No one to meet: imitation and originality in the songs of Bob Dylan
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Tuscaloosa, AL
University of Alabama Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 260 Seiten Illustrationen |
| ISBN: | 9780817321413 |
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Figures ix xi Acknowledgments A Note on Lyrics Introduction xii 1 27 1. Past the Vernacular: Dylans Technique of Originality 2. Savage Innocence : Dylans Art ofAppropriation 64 3. Self-Portrait in a Broken Glass: Dylan Imitates Dylan 4. The Wizard s Curse: The American Singer as Vates Afterword: Every Conceivable Point of View Notes 197 Discography 218 Bibliography 238 Copyright Information Index 248 246 192 98 136
The literary establishment once tended to re gard Bob Dylan as an intriguing, if baffling, out sider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international lit erary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tra dition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process bor rows from and creatively expands the methods used by classical and Renaissance authors. Continued on back flap
Continuedfromfrontflap Drawing on numerous examples, including Dylan s previously unseen manuscript excerpts and archival materials, Raphael Falco illumi nates how the ancient process of poetic imita tion, handed down from Greco-Roman antiq uity, allows us to make sense of Dylans musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylans songs and allows us to celebrate him as what he truly is: a great writer.
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| adam_txt |
CONTENTS List of Figures ix xi Acknowledgments A Note on Lyrics Introduction xii 1 27 1. Past the Vernacular: Dylans Technique of Originality 2. Savage Innocence : Dylans Art ofAppropriation 64 3. Self-Portrait in a Broken Glass: Dylan Imitates Dylan 4. The Wizard s Curse: The American Singer as Vates Afterword: Every Conceivable Point of View Notes 197 Discography 218 Bibliography 238 Copyright Information Index 248 246 192 98 136
The literary establishment once tended to re gard Bob Dylan as an intriguing, if baffling, out sider. That changed overnight when Dylan was awarded the 2016 Nobel Prize in Literature, challenging us to think of him as an integral part of our national and international lit erary heritage. No One to Meet: Imitation and Originality in the Songs of Bob Dylan places Dylan the artist within a long tra dition of literary production and offers an innovative way of understanding his unique, and often controversial, methods of composition. In lucid prose, Raphael Falco demonstrates the similarity between what Renaissance writers called imitatio and the way Dylan borrows, digests, and transforms traditional songs. Although Dylan’s lyrical postures might suggest a post Romantic, “avant-garde” consciousness, No One to Meet shows that Dylan’s creative process bor rows from and creatively expands the methods used by classical and Renaissance authors. Continued on back flap
Continuedfromfrontflap Drawing on numerous examples, including Dylan s previously unseen manuscript excerpts and archival materials, Raphael Falco illumi nates how the ancient process of poetic imita tion, handed down from Greco-Roman antiq uity, allows us to make sense of Dylans musical and lyrical technique. By placing Dylan firmly in the context of an age-old poetic practice, No One to Meet deepens our appreciation of Dylans songs and allows us to celebrate him as what he truly is: a great writer. |
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| author | Falco, Raphael |
| author_GND | (DE-588)141680199 |
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| bvnumber | BV048533607 |
| classification_rvk | HU 3541 |
| ctrlnum | (OCoLC)1369563463 (DE-599)BVBBV048533607 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| format | Book |
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| isbn | 9780817321413 |
| language | English |
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| spelling | Falco, Raphael Verfasser (DE-588)141680199 aut No one to meet imitation and originality in the songs of Bob Dylan Raphael Falco Tuscaloosa, AL University of Alabama Press [2022] 260 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Dylan, Bob 1941- (DE-588)118528408 gnd rswk-swf Lyrics (DE-588)10323744-6 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Songwriting (DE-588)1042957274 gnd rswk-swf Song (DE-588)4138544-5 gnd rswk-swf Dylan, Bob 1941- (DE-588)118528408 p Song (DE-588)4138544-5 s Lyrics (DE-588)10323744-6 b Songwriting (DE-588)1042957274 s Ästhetik (DE-588)4000626-8 s DE-604 Erscheint auch als Online-Ausgabe 978-0-8173-9423-3 Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910287&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910287&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Falco, Raphael No one to meet imitation and originality in the songs of Bob Dylan Dylan, Bob 1941- (DE-588)118528408 gnd Lyrics (DE-588)10323744-6 gnd Ästhetik (DE-588)4000626-8 gnd Songwriting (DE-588)1042957274 gnd Song (DE-588)4138544-5 gnd |
| subject_GND | (DE-588)118528408 (DE-588)10323744-6 (DE-588)4000626-8 (DE-588)1042957274 (DE-588)4138544-5 |
| title | No one to meet imitation and originality in the songs of Bob Dylan |
| title_auth | No one to meet imitation and originality in the songs of Bob Dylan |
| title_exact_search | No one to meet imitation and originality in the songs of Bob Dylan |
| title_exact_search_txtP | No one to meet imitation and originality in the songs of Bob Dylan |
| title_full | No one to meet imitation and originality in the songs of Bob Dylan Raphael Falco |
| title_fullStr | No one to meet imitation and originality in the songs of Bob Dylan Raphael Falco |
| title_full_unstemmed | No one to meet imitation and originality in the songs of Bob Dylan Raphael Falco |
| title_short | No one to meet |
| title_sort | no one to meet imitation and originality in the songs of bob dylan |
| title_sub | imitation and originality in the songs of Bob Dylan |
| topic | Dylan, Bob 1941- (DE-588)118528408 gnd Lyrics (DE-588)10323744-6 gnd Ästhetik (DE-588)4000626-8 gnd Songwriting (DE-588)1042957274 gnd Song (DE-588)4138544-5 gnd |
| topic_facet | Dylan, Bob 1941- Lyrics Ästhetik Songwriting Song |
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