 201; clan, 27-32; college and university musicology courses, 340-41; compassion of, 264, 270; composing the set of ten preludes (1903), 165; concerns to support the family, 236; concert in America (1919-1925), 313; Concerto No. 1, 67-70, 132, 318; Concerto No. 2, 70, 126, 128, 140, 142, 158, 187-90, 303, 308, 314, 336; Concerto No. 3, 166-69, 186, 314, 318; Concerto No. 4, 285, 303, 313-16, 318, 319; concert season of 1933-1934, 294; concert tour of the United States, 237-40; conducting of Grieg’s Peer Gynt Suite, 85; content of music courses, 62-63; creative life, 185; critics on, 169-70, 188, 240, 314, 338-39; (Symphony No. 3, 298-99); culminating point, 180; as a dazzling pianist and musician, 244; death and burial service, 326-30; dedication of Opus 38 to Koshetz, Nina, 191; deep intimacy with Skalon, Natalia, 162; depth of personality, 133; donation of money, 219, 270, 319; early musical 379 education,
41-52; as “easygoing agnostic,” 212; emotional world, 136, 138; empathy for others, 265; The Etude interview, 179, 181; European and Russian music, 70; examination grade of “5 plus,” 62; expansive style of playing, 245; failure of the Symphony No. 1, 126, 131, 134; familial lineage, 29, 31; family name Rachmanin, 32; fear of death, 210; final concert tour, 323; financial assistance: (to Avierino, Nikolai, 273; to Fedotov, Georgy, 274; to Ilyin, Ivan Aleksandrovich, 275; to Medtner, Nikolai Karlovich, 272; to Russia, 267-69; to Sikorsky Aircraft Corporation, 270-71; to TAIR publishing house, 271); Folia and Dies irae themes, 286; French and German fluency, 337; gravesite, 328-30; Grieg concerto, 69; gypsy culture, 71-72; historic scholarly publication on music, 340; as humanitarian, 4-5, 263-80; initial impressions of Zverev, Nikolay, 4647; integral approach to art, 186-87; jazz and, 305, 306; and Koshetz, Nina, 191; leaving the Russia, 228, 230, 231, 233, 252, 336; legacy, 335-45; as legendary virtuoso pianist, 243-59; letter of protest, signing the, 30; letter to: (Morozov, Nikita, 167-68,175; Natalia (Tatusha) Skalon, 161-62; Skalon, Liudmila, 77; Skalon, Natalia, 76,104-7, 152,161-62; Slonov, Mikhail Akimovich, 68); love and orthodox kenosis, 184-85; marriage of daughters, 284, 293; memorial plaster statue, 330; meta-authorial position of control, 187-93; meta level of control, 247; missing letters, 10-11; money help to Russian Orthodox church, 271-72; moral and ethical man, 133; music, 3-4, 11; (celebrations, 339; as ocean of
380 Index passion, 187-88; in the West, 336); musical heritage, 26, 32-33, 36; musical influence, 256-57; musical presentation of Russian Paschal bells, 204; musical training/education for, 26-27; musical works, examples of, 70; music education with Zverev, Nikolay, 42—4-5; music study: (with Arensky, Taneev and Siloti, 63; at Moscow Conservatory, 42, 52; at St. Petersburg Conservatory, 26; two majors, piano and special theory, 63, 66; music tour: to Varazze, 87-93; to Yalta, 86-87); New York program for the first concert, 317-18; noble heritage, 29; November 26 concert, 318; October 27, 1901 concerto, 141; opinion on modern music, 192; Orthodox music, 197, 203, 208; Orthodox piety, 197; penniless and jobless conditions, 235-36; performance in the White House, 313; performance style, 250; Piano Sonata