Emotion:
"Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emo...
Gespeichert in:
1. Verfasser: | |
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Format: | Elektronisch E-Book |
Sprache: | English |
Veröffentlicht: |
London ; New York ; Oxford ; New Delhi
Methuen Drama
2021
|
Schriftenreihe: | Theory for theatre studies
|
Schlagworte: | |
Online-Zugang: | DE-188 DE-19 |
Zusammenfassung: | "Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed and in relation to interdisciplinary approaches. Students and other readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include productions of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component" |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | 1 Online-Ressource (viii, 188 Seiten) |
ISBN: | 9781350030886 9781350030879 |
Internformat
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300 | |a 1 Online-Ressource (viii, 188 Seiten) | ||
336 | |b txt |2 rdacontent | ||
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490 | 0 | |a Theory for theatre studies | |
500 | |a Includes bibliographical references and index | ||
520 | 3 | |a "Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed and in relation to interdisciplinary approaches. Students and other readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include productions of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component" | |
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Datensatz im Suchindex
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adam_text | |
adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Tait, Peta 1953- |
author_GND | (DE-588)172910943 |
author_facet | Tait, Peta 1953- |
author_role | aut |
author_sort | Tait, Peta 1953- |
author_variant | p t pt |
building | Verbundindex |
bvnumber | BV048549274 |
callnumber-first | P - Language and Literature |
callnumber-label | PN1590 |
callnumber-raw | PN1590.E46 |
callnumber-search | PN1590.E46 |
callnumber-sort | PN 41590 E46 |
callnumber-subject | PN - General Literature |
classification_rvk | AP 73000 EC 5410 AP 66000 |
collection | ZDB-30-PQE ZDB-162-BCC |
ctrlnum | (OCoLC)1352878193 (DE-599)BVBBV048549274 |
dewey-full | 792.01 |
dewey-hundreds | 700 - The arts |
dewey-ones | 792 - Stage presentations |
dewey-raw | 792.01 |
dewey-search | 792.01 |
dewey-sort | 3792.01 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines Literaturwissenschaft |
discipline_str_mv | Allgemeines Literaturwissenschaft |
format | Electronic eBook |
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illustrated | Not Illustrated |
index_date | 2024-07-03T20:56:49Z |
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institution | BVB |
isbn | 9781350030886 9781350030879 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033925688 |
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physical | 1 Online-Ressource (viii, 188 Seiten) |
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publishDate | 2021 |
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publisher | Methuen Drama |
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series2 | Theory for theatre studies |
spelling | Tait, Peta 1953- Verfasser (DE-588)172910943 aut Emotion Peta Tait Theory for theatre studies: emotion Theory for theatre studie London ; New York ; Oxford ; New Delhi Methuen Drama 2021 1 Online-Ressource (viii, 188 Seiten) txt rdacontent c rdamedia cr rdacarrier Theory for theatre studies Includes bibliographical references and index "Emotion explores how emotion is communicated in drama, theatre and contemporary performance and therefore in society. From Aristotle and Shakespeare to Stanislavski, from Brecht to Caryl Churchill, drama and theatre are revealed to inform but also to warn about the emotions. The term 'emotion' encompasses the emotions, emotional feelings, affect and mood, and the book explores how these concepts are embodied and experienced within theatrical practice and explained in theory. Since emotion is artistically staged, its composition and impact can be described and analysed and in relation to interdisciplinary approaches. Students and other readers are encouraged to consider how emotion is dramatically, aurally, and visually developed to create innovative performance. Case studies include productions of Medea, Twelfth Night, The Caucasian Chalk Circle, Ibsen's A Doll's House, and performances by Mabou Mines, Robert Lepage, Rimini Protokoll, Anna Deavere Smith, Socìetas Raffaello Sanzio, Marina Abramovic and The Wooster Group. By way of these detailed case studies, readers will appreciate new methodologies and approaches for their own exploration of 'emotion' as a performance component" Schauspielkunst (DE-588)4129090-2 gnd rswk-swf Gefühl (DE-588)4019702-5 gnd rswk-swf Performance Künste (DE-588)4173750-7 gnd rswk-swf Emotions in the performing arts Performance Künste (DE-588)4173750-7 s Schauspielkunst (DE-588)4129090-2 s Gefühl (DE-588)4019702-5 s DE-604 Erscheint auch als Druck-Ausgabe, Paperback 978-1-350-03084-8 (DE-604)BV047154313 Erscheint auch als Druck-Ausgabe, Hardcover 978-1-350-03085-5 (DE-604)BV047154313 |
spellingShingle | Tait, Peta 1953- Emotion Schauspielkunst (DE-588)4129090-2 gnd Gefühl (DE-588)4019702-5 gnd Performance Künste (DE-588)4173750-7 gnd |
subject_GND | (DE-588)4129090-2 (DE-588)4019702-5 (DE-588)4173750-7 |
title | Emotion |
title_alt | Theory for theatre studies: emotion Theory for theatre studie |
title_auth | Emotion |
title_exact_search | Emotion |
title_exact_search_txtP | Emotion |
title_full | Emotion Peta Tait |
title_fullStr | Emotion Peta Tait |
title_full_unstemmed | Emotion Peta Tait |
title_short | Emotion |
title_sort | emotion |
topic | Schauspielkunst (DE-588)4129090-2 gnd Gefühl (DE-588)4019702-5 gnd Performance Künste (DE-588)4173750-7 gnd |
topic_facet | Schauspielkunst Gefühl Performance Künste |
work_keys_str_mv | AT taitpeta emotion AT taitpeta theoryfortheatrestudiesemotion AT taitpeta theoryfortheatrestudie |