Holdings: Sefë Mleqani dhe këngët e tij epike

Sefë Mleqani dhe këngët e tij epike: (monografi)

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Bibliographic Details
Main Author:	Dugolli, Ilir A. 1966- (Author)
Format:	Book
Language:	Albanian
Published:	Prishtinë Instituti Albanologjik i Prishtinës 2020
Subjects:	Mleqani, Sefë > 1918-1975 Heldenepos Albaner Volkslied Albanisch Kosovo Biografie
Online Access:	Inhaltsverzeichnis Abstract Literaturverzeichnis Register // Personenregister
Physical Description:	371 Seiten Illustrationen, Porträts 21 cm
ISBN:	9789951240895

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Record in the Search Index

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adam_text	PËRMBAJTJA PARATHËNIE....................................................................... HYRJE................................................................................... KREU I SEFË MLEQANI, RAPSODI IKËNGËVE KRESHNIKE.. LLAPUSHA............................................. MLEQANI............................................................................. SEFÊ BRAHIM MLEQANI ֊ GASHI.................................. REPERTORI I KËNGËVE TÊ SEFË BRAHIM MLEQANIT - GASHIT........................... Këngët epike-historike............................................................. Këngët lirike........................................................................... Këngët epike-legjendare të kreshnikëve................................ Balada...................................................................................... Këngë me karakter fetar........................................................ KREU II EPOSI HEROIK LEGJENDARË, NARRACIONI DHE MITI............................................................................... EPIKA..................................................................................... KËNGËT KRESHNIKE........................................................ PERSONAZHË NË KËNGË KRESHNIKE....................... PERSONAZHË MITIK DHE EFEKTET E VEPRIMIT TË TYRE.......................................................... VIRTYTE DHE BESTYTNINË KËNGË KRESHNIKE............................................................ OBJEKTET NË KËNGË KRESHNIKE............................... TOPOGRAFIA KRESHNIKE.............................................. NARRACIONI NË KËNGËT KRESHNIKE....................... 9 13 19 22 24 31 32 36 38 39 39 43 59 71 75 75 76 77 78 LEGIENDARITETI, FANTASTIKJA DHE MITIKJA NË KËNGËT KRESHNIKE............................ Legjendariteti...................................................................... Fantastikja.......................................................................... Mitikja................................................................................. KARAKTERISTKA TIPOLOGJIKE NË KËNGËT KRESHNIKE.................................................................... POETIKA E PĖRMBYSUR........................................... TRANSKRIPTIMIIKËNGËVE KRESHNIKE TË KËNDUARA NGA SEFË MLEQANI Kur ka nxan Muja nusen...................................................... Rrethimi i Mujes..................................................................... Arrnaut Asmani.................................................................... Nikoli Bajraktari.................................................................. Millosh Kapetani.................................................................. Halili e vret Filipe Maxharrin................................................ Fjalë të rralla në këngët kreshnike....................................... KREU III ATDHETARIZMI DHE VAZHDIMSIA E RAPSODİSE SI TRASHEGIMIKULTURORE ............... SEFMLEQANËT HUMAN................................................ SEFMLEQANËT RAPSOD................................................ Shtypi dhe mediet elektronike për vdekjen e Asman Brahim Gashit.......................................................... Rapsodi i plejades së arte.................................................... REPERTORI I KËNGËVE TË SEFMLEQANVE.......... Këngët ерке......................................................................... Këngët epiko-historike........................................................ Këngët lirike......................................................................... Këngët kreshnike................................................................. Këngët balada....................................................................... 6 84 85 86 87 92 121 122 124 143 152 169 189 208 219 227 232 240 254 257 257 260 262 265 265 Këngë me karakter fetar........................................................ SEFËMLEQANËT ATDHETARÊ...................................... DALLIMI IREPERTORËVE............................................ FOTOALBUMI................................................................... 266 267 270 273 KREUIV DËSHMI DHE DOKUMENTE PÊR SEFË MLEQANIN DHE TË BIJTË E TIJ........................................................ KARAKTERISTIKAT INDIVIDUALE TË SEFË MLEQANËVE........................................................... Imeri........................................................................................ Asmani.................................................................................... Xhaferi.................................................................................... Brahimi.................................................................................. ismeti...................................................................................... Beqiri........................................................................... 304 304 305 305 306 306 307 KREU V TË TJERËT PËR SEFË BRAHIM MLEQANIN-GASHIN . Bajram Rexhë Jupa - Gashi................................................ Rifat Dragaj........................................................................... Musli Musliu......................................................................... Habib Kryeziu....................................................................... Vesel Jahë Marmullaku........................................................ IsëLlapçeva......................................................................... Zenei Zekolli......................................................................... Rifat Berisha......................................................................... Postmortum (Riza Bilača).................................................... Enver Batllava....................................................................... PËRFUNDIMI..................................................................... CONCLUSION....................................................................... FALENDERIM................................................................... 311 312 314 316 317 319 322 325 326 327 329 333 337 3=====^^ 7 3=====^^ AKRONIME......................................................................... FJALË TĖ RRALLA DHE KUPTIMII TYRE NË KËNGË KRESHNIKE................................................... HULUMTIM DHE KONSTATIM..................................... Hulumtim / Arkivë................................................................ Konstatim............................................................................... DËSHMI GJATË PUNËS HULUMTUESE PËRMES POSTES ELEKTRONIKE................................. BŪRIME DHE LITERATURA......................................... Būrime................................................................................. Būrime elektronike.............................................................. Literatura............................................................................... Nga recensuesit................................................................... TREGUESII EMRAVE...................................................... Biografía e autorit................................................................ BOTIMIN E NDIHMUAN................................................... ֊ 8 338 339 341 341 342 347 352 352 352 353 357 362 369 371 SEFË MLEQANIDHE KËNGËT E TU EPIKE CONCLUSION The songs that have already taken the lead in this monograph are the legendary songs. They are further explained as epic-legendary songs, which are performed by singers who know how to play the lute, and also sharkia, ciftelia and primi (Albanian musical instruments). These songs are known as tenline poems, consisting of a couplet and a octave, that are indefinable or incompatible with the pure Slavic language, regarding the linguistic aspect. Various attempts, and tendencies were also made to bring the epic-legendary song off of the margins of Albanian authenticity. Mention is made of many researchers who have dealt with the oral epic (1407/1512), and the legendary Albanian epic, which is undoubtedly the main source for the first one. Apart with it, many singers from different regions of the Albanian settlements are mentioned as well, who have been famous for their unique recitative style, and also for their narrative, meaning, essence and message. The places where the fights between the main protagonists, the Kreshniks and the other negative characters of the song usually take place, are continually mentioned. Names of famous people are found within these types of songs, whose characters are usually described depending the event. What makes the story more interesting are the rare words that are used, the movable and non-movable items that are frequented by the Kreshniks. The identification of Albanian mythology will remain the essential topic because it is one of the strongest elements of the Albanian authenticity, which, throughout these songs, is related to its cultural past. There will be interviews from people that have been in touch with the singer of the legendary epic, Sefë Mleqani, where the description will be ===^=^= 333 ===== ILIR A. DUGOLLI given in its best way because all of these people who gave evidences were not closely related to him. With their statements, his role and contribution to the culture and liberation of the country would be strengthened. The description is also given to each of his sons, also singers, in greater details, as they are recognized as Sefa s biological and professional heirs. The study done by foreign authors and tracers upon our oral epic, and our epic-legendary songs as well, suggest that the Albanians have an ancient historical culture, alike with them. As abovementioned, many professional epilogists, linguists, foreigners and locals have provided contributions on this cultural field. However, for more exploration of the Albanian legendary epic, I think this monographic book, which also describes the segment of a typical Albanian family known as the family that sang this kind of song, will remain an additional contribution to many authors who have dedicated themselves to this genre of music. Also, for this family which has its own contribution to the great national issue, it is a modest contribution to acquaint the reader personally with the main protagonist of the singing of these songs, as well as his descendants, who represented the ancestor in a very dignified way in the legendary epic and beyond. The main protagonist in this book, Sefe Mleqani, turns out to be the first singer in the Albanian rhapsody who sings the legendary songs with sharki . This way, he made a twist in the history of our rhapsody: from playing these songs with the lute, to them being played with sharki . By doing so, he brought a novelty which can be considered a successful reform in this genre of music. This will be recognized as a special contribution and a revolution of the time in the domain of these songs. Attached to this songwriting ability is the singing of songs of other genres as well, such as; -------------------- 334 .