Music and subalternity in Argentina and Brazil:
Gespeichert in:
| Weitere Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Sheffield
Equinox Publishing Ltd.
2017
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| Schriftenreihe: | Journal of world popular music
volume 4, number 2 (December 2017) |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | 146 Seiten Notenbeispiele |
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Datensatz im Suchindex
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December 2017 Volume 4 Number 2 contents Edítors'lntroduction Simone Krüger Bridge, Sarah Baker and Raphaël Nowak 137 Music and Subalternity in Argentina and Brazil Introdurtion to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time Pablo Alabarces and Felipe Trotta 142 Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube Simone Pereira de Sá and Simone Evangelista Cunha 152 "Argentina is cumbia": Sociocultural Trajectories of Young "Cumbieros" in Urban Peripheries Malvina Silba 171 Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil Berenice Corti and Luciana Xavier de Oliveira 191 Relentless Denial: Female Homosexuality in Tango Mercedes Liska 209 Questionable Tastes: Women, Love Songs and Gender Subalternity Carolina Spataro 226 "Tomorrow never knows": The Influence of the Beatles'Music in Brazil Gustavo Alonso 245 I
136 Contents Disciplinary Perspectives on Popular Music The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century Michael B. Bakan 265 Some Notes on Popular Music in my (Professional) Life Bruno Netti 280 Pop-Rock as Musical Cosmopolitanism Motti Regev 290 Popular Music and National Identity Book Review: Rebecca Μ. Bodenheimer Geographies ofCubanidad: Place, Race and Musical Performance in Contemporary Cuba Iván Darias Alfonso 301 Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain Nabeel Zuberi 304 Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958-1980 Ben Green 309 Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia Dijana Jelača 315 Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest, and Karen Fricker and Milija Gluhovic, eds. Performing the "New" Europe: Identities, Feelings and Politics in the Eurovision Song Contest Peter Mills 319 |
| adam_txt |
December 2017 Volume 4 Number 2 contents Edítors'lntroduction Simone Krüger Bridge, Sarah Baker and Raphaël Nowak 137 Music and Subalternity in Argentina and Brazil Introdurtion to the Special Issue: Music and Subalternity through the Popular and Periphery, or How to Use Popular Music for Several Debates at the same Time Pablo Alabarces and Felipe Trotta 142 Haters beyond the Hate: Stigma and Prejudice against Funk Carioca on YouTube Simone Pereira de Sá and Simone Evangelista Cunha 152 "Argentina is cumbia": Sociocultural Trajectories of Young "Cumbieros" in Urban Peripheries Malvina Silba 171 Brazilian Soul and Argentinian Jazz: Style, Consumption and Racialized Identities in Argentina and Brazil Berenice Corti and Luciana Xavier de Oliveira 191 Relentless Denial: Female Homosexuality in Tango Mercedes Liska 209 Questionable Tastes: Women, Love Songs and Gender Subalternity Carolina Spataro 226 "Tomorrow never knows": The Influence of the Beatles'Music in Brazil Gustavo Alonso 245 I
136 Contents Disciplinary Perspectives on Popular Music The Moral of the Story: Making Ethnomusicology Matter in the Twenty-first Century Michael B. Bakan 265 Some Notes on Popular Music in my (Professional) Life Bruno Netti 280 Pop-Rock as Musical Cosmopolitanism Motti Regev 290 Popular Music and National Identity Book Review: Rebecca Μ. Bodenheimer Geographies ofCubanidad: Place, Race and Musical Performance in Contemporary Cuba Iván Darias Alfonso 301 Book Review: Irene Morra Britishness, Popular Music, and National Identity: The Making of Modern Britain Nabeel Zuberi 304 Book Review: Jonathyne Briggs Sounds French: Globalisation, Cultural Communities, and Pop Music, 1958-1980 Ben Green 309 Book Review: Uroš Čvoro Turbo-Folk Music and Cultural Representations of National Identity in Former Yugoslavia Dijana Jelača 315 Book Review: Dafni Tragaki, ed. Empire of Song: Europe and Nation in the Eurovision Song Contest, and Karen Fricker and Milija Gluhovic, eds. Performing the "New" Europe: Identities, Feelings and Politics in the Eurovision Song Contest Peter Mills 319 |
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| title_fullStr | Music and subalternity in Argentina and Brazil Editor: Simone Krüger Bridge |
| title_full_unstemmed | Music and subalternity in Argentina and Brazil Editor: Simone Krüger Bridge |
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