Verfügbarkeit: Femina problematis solvendis — problem solving woman

Femina problematis solvendis — problem solving woman: a history of the creativity of women

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Bibliographische Detailangaben
1. Verfasser:	Cropley, David (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Singapore Springer [2020]
Schlagworte:	Geschichte Problemlösen Erfindung Kreativität Frau Technischer Fortschritt
Online-Zugang:	Inhaltsverzeichnis
Beschreibung:	xvii, 189 Seiten Illustrationen 24 cm
ISBN:	9811539669 9789811539664

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adam_text	CONTENTS 1 2 3 4 INTRODUCTION .......................................... 1 1.1 TEN AGES OF INNOVATION .............................. 5 MEASURING CREATIVITY .................................... 9 PREHISTORY ( 2700 BCE): ANCIENT INVENTION ................... 13 3.1 THE WHEEL (C3500 BCE) .............................. 14 3.1.1 WHAT WAS INVENTED?. ,***...... , ...... ,, *, 14 3.1.2 WHY WAS THE WHEEL INVENTED? .................. 16 3.1.3 HOW CREATIVE WAS THE WHEEL? .................. 17 3.2 SHOES (C3400 BCE) .................................. 18 3.2.1 WHAT WAS INVENTED? .......................... 19 3.2.2 WHY WAS THE SHOE INVENTED? ................... 20 3.2.3 HOW CREATIVE WAS THE SHOE! ................... 21 3.3 SOAP (C2800 BCE) .................................. 23 3.3.1 WHAT WAS INVENTED? .......................... 23 3.3.2 WHY WAS SOAP INVENTED? ...................... 25 3.3.3 HOW CREATIVE WAS SOAP? ...................... 26 THE CLASSICAL PERIOD (753 BCE TO 476 CE): CREATIVE CIVILISATIONS ........................................... 29 4.1 THE BUCKLE (C700 BCE) .............................. 30 4.1.1 WHAT WAS INVENTED? .......................... 31 4.1.2 WHY WAS THE BUCKLE INVENTED? ................. 32 4.1.3 HOW CREATIVE WAS THE BUCKLE? .................. 32 4.2 THE ANTIKYTHERA MECHANISM (C150 BCE) .................. 34 4.2.1 WHAT WAS INVENTED? .......................... 35 4.2.2 WHY WAS THE ANTIKYTHERA MECHANISM INVENTED? ..... 37 4.2.3 HOW CREATIVE WAS THE ANTIKYTHERA MECHANISM? ..... 37 RI XII CONTENTS 4.3 THE BAIN-MARIE (0-300 CE) ........................... 39 4.3.1 WHAT WAS INVENTED? .......................... 40 4.3.2 WHY WAS THE BAIN-MARIE INVENTED? .............. 42 4.3.3 HOW CREATIVE WAS THE BAIN-MARIE? ............... 42 5 THE DARK AGES (476-1453 CE): MEDIEVAL CREATIVITY ............ 45 5.1 THE QUILL PEN (C580 CE) ............................. 46 5.1.1 WHAT WAS INVENTED? .......................... 47 5.1.2 WHY WAS THE QUILL PEN INVENTED? ................ 48 5.1.3 HOW CREATIVE WAS THE QUILL PEN? ................ 49 5.2 LINGUA IGNOTA (C1200) ............................... 50 5.2.1 WHAT WAS INVENTED? .......................... 51 5.2.2 WHY WAS LINGUA IGNOTA INVENTED? ............... 52 5.2.3 HOW CREATIVE WAS LINGUA IGNOTA? ............... 53 5.3 THE VERGE ESCAPEMENT (C1300) ........................ 55 5.3.1 WHAT WAS INVENTED? .......................... 56 5.3.2 WHY WAS THE VERGE ESCAPEMENT INVENTED? ......... 57 5.3.3 HOW CREATIVE WAS THE VERGE ESCAPEMENT? ......... 