-------- SEFË MLEQANIDHE KËNGËT E TU EPIKE epic, historical, ballad, religious, etc., which give Sefe Mleqanis personality a special dimension of a singer. Cultural heritage will come as the continuity of the work of rhapsodists like Sefa. In this context, the Sefmleqans are presented as his biological descendants. They were treated in three main ways: Sefmleqans as humanists; Sefmleqans as rhapsodists and Sefmleqans as patriots. In all three cases they are represented with a set of facts and evidences that justify their human, artistic and patriotic work and activity. Upcoming will be a photo album of the main protagonist s close family members, which is not by chance in the book, or just to fill the gaps. It carries the importance of creating an accurate photographic image for the readers who have not had the chance to know them. At the same time, these precise photographic images will also serve as a tool to compare the similarities between them and their descendants who continue the rhapsodic tradition of the family, which are also regarded as genetic inheritance. According to ordinary people, their rhapsodic colleagues, and family members, the description of Sefa s and his sons repertoire has been depicted. It is interesting that these two separate repertoires give rise to a great similarity. Eventual differences will also be noticed in the latter songs, such as for the martyrs of the Kosovo Liberation Army (KLA) period. Further on, the distinguishment between these two repertoires will be made. This distinction is drawn in order to emphasize the evolutionary changes in the historiography of their rhapsody. Based on these changes caused by the time, we can conclude that studies need to be done, always and forever, for as long as our rhythm is active. And such studies aim at the tendency to promote our culture in terms of oral and written ILIR A. DUGOLLI creativity. This difference will be shown in a graphic form, where the differences will be expressed in percentage. There will be evidences shown with pictures and all that is needed to complete such a monograph. After his death (Sefas’), Beqiri is the one who completes his musical band in weddings and other gatherings. Thanks to their musical talent and their sounds and styles characteristics, they will be known as the heir to every dimension of their parent. So, they too will look like amateur artists, who left remarkable traces in the field ofAlbanian musicology. Logically, these legendary songs will represent mythical elements originating from popular imagination, which are described with the toponyms of existing places. Along with them will come the traditions, customs, and rules which are mainly considered to be of Albanian belongings. All of these are implied as well-developed, coordinated and harmonized events, hyperbolically justifying the event in the song. Andfinally, this last issue is best explained by the statement of the main protagonist of this monograph, found at the end of his legendary song, which is as follows: ...something must be left, even ifit is long gone ! BURIMET DHE LITERATURA a) Būrime: Arkivi familj ar i Imer Sefe Mleqanit. Mehmet Rukiqi, revista “Fjala jonë”, Rapsode që пик vdesin, titulli; Sefe Mleqani dhe Kënga Kreshnike,qershor 1996. Žyra e Gjendjes Civile Malishevë, - Certifikate e vdekjes. Shtatë (7) audio CD, me këngë autentike të Sefe Mleqanit, të Imerit, dhe Asman Gashit - Mleqanit. Arkivi i TV - “AlsatM” Arkivi i TV- 21, seksioni ֊ muzike. Arkivi i RTK-së Arkivi i Radio Kosovës - Prishtinë / Program Muzikor Arkivi i Radio Kuksit b) Būrime elektronike: https://sq.wikipedia.org/wiki/Eposi i _kreshnik%C3%AB ve#cite note-1 dt; 25.10.2017, 3.15h, PM. https://chs.harvard.edu/CHS/article/display/6701#noterefh 2 dt; 18.09.2017, 13.38 h,PM. http://chsll9.chs.harvard.edu/mpc/gallery/avdo.html dt; 18.09.2017, 13.45 h, PM. http://www.zemrashqiptare.net/news/id 24900/cid l 15/R amiz-D%C3e/oABrmaku:-Jemi-tri-fe-por-kemivet%C3%ABm-nj%C3%AB-atdhe-t%C3%ABp%C3%ABrbashk%C3%ABt.html dt; 17.09.2017, 3.15 h, PM. https://sq.wikipedia.org/wiki/Jutbina dt; 24.10.2017, 2.40 h,PM. ------------------------------------ 352 ------------------------------------- SEFË MLEQANIDHE KËNGËT E TU EPIKE http://www.albinfo.ch/te-bijte-e-sefes֊lidere-te-folkloritshqiptar/ dt.28.10.2017, 9.15 h,AM. https -J/www, google, com/maps/place/Mleqan/@42.57039 23,20.7374666,14z/data=!4m5!3m4!ls0xl353737463e97 27b:0x643b80e76664eb64!8m2!3d42.5716031!4d20.756 9504 dt; 05.11.2017, 11.45 h, AM. http://fax.al/news/5060173/me-muzike-percjellet-per-nebanesen-e-fundit-rapsodi-Asman-sefe-mleqani dt; 17.11.2017, 3.35 h, PM. https.7/www.youtube.com/watch?v=O2doaCY7fF4 (TV Tribuna channal, varrimi i Asman Sefës), dt. 18.11.2017, 11.45 h. AM. https://www.youtube.com/watch?v=JdiQQi82aSI (TV Klan Kosova, varrimi i Brahim Šefes), 20.02.2018, 01.15 Һ.РМ. https://www.youtube.com/watch?v=-fA-CPt76GU (TV Klan Kosova, émision përkuj timor per Asman Sefën), dt; 17.11.2017, 3.35 h, PM. https://www.youtube.com/watch?v=uTd7TgXDocI (TV Klan Kosova, pritja e Presidentit të Kosovës). https://www.youtube.com/watch?v=mR3gD3dFKo0 (TV - Klan Kosova, emisión “Prive”). http://www.fi alori.shkenca.org/ c) Literatura; Neziri U. Zymer, prof.dr.,Këngè՜ të Kreshnikëve, shtëpia botuese, Libri Shkollor, Prishtinë,2003. Asmani Jusuf, prof.dr.,Vendbanimet e Kosovës 19, Malisheva. Prishtinë, 2006. Riza Skender, prof.dr.,Historia e përgjithshme, koha e re (1453-1789, Universiteti i Kosovës në Prishtinë, Fakulteti 353 ILIR A. DUGOLLI Filozofík, Enti i Tekste ve dhe i Mjeteve Mësimore të Krahinës Socialiste Autonome të Kosovës, Prishtinë 1985. Neziri U. Zymer, prof.dr.,Eposi i Kreshikëve; Monument i Trashëgimisë Kulturore Shqiptare. Instituti Albanologjik i Prishtinës, Përpjekje për përgatitjen e Dosjes për UNESCO. Ligjëratë në aktivitetin “Java e trashëgimisë kulturore jomateriale”, organizuar nga Këshilli i Evropës në bashkëpunim me Ministrine e Kultures të Kosovës, mbajtur, më 29.11 - 10.12. 2010, në Prishtinë. Baksi J.Shaban, Rapsodët e Trojeve Shqiptare 1. Botimet Meshari, Prishtinë, 2015. Pajtimi i Gjaqeve 1990-199l,Shtèpia botuese “Era”, Prishtinë, 2001. Sipas (prof. Anton Çetta, dhe dr. Zymer U. Neziri. Lëvizja Gjithëpopullore e Pajtimit të Gjaqeve, Pjesa e Pare, Lënda Dokumentare e Pajtimit të Gjaqeve, të Plagëve dhe të ngatërresave). Syla Fazii, Çështje të folklorit shqiptar. Instituti Albanologjik i Prishtinës, Prishtinë, 1998. Luan P, Kemajl L, Gëzim H, Adem B., Fatmir P, Tomor K. “Harta Arkeologjike e Kosovës I”, Akademia e Shkencave dhe e Arteve e Kosovës, Akademia e Shkencave e Shqipërisë, Prishtinë, 2006. “Këngë popullore shqiptare të Kosovë-Metohis ”, Bleni II, “Mustafa Bakija”, Fjalorth. Institutin Albanologjik të Prishtinës. Neziri U. Zymer, Studíme për folklorin, 1: Eposi і kreshnikëve dhe epika historike. Instituti Albanologjik i Prishtinës, Prishtinë, 2006. SEFË MLEQANIDHE KËNGËT E TU EPIKE Berisha Rrustem, Komunikime artistike të këngës popullore, Instituti Albanologjik i Prishtinës, Prishtinë, 2006. Bilača Rizah, Këngëpopullore I, Instituti Albanologjik i Prishtinës, Prishtinë, 1997. “Gjurmime Albanologjike”, folklor dhe etnologji, 22-1992, Instituti Albanologjik i Prishtinës, Prishtinë, 1993. “Gjurmime Albanologjike”, folklor dhe etnologji, 21-1991, Instituti Albanologjik i Prishtinës, Prishtinë, 1993. “Kultura Popullore” vitiXXVI (55,56),Akademia e Shkencave e Shqipërisë, Instituti i Kultures Popullore. 