No. 1,166, 177; Piano Sonata No. 2,189; poetry and music collaboration, 181, 183; prelude in E flat major, 165; prodigious talents in instrumental and choral, 51; purchase of a house at 610 North Elm Drive, 320; purchasing the land, 287-89; quality and color of the sound, 250; quarrel with Zverev, Nikolay, 47^19, 63,154-55; recording methods, 309-10; rehearsal work, 85; relationship with: (Chaliapin, Feodor, 76,190; Mamontov, Savva Ivanovich, 76; Satina, Natalia Aleksandrovna, 4); religiosity, 197219; romantic style of performance, 257-58; Russianness, 7; Russian Orthodox religiosity, 5; Russian patriotism, 269; sacred choral music, 197, 200, 202-9, 215, 217, 218; and Satina, Natalia Aleksandrovna, 155-56; (dedication of two songs to Satina, 156-57; engagement plan, 153-54;
harmonious relations, 159; marriage, 145-70; memoir, 151-52; opposition to the marriage, 156; wedding trip in Europe, 163, 164); Scandinavian tour, 233-34; self-criticism, 182; sense of stage presence, 247; socio-political status of highest ranks, 32; Sofia’s emotional intimacy with, 148-49; sonata, 176-77; state of depression, 134; Steinberg’s assessment of, 169; studies in Russia and England, 340; support to: (American anti Bolshevik, 272-73; the large extended family of, 266); Symphony No. 1, 106, 111, 114-16, 126, 131, 164, 274; Symphony No. 2, 128, 166, 175-76, 245; Symphony No. 3, 128, 297-99, 305; Tchaikovsky as mentor to, 75; tonal compositions, 252; tone poem, 71; transcendent pianism, 188; twelve songs of Opus 21, 135-39; U.S. citizenship, 322, 333n39; views of monarchy, 232; women in life, 3, 9,158; (Dahl, Elena, 126-33, 135; Ivanova, Maria (Marina) Aleksandrovna, 117-21; Lodyzhenskaia, Anna, 111-17, 120; Skalon, Vera Dmitrievna, 100-111, 120); working method of, 189-90; Youth Symphony of 1891, 175 Rachmaninoff, Tatiana, 151, 165, 201, 239, 285, 292, 293, 299, 300, 319, 323, 324, 329 Rachmaninoff, Vasily Arkadievich, 17-19, 21-23, 25, 30, 33, 35, 41, 71, 154, 161, 216 Rachmaninoff Cycle, 317 Rachmaninoff Foundation, 335 Rachmaninoff Network, 344 “The Raising of Lazarus” (Khomiakov), 183-84 RCA Victor, 306, 310, 318 Red Army, 265, 275, 276, 319
Index Red Cross, 275-76 Red Terror, 228 religious philosophy, 186 Rhapsody on a Theme of Paganini (Rachmaninoff), 164, 245, 285, 286, 294, 295, 299, 305, 318, 336 Richter, Sviatoslav, 191 Riesemann, Oskar von, 44, 46, 48, 288 Rimsky-Korsakov, Nikolay, 52, 60, 69, 108, 117,164 RMS. See Russian Musical Society (RMS) Robinson, Harlow, 278 Romanticism, 184, 257-58 Rosen, Charles, 258-59 Rosenfeld, Paul, 337 Ross, Alex, 259 Rostovtsova, Liudmila, 106, 132 Rubinstein, Anton, 57-61, 64, 158, 304 Rubinstein, Arthur, 243 Rubinstein, Nikolay, 57-61 Rusalka (The mermaid, Dargomyzhsky), 84 Russian: art songs, 107-10; church bells, 198-200; estates, 28-29; monarchy, 30; nobility, 27-31; Orthodox Church, 14; Orthodox religiosity, 28, 200; Paschal bells, 204; prisoners of war (POW), 275-76; religious philosophy, 181; symphony, 297-98 Russian Musical Society (RMS), 52, 57,58 Russia’s imperial heritage, 229 Rybner, Dagmar, 238-39, 266 Sabaneev, L. L., 125 Sackville West, Edward, 337 sacred choral music, 197, 200, 202-8, 215 Safonov, Vasily, 55, 61, 63-67; personality differences between Siloti and, 66 Sakhnovsky, Yury Sergeeevich, 112 Samson, Jim, 245 381 Sanborn, Pitts, 314 Satina, Natalia Aleksandrovna, 4, 9-10, 23, 76, 90, 99, 104, 106-8, 110, 111, 120, 126, 127, 129, 132, 133, 135, 139, 140, 145, 149, 150, 216, 217, 236, 239, 240, 250, 253, 256, 266, 267, 285, 293, 294, 308, 320, 322, 324-26, 328-30, 347-49; characteristics and interests, 146; facing the series of difficult final examinations, 152-53; and Ivanova, Maria (Marina), 148; protectiveness, 147; unstable and turbulent