58 6 THE RENAISSANCE (1300-1700): REAWAKENING CREATIVITY ......... 61 6.1 FEMINISM (1405) ................................... 62 6.1.1 WHAT WAS INVENTED? .......................... 63 6.1.2 WHY WAS FEMINISM INVENTED? .................. 64 6.1.3 HOW CREATIVE WAS FEMINISM? .................. 64 6.2 THE TOOTHBRUSH (C1498) ............................. 66 6.2.1 WHAT WAS INVENTED? .......................... 66 6.2.2 WHY WAS THE TOOTHBRUSH INVENTED? .............. 68 6.2.3 HOW CREATIVE WAS THE TOOTHBRUSH? .............. 68 6.3 PALLIATIVE MEDICINE (C1570) ........................... 69 6.3.1 WHAT WAS INVENTED? .......................... 70 6.3.2 WHY WAS PALLIATIVE MEDICINE INVENTED? ........... 72 6.3.3 HOW CREATIVE WAS PALLIATIVE MEDICINE? ........... 72 7 THE AGE OF EXPLORATION (1490-1700): NEW WORLDS AND NEW PROBLEMS ..................................... 75 7.1 ASTRONOMICAL TABLES (1650) ........................... 76 7.1.1 WHAT WAS INVENTED? .......................... 76 7.1.2 WHY WERE ASTRONOMICAL TABLES INVENTED? .......... 79 7.1.3 HOW CREATIVE WERE ASTRONOMICAL TABLES? .......... 79 7.2 THE TWO-HANDED INTERNAL ROTATION (1690) ................ 80 7.2.1 WHAT WAS INVENTED? .......................... 81 7.2.2 WHY WAS THE TWO-HANDED INTERNAL ROTATION INVENTED? .................................. 82 7.2.3 HOW CREATIVE WAS THE TWO-HANDED INTERNAL ROTATION? .................................. 83 CONTENTS XLLL 7.3 THE CORN MILL (1715) ............................... 85 7.3.1 WHAT WAS INVENTED? .......................... 85 7.3.2 WHY WAS THE CORN MILL INVENTED? ............... 86 7.3.3 HOW CREATIVE WAS THE CORN MILL? ................ 88 8 9 10 THE AGE OF ENLIGHTENMENT (1685-1815): COMMERCIALISING INNOVATION ............................................ 91 8.1 SILK DESIGN (1740S) ................................ 92 8.1.1 WHAT WAS INVENTED? .......................... 92 8.1.2 WHY WAS SILK DESIGN INVENTED? ................. 94 8.1.3 HOW CREATIVE WAS SILK DESIGN? ................. 94 8.2 COADE STONE (1770) ................................ 96 8.2.1 WHAT WAS INVENTED? .......................... 97 8.2.2 WHY WAS COADE STONE INVENTED? ................ 98 8.2.3 HOW CREATIVE WAS COADE STONE? ................ 99 8.3 STRAW WEAVING (1809) ............................... 100 8.3.1 WHAT WAS INVENTED? .......................... 101 8.3.2 WHY WAS STRAW WEAVING INVENTED? .............. 102 8.3.3 HOW CREATIVE WAS STRAW WEAVING? .............. 103 THE ROMANTIC PERIOD (1800-1900): INDUSTRIAL INNOVATION ........ 105 9.1 THE BERKELEY HORSE (1828) ........................... 106 9.1.1 WHAT WAS INVENTED? .......................... 106 9.1.2 WHY WAS THE BERKELEY HORSE INVENTED? ........... 108 9.1.3 HOW CREATIVE WAS THE BERKELEY HORSE? ........... 108 9.2 THE COMPUTER PROGRAM (1840S) ........................ 110 9.2.1 WHAT WAS INVENTED? .......................... 110 9.2.2 WHY WAS THE COMPUTER PROGRAM INVENTED? ......... 112 9.2.3 HOW CREATIVE WAS THE COMPUTER PROGRAM? ......... 113 9.3 THE PROPELLER (1869) ................................ 115 9.3.1 WHAT WAS INVENTED? .......................... 116 9.3.2 WHY WAS THE PROPELLER INVENTED? ................ 