1,2, Tirane, 2007. Neziri U. Výmer,Kumtesë“Mërgimi në eposin heroik legjendar shqiptar dhe martesa e kreshnikut me vajzën e bukur të kralit ”, 2011. At Palaj Bernardin dhe Kürtaj Donat, Visaret e Kombit,vëllimi II, “Këngë Kreshnikësh dhe Legjenda” Tiranë, 1937. Shala Demush,“Letërsia Popullore”.Universitet] i Kosovës, Shkolla e Lartë Pedagogjike, Dega e Gjuhës dhe Letërsisë Shqipe. Enti i Teksteve dhe i Mjeteve Mësimore i Krahinës Socialiste Autonome të Kosovës, Prishtinë, 1983. “Fokllori Shqiptar”(tekst për Universitetitn),Dis.I, Universiteti i Tiranës - Instituti i Folklorit, Tiranë, 1974. Panajoti Jorgo - Hyso Riza. “Folklor Shqiptar” (Për shkolla të mesme). Shtëpia Botuese - Libri Shkollor. Haxhihasani Qemal,“Folklor Shqiptar”. Seria II. “Epika Legjendare”. Vëllimi i dytë. Tiranë, 1983. Akademia e Shkencave dhe e Arteve e Kosovës. “Fjalori Enciklopedik i Kosovës”. I, A-K. Prishtinë, 2018. Akademia e Shkencave e Shqipërisë. “Fjalor Enciklopedik Shqiptar”. Botimi i ri. Tiranë, 2008. =========== 355 ............ = ILIR A. DUGOLLI Akademia e Shkencave e Shqipërisë. “Fjalor Enciklopedik Shqiptar”. Botimi i ri. Vëllimi i dytë: Н-М. Tirane, 2008. Akademia e Shkencave dhe e Arteve e Kosovës. “Fjalori Enciklopedik i Kosovës”. II, L-ZH. Prishtinë, 2018. 356 ILIR A. DUGOLLI TREGUESIIEMRAVE Saarim: Emrat e shenuar me tipin e shkronjave italik p.sh. (Bajraktari, Zukù), janë persona jo real, që përmenden në këngë. Aga i ri, Halil ֊ 72, 145, 147. Aga, Emin -32,71,73,257. Aga, Asman - 71. Agë Asmanı, Dizdar - 71. Ajkuna - 71, 91, 120. Ali aga -130. Ali, Muhamed - 305. Alimusaj, Hysen - 11. Angjelina, Dylber - 71, 125, 126. Arifi, Asman - 11. Asmanı, Arnaut —38, 152, 156, 15 7, 161, 162, 163, 164, 165. Avdia, Sokol - 11. Balia Dan - 20 Baja, Bali - 21, ЗО Bajra, Vëllezërit - 245. Bajraktari, Ali - 53, 71, 72, 93, 109, ПО, 115, 120, 128, 129, 130, 133, 139, 141, 172. Bajraktari, Beno — 79. AgaHaxhi, Mehmet -53, 109, 110, 111, 112, 113, 114, 115, 120, 171, 172, 175, 176. Bajraktari, Mirlind - 248. Bajraktari, Nikolle -38, 73, 101, 103, 104, 107, 115, 117, 120, 124, 147, 159, 169, 178, 179, 181, 182, 183, 184, 185, 210, 213, 265, 311. ------------------------------------ 362 ------------------------------------- SEFË MLEQANIDHE KËNGËT E TU EPIKE Bajraktari, Zuku - 74. Bajrami, Mertezan -11. Baksi, Shaban - 354. Bala, Haradini Selman - 328. Вardha e Bardhë - 71. Batllava, Enver - 248, 327, 359. Bejtë Galicë, Azem - 32, 260, 315. Bellani, Avdullah - 21, 311. Benfei - 47, 48. Beqiri - 30, 232, 237, 247, 254, 307, 332, 336, 359. Berisha, Rifat - 248, 325, 359. Berisha, Rrustem - 27. Bllaca, Rizah - 20, 26, 322, 326, 359. Brahimi ֊ 14, 24, 29, 30, 32, 58, 227, 232, 237, 248, 249, 251,257, 306, 328, 337,359. Budalina, Tale - 53, 74, 100, 142, 149, 150, 151, 154, 194, 195, 205, 209. Bujupi, Azem - 337. Cervadiku, Shaqir - 247. Cordignano, Fulvio - 66. Çetta, Anton - 21, 66, 228, 354. Desnickaya, Anja - 66. Dida, Ferid - 350. Doda, Bajgush - 228. Domi, Mahir - 62. Dragaj, Rifat - 228,312. Dreshaj, Myrvete - Baliu ֊ 228. Dugolli Ceně, Adil - 228, 328. Élez Alia, Gjergj - 27, 43, 45, 47, 72, 78, 79, 345. Emini, Ajrulla - 338, 347. - 363 ......... _................... = ILIR A. DUGOLLI Evimadhi, Shaban - 53, 74. Fatimja - 56, 57, 71. Fejza, Shkurte - 344. Fetiu, Sadri ֊ 337, 360. Galani, Ganiqe - 71. Galica, Shotë ֊ 237. Gandhi, Mahatma -231. Gashi, Halit - 247. Gashi, Demë - 20, ЗО. Gashi, Qazim - 20. Gashi, Muharrem - 228. Gashi, Njazi -228. Gashi, Sinan - 247. Geci, Halit - 268. Gërbeshi, Ejup -11. Grebeni ֊71, 73, 74. Grim, Jakob dhe Vilhem - 47. Groshi, Shaban -11. Gjergji, Andromaqi - 62. Gjokoli, Seimen - 236. Gjoni, Mirash- 11. Hajduku, Brahim - 71. Halili, Florian - 345. Halimi, Mehmet - 228. Hamzaj, Shaban - 248. Harambashi, Vuk - 74. Hasani, Isen - 29. Haxhihasani, Qemal - 21, 26, 43, 44, 51, 56, 62, 96, 355. Haziri, Avni - 248. Hervatka ֊ 72. --------------------------------- 364 —-------------------- SÉFÉ MLEQANIDHE KËNGËT E TU EPIKE Homeri ֊56, 66, 69, 89,313. Hoti, Satbere - 26, 276. I Gregenit, Uroshi - 74. I ri Hyseni - 72. i Stambollit Delia - 71. I zi, Harapi — 72, 100. Ilazi, Isak - 337. Ilija, Harambash - 72. Imeri - 9, 10, 11, 123, 145, 147, 148, 169, 219, 227, 230, 232, 233, 236, 237, 240, 248, 249, 251, 252, 268, 269, 304, 305, 306, 317, 319, 324, 352, 358, 359. Imen, Rahmi - 236. ismeti ֊ ЗО, 227, 231, 232, 237, 267, 268, 306, 359. Izbica, Haşan - 228. Izvana, Ager -71. Jahë Latifi, Ceně - 11. Jensen, Mina Skaitė - 89. Johnson, Bob -231. Jones, William - 70. Jusufi, Vëllezërit ֊ 248. Kadria, Selman ֊ 35, 259, 342, 343. Kapetani, Gjuro ֊ 72. Kapetani, Kreshtë - 72. Kapetani, Millosh - 38, 72, 73, 124, 189, 198, 199, 265. Kapetani, Sejan-51, 73, 125, 126, 128, 129, 138,139, 140,143, 311. Karagjorgjeviq, Aleksander - 25. Karpuzi, Behxhet ֊ 248. Kastrati, Zelfije - 24. Keqa, Nezir -11. ======= 365 === ILIR A. DUGOLLI Kleqka, Arbnore - 248. Kleqka, Florim - 248. Koliq, Shetko - 67. Kraleviç, Marku - 53. Krasniqi, Ali - 228. Krasniqi, Hamit - 236. Krasniqi, Hysen - 234. Krasniqi, Mujë ֊ 268, 269, 359. Krasniqi, Ramadan ֊ 248. Kryeziu, Qerim ֊ 256. Lala, Etleva - 92. Lambertz, Maksimilan - 63, 95. Lord, Albert В - 66, 69. Lulashi, Nue -11. Lumturija - 30, 279. Llapçeva, Isë - 228, 319, 359. Makitiq, Sylejman - 67. Maliqi, Enver - Batllava - 228, 248, 327, 359. Maliqi, Qazim- Batllava - 228. Matoshi, Hysen - 254. Maxharri, Filipe -38, 80, 94, 124, 15 7, 159, 208, 211, 212, 213, 216, 265. Maxharri, Mihajl ֊ 73. Mazreku, Mergim - 248. Mehmeti, Enver - 62. Mehmeti, Sadik -11. Mejremja - 55,73, 156. Mesihi - 69. Metaj, Haxhi ֊11. Miçoviq, Dragutin ֊ 64. --------------------------------- 366 ----------------------- — ŠEFĖ MLEQANIDHE KËNGËT E TU EPIKE Miller, Omest - 48, 49. Minushi, Halil (Krasniqi) - 25. Mleqani, Sefë - 1 deri 361. Morina, Shkelzen ֊ 247. Mripa, Mentor - 249, 343, 344. Muja dhe Halili — 1 deri 361. Mulaku, Ibish - 228. Murati, Vëllezërit - 248. Murkos, Matthias - 63. Lan Nure Bardhi - 11. Musliu, Musli - 314. Mustafa, Muzafere - 236. Neziri, Zymer- 11, 66, 69, 236. Asmani-9, 11, 13,19,21,30, 55,58,227,230,232, 235, 237, 239, 240, 241, 242, 243, 244, 245, 246, 247, 249, 251, 253, 254, 255, 268, 305, 307, 319, 320, 321, 324, 326, 328, 343, 352, 353, 359. Pagarusha, Vesel - 25. Papleka, Ndoc - 62. Parry, Milman - 66. Piraj, Sami ֊ 237. Preka, Mhill -11. Qazimi (Batllava) - 228, 327, 328. Qerim Gani, Thaqi - 228. Qeriqi, Besnik - 248. Qesexhiu, Musa - 53, 79. Rashiti, Hamdi - 337. Rexhë Gashi ֊ Baja, Bajram -311. Riza, Skender - 353. Rukiqi, Mehmet - 25, 228, 237, 249, 352. =========== 367 =.................. =................. = ILIR A. DUGOLLI Rusha - 73 Sako, Zihni - 51, 56, 62, 91. Selimi, Brahim - 314. Selimi, Riza - 247. Scaldaferri, Nicola ֊ 66. Skendi, Stavro - 66. Sokoli, Tomē -11. Sopi Ramadan, Nezir - 101. Syla, Blendona - 248. Shala, Demush - 44, 48, 49, 62, 346. Shala, Flamur - 247, 256. Shala, Lulzim - 248. Shalaku, Hysen - 312. Shaqa, Dervish - 312. Shtimija, Ahmet - 32, 260, 342, 343. Telaku, Manush -21,311. Tirta, Mark - 62. Tisha, Zef-11. Truhelka, Qiro - 63. Thaçi, Hashim - 243. Uçi, Alfred ֊62, 81,89. Ugljanin, Salih - 67. Uka, Augustin - 228, 313. Ukshini, Rexhep -11. Veseli, Kadri ֊ 239, 243. Vokrri, Fadil - 306. Xhafer Gashi, Ylber - 268. Xhaferi - 227, 232, 237, 305, 359. Zejnullahu, Adem ֊ 337, 360. Zeneli, Avdo - 69. ------------------------- 368
adam_txt	PËRMBAJTJA PARATHËNIE. HYRJE. KREU I SEFË MLEQANI, RAPSODI IKËNGËVE KRESHNIKE. LLAPUSHA. MLEQANI. SEFÊ BRAHIM MLEQANI ֊ GASHI. REPERTORI I KËNGËVE TÊ SEFË BRAHIM MLEQANIT - GASHIT. Këngët epike-historike. Këngët lirike. Këngët epike-legjendare të kreshnikëve. Balada. Këngë me karakter fetar. KREU II EPOSI HEROIK LEGJENDARË, NARRACIONI DHE MITI. EPIKA. KËNGËT KRESHNIKE. PERSONAZHË NË KËNGË KRESHNIKE. PERSONAZHË MITIK DHE EFEKTET E VEPRIMIT TË TYRE. VIRTYTE DHE BESTYTNINË KËNGË KRESHNIKE. OBJEKTET NË KËNGË KRESHNIKE. TOPOGRAFIA KRESHNIKE. NARRACIONI NË KËNGËT KRESHNIKE. 9 13 19 22 24 31 32 36 38 39 39 43 59 71 75 75 76 77 78 LEGIENDARITETI, FANTASTIKJA DHE MITIKJA NË KËNGËT KRESHNIKE. Legjendariteti. Fantastikja. Mitikja. KARAKTERISTKA TIPOLOGJIKE NË KËNGËT KRESHNIKE. POETIKA E PĖRMBYSUR. TRANSKRIPTIMIIKËNGËVE KRESHNIKE TË KËNDUARA NGA SEFË MLEQANI Kur ka nxan Muja nusen. Rrethimi i Mujes. Arrnaut Asmani. Nikoli Bajraktari. Millosh Kapetani. Halili e vret Filipe Maxharrin. Fjalë të rralla në këngët kreshnike. KREU III ATDHETARIZMI DHE VAZHDIMSIA E RAPSODİSE SI TRASHEGIMIKULTURORE . SEFMLEQANËT HUMAN. SEFMLEQANËT RAPSOD. Shtypi dhe mediet elektronike për vdekjen e Asman Brahim Gashit. Rapsodi i plejades së arte. REPERTORI I KËNGËVE TË SEFMLEQANVE. Këngët ерке. Këngët epiko-historike. Këngët lirike. Këngët kreshnike. Këngët balada. 6 84 85 86 87 92 121 122 124 143 152 169 189 208 219 227 232 240 254 257 257 260 262 265 265 Këngë me karakter fetar. SEFËMLEQANËT ATDHETARÊ. DALLIMI IREPERTORËVE. FOTOALBUMI. 266 267 270 273 KREUIV DËSHMI DHE DOKUMENTE PÊR SEFË MLEQANIN DHE TË BIJTË E TIJ. KARAKTERISTIKAT INDIVIDUALE TË SEFË MLEQANËVE. Imeri. Asmani. Xhaferi. Brahimi. ismeti. Beqiri. 304 304 305 305 306 306 307 KREU V TË TJERËT PËR SEFË BRAHIM MLEQANIN-GASHIN . Bajram Rexhë Jupa - Gashi. Rifat Dragaj. Musli Musliu. Habib Kryeziu. Vesel Jahë Marmullaku. IsëLlapçeva. Zenei Zekolli. Rifat Berisha. Postmortum (Riza Bilača). Enver Batllava. PËRFUNDIMI. CONCLUSION. FALENDERIM. 311 312 314 316 317 319 322 325 326 327 329 333 337 3=====^^ 7 3=====^^ AKRONIME. FJALË TĖ RRALLA DHE KUPTIMII TYRE NË KËNGË KRESHNIKE. HULUMTIM DHE KONSTATIM. Hulumtim / Arkivë. Konstatim. DËSHMI GJATË PUNËS HULUMTUESE PËRMES POSTES ELEKTRONIKE. BŪRIME DHE LITERATURA. Būrime. Būrime elektronike. Literatura. Nga recensuesit. TREGUESII EMRAVE. Biografía e autorit. BOTIMIN E NDIHMUAN. ֊ 8 338 339 341 341 342 347 352 352 352 353 357 362 369 371 SEFË MLEQANIDHE KËNGËT E TU EPIKE CONCLUSION The songs that have already taken the lead in this monograph are the legendary songs. They are further explained as epic-legendary songs, which are performed by singers who know how to play the lute, and also "sharkia, ciftelia and primi" (Albanian musical instruments). These songs are known as tenline poems, consisting of a couplet and a octave, that are indefinable or incompatible with the pure Slavic language, regarding the linguistic aspect. Various attempts, and tendencies were also made to bring the epic-legendary song off of the margins of Albanian authenticity. Mention is made of many researchers who have dealt with the oral epic (1407/1512), and the legendary Albanian epic, which is undoubtedly the main source for the first one. Apart with it, many singers from different regions of the Albanian settlements are mentioned as well, who have been famous for their unique recitative style, and also for their narrative, meaning, essence and message. The places where the fights between the main protagonists, the Kreshniks and the other negative characters of the song usually take place, are continually mentioned. Names of famous people are found within these types of songs, whose characters are usually described depending the event. What makes the story more interesting are the rare words that are used, the movable and non-movable items that are frequented by the Kreshniks. The identification of Albanian mythology will remain the essential topic because it is one of the strongest elements of the Albanian authenticity, which, throughout these songs, is related to its cultural past. There will be interviews from people that have been in touch with the singer of the legendary epic, Sefë Mleqani, where the description will be ===^=^= 333 ===== ILIR A. DUGOLLI given in its best way because all of these people who gave evidences were not closely related to him. With their statements, his role and contribution to the culture and liberation of the country would be strengthened. The description is also given to each of his sons, also singers, in greater details, as they are recognized as Sefa's biological and professional heirs. The study done by foreign authors and tracers upon our oral epic, and our epic-legendary songs as well, suggest that the Albanians