Making media: foundations of sound and image production
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge, Taylor & Francis Group
2022
|
| Ausgabe: | Fifth edition |
| Schriftenreihe: | A Focal Press book
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | Auf dem Umschlag: Companion website |
| Beschreibung: | ix, 335 Seiten Illustrationen |
| ISBN: | 9780367638306 9780367638313 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | CONTENTS Acknowledgments 1 Content and Development ix 1 The Primacy of Content 1 Developing Story Ideas 2 Classifying Content 5 Development 10 Ethical and Legal Responsibilities 17 Conclusion 18 Putting It Into Practice 19 Key Concepts 19 2 Composing the Frame 21 Seeing the World Through a Frame 21 The Still Image 21 Controlling the Frame 22 What’s in the Frame and What Isn t: Shot Sizes 27 The Weight and Magnetism of the Frame 32 Conclusion 37 Putting It Into Practice 38 Key Concepts 39 3 Reproducing the Frame 41 PART 1: Creating the Image 41 Lenses 41 Focal Length 42 Lens Characteristics 45 Aperture 47 Shutter Speed 47 Sensitivity 49
vi Contents Focus 49 Resolution 53 PART 2: The Frame Applied to Different Media 53 Analog Versus Digital Reproduction 54 Still Image Making 55 Film 55 Digital 57 Resolution 58 Compression 60 Motion Pictures 61 Conclusion 69 Putting It Into Practice 70 Key Concepts 70 4 Depth, Movement, and Time 71 Media Illusions 71 Movement 77 Movement Considerations in Different Media 89 Animation and Motion Graphics 91 Virtual, Augmented, and Mixed Reality 94 Time and Space 96 Sounds and Images Existing in Time 100 Conclusion 106 Putting It Into Practice 106 Key Concepts 107 5 Light 109 The Importance of Light 109 Understanding Light 110 Lighting Concerns of Different Media 134 Conclusion 141 Putting It Into Practice 141 Key Concepts 141 6 Sound 143 The Importance of Sound 143 Understanding Sound 144
Contents Reproducing Sound 147 Sound Variations 159 Types of Audio Media 168 Conclusion 170 Putting It Into Practice 171 Key Concepts 171 7 Sound and Image 173 A + В = C 173 Elements of Sound Design 174 Sound Recording for Different Media 177 Conclusion 181 Putting It Into Practice 181 Key Concepts 181 8 Approaches to Production Determining Your Approach 183 183 The Production Team 191 The Role of Collaboration 194 Conclusion 195 Putting It Into Practice 196 Key Concepts 197 9 Making It Happen 199 The Preproduction Process 199 Insurance and Permissions 209 Production Safety 212 Conclusion 218 Putting It Into Practice 218 Key Concepts 218 10 The Theory of Linear Structure 221 Putting the Story Together 221 Issues of Structure in Preproduction 222 Approaches to Structuring Motion Pictures 224 Applications of Structure 239 vii
viii Contents Conclusion 243 Putting It Into Practice 244 Key Concepts 244 11 The Practice of Linear Structure 245 Sound and Image Transitions 245 Live Editing 247 Postproduction Editing 249 Digital Nonlinear Editing 259 Issues of Convergence and Compatibility 271 Conclusion 273 Putting It Into Practice 273 Key Concepts 273 12 Nonlinear Structure 275 Understanding Nonlinearity 275 Types of Interactive Media 280 The Process of Making Interactive Media 285 Putting the Pieces Together 292 Conclusion 295 Putting It Into Practice 295 Key Concepts 295 13 Exhibition and Distribution 297 Changing Media Forms 297 Getting the Work to an Audience 299 The Future 301 Making Media Professionally 302 Conclusion 303 Putting It Into Practice 303 Key Concepts 303 Glossary 305 Index 325
Taking essential· media production processes, this book deconstructs them into the most basic components. Students will· learn the concepts of media production frame, sound, light, time, motion, and sequencing and be able to appİy them to any medium they choose, from film and television to fine art and online applications. They will also become well-grounded in the digital work environment and the tools required to produce media in today’s digital environment. The primacy of content and the importance of an ethical approach to media making are also emphasized. This new fifth edition is fully updated throughout, featuring updates on technology and processes. Included is new information on shooting with a cell phone, developments in mirrorless cameras, color grading, tips for recording good audio, intimacy training, and much more. Fully illustrated, this book includes sidebar discussions of pertinent issues throughout. There is a companion website with interactive exercises for each chapter, allowing students to explore the process of media production. This book is ideal for media students on courses including media production, film production, audio production, and photography. Jan Roberts-Breslin is a media artist whose video art has been screened and won awards at US and international film and video festivals, aired on PBS, and exhibited at museums. She is a Professor of Visual and Media Arts at Emerson College in Boston, where she has served as the Founding Director of the MFA in Film and Media Art and as Dean of Graduate and Professional Studies. She has been a Visiting
Scholar at the Communications University of China in Beijing.