childhood, 154 Satina, Sofia Aleksandrovna, 1, 8, 10, 33, 112, 139, 147, 199, 200, 233, 266, 292, 326, 330, 344-45; characterization of her husband in memoir, 151; emotional intimacy with Rachmaninoff, 148-49; protection of Rachmaninoff, 150-51; recollection of Trubnikova, Anna, 151; as a scientist, 149-50 Satina, Sophia, 263, 283, 284, 293, 300 Satina, Varvara Arkadievna, 33, 216 Savenko, S. I., 57 Schidlovsky, Nicolas, 344 Schloss, Edwin, 298 Schonberg, Harold, 246, 250, 256 Scriabin, Alexander, 248 self-criticism, 182 Sergei Zharov. See Jaroff, Serge Serkin, Rudolf, 328 Seroff, Victor, 114 Shaginian, Marietta, 189,191, 210, 232, 248, 306 Shchepkina-Kupernik, T. L., 268 Sheffield Festival, 296-97 Sikorsky, Igor, 270-71 Sikorsky Aircraft Corporation, 270 Siloti, Aleksandr Ilyich, 29, 34, 42, 49, 61, 63-67, 69, 84, 163, 164, 229, 233, 244, 245; personality differences between Safonov, Vasily and, 66
382 Index Tarkovsky, Andrei, 210, 229 Tchaikovsky, Petr Ilyich, 50, 52, 57-65, 68-69, 108; death of, 75-76 Teatro alla Scala, 63, 87, 89-93 Teliakovsky, Vladimir, 82, 84 “Ten Important Attributes of Beautiful Pianoforte Playing,” 179 Three Russian Songs (Rachmaninoff), 313-16 Threlfall, Robert, 187, 294 Tillek, Harold, 293 Tiuneev, Boris, 189 Tolbuzin, Sergei Petrovich, 106 Tolstoy, Alexei, 215 Tolstoy, Leo, 114, 173, 182 “To My Children” (Khomiakov), 183-84 Toscanini, Arturo, 87 transcendent pianism, 188 Trio élégiaque (Rachmaninoff), 76 tripartite musical identity, 182 Trubnikova, Anna, 132,151, 154, 200 tsar’s rule, 25 Skalon, Liudmila Dmitrievna, 102, 105, 106, 110, 111 Skalon, Natalia Dmitrievna, 102-7, 110, 111 ; Rachmaninoff’s letter to, 76, 104-7, 152, 161-62 Skalon, Vera Dmitrievna, 10, 100-111, 120, 157 Skavronskaia, Ekaterina, 31 Slonov, Mikhail Akimovich, 67, 68, 112, 117 Smolensky, Stepan, 63 Soloviev, Vladimir, 181, 186 Somov, Evgeny, 133, 266, 294 Sorabji, Kaikhosru Shapurji, 303, 314 Soviet Embassy, 4, 269, 273, 275, 319 Spalding, Charles, 238 Spring (Rachmaninoff), 163 Stanislavsky, Konstantin, 81 Stasov, Vladimir, 56, 78 Stefan IV, 31, 32 Steinberg, Michael, 141, 169 Steinway, Henry Ziegler, 133, 256 St. Nicholas Cathedral, 237 Stokes, Martin, 229 Stokowski, Leopold, 190, 308, 314, 315, 318,319 St. Panteley, 215-16 St. Petersburg Conservatory, 26, 52, 56-60; curriculum of, 61 Stravinsky, Igor, 130, 253 Strelnikov, Nikolay Mikhailovich, 15, 16 St. Sergius Orthodox Theological Institute, 218 subconscious counterfeit, 207, 22Խ25 Svetlanov, Yevgeny, 116