have an ancient historical culture, alike with them. As abovementioned, many professional epilogists, linguists, foreigners and locals have provided contributions on this cultural field. However, for more exploration of the Albanian legendary epic, I think this monographic book, which also describes the segment of a typical Albanian family known as the family that sang this kind of song, will remain an additional contribution to many authors who have dedicated themselves to this genre of music. Also, for this family which has its own contribution to the great national issue, it is a modest contribution to acquaint the reader personally with the main protagonist of the singing of these songs, as well as his descendants, who represented the ancestor in a very dignified way in the legendary epic and beyond. The main protagonist in this book, Sefe Mleqani, turns out to be the first singer in the Albanian rhapsody who sings the legendary songs with "sharki". This way, he made a twist in the history of our rhapsody: from playing these songs with the lute, to them being played with "sharki". By doing so, he brought a novelty which can be considered a successful reform in this genre of music. This will be recognized as a special contribution and a revolution of the time in the domain of these songs. Attached to this songwriting ability is the singing of songs of other genres as well, such as; -------------------- 334 .-------- SEFË MLEQANIDHE KËNGËT E TU EPIKE epic, historical, ballad, religious, etc., which give Sefe Mleqanis' personality a special dimension of a singer. Cultural heritage will come as the continuity of the work of rhapsodists like Sefa. In this context, the "Sefmleqans" are presented as his biological descendants. They were treated in three main ways: Sefmleqans as humanists; Sefmleqans as rhapsodists and Sefmleqans as patriots. In all three cases they are represented with a set of facts and evidences that justify their human, artistic and patriotic work and activity. Upcoming will be a photo album of the main protagonist's close family members, which is not by chance in the book, or just to fill the gaps. It carries the importance of creating an accurate photographic image for the readers who have not had the chance to know them. At the same time, these precise photographic images will also serve as a tool to compare the similarities between them and their descendants who continue the rhapsodic tradition of the family, which are also regarded as genetic inheritance. According to ordinary people, their rhapsodic colleagues, and family members, the description of Sefa's and his sons' repertoire has been depicted. It is interesting that these two separate repertoires give rise to a great similarity. Eventual differences will also be noticed in the latter songs, such as for the martyrs of the Kosovo Liberation Army (KLA) period. Further on, the distinguishment between these two repertoires will be made. This distinction is drawn in order to emphasize the evolutionary changes in the historiography of their rhapsody. Based on these changes caused by the time, we can conclude that studies need to be done, always and forever, for as long as our rhythm is active. And such studies aim at the tendency to promote our culture in terms of oral and written ILIR A. DUGOLLI creativity. This difference will be shown in a graphic form, where the differences will be expressed in percentage. There will be evidences shown with pictures and all that is needed to complete such a monograph. After his death (Sefas’), Beqiri is the one who completes his musical band in weddings and other gatherings. Thanks to their musical talent and their sounds' and styles' characteristics, they will be known as the heir to every dimension of their parent. So, they too will look like amateur artists, who left remarkable traces in the field ofAlbanian musicology. Logically, these legendary songs will represent mythical elements originating from popular imagination, which are described with the toponyms of existing places. Along with them will come the traditions, customs, and rules which are mainly considered to be of Albanian belongings. All of these are implied as well-developed, coordinated and harmonized events, hyperbolically justifying the event in the song. Andfinally, this last issue is best explained by the statement of the main protagonist of this monograph, found at the end of his legendary song, which is as follows: " .something must be left, even ifit is long gone"! BURIMET DHE LITERATURA a) Būrime: Arkivi familj ar i Imer Sefe Mleqanit. Mehmet Rukiqi, revista “Fjala jonë”, Rapsode që пик vdesin, titulli; Sefe Mleqani dhe Kënga Kreshnike,qershor 1996. Žyra e Gjendjes Civile Malishevë, - Certifikate e vdekjes. Shtatë (7) audio CD, me këngë autentike të Sefe Mleqanit, të Imerit, dhe Asman Gashit - Mleqanit. Arkivi i TV - “AlsatM” Arkivi i TV- 21, seksioni ֊ muzike. Arkivi i RTK-së Arkivi i Radio Kosovës - Prishtinë / Program Muzikor Arkivi i Radio Kuksit b) Būrime elektronike: https://sq.wikipedia.org/wiki/Eposi i _kreshnik%C3%AB ve#cite note-1 dt; 25.10.2017, 3.15h, PM. https://chs.harvard.edu/CHS/article/display/6701#noterefh 2 dt; 18.09.2017, 13.38 h,PM. http://chsll9.chs.harvard.edu/mpc/gallery/avdo.html dt; 18.09.2017, 13.45 h, PM. http://www.zemrashqiptare.net/news/id 24900/cid l 15/R amiz-D%C3e/oABrmaku:-Jemi-tri-fe-por-kemivet%C3%ABm-nj%C3%AB-atdhe-t%C3%ABp%C3%ABrbashk%C3%ABt.html dt; 17.09.2017, 3.15 h, PM. https://sq.wikipedia.org/wiki/Jutbina dt; 24.10.2017, 2.40 h,PM. ------------------------------------ 352 ------------------------------------- SEFË MLEQANIDHE KËNGËT E TU EPIKE http://www.albinfo.ch/te-bijte-e-sefes֊lidere-te-folkloritshqiptar/ dt.28.10.2017, 9.15 h,AM. https -J/www, google, com/maps/place/Mleqan/@42.57039 23,20.7374666,14z/data=!4m5!3m4!ls0xl353737463e97 27b:0x643b80e76664eb64!8m2!3d42.5716031!4d20.756 9504 dt; 05.11.2017, 11.45 h, AM. http://fax.al/news/5060173/me-muzike-percjellet-per-nebanesen-e-fundit-rapsodi-Asman-sefe-mleqani dt; 17.11.2017, 3.35 h, PM. https.7/www.youtube.com/watch?v=O2doaCY7fF4 (TV Tribuna channal, varrimi i Asman Sefës), dt. 18.11.2017, 11.45 h. AM. https://www.youtube.com/watch?v=JdiQQi82aSI (TV Klan Kosova, varrimi i Brahim Šefes), 20.02.2018, 01.15 Һ.