118 9.3.3 HOW CREATIVE WAS THE PROPELLER? ................ 118 9.4 THE LIFE RAFT (1880) ................................ 120 9.4.1 WHAT WAS INVENTED? .......................... 120 9.4.2 WHY WAS THE LIFE RAFT INVENTED? ................ 121 9.4.3 HOW CREATIVE WAS THE LIFE RAFT? ................ 121 THE MODERN AGE (1880-1950): BRAS, BOMBS, AND BITS .......... 125 10.1 THE BRASSIERE (1914) ................................ 126 10.1.1 WHAT WAS INVENTED? .......................... 127 10.1.2 WHY WAS THE BRASSIERE INVENTED? ................ 129 10.1.3 HOW CREATIVE WAS THE BRASSIERE? ................ 129 10.2 THE RADIO-CONTROLLED TORPEDO (1942) ................... 131 10.2.1 WHAT WAS INVENTED? .......................... 131 XIV CONTENTS 10.2.2 WHY WAS THE RADIO-CONTROLLED TORPEDO INVENTED? ... 133 10.2.3 HOW CREATIVE WAS THE RADIO-CONTROLLED TORPEDO?.... 133 10.3 THE COMPILER (1952) ................................ 135 10.3.1 WHAT WAS INVENTED? .......................... 136 10.3.2 WHY WAS THE COMPILER INVENTED? ................ 137 10.3.3 HOW CREATIVE WAS THE COMPILER? ................ 138 11 THE SPACE AGE (1950-1981): THE RISE OF THE MODERN CREATIVITY ERA ................................................. 141 11.1 WATERPROOF DIAPER (C1949) ........................... 142 11.1.1 WHAT WAS INVENTED? .......................... 142 11.1.2 WHY WAS THE WATERPROOF DIAPER INVENTED? ......... 145 11.1.3 HOW CREATIVE IS THE WATERPROOF DIAPER? ........... 145 11.2 KEVLAR (1964) ..................................... 147 11.2.1 WHAT WAS INVENTED? .......................... 147 11.2.2 WHY WAS KEVLAR INVENTED? .................... 149 11.2.3 HOW CREATIVE WAS KEVLAR? ..................... 150 11.3 SCOTCHGARD (1973) .................................. 151 11.3.1 WHAT WAS INVENTED? .......................... 152 11.3.2 WHY WAS SCOTCHGARD INVENTED? ................. 153 11.3.3 HOW CREATIVE WAS SCOTCHGARD? .................. 154 12 THE DIGITAL AGE (1981-PRESENT): COMPLEXITY AND CREATIVITY ...... 157 12.1 THE LASERPHACO PROBE (1981) ......................... 158 12.1.1 WHAT WAS INVENTED? .......................... 158 12.1.2 WHY WAS THE LASERPHACO PROBE INVENTED?.......... 159 12.1.3 HOW CREATIVE WAS THE LASERPHACO PROBE? .......... 161 12.2 BLISSYMBOL PRINTER (1984) ............................ 162 12.2.1 WHAT WAS INVENTED? .......................... 163 12.2.2 WHY WAS THE BLISSYMBOL PRINTER INVENTED? ......... 164 12.2.3 HOW CREATIVE WAS THE BLISSYMBOL PRINTER? ......... 165 12.3 THE THERMOELECTRIC FLASHLIGHT (2013) .................... 167 12.3.1 WHAT WAS INVENTED? .......................... 167 12.3.2 WHY WAS THE THERMOELECTRIC FLASHLIGHT INVENTED? .... 168 12.3.3 HOW CREATIVE WAS THE THERMOELECTRIC FLASHLIGHT? .... 169 13 THE INNOVATION SCOREBOARD ............................... 173 APPENDIX A: THE CREATIVE SOLUTION DIAGNOSIS SCALE (CSDS) .......... 181 APPENDIX B: TABLES OF CREATIVITY SCORES .......................... 185 BIBLIOGRAPHY ................................................ 189