Swartz, Anne, 304 Sylvester, Richard D., 110, 138 Symphonic Dances (Rachmaninoffs), 305, 318-19 Variations on a Theme of Corelli (Rachmaninoff), 164, 285-86, 305 Variations on the Theme of Chopin’s Prelude in C minor (Rachmaninoffs), 164 Vasilievich, Vladimir, 78 Velimirovic, Milos, 212 Vespers service, 219, 220n22 Vigil service, 220n22 Villa Senar, 287-94, 297, 299, 300, 344 Volkonsky, Petr Prince, 283-85. See also Wolkonsky, Petr Prince Volontieri, Ettore F., 287, 289 TAIR publishing house, 285 Tambov Rebellion, 228 Taneyev, Sergei Ivanovich, 56, 61-66, 68, 140-41 Walker, Robert, 297-98 Waller, “Fats”, 306 Walt Disney, 307-8 Western musical education, 61 UK Rachmaninoff Society, 335
Index Whiteman, Paul, 305-6 Wolkonsky, Irina, 151, 165, 201, 238, 271, 280, 283-84, 299, 315, 323, 326, 329-30 Wolkonsky, Petr Prince, 283-85 Wolkonsky, Sophia, 285, 293-94, 299, 330 Wood, Henry Sir, 296-97 World War I, 17,119, 192, 208, 218, 223-25, 235, 237, 265 World War П, 7, 116, 265, 269, 275, 276 383 Yasser, Joseph, 186, 207, 286 Year of Rachmaninoff, 345 Youth Symphony of 1891, 175 Yuzefovich, Igor, 304 Zhukovskaia, Elena, 146, 153, 154 Zverev, Nikolay Sergeevich, 42-45, 49-52, 61, 72, 158; piano teaching, 46; quarrel between Rachmaninoff and, 47-49, 63; Rachmaninoffs impressions of, 46-47; rumor as homosexual, 47; teaching method, 47 |
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author | Nollan, Valeria Z. 1952- |
author_GND | (DE-588)1274766710 |
author_facet | Nollan, Valeria Z. 1952- |
author_role | aut |
author_sort | Nollan, Valeria Z. 1952- |
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building | Verbundindex |
bvnumber | BV048559427 |
classification_rvk | LP 94130 |
contents | Rachmaninoff's Origins -- Early Education -- Birth of a Composer-Pianist -- Birth of a Conductor -- The Muses -- Mystery of an Immortal Beloved -- Marriage to Natalia Satina -- Rachmaninoff's Aesthetics -- Rachmaninoff's Religiosity -- Transitions -- The Legendary Virtuoso Pianist -- Rachmaninoff as Humanitarian -- Paradise Regained: The Villa Senar -- The Last Bow : Rachmaninoff and America -- Afterword. Rachmaninoff's Legacy in the Twenty-First Century |
ctrlnum | (OCoLC)1356734020 (DE-599)BVBBV048559427 |
discipline | Musikwissenschaft |
format | Book |
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Nollan</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Lanham ; Boulder ; New York ; London</subfield><subfield code="b">Lexington Books</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">©2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">xi, 386 Seiten</subfield><subfield code="b">Illustrationen</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="505" ind1="8" ind2=" "><subfield code="a">Rachmaninoff's Origins -- Early Education -- Birth of a Composer-Pianist -- Birth of a Conductor -- The Muses -- Mystery of an Immortal Beloved -- Marriage to Natalia Satina -- Rachmaninoff's Aesthetics -- Rachmaninoff's Religiosity -- Transitions -- The Legendary Virtuoso Pianist -- Rachmaninoff as Humanitarian -- Paradise Regained: The Villa Senar -- The Last Bow : Rachmaninoff and America -- Afterword. 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genre | (DE-588)4006804-3 Biografie gnd-content |
genre_facet | Biografie |
id | DE-604.BV048559427 |
illustrated | Illustrated |
index_date | 2024-07-03T20:59:28Z |
indexdate | 2024-07-20T07:44:08Z |
institution | BVB |
isbn | 9781666917598 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033935648 |
oclc_num | 1356734020 |
open_access_boolean | |
owner | DE-12 DE-11 |
