This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Tech...

Ausführliche Beschreibung

Bibliographische Detailangaben

Hauptverfasser:	Perchard, Tom 1976- (VerfasserIn), Graham, Stephen 1982- (VerfasserIn), Rutherford-Johnson, Tim 1977- (VerfasserIn), Rogers, Holly ca. 20./21. Jh (VerfasserIn)
Format:	Elektronisch E-Book
Sprache:	English
Veröffentlicht:	Cambridge, United Kingdom ; New York Cambridge University Press 2022
Schlagworte:	Geschichte 1900-2000 Music / 20th century / History and criticism Music / 20th century / Analysis, appreciation Music trade / History / 20th century Music / Social aspects / History / 20th century Technologie Identität > Motiv Musiktheorie Musiksoziologie Musikwirtschaft Musik Westliche Welt
Online-Zugang:	BSB01 UBG01 Volltext
Zusammenfassung:	This is the first introductory survey of western twentieth-century music to address popular music, art music and jazz on equal terms. It treats those forms as inextricably intertwined, and sets them in a wide variety of social and critical contexts. The book comprises four sections - Histories, Techniques and Technologies, Mediation, Identities - with 16 thematic chapters. Each of these explores a musical or cultural topic as it developed over many years, and as it appeared across a diversity of musical practices. In this way, the text introduces both key musical repertoire and critical-musicological approaches to that work. It historicises music and musical thinking, opening up debate in the present rather than offering a new but closed narrative of the past. In each chapter, an overview of the topic's chronology and main issues is illustrated by two detailed case studies
Beschreibung:	Title from publisher's bibliographic system (viewed on 22 Sep 2022) Introduction -- Part 1. Histories. Place and space, local and global ; Modernism ; Postmodernism ; Canons -- Part 2. Techniques and technologies. Work and notation ; Rhythm and time ; Harmony ; Instruments -- Part 3. Mediation. Recording and production ; Copyright and the music industry ; States and markets ; Music and the Moving Image -- Part 4. Identities. Gender and sexuality ; Race and ethnicity ; Audiences, class and consumption ; Centres and peripheries
Beschreibung:	1 Online-Ressource (xiv, 479 Seiten)
ISBN:	9781108680899
DOI:	10.1017/9781108680899