Allegory and the poetic self: first-person narration in late Medieval literature
This book examines the rise of an influential new family ofpoetry in the late Middle Ages, analyzing why the allegorical first-personromance embedded itself in the vernacular literature of Western Europe andremained popular for more than two centuries.
Gespeichert in:
| 1. Verfasser: | |
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| Weitere Verfasser: | , |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota
University Press of Florida
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | This book examines the rise of an influential new family ofpoetry in the late Middle Ages, analyzing why the allegorical first-personromance embedded itself in the vernacular literature of Western Europe andremained popular for more than two centuries. |
| Beschreibung: | vii, 316 Seiten |
| ISBN: | 9780813069517 |
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Datensatz im Suchindex
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| adam_text | Contents ACKNOWLEDGMENTS ѴІІ i. Introduction: Allegory and the Poetic Self; First-Person Narration in Late Medieval Literature i Katharina Philipowski and Julia Rüthemann PART I. AUTHORSHIP AND AUTHORIAL IDENTITY 2. Once Again the Authorship of the Roman de la Rose гу David Hult 3. The Roles of the “I” in Machaut s Jugement Poems, from Narrator to Accused 48 Jacqueline Cerquiglini-Toulet 4. René d’Anjou and His Textual Models 62 Kevin Brownlee 5. Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo 95 Robert Fajen PART II. FOCUSING THE NARRATOR 6. Narration and Personification Allegory in Machaut’s Vergier 117 R. Barton Palmer 7. First-Person Allegory and the Concept of the Unreliable Narrator 141 Sonja Glauch 8. Ihe Heart in the Minnelehre, the Roman de la Poire, and the Livre du Cœur d’amour épris 158 Julia Rüthemann
9- Boundaries of Form and Subject in Fifteenth-Century Dits 179 Helen Swift PART III. LOVE AND DESIRE BETWEEN TRADITION AND SUBJECTIVITY 10. Dueling Models of Desire: Ovid and Boethius in the Rose and the Dit Amoureux 199 Sylvia Huot 11. Boccaccios Amorosa Visione: The Search for Wholeness in the Spirit of Erotic Pleasure 216 Friedrich Wolfaettel 12. Frustrating Autobiography: The Examples of Libro de buen amor and Cárcel de amor 229 Laurence de Looze 13. The Semantics of Love and Narrative Ground in Guiraut Riquier’s Libre 247 Susanne A. Friede 14. Glossing the “Text” of Love: First-Person Narration and the Performative Self in Hadamar von Laber’s Jagd 264 Christian Schneider 15. Postscript 287 R. Barton Palmer SELECT BIBLIOGRAPHY 299 303 LIST OF CONTRIBUTORS 307 PRIMARY SOURCE DATES INDEX ЗИ
his book T is the first collective examination of late medieval intimate first-person narratives that blur the lines between author, narrator, and protagonist and usually feature personification allegory and courtly love tropes, cre ing an experimental new family of poetry. In this volume, contributors analyze why the allegorical first-person romance embedded itself in the vernacular literature of Western Europe and remained popular for more than two centuries. The editors identify and discuss three predominant forms within this family: debate poetry, dream allegories, and autobiographies. Contributors offer textual analyses of key works from late medieval German, French, Italian, and Iberian literature, with discussion of developments in England, as well. Allegory and the Poetic Selfoffers a sophisticated, theoretically current discussion ofrel evant literature. This exploration ofmedieval “I” narratives offers insights not just into the premodern period but abo into Western literature s subsequent traditions of self-analysis and identity crafting through storytelling.
