Inclusive screenwriting for film and television:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2022
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| Schriftenreihe: | A Focal Press book
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | ix, 151 Seiten |
| ISBN: | 9780367772185 9780367772208 |
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Datensatz im Suchindex
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| adam_text | CONTENTS Acknowledgements ix Introduction 1 PARTI Towards a Critique of Screenwriting 1 Screenplay Manuals and the Homogenization of the Imagination 13 15 2 Reimagining Character 27 3 Rethinking the Role of Conflict 40 4 Changing the Narrative (Structure) 49 5 On World-Building 60 PART II Towards an Inclusive and Intersectional Practice of Screenwriting 71 6 From Killing Eve to an Eve Who Kills 73 7 Queer and Trans World-building in Sense8 85
viii Contents 8 9 The Generative Power of Paradigm Destruction in I May Destroy You 10Q The Explicit and SpecificPolitics of Vida 114 Conclusion: A Way Forward 132 References Index į 4Q 14У
Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8,1 May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.
Jess King is an Instructor of Screenwriting and Cinema Production at DePaul University, USA. Jess is an educator, scholar, and interdisciplinary filmmaker, teaching courses in screenwriting, independent television, and film analysis. King’s creative scholarship revolves around frameworks for reimagining screenwriting for inclusion and social justice.
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| adam_txt |
CONTENTS Acknowledgements ix Introduction 1 PARTI Towards a Critique of Screenwriting 1 Screenplay Manuals and the Homogenization of the Imagination 13 15 2 Reimagining Character 27 3 Rethinking the Role of Conflict 40 4 Changing the Narrative (Structure) 49 5 On World-Building 60 PART II Towards an Inclusive and Intersectional Practice of Screenwriting 71 6 From Killing Eve to an Eve Who Kills 73 7 Queer and Trans World-building in Sense8 85
viii Contents 8 9 The Generative Power of Paradigm Destruction in I May Destroy You 10Q The Explicit and SpecificPolitics of Vida 114 Conclusion: A Way Forward 132 References Index į 4Q 14У
Breaking down the traditional structures of screenplays in an innovative and progressive way, while also investigating the ways in which screenplays have been traditionally told, this book interrogates how screenplays can be written to reflect the diverse life experiences of real people. Author Jess King explores how existing paradigms of screenplays often exclude the very people watching films and TV today. Taking aspects such as characterization, screenplay structure, and world-building, King offers ways to ensure your screenplays are inclusive and allow for every person’s story to be heard. In addition to examples ranging from Sorry to Bother You to Portrait of a Lady on Fire, four case studies on Killing Eve, Sense8,1 May Destroy You, and Vida ground the theoretical work in practical application. The book highlights the ways in which screenplays can authentically represent and uplift the lived experiences of those so often left out of the narrative, such as the LGBTQIA+ community, women, and people of color. The book addresses a current demand for more inclusive and progressive representation in film and TV and equips screenwriters with the tools to ensure their screenplays tell authentic stories, offering innovative ways to reimagine current screenwriting practice towards radical equity and inclusion. This is a timely and necessary book that brings the critical lenses of gender studies, queer theory, and critical race studies to bear on the practice of screenwriting, ideal for students of screenwriting, aspiring screenwriters, and industry professionals alike.
Jess King is an Instructor of Screenwriting and Cinema Production at DePaul University, USA. Jess is an educator, scholar, and interdisciplinary filmmaker, teaching courses in screenwriting, independent television, and film analysis. King’s creative scholarship revolves around frameworks for reimagining screenwriting for inclusion and social justice. |
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| spelling | King, Jess Verfasser aut Inclusive screenwriting for film and television Jess King London ; New York Routledge, Taylor & Francis Group 2022 ix, 151 Seiten txt rdacontent n rdamedia nc rdacarrier A Focal Press book Drehbuch (DE-588)4127976-1 gnd rswk-swf Drehbuch (DE-588)4127976-1 s DE-604 Erscheint auch als Online-Ausgabe 978-1-003-17031-0 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033912856&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033912856&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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