Music as labour: inequalities and activism in the past and present
"This book brings together research at the intersection of music, cultural industries, management, politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge
2022
|
| Schriftenreihe: | Routledge research in the creative and cultural industries
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This book brings together research at the intersection of music, cultural industries, management, politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians' work is performed, constructed and managed at different times and show that musicians' working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to 'be creative'. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion. With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers"-- |
| Beschreibung: | X, 222 Seiten |
| ISBN: | 9780367713614 9780367713621 |
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| 505 | 8 | |a Introduction. Rosa Reitsamer & Dagmar Abfalter -- Ironworks as Venues of Music Production : The Ostrava/Vítkovice Case from the 1890s to the 1910s / Fritz Trümpi -- From Bohemia to the Balkans : Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 / Nuppu Koivisto -- The MGM Lion's Ominous Roar : (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s / Mojca Piškor -- 'Work that Body' : Disco, Counterculture and the Promise of the Transformation of Work / Tim Lawrence -- Hope, Labour and Privilege in American New Music / John R. Pippen -- A Lockdown Recording Project : Jazz Musicians and Metaphors for a Working Life / Michael L. Jones -- Emotional and relational labour in music from a feminist perspective / Emília Barna -- Afghan Pop in Europe. Migration, Affect, and Musical Labour / Marko Kölbl -- 'It's a Kind of Macho Culture' : Changes and Continuities in Young Female Musicians' Talk about Inequalities / Christina Scharff -- Women Working in the Music Business : An Alumni Study / Sally Anne Gross -- Musicians of the World Unite! The Initial Years of the International Federation of Musicians / Martin Cloonan -- Towards More Inclusion in the Music Industry / Sophie Hennekam -- Moving Beyond @operaisracist : Exploring Black Activism as a Pathway to Antiracism and Creative Justice in Opera / Antonio C. Cuyler | |
| 520 | 3 | |a "This book brings together research at the intersection of music, cultural industries, management, politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians' work is performed, constructed and managed at different times and show that musicians' working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to 'be creative'. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion. With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers"-- | |
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Datensatz im Suchindex
| _version_ | 1804184545513177088 |
|---|---|
| adam_text | Contents Notes on Contributors Acknowledgements vii xi Introduction 1 ROSA REITSAMER AND DAGMAR ABFALTER 1 Ironworks as Venues of Music Production: The Ostrava/ Vítkovice Case from the 1890s to the 1910s 23 FRITZ TRÜMPI 2 From Bohemia to the Balkans: Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 37 NUPPU KOIVISTO 3 The MGM Lion’s Ominous Roar: (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s 52 MOJCA PIŠKOR 4 ‘Work that Body’: Disco, Counterculture and the Promise of the Transformation of Work 66 TIM LAWRENCE 5 Hope, Labour and Privilege in American New Music 81 JOHN R. PIPPEN 6 A Lockdown Recording Project: Jazz Musicians and Metaphors for a Working Life MICHAEL L. JONES 97
vi Contents 7 Emotional and Relational Labour in Music from a Feminist Perspective 112 EMÍLIA BARNA 8 Afghan Pop in Europe: Migration, Affect and Musical Labour 128 MARKO KÖLBL 9 ‘It’s a Kind of Macho Culture’: Changes and Continuities in Young Female Musicians’ Talk about Inequalities 144 CHRISTINA SCHARFF 10 Women Working in the Music Business: An Alumni Study 159 SALLY ANNE GROSS 11 Musicians of the World Unite! The Initial Years of the International Federation of Musicians 175 MARTIN CLOONAN 12 Towards More Inclusion in the Music Industry 190 SOPHIE HENNEKAM 13 Moving Beyond @operaisracist: Exploring Blacktivism as a Pathway to Antiracism and Creative Justice in Opera 204 ANTONIO C. CUYLER Index 219
|
| adam_txt |
Contents Notes on Contributors Acknowledgements vii xi Introduction 1 ROSA REITSAMER AND DAGMAR ABFALTER 1 Ironworks as Venues of Music Production: The Ostrava/ Vítkovice Case from the 1890s to the 1910s 23 FRITZ TRÜMPI 2 From Bohemia to the Balkans: Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 37 NUPPU KOIVISTO 3 The MGM Lion’s Ominous Roar: (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s 52 MOJCA PIŠKOR 4 ‘Work that Body’: Disco, Counterculture and the Promise of the Transformation of Work 66 TIM LAWRENCE 5 Hope, Labour and Privilege in American New Music 81 JOHN R. PIPPEN 6 A Lockdown Recording Project: Jazz Musicians and Metaphors for a Working Life MICHAEL L. JONES 97
