Panya routes: independent art spaces in Africa
Independent art spaces on the African continent have flourished, particularly over the past twenty years in tandem with a youthful population in fast-urbanising cities. This book takes the reader on a journey to discover their DIY-DIT working principles: horizontality, second chance, elasticity, per...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Lausanne
Motto Books
[2022]
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| Schlagworte: | |
| Zusammenfassung: | Independent art spaces on the African continent have flourished, particularly over the past twenty years in tandem with a youthful population in fast-urbanising cities. This book takes the reader on a journey to discover their DIY-DIT working principles: horizontality, second chance, elasticity, performativity and convergence. The itinerary begins at an empty plinth in Cape Town to closely track the performative and artistic afterlife of a colonialist statue whose toppling turned public space into common space. Next stop: Nairobi, Accra, Cairo, Addis Ababa and Dar es Salaam — all rapidly changing cities of flux. The author visits five non-profit platforms that build narratives in public space by stitching together art and everyday life. They create their own panya routes, or backroad infrastructures of divergent kinds, in response to prevailing uncertainty. Working largely in collaborative economies and solidarity networks through refusal and reimagination, these "off-spaces" demonstrate institution building as artistic practice. By thinking and dreaming beyond the status quo, they fast-forward to creatively inhabit city futures that have already arrived in the global South. The key platforms featured in the book’s research are: The GoDown Arts Centre, ANO Institute of Arts and Knowledge, Townhouse Gallery, Zoma Museum and Nafasi Art Space |
| Beschreibung: | 230 Seiten Illustrationen, Karten 24 cm |
| ISBN: | 9782940672394 |
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| 520 | 3 | |a Independent art spaces on the African continent have flourished, particularly over the past twenty years in tandem with a youthful population in fast-urbanising cities. This book takes the reader on a journey to discover their DIY-DIT working principles: horizontality, second chance, elasticity, performativity and convergence. The itinerary begins at an empty plinth in Cape Town to closely track the performative and artistic afterlife of a colonialist statue whose toppling turned public space into common space. Next stop: Nairobi, Accra, Cairo, Addis Ababa and Dar es Salaam — all rapidly changing cities of flux. The author visits five non-profit platforms that build narratives in public space by stitching together art and everyday life. They create their own panya routes, or backroad infrastructures of divergent kinds, in response to prevailing uncertainty. Working largely in collaborative economies and solidarity networks through refusal and reimagination, these "off-spaces" demonstrate institution building as artistic practice. By thinking and dreaming beyond the status quo, they fast-forward to creatively inhabit city futures that have already arrived in the global South. The key platforms featured in the book’s research are: The GoDown Arts Centre, ANO Institute of Arts and Knowledge, Townhouse Gallery, Zoma Museum and Nafasi Art Space | |
| 653 | 0 | |a Art africain | |
| 653 | 0 | |a Galeries d'art | |
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| isbn | 9782940672394 |
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| spelling | Gurney, Kim 1974- Verfasser (DE-588)1249021618 aut Panya routes independent art spaces in Africa Kim Gurney Berlin ; Lausanne Motto Books [2022] © 2022 230 Seiten Illustrationen, Karten 24 cm txt rdacontent n rdamedia nc rdacarrier Independent art spaces on the African continent have flourished, particularly over the past twenty years in tandem with a youthful population in fast-urbanising cities. This book takes the reader on a journey to discover their DIY-DIT working principles: horizontality, second chance, elasticity, performativity and convergence. The itinerary begins at an empty plinth in Cape Town to closely track the performative and artistic afterlife of a colonialist statue whose toppling turned public space into common space. Next stop: Nairobi, Accra, Cairo, Addis Ababa and Dar es Salaam — all rapidly changing cities of flux. The author visits five non-profit platforms that build narratives in public space by stitching together art and everyday life. They create their own panya routes, or backroad infrastructures of divergent kinds, in response to prevailing uncertainty. Working largely in collaborative economies and solidarity networks through refusal and reimagination, these "off-spaces" demonstrate institution building as artistic practice. By thinking and dreaming beyond the status quo, they fast-forward to creatively inhabit city futures that have already arrived in the global South. The key platforms featured in the book’s research are: The GoDown Arts Centre, ANO Institute of Arts and Knowledge, Townhouse Gallery, Zoma Museum and Nafasi Art Space Art africain Galeries d'art |
| spellingShingle | Gurney, Kim 1974- Panya routes independent art spaces in Africa |
| title | Panya routes independent art spaces in Africa |
| title_auth | Panya routes independent art spaces in Africa |
| title_exact_search | Panya routes independent art spaces in Africa |
| title_exact_search_txtP | Panya routes independent art spaces in Africa |
| title_full | Panya routes independent art spaces in Africa Kim Gurney |
| title_fullStr | Panya routes independent art spaces in Africa Kim Gurney |
| title_full_unstemmed | Panya routes independent art spaces in Africa Kim Gurney |
| title_short | Panya routes |
| title_sort | panya routes independent art spaces in africa |
| title_sub | independent art spaces in Africa |
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