РМ. https://www.youtube.com/watch?v=-fA-CPt76GU (TV Klan Kosova, émision përkuj timor per Asman Sefën), dt; 17.11.2017, 3.35 h, PM. https://www.youtube.com/watch?v=uTd7TgXDocI (TV Klan Kosova, pritja e Presidentit të Kosovës). https://www.youtube.com/watch?v=mR3gD3dFKo0 (TV - Klan Kosova, emisión “Prive”). http://www.fi alori.shkenca.org/ c) Literatura; Neziri U. Zymer, prof.dr.,Këngè՜ të Kreshnikëve, shtëpia botuese, Libri Shkollor, Prishtinë,2003. Asmani Jusuf, prof.dr.,Vendbanimet e Kosovës 19, Malisheva. Prishtinë, 2006. Riza Skender, prof.dr.,Historia e përgjithshme, koha e re (1453-1789, Universiteti i Kosovës në Prishtinë, Fakulteti 353 ILIR A. DUGOLLI Filozofík, Enti i Tekste ve dhe i Mjeteve Mësimore të Krahinës Socialiste Autonome të Kosovës, Prishtinë 1985. Neziri U. Zymer, prof.dr.,Eposi i Kreshikëve; Monument i Trashëgimisë Kulturore Shqiptare. Instituti Albanologjik i Prishtinës, Përpjekje për përgatitjen e Dosjes për UNESCO. Ligjëratë në aktivitetin “Java e trashëgimisë kulturore jomateriale”, organizuar nga Këshilli i Evropës në bashkëpunim me Ministrine e Kultures të Kosovës, mbajtur, më 29.11 - 10.12. 2010, në Prishtinë. Baksi J.Shaban, Rapsodët e Trojeve Shqiptare 1. Botimet Meshari, Prishtinë, 2015. Pajtimi i Gjaqeve 1990-199l,Shtèpia botuese “Era”, Prishtinë, 2001. Sipas (prof. Anton Çetta, dhe dr. Zymer U. Neziri. Lëvizja Gjithëpopullore e Pajtimit të Gjaqeve, Pjesa e Pare, Lënda Dokumentare e Pajtimit të Gjaqeve, të Plagëve dhe të ngatërresave). Syla Fazii, Çështje të folklorit shqiptar. Instituti Albanologjik i Prishtinës, Prishtinë, 1998. Luan P, Kemajl L, Gëzim H, Adem B., Fatmir P, Tomor K. “Harta Arkeologjike e Kosovës I”, Akademia e Shkencave dhe e Arteve e Kosovës, Akademia e Shkencave e Shqipërisë, Prishtinë, 2006. “Këngë popullore shqiptare të Kosovë-Metohis ”, Bleni II, “Mustafa Bakija”, Fjalorth. Institutin Albanologjik të Prishtinës. Neziri U. Zymer, Studíme për folklorin, 1: Eposi і kreshnikëve dhe epika historike. Instituti Albanologjik i Prishtinës, Prishtinë, 2006. SEFË MLEQANIDHE KËNGËT E TU EPIKE Berisha Rrustem, Komunikime artistike të këngës popullore, Instituti Albanologjik i Prishtinës, Prishtinë, 2006. Bilača Rizah, Këngëpopullore I, Instituti Albanologjik i Prishtinës, Prishtinë, 1997. “Gjurmime Albanologjike”, folklor dhe etnologji, 22-1992, Instituti Albanologjik i Prishtinës, Prishtinë, 1993. “Gjurmime Albanologjike”, folklor dhe etnologji, 21-1991, Instituti Albanologjik i Prishtinës, Prishtinë, 1993. “Kultura Popullore” vitiXXVI (55,56),Akademia e Shkencave e Shqipërisë, Instituti i Kultures Popullore. 1,2, Tirane, 2007. Neziri U. Výmer,Kumtesë“Mërgimi në eposin heroik legjendar shqiptar dhe martesa e kreshnikut me vajzën e bukur të kralit ”, 2011. At Palaj Bernardin dhe Kürtaj Donat, Visaret e Kombit,vëllimi II, “Këngë Kreshnikësh dhe Legjenda” Tiranë, 1937. Shala Demush,“Letërsia Popullore”.Universitet] i Kosovës, Shkolla e Lartë Pedagogjike, Dega e Gjuhës dhe Letërsisë Shqipe. Enti i Teksteve dhe i Mjeteve Mësimore i Krahinës Socialiste Autonome të Kosovës, Prishtinë, 1983. “Fokllori Shqiptar”(tekst për Universitetitn),Dis.I, Universiteti i Tiranës - Instituti i Folklorit, Tiranë, 1974. Panajoti Jorgo - Hyso Riza. “Folklor Shqiptar” (Për shkolla të mesme). Shtëpia Botuese - Libri Shkollor. Haxhihasani Qemal,“Folklor Shqiptar”. Seria II. “Epika Legjendare”. Vëllimi i dytë. Tiranë, 1983. Akademia e Shkencave dhe e Arteve e Kosovës. “Fjalori Enciklopedik i Kosovës”. I, A-K. Prishtinë, 2018. Akademia e Shkencave e Shqipërisë. “Fjalor Enciklopedik Shqiptar”. Botimi i ri. Tiranë, 2008. =========== 355 . = ILIR A. DUGOLLI Akademia e Shkencave e Shqipërisë. “Fjalor Enciklopedik Shqiptar”. Botimi i ri. Vëllimi i dytë: Н-М. Tirane, 2008. Akademia e Shkencave dhe e Arteve e Kosovës. “Fjalori Enciklopedik i Kosovës”. II, L-ZH. Prishtinë, 2018. 356 ILIR A. DUGOLLI TREGUESIIEMRAVE Saarim: Emrat e shenuar me tipin e shkronjave italik p.sh. (Bajraktari, Zukù), janë persona jo real, që përmenden në këngë. Aga i ri, Halil ֊ 72, 145, 147. Aga, Emin -32,71,73,257. Aga, Asman - 71. Agë Asmanı, Dizdar - 71. Ajkuna - 71, 91, 120. Ali aga -130. Ali, Muhamed - 305. Alimusaj, Hysen - 11. Angjelina, Dylber - 71, 125, 126. Arifi, Asman - 11. Asmanı, Arnaut —38, 152, 156, 15 7, 161, 162, 163, 164, 165. Avdia, Sokol - 11. Balia Dan - 20 Baja, Bali - 21, ЗО Bajra, Vëllezërit - 245. Bajraktari, Ali - 53, 71, 72, 93, 109, ПО, 115, 120, 128, 129, 130, 133, 139, 141, 172. Bajraktari, Beno — 79. AgaHaxhi, Mehmet -53, 109, 110, 111, 112, 113, 114, 115, 120, 171, 172, 175, 176. Bajraktari, Mirlind - 248. Bajraktari, Nikolle -38, 73, 101, 103, 104, 107, 115, 117, 120, 124, 147, 159, 169, 178, 179, 181, 182, 183, 184, 185, 210, 213, 265, 311. ------------------------------------ 362 ------------------------------------- SEFË MLEQANIDHE KËNGËT E TU EPIKE Bajraktari, Zuku - 74. Bajrami, Mertezan -11. Baksi, Shaban - 354. Bala, Haradini Selman - 328. Вardha e Bardhë - 71. Batllava, Enver - 248, 327, 359. Bejtë Galicë, Azem - 32, 260, 315. Bellani, Avdullah - 21, 311. Benfei - 47, 48. Beqiri - 30, 232, 237, 247, 254, 307, 332, 336, 359. Berisha, Rifat - 248, 325, 359. Berisha, Rrustem - 27. Bllaca, Rizah - 20, 26, 322, 326, 359. Brahimi ֊ 14, 24, 29, 30, 32, 58, 227, 232, 237, 248, 249, 251,257, 306, 328, 337,359. Budalina, Tale - 53, 74, 100, 142, 149, 150, 151, 154, 194, 195, 205, 209. Bujupi, Azem - 337. Cervadiku, Shaqir - 247. Cordignano, Fulvio - 66. Çetta, Anton - 21, 66, 228, 354. Desnickaya, Anja - 66. Dida, Ferid - 350. Doda, Bajgush - 228. Domi, Mahir - 62. Dragaj, Rifat - 228,312. Dreshaj, Myrvete - Baliu ֊ 228. Dugolli Ceně, Adil - 228, 328. Élez Alia, Gjergj - 27, 43, 45, 47, 72, 78, 79, 345. Emini, Ajrulla - 338, 347. - 363 . _. = ILIR A. DUGOLLI Evimadhi, Shaban - 53, 74. Fatimja - 56, 57, 71. Fejza, Shkurte - 344. Fetiu, Sadri ֊ 337, 360. Galani, Ganiqe - 71. Galica, Shotë ֊ 237. Gandhi, Mahatma -231. Gashi, Halit - 247. Gashi, Demë - 20, ЗО. Gashi, Qazim - 20. Gashi, Muharrem - 228. Gashi, Njazi -228. Gashi, Sinan - 247. Geci, Halit - 268. Gërbeshi, Ejup -11. Grebeni ֊71, 73, 74. Grim, Jakob dhe Vilhem - 47. Groshi, Shaban -11. Gjergji, Andromaqi - 62. Gjokoli, Seimen - 236. Gjoni, Mirash- 11. Hajduku, Brahim - 71. Halili, Florian - 