vi Contents 7 Emotional and Relational Labour in Music from a Feminist Perspective 112 EMÍLIA BARNA 8 Afghan Pop in Europe: Migration, Affect and Musical Labour 128 MARKO KÖLBL 9 ‘It’s a Kind of Macho Culture’: Changes and Continuities in Young Female Musicians’ Talk about Inequalities 144 CHRISTINA SCHARFF 10 Women Working in the Music Business: An Alumni Study 159 SALLY ANNE GROSS 11 Musicians of the World Unite! The Initial Years of the International Federation of Musicians 175 MARTIN CLOONAN 12 Towards More Inclusion in the Music Industry 190 SOPHIE HENNEKAM 13 Moving Beyond @operaisracist: Exploring Blacktivism as a Pathway to Antiracism and Creative Justice in Opera 204 ANTONIO C. CUYLER Index 219 |
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| contents | Introduction. Rosa Reitsamer & Dagmar Abfalter -- Ironworks as Venues of Music Production : The Ostrava/Vítkovice Case from the 1890s to the 1910s / Fritz Trümpi -- From Bohemia to the Balkans : Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 / Nuppu Koivisto -- The MGM Lion's Ominous Roar : (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s / Mojca Piškor -- 'Work that Body' : Disco, Counterculture and the Promise of the Transformation of Work / Tim Lawrence -- Hope, Labour and Privilege in American New Music / John R. Pippen -- A Lockdown Recording Project : Jazz Musicians and Metaphors for a Working Life / Michael L. Jones -- Emotional and relational labour in music from a feminist perspective / Emília Barna -- Afghan Pop in Europe. Migration, Affect, and Musical Labour / Marko Kölbl -- 'It's a Kind of Macho Culture' : Changes and Continuities in Young Female Musicians' Talk about Inequalities / Christina Scharff -- Women Working in the Music Business : An Alumni Study / Sally Anne Gross -- Musicians of the World Unite! The Initial Years of the International Federation of Musicians / Martin Cloonan -- Towards More Inclusion in the Music Industry / Sophie Hennekam -- Moving Beyond @operaisracist : Exploring Black Activism as a Pathway to Antiracism and Creative Justice in Opera / Antonio C. Cuyler |
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| genre | (DE-588)1071861417 Konferenzschrift Universität für Musik und darstellende Kunst Wien 2019 Reichenau an der Rax gnd-content |
| genre_facet | Konferenzschrift Universität für Musik und darstellende Kunst Wien 2019 Reichenau an der Rax |
| id | DE-604.BV048542788 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:55:18Z |
| indexdate | 2024-07-10T09:41:03Z |
| institution | BVB |
| isbn | 9780367713614 9780367713621 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033919307 |
| oclc_num | 1350645821 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | X, 222 Seiten |
| psigel | BSB_NED_20221206 |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Routledge |
| record_format | marc |
| series2 | Routledge research in the creative and cultural industries |
| spelling | Music as labour inequalities and activism in the past and present edited by Dagmar Abfalter and Rosa Reitsamer London ; New York Routledge 2022 X, 222 Seiten txt rdacontent n rdamedia nc rdacarrier Routledge research in the creative and cultural industries Introduction. Rosa Reitsamer & Dagmar Abfalter -- Ironworks as Venues of Music Production : The Ostrava/Vítkovice Case from the 1890s to the 1910s / Fritz Trümpi -- From Bohemia to the Balkans : Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 / Nuppu Koivisto -- The MGM Lion's Ominous Roar : (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s / Mojca Piškor -- 'Work that Body' : Disco, Counterculture and the Promise of the Transformation of Work / Tim Lawrence -- Hope, Labour and Privilege in American New Music / John R. Pippen -- A Lockdown Recording Project : Jazz Musicians and Metaphors for a Working Life / Michael L. Jones -- Emotional and relational labour in music from a feminist perspective / Emília Barna -- Afghan Pop in Europe. Migration, Affect, and Musical Labour / Marko Kölbl -- 'It's a Kind of Macho Culture' : Changes and Continuities in Young Female Musicians' Talk about Inequalities / Christina Scharff -- Women Working in the Music Business : An Alumni Study / Sally Anne Gross -- Musicians of the World Unite! The Initial Years of the International Federation of Musicians / Martin Cloonan -- Towards More Inclusion in the Music Industry / Sophie Hennekam -- Moving Beyond @operaisracist : Exploring Black Activism as a Pathway to Antiracism and Creative Justice in Opera / Antonio C. Cuyler "This book brings together research at the intersection of music, cultural industries, management, politics and gender studies to analyse music as labour, in particular highlighting social inequalities and activism. Providing insights into labour processes and practices, the authors investigate the changing role of manifold actors, institutions and technologies and the corresponding shifts in the valuation and evaluation of music achievements that have shaped the relationship between music, labour, the economy and politics. With research into a variety of geographic regions, chapters shed light on the various ways by which musicians' work is performed, constructed and managed at different times and show that musicians' working practices