From playtext to performance on the early modern stage: how did they do it?
"This book reconsiders the evidence for what we know (or think we know) about early modern performance condition. This study encourages a new recognition and treatment of certain aspects of the plays as evidence - and demonstrates the significance of the implications of that new information. Th...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Studies in performance and early modern drama
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book reconsiders the evidence for what we know (or think we know) about early modern performance condition. This study encourages a new recognition and treatment of certain aspects of the plays as evidence - and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors"-- |
| Beschreibung: | 207 Seiten |
| ISBN: | 9781032278070 9781032278094 |
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Datensatz im Suchindex
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Contents Acknowledgements Introduction viii 1 PART I Pre-Performance 5 1 Evidence and Theories 7 2 Rehearsal Reconsidered 66 PART II In-Performance 3 Pronouns in Action 77 79 4 Uncued Actions 101 5 117 Staging Asides 6 Dumb Shows on Stage 131 7 Doubling and Disguise 158 8 Large Properties Off and On Stage 177 Conclusion 199 Index 202 |
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| author | Thomson, Leslie |
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| author_sort | Thomson, Leslie |
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| ctrlnum | (OCoLC)1337031426 (DE-599)KXP1801338248 |
| dewey-full | 822/.309 |
| dewey-hundreds | 800 - Literature (Belles-lettres) and rhetoric |
| dewey-ones | 822 - English drama |
| dewey-raw | 822/.309 |
| dewey-search | 822/.309 |
| dewey-sort | 3822 3309 |
| dewey-tens | 820 - English & Old English literatures |
| discipline | Allgemeines Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1500-1700 gnd |
| era_facet | Geschichte 1500-1700 |
| format | Book |
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| index_date | 2024-07-03T20:58:34Z |
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| isbn | 9781032278070 9781032278094 |
| language | English |
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| spelling | Thomson, Leslie Verfasser (DE-588)1169705553 aut From playtext to performance on the early modern stage how did they do it? Leslie Thomson London ; New York Routledge, Taylor & Francis Group 2023 207 Seiten txt rdacontent n rdamedia nc rdacarrier Studies in performance and early modern drama "This book reconsiders the evidence for what we know (or think we know) about early modern performance condition. This study encourages a new recognition and treatment of certain aspects of the plays as evidence - and demonstrates the significance of the implications of that new information. This book is also an assessment of the competing narratives about the processes involved in early modern performance: about the status of manuscript playbooks, about the parts that players memorized, about the functions of the bookkeeper, about casting, about prompting, and about rehearsal practices. Leslie Thomson investigates the bases for the interdependent beliefs that an early modern player relied only on his part to prepare for a performance, that rehearsal was minimal, and that a bookkeeper compensated for these circumstances by prompting any player who was "out of his part." By focusing on often ignored (or downplayed) requirements and challenges of early modern play texts, Thomson provides evidence for answers that will foster a more nuanced and thorough understanding of original performance practices. That will, in turn, influence how we read, study, and edit the plays. This exploration will be of great interest to theatre and performance researchers, graduate students, teachers of early modern drama at the undergraduate and graduate levels, performers, directors, editors"-- Geschichte 1500-1700 gnd rswk-swf Aufführung (DE-588)4143388-9 gnd rswk-swf Englisch (DE-588)4014777-0 gnd rswk-swf Drama (DE-588)4012899-4 gnd rswk-swf English drama / Early modern and Elizabethan, 1500-1600 / Criticism, Textual English drama / 17th century / Criticism, Textual Theater / Production and direction / England / History / 16th century Theater / Production and direction / England / History / 17th century Englisch (DE-588)4014777-0 s Drama (DE-588)4012899-4 s Aufführung (DE-588)4143388-9 s Geschichte 1500-1700 z DE-604 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-329421-4 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033932179&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Thomson, Leslie From playtext to performance on the early modern stage how did they do it? Aufführung (DE-588)4143388-9 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| subject_GND | (DE-588)4143388-9 (DE-588)4014777-0 (DE-588)4012899-4 |
| title | From playtext to performance on the early modern stage how did they do it? |
| title_auth | From playtext to performance on the early modern stage how did they do it? |
| title_exact_search | From playtext to performance on the early modern stage how did they do it? |
| title_exact_search_txtP | From playtext to performance on the early modern stage how did they do it? |
| title_full | From playtext to performance on the early modern stage how did they do it? Leslie Thomson |
| title_fullStr | From playtext to performance on the early modern stage how did they do it? Leslie Thomson |
| title_full_unstemmed | From playtext to performance on the early modern stage how did they do it? Leslie Thomson |
| title_short | From playtext to performance on the early modern stage |
| title_sort | from playtext to performance on the early modern stage how did they do it |
| title_sub | how did they do it? |
| topic | Aufführung (DE-588)4143388-9 gnd Englisch (DE-588)4014777-0 gnd Drama (DE-588)4012899-4 gnd |
| topic_facet | Aufführung Englisch Drama |
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