|
| adam_txt |
CONTENTS Acknowledgments 1 Content and Development ix 1 The Primacy of Content 1 Developing Story Ideas 2 Classifying Content 5 Development 10 Ethical and Legal Responsibilities 17 Conclusion 18 Putting It Into Practice 19 Key Concepts 19 2 Composing the Frame 21 Seeing the World Through a Frame 21 The Still Image 21 Controlling the Frame 22 What’s in the Frame and What Isn't: Shot Sizes 27 The Weight and Magnetism of the Frame 32 Conclusion 37 Putting It Into Practice 38 Key Concepts 39 3 Reproducing the Frame 41 PART 1: Creating the Image 41 Lenses 41 Focal Length 42 Lens Characteristics 45 Aperture 47 Shutter Speed 47 Sensitivity 49
vi Contents Focus 49 Resolution 53 PART 2: The Frame Applied to Different Media 53 Analog Versus Digital Reproduction 54 Still Image Making 55 Film 55 Digital 57 Resolution 58 Compression 60 Motion Pictures 61 Conclusion 69 Putting It Into Practice 70 Key Concepts 70 4 Depth, Movement, and Time 71 Media Illusions 71 Movement 77 Movement Considerations in Different Media 89 Animation and Motion Graphics 91 Virtual, Augmented, and Mixed Reality 94 Time and Space 96 Sounds and Images Existing in Time 100 Conclusion 106 Putting It Into Practice 106 Key Concepts 107 5 Light 109 The Importance of Light 109 Understanding Light 110 Lighting Concerns of Different Media 134 Conclusion 141 Putting It Into Practice 141 Key Concepts 141 6 Sound 143 The Importance of Sound 143 Understanding Sound 144
Contents Reproducing Sound 147 Sound Variations 159 Types of Audio Media 168 Conclusion 170 Putting It Into Practice 171 Key Concepts 171 7 Sound and Image 173 A + В = C 173 Elements of Sound Design 174 Sound Recording for Different Media 177 Conclusion 181 Putting It Into Practice 181 Key Concepts 181 8 Approaches to Production Determining Your Approach 183 183 The Production Team 191 The Role of Collaboration 194 Conclusion 195 Putting It Into Practice 196 Key Concepts 197 9 Making It Happen 199 The Preproduction Process 199 Insurance and Permissions 209 Production Safety 212 Conclusion 218 Putting It Into Practice 218 Key Concepts 218 10 The Theory of Linear Structure 221 Putting the Story Together 221 Issues of Structure in Preproduction 222 Approaches to Structuring Motion Pictures 224 Applications of Structure 239 vii
viii Contents Conclusion 243 Putting It Into Practice 244 Key Concepts 244 11 The Practice of Linear Structure 245 Sound and Image Transitions 245 Live Editing 247 Postproduction Editing 249 Digital Nonlinear Editing 259 Issues of Convergence and Compatibility 271 Conclusion 273 Putting It Into Practice 273 Key Concepts 273 12 Nonlinear Structure 275 Understanding Nonlinearity 275 Types of Interactive Media 280 The Process of Making Interactive Media 285 Putting the Pieces Together 292 Conclusion 295 Putting It Into Practice 295 Key Concepts 295 13 Exhibition and Distribution 297 Changing Media Forms 297 Getting the Work to an Audience 299 The Future 301 Making Media Professionally 302 Conclusion 303 Putting It Into Practice 303 Key Concepts 303 Glossary 305 Index 325
Taking essential· media production processes, this book deconstructs them into the most basic components. Students will· learn the concepts of media production frame, sound, light, time, motion, and sequencing and be able to appİy them to any medium they choose, from film and television to fine art and online applications. They will also become well-grounded in the digital work environment and the tools required to produce media in today’s digital environment. The primacy of content and the importance of an ethical approach to media making are also emphasized. This new fifth edition is fully updated throughout, featuring updates on technology and processes. Included is new information on shooting with a cell phone, developments in mirrorless cameras, color grading, tips for recording good audio, intimacy training, and much more. Fully illustrated, this book includes sidebar discussions of pertinent issues throughout. There is a companion website with interactive exercises for each chapter, allowing students to explore the process of media production. This book is ideal for media students on courses including media production, film production, audio production, and photography. Jan Roberts-Breslin is a media artist whose video art has been screened and won awards at US and international film and video festivals, aired on PBS, and exhibited at museums. She is a Professor of Visual and Media Arts at Emerson College in Boston, where she has served as the Founding Director of the MFA in Film and Media Art and as Dean of Graduate and Professional Studies. She has been a Visiting
Scholar at the Communications University of China in Beijing. |
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| index_date | 2024-07-03T20:54:00Z |
| indexdate | 2024-07-10T09:40:52Z |
| institution | BVB |
| isbn | 9780367638306 9780367638313 |
| language | English |
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| spelling | Roberts-Breslin, Jan Verfasser aut Making media foundations of sound and image production Jan Roberts-Breslin ; illustrations by Daniel Breslin Fifth edition New York ; London Routledge, Taylor & Francis Group 2022 ix, 335 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier A Focal Press book Auf dem Umschlag: Companion website Medienherstellung (DE-588)4828159-1 gnd rswk-swf Medienherstellung (DE-588)4828159-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-12088-9 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033913068&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033913068&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Making media foundations of sound and image production |
| title_auth | Making media foundations of sound and image production |
| title_exact_search | Making media foundations of sound and image production |
| title_exact_search_txtP | Making media foundations of sound and image production |
| title_full | Making media foundations of sound and image production Jan Roberts-Breslin ; illustrations by Daniel Breslin |
| title_fullStr | Making media foundations of sound and image production Jan Roberts-Breslin ; illustrations by Daniel Breslin |
| title_full_unstemmed | Making media foundations of sound and image production Jan Roberts-Breslin ; illustrations by Daniel Breslin |
| title_short | Making media |
| title_sort | making media foundations of sound and image production |
| title_sub | foundations of sound and image production |
| topic | Medienherstellung (DE-588)4828159-1 gnd |
| topic_facet | Medienherstellung |
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