|
| adam_txt |
Contents ACKNOWLEDGMENTS ѴІІ i. Introduction: Allegory and the Poetic Self; First-Person Narration in Late Medieval Literature i Katharina Philipowski and Julia Rüthemann PART I. AUTHORSHIP AND AUTHORIAL IDENTITY 2. Once Again the Authorship of the Roman de la Rose гу David Hult 3. The Roles of the “I” in Machaut s Jugement Poems, from Narrator to Accused 48 Jacqueline Cerquiglini-Toulet 4. René d’Anjou and His Textual Models 62 Kevin Brownlee 5. Polymorphic Self-Narration in Le livre du Chevalier errant of Thomas III of Saluzzo 95 Robert Fajen PART II. FOCUSING THE NARRATOR 6. Narration and Personification Allegory in Machaut’s Vergier 117 R. Barton Palmer 7. First-Person Allegory and the Concept of the Unreliable Narrator 141 Sonja Glauch 8. Ihe Heart in the Minnelehre, the Roman de la Poire, and the Livre du Cœur d’amour épris 158 Julia Rüthemann
9- Boundaries of Form and Subject in Fifteenth-Century Dits 179 Helen Swift PART III. LOVE AND DESIRE BETWEEN TRADITION AND SUBJECTIVITY 10. Dueling Models of Desire: Ovid and Boethius in the Rose and the Dit Amoureux 199 Sylvia Huot 11. Boccaccios Amorosa Visione: The Search for Wholeness in the Spirit of Erotic Pleasure 216 Friedrich Wolfaettel 12. Frustrating Autobiography: The Examples of Libro de buen amor and Cárcel de amor 229 Laurence de Looze 13. The Semantics of Love and Narrative Ground in Guiraut Riquier’s Libre 247 Susanne A. Friede 14. Glossing the “Text” of Love: First-Person Narration and the Performative Self in Hadamar von Laber’s Jagd 264 Christian Schneider 15. Postscript 287 R. Barton Palmer SELECT BIBLIOGRAPHY 299 303 LIST OF CONTRIBUTORS 307 PRIMARY SOURCE DATES INDEX ЗИ
his book T is the first collective examination of late medieval intimate first-person narratives that blur the lines between author, narrator, and protagonist and usually feature personification allegory and courtly love tropes, cre ing an experimental new family of poetry. In this volume, contributors analyze why the allegorical first-person romance embedded itself in the vernacular literature of Western Europe and remained popular for more than two centuries. The editors identify and discuss three predominant forms within this family: debate poetry, dream allegories, and autobiographies. Contributors offer textual analyses of key works from late medieval German, French, Italian, and Iberian literature, with discussion of developments in England, as well. Allegory and the Poetic Selfoffers a sophisticated, theoretically current discussion ofrel evant literature. This exploration ofmedieval “I” narratives offers insights not just into the premodern period but abo into Western literature s subsequent traditions of self-analysis and identity crafting through storytelling. |
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| spelling | Palmer, R. Barton 1946- Verfasser (DE-588)132809613 aut Allegory and the poetic self first-person narration in late Medieval literature edited by R. Barton Palmer, Katharina Philipowski, and Julia Rüthemann Gainesville ; Tallahassee ; Tampa ; Boca Raton ; Pensacola ; Orlando ; Miami ; Jacksonville ; Ft. Myers ; Sarasota University Press of Florida [2022] vii, 316 Seiten txt rdacontent n rdamedia nc rdacarrier This book examines the rise of an influential new family ofpoetry in the late Middle Ages, analyzing why the allegorical first-personromance embedded itself in the vernacular literature of Western Europe andremained popular for more than two centuries. Geschichte 1200-1500 gnd rswk-swf Literatur (DE-588)4035964-5 gnd rswk-swf Allegorie (DE-588)4001236-0 gnd rswk-swf Ich-Erzählung (DE-588)4161183-4 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Literatur (DE-588)4035964-5 s Ich-Erzählung (DE-588)4161183-4 s Allegorie (DE-588)4001236-0 s Geschichte 1200-1500 z DE-604 Philipowski, Katharina 1970- (DE-588)1035471574 edt Rüthemann, Julia 1981- (DE-588)1246704706 edt Erscheint auch als Online-Ausgabe, PDF 978-0-8130-7025-4 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033932219&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033932219&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Allegory and the poetic self first-person narration in late Medieval literature |
| title_auth | Allegory and the poetic self first-person narration in late Medieval literature |
| title_exact_search | Allegory and the poetic self first-person narration in late Medieval literature |
| title_exact_search_txtP | Allegory and the poetic self first-person narration in late Medieval literature |
| title_full | Allegory and the poetic self first-person narration in late Medieval literature edited by R. Barton Palmer, Katharina Philipowski, and Julia Rüthemann |
| title_fullStr | Allegory and the poetic self first-person narration in late Medieval literature edited by R. Barton Palmer, Katharina Philipowski, and Julia Rüthemann |
| title_full_unstemmed | Allegory and the poetic self first-person narration in late Medieval literature edited by R. Barton Palmer, Katharina Philipowski, and Julia Rüthemann |
| title_short | Allegory and the poetic self |
| title_sort | allegory and the poetic self first person narration in late medieval literature |
| title_sub | first-person narration in late Medieval literature |
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