have been marked by precarity, insecurity and short-term contracts long before capitalism invited everybody to 'be creative'. In doing so, they specifically examine the dynamics in music professions and educational institutions, as well as gatekeepers and mechanisms of inclusion and exclusion. With a specific emphasis on inequalities in the music industries, this book will be essential reading for scholars seeking to understand the collective actions and initiatives that foster participation, inclusion, diversity and fair pay amongst musicians and other workers"-- Geschichte 1860- gnd rswk-swf Musikbranche (DE-588)4197568-6 gnd rswk-swf Internationaler Vergleich (DE-588)4120509-1 gnd rswk-swf Soziale Ungleichheit (DE-588)4055736-4 gnd rswk-swf Aktivismus (DE-588)4000973-7 gnd rswk-swf Musiker (DE-588)4040841-3 gnd rswk-swf Music / Labor productivity / History Musicians / Economic conditions Music trade / History Equality Musique / Productivité / Histoire Musiciens / Conditions économiques Musique / Industrie / Histoire Music trade History (DE-588)1071861417 Konferenzschrift Universität für Musik und darstellende Kunst Wien 2019 Reichenau an der Rax gnd-content Musiker (DE-588)4040841-3 s Musikbranche (DE-588)4197568-6 s Soziale Ungleichheit (DE-588)4055736-4 s Aktivismus (DE-588)4000973-7 s Internationaler Vergleich (DE-588)4120509-1 s Geschichte 1860- z DE-604 Abfalter, Dagmar 1984- (DE-588)1156879329 edt Reitsamer, Rosa (DE-588)1037081919 edt Äquivalent Druck-Ausgabe, Paperback 978-0-367-71362-1 Erscheint auch als Online-Ausgabe, ebk. 978-1-00-315048-0 Music as labour [1.] Abingdon, Oxon ; New York : Routledge, 2022 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033919307&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Music as labour inequalities and activism in the past and present Introduction. Rosa Reitsamer & Dagmar Abfalter -- Ironworks as Venues of Music Production : The Ostrava/Vítkovice Case from the 1890s to the 1910s / Fritz Trümpi -- From Bohemia to the Balkans : Towards a Socioeconomic History of Itinerant Women Musicians, 1860-1889 / Nuppu Koivisto -- The MGM Lion's Ominous Roar : (New) Technologies and the Disappearing Profession of Silent Movie Theatre Musicians in Croatia of the Late 1920s / Mojca Piškor -- 'Work that Body' : Disco, Counterculture and the Promise of the Transformation of Work / Tim Lawrence -- Hope, Labour and Privilege in American New Music / John R. Pippen -- A Lockdown Recording Project : Jazz Musicians and Metaphors for a Working Life / Michael L. Jones -- Emotional and relational labour in music from a feminist perspective / Emília Barna -- Afghan Pop in Europe. Migration, Affect, and Musical Labour / Marko Kölbl -- 'It's a Kind of Macho Culture' : Changes and Continuities in Young Female Musicians' Talk about Inequalities / Christina Scharff -- Women Working in the Music Business : An Alumni Study / Sally Anne Gross -- Musicians of the World Unite! The Initial Years of the International Federation of Musicians / Martin Cloonan -- Towards More Inclusion in the Music Industry / Sophie Hennekam -- Moving Beyond @operaisracist : Exploring Black Activism as a Pathway to Antiracism and Creative Justice in Opera / Antonio C. Cuyler Musikbranche (DE-588)4197568-6 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Soziale Ungleichheit (DE-588)4055736-4 gnd Aktivismus (DE-588)4000973-7 gnd Musiker (DE-588)4040841-3 gnd |
| subject_GND | (DE-588)4197568-6 (DE-588)4120509-1 (DE-588)4055736-4 (DE-588)4000973-7 (DE-588)4040841-3 (DE-588)1071861417 |
| title | Music as labour inequalities and activism in the past and present |
| title_auth | Music as labour inequalities and activism in the past and present |
| title_exact_search | Music as labour inequalities and activism in the past and present |
| title_exact_search_txtP | Music as labour inequalities and activism in the past and present |
| title_full | Music as labour inequalities and activism in the past and present edited by Dagmar Abfalter and Rosa Reitsamer |
| title_fullStr | Music as labour inequalities and activism in the past and present edited by Dagmar Abfalter and Rosa Reitsamer |
| title_full_unstemmed | Music as labour inequalities and activism in the past and present edited by Dagmar Abfalter and Rosa Reitsamer |
| title_short | Music as labour |
| title_sort | music as labour inequalities and activism in the past and present |
| title_sub | inequalities and activism in the past and present |
| topic | Musikbranche (DE-588)4197568-6 gnd Internationaler Vergleich (DE-588)4120509-1 gnd Soziale Ungleichheit (DE-588)4055736-4 gnd Aktivismus (DE-588)4000973-7 gnd Musiker (DE-588)4040841-3 gnd |
| topic_facet | Musikbranche Internationaler Vergleich Soziale Ungleichheit Aktivismus Musiker Konferenzschrift Universität für Musik und darstellende Kunst Wien 2019 Reichenau an der Rax |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033919307&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| work_keys_str_mv | AT abfalterdagmar musicaslabourinequalitiesandactivisminthepastandpresent AT reitsamerrosa musicaslabourinequalitiesandactivisminthepastandpresent |