owner_facet | DE-12 DE-11 |
physical | xi, 386 Seiten Illustrationen |
psigel | BSB_NED_20230110 |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Lexington Books |
record_format | marc |
spelling | Nollan, Valeria Z. 1952- Verfasser (DE-588)1274766710 aut Sergei Rachmaninoff cross rhythms of the soul Valeria Z. Nollan Lanham ; Boulder ; New York ; London Lexington Books [2022] ©2022 xi, 386 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Rachmaninoff's Origins -- Early Education -- Birth of a Composer-Pianist -- Birth of a Conductor -- The Muses -- Mystery of an Immortal Beloved -- Marriage to Natalia Satina -- Rachmaninoff's Aesthetics -- Rachmaninoff's Religiosity -- Transitions -- The Legendary Virtuoso Pianist -- Rachmaninoff as Humanitarian -- Paradise Regained: The Villa Senar -- The Last Bow : Rachmaninoff and America -- Afterword. Rachmaninoff's Legacy in the Twenty-First Century "This book presents new information about Rachmaninoff accessed from unique sources previously unavailable in English. From the extraordinary women who inspired him, to his humanitarian work, to his religion, Nollan interweaves Rachmaninoff's personal struggles and triumphs into his concert career"-- Rachmaninov, Sergej Vasilʹevič 1873-1943 (DE-588)118641832 gnd rswk-swf Rachmaninoff, Sergei / 1873-1943 Composers / Biography Pianists / Biography Composers Pianists Biographies (DE-588)4006804-3 Biografie gnd-content Rachmaninov, Sergej Vasilʹevič 1873-1943 (DE-588)118641832 p DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-66691-760-4 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Register // Gemischte Register |
spellingShingle | Nollan, Valeria Z. 1952- Sergei Rachmaninoff cross rhythms of the soul Rachmaninoff's Origins -- Early Education -- Birth of a Composer-Pianist -- Birth of a Conductor -- The Muses -- Mystery of an Immortal Beloved -- Marriage to Natalia Satina -- Rachmaninoff's Aesthetics -- Rachmaninoff's Religiosity -- Transitions -- The Legendary Virtuoso Pianist -- Rachmaninoff as Humanitarian -- Paradise Regained: The Villa Senar -- The Last Bow : Rachmaninoff and America -- Afterword. Rachmaninoff's Legacy in the Twenty-First Century Rachmaninov, Sergej Vasilʹevič 1873-1943 (DE-588)118641832 gnd |
subject_GND | (DE-588)118641832 (DE-588)4006804-3 |
title | Sergei Rachmaninoff cross rhythms of the soul |
title_auth | Sergei Rachmaninoff cross rhythms of the soul |
title_exact_search | Sergei Rachmaninoff cross rhythms of the soul |
title_exact_search_txtP | Sergei Rachmaninoff cross rhythms of the soul |
title_full | Sergei Rachmaninoff cross rhythms of the soul Valeria Z. Nollan |
title_fullStr | Sergei Rachmaninoff cross rhythms of the soul Valeria Z. Nollan |
title_full_unstemmed | Sergei Rachmaninoff cross rhythms of the soul Valeria Z. Nollan |
title_short | Sergei Rachmaninoff |
title_sort | sergei rachmaninoff cross rhythms of the soul |
title_sub | cross rhythms of the soul |
topic | Rachmaninov, Sergej Vasilʹevič 1873-1943 (DE-588)118641832 gnd |
topic_facet | Rachmaninov, Sergej Vasilʹevič 1873-1943 Biografie |
url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033935648&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA |
work_keys_str_mv | AT nollanvaleriaz sergeirachmaninoffcrossrhythmsofthesoul |