345. Halimi, Mehmet - 228. Hamzaj, Shaban - 248. Harambashi, Vuk - 74. Hasani, Isen - 29. Haxhihasani, Qemal - 21, 26, 43, 44, 51, 56, 62, 96, 355. Haziri, Avni - 248. Hervatka ֊ 72. --------------------------------- 364 —-------------------- SÉFÉ MLEQANIDHE KËNGËT E TU EPIKE Homeri ֊56, 66, 69, 89,313. Hoti, Satbere - 26, 276. I Gregenit, Uroshi - 74. I ri Hyseni - 72. i Stambollit Delia - 71. I zi, Harapi — 72, 100. Ilazi, Isak - 337. Ilija, Harambash - 72. Imeri - 9, 10, 11, 123, 145, 147, 148, 169, 219, 227, 230, 232, 233, 236, 237, 240, 248, 249, 251, 252, 268, 269, 304, 305, 306, 317, 319, 324, 352, 358, 359. Imen, Rahmi - 236. ismeti ֊ ЗО, 227, 231, 232, 237, 267, 268, 306, 359. Izbica, Haşan - 228. Izvana, Ager -71. Jahë Latifi, Ceně - 11. Jensen, Mina Skaitė - 89. Johnson, Bob -231. Jones, William - 70. Jusufi, Vëllezërit ֊ 248. Kadria, Selman ֊ 35, 259, 342, 343. Kapetani, Gjuro ֊ 72. Kapetani, Kreshtë - 72. Kapetani, Millosh - 38, 72, 73, 124, 189, 198, 199, 265. Kapetani, Sejan-51, 73, 125, 126, 128, 129, 138,139, 140,143, 311. Karagjorgjeviq, Aleksander - 25. Karpuzi, Behxhet ֊ 248. Kastrati, Zelfije - 24. Keqa, Nezir -11. ======= 365 === ILIR A. DUGOLLI Kleqka, Arbnore - 248. Kleqka, Florim - 248. Koliq, Shetko - 67. Kraleviç, Marku - 53. Krasniqi, Ali - 228. Krasniqi, Hamit - 236. Krasniqi, Hysen - 234. Krasniqi, Mujë ֊ 268, 269, 359. Krasniqi, Ramadan ֊ 248. Kryeziu, Qerim ֊ 256. Lala, Etleva - 92. Lambertz, Maksimilan - 63, 95. Lord, Albert В - 66, 69. Lulashi, Nue -11. Lumturija - 30, 279. Llapçeva, Isë - 228, 319, 359. Makitiq, Sylejman - 67. Maliqi, Enver - Batllava - 228, 248, 327, 359. Maliqi, Qazim- Batllava - 228. Matoshi, Hysen - 254. Maxharri, Filipe -38, 80, 94, 124, 15 7, 159, 208, 211, 212, 213, 216, 265. Maxharri, Mihajl ֊ 73. Mazreku, Mergim - 248. Mehmeti, Enver - 62. Mehmeti, Sadik -11. Mejremja - 55,73, 156. Mesihi - 69. Metaj, Haxhi ֊11. Miçoviq, Dragutin ֊ 64. --------------------------------- 366 ----------------------- — ŠEFĖ MLEQANIDHE KËNGËT E TU EPIKE Miller, Omest - 48, 49. Minushi, Halil (Krasniqi) - 25. Mleqani, Sefë - 1 deri 361. Morina, Shkelzen ֊ 247. Mripa, Mentor - 249, 343, 344. Muja dhe Halili — 1 deri 361. Mulaku, Ibish - 228. Murati, Vëllezërit - 248. Murkos, Matthias - 63. Lan Nure Bardhi - 11. Musliu, Musli - 314. Mustafa, Muzafere - 236. Neziri, Zymer- 11, 66, 69, 236. Asmani-9, 11, 13,19,21,30, 55,58,227,230,232, 235, 237, 239, 240, 241, 242, 243, 244, 245, 246, 247, 249, 251, 253, 254, 255, 268, 305, 307, 319, 320, 321, 324, 326, 328, 343, 352, 353, 359. Pagarusha, Vesel - 25. Papleka, Ndoc - 62. Parry, Milman - 66. Piraj, Sami ֊ 237. Preka, Mhill -11. Qazimi (Batllava) - 228, 327, 328. Qerim Gani, Thaqi - 228. Qeriqi, Besnik - 248. Qesexhiu, Musa - 53, 79. Rashiti, Hamdi - 337. Rexhë Gashi ֊ Baja, Bajram -311. Riza, Skender - 353. Rukiqi, Mehmet - 25, 228, 237, 249, 352. =========== 367 =. =. = ILIR A. DUGOLLI Rusha - 73 Sako, Zihni - 51, 56, 62, 91. Selimi, Brahim - 314. Selimi, Riza - 247. Scaldaferri, Nicola ֊ 66. Skendi, Stavro - 66. Sokoli, Tomē -11. Sopi Ramadan, Nezir - 101. Syla, Blendona - 248. Shala, Demush - 44, 48, 49, 62, 346. Shala, Flamur - 247, 256. Shala, Lulzim - 248. Shalaku, Hysen - 312. Shaqa, Dervish - 312. Shtimija, Ahmet - 32, 260, 342, 343. Telaku, Manush -21,311. Tirta, Mark - 62. Tisha, Zef-11. Truhelka, Qiro - 63. Thaçi, Hashim - 243. Uçi, Alfred ֊62, 81,89. Ugljanin, Salih - 67. Uka, Augustin - 228, 313. Ukshini, Rexhep -11. Veseli, Kadri ֊ 239, 243. Vokrri, Fadil - 306. Xhafer Gashi, Ylber - 268. Xhaferi - 227, 232, 237, 305, 359. Zejnullahu, Adem ֊ 337, 360. Zeneli, Avdo - 69. ------------------------- 368
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spelling	Dugolli, Ilir A. 1966- Verfasser (DE-588)1147793514 aut Sefë Mleqani dhe këngët e tij epike (monografi) Ilir A. Dugolli Prishtinë Instituti Albanologjik i Prishtinës 2020 371 Seiten Illustrationen, Porträts 21 cm txt rdacontent n rdamedia nc rdacarrier Zusammenfassung in englischer Sprache Mleqani, Sefë 1918-1975 (DE-588)1271356759 gnd rswk-swf Heldenepos (DE-588)4159487-3 gnd rswk-swf Albaner (DE-588)4068517-2 gnd rswk-swf Volkslied (DE-588)4063852-2 gnd rswk-swf Albanisch (DE-588)4112482-0 gnd rswk-swf Kosovo (DE-588)4032571-4 gnd rswk-swf (DE-588)4006804-3 Biografie gnd-content Mleqani, Sefë 1918-1975 (DE-588)1271356759 p Kosovo (DE-588)4032571-4 g Albaner (DE-588)4068517-2 s Volkslied (DE-588)4063852-2 s Albanisch (DE-588)4112482-0 s Heldenepos (DE-588)4159487-3 s DE-604 Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Abstract Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Literaturverzeichnis Digitalisierung BSB München 19 - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA Register // Personenregister
spellingShingle	Dugolli, Ilir A. 1966- Sefë Mleqani dhe këngët e tij epike (monografi) Mleqani, Sefë 1918-1975 (DE-588)1271356759 gnd Heldenepos (DE-588)4159487-3 gnd Albaner (DE-588)4068517-2 gnd Volkslied (DE-588)4063852-2 gnd Albanisch (DE-588)4112482-0 gnd
subject_GND	(DE-588)1271356759 (DE-588)4159487-3 (DE-588)4068517-2 (DE-588)4063852-2 (DE-588)4112482-0 (DE-588)4032571-4 (DE-588)4006804-3
title	Sefë Mleqani dhe këngët e tij epike (monografi)
title_auth	Sefë Mleqani dhe këngët e tij epike (monografi)
title_exact_search	Sefë Mleqani dhe këngët e tij epike (monografi)
title_exact_search_txtP	Sefë Mleqani dhe këngët e tij epike (monografi)
title_full	Sefë Mleqani dhe këngët e tij epike (monografi) Ilir A. Dugolli
title_fullStr	Sefë Mleqani dhe këngët e tij epike (monografi) Ilir A. Dugolli
title_full_unstemmed	Sefë Mleqani dhe këngët e tij epike (monografi) Ilir A. Dugolli
title_short	Sefë Mleqani dhe këngët e tij epike
title_sort	sefe mleqani dhe kenget e tij epike monografi
title_sub	(monografi)
topic	Mleqani, Sefë 1918-1975 (DE-588)1271356759 gnd Heldenepos (DE-588)4159487-3 gnd Albaner (DE-588)4068517-2 gnd Volkslied (DE-588)4063852-2 gnd Albanisch (DE-588)4112482-0 gnd
topic_facet	Mleqani, Sefë 1918-1975 Heldenepos Albaner Volkslied Albanisch Kosovo Biografie
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033910037&sequence=000007&line_number=0004&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT dugolliilira sefemleqanidhekengetetijepikemonografi

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