adam_txt	CONTENTS 1 2 3 4 INTRODUCTION . 1 1.1 TEN AGES OF INNOVATION . 5 MEASURING CREATIVITY . 9 PREHISTORY ( 2700 BCE): ANCIENT INVENTION . 13 3.1 THE WHEEL (C3500 BCE) . 14 3.1.1 WHAT WAS INVENTED?. ,***. , . ,, *, 14 3.1.2 WHY WAS THE WHEEL INVENTED? . 16 3.1.3 HOW CREATIVE WAS THE WHEEL? . 17 3.2 SHOES (C3400 BCE) . 18 3.2.1 WHAT WAS INVENTED? . 19 3.2.2 WHY WAS THE SHOE INVENTED? . 20 3.2.3 HOW CREATIVE WAS THE SHOE! . 21 3.3 SOAP (C2800 BCE) . 23 3.3.1 WHAT WAS INVENTED? . 23 3.3.2 WHY WAS SOAP INVENTED? . 25 3.3.3 HOW CREATIVE WAS SOAP? . 26 THE CLASSICAL PERIOD (753 BCE TO 476 CE): CREATIVE CIVILISATIONS . 29 4.1 THE BUCKLE (C700 BCE) . 30 4.1.1 WHAT WAS INVENTED? . 31 4.1.2 WHY WAS THE BUCKLE INVENTED? . 32 4.1.3 HOW CREATIVE WAS THE BUCKLE? . 32 4.2 THE ANTIKYTHERA MECHANISM (C150 BCE) . 34 4.2.1 WHAT WAS INVENTED? . 35 4.2.2 WHY WAS THE ANTIKYTHERA MECHANISM INVENTED? . 37 4.2.3 HOW CREATIVE WAS THE ANTIKYTHERA MECHANISM? . 37 RI XII CONTENTS 4.3 THE BAIN-MARIE (0-300 CE) . 39 4.3.1 WHAT WAS INVENTED? . 40 4.3.2 WHY WAS THE BAIN-MARIE INVENTED? . 42 4.3.3 HOW CREATIVE WAS THE BAIN-MARIE? . 42 5 THE DARK AGES (476-1453 CE): MEDIEVAL CREATIVITY . 45 5.1 THE QUILL PEN (C580 CE) . 46 5.1.1 WHAT WAS INVENTED? . 47 5.1.2 WHY WAS THE QUILL PEN INVENTED? . 48 5.1.3 HOW CREATIVE WAS THE QUILL PEN? . 49 5.2 LINGUA IGNOTA (C1200) . 50 5.2.1 WHAT WAS INVENTED? . 51 5.2.2 WHY WAS LINGUA IGNOTA INVENTED? . 52 5.2.3 HOW CREATIVE WAS LINGUA IGNOTA? . 53 5.3 THE VERGE ESCAPEMENT (C1300) . 55 5.3.1 WHAT WAS INVENTED? . 56 5.3.2 WHY WAS THE VERGE ESCAPEMENT INVENTED? . 57 5.3.3 HOW CREATIVE WAS THE VERGE ESCAPEMENT? . 58 6 THE RENAISSANCE (1300-1700): REAWAKENING CREATIVITY . 61 6.1 FEMINISM (1405) . 62 6.1.1 WHAT WAS INVENTED? . 63 6.1.2 WHY WAS FEMINISM INVENTED? . 64 6.1.3 HOW CREATIVE WAS FEMINISM? . 64 6.2 THE TOOTHBRUSH (C1498) . 66 6.2.1 WHAT WAS INVENTED? . 66 6.2.2 WHY WAS THE TOOTHBRUSH INVENTED? . 68 6.2.3 HOW CREATIVE WAS THE TOOTHBRUSH? . 68 6.3 PALLIATIVE MEDICINE (C1570) . 69 6.3.1 WHAT WAS INVENTED? . 70 6.3.2 WHY WAS PALLIATIVE MEDICINE INVENTED? . 72 6.3.3 HOW CREATIVE WAS PALLIATIVE MEDICINE? . 72 7 THE AGE OF EXPLORATION (1490-1700): NEW WORLDS AND NEW PROBLEMS . 75 7.1 ASTRONOMICAL TABLES (1650) . 76 7.1.1 WHAT WAS INVENTED? . 76 7.1.2 WHY WERE ASTRONOMICAL TABLES INVENTED? . 79 7.1.3 HOW CREATIVE WERE ASTRONOMICAL TABLES? . 79 7.2 THE TWO-HANDED INTERNAL ROTATION (1690) . 80 7.2.1 WHAT WAS INVENTED? . 81 7.2.2 WHY WAS THE TWO-HANDED INTERNAL ROTATION INVENTED? . 82 7.2.3 HOW CREATIVE WAS THE TWO-HANDED INTERNAL ROTATION? . 83 CONTENTS XLLL 7.3 THE CORN MILL (1715) . 85 7.3.1 WHAT WAS INVENTED? . 85 7.3.2 WHY WAS THE CORN MILL INVENTED? . 86 7.3.3 HOW CREATIVE WAS THE CORN MILL? . 88 8 9 10 THE AGE OF ENLIGHTENMENT (1685-1815): COMMERCIALISING INNOVATION . 91 8.1 SILK DESIGN (1740S) . 92 8.1.1 WHAT WAS INVENTED? . 92 8.1.2 WHY WAS SILK DESIGN INVENTED? . 94 8.1.3 HOW CREATIVE WAS SILK DESIGN? . 94 8.2 COADE STONE (1770) . 96 8.2.1 WHAT WAS INVENTED? . 97 8.2.2 WHY WAS COADE STONE INVENTED? . 98 8.2.3 HOW CREATIVE WAS COADE STONE? . 99 8.3 STRAW WEAVING (1809) . 100 8.3.1 WHAT WAS INVENTED? . 101 8.3.2 WHY WAS STRAW WEAVING INVENTED? . 102 8.3.3 HOW CREATIVE WAS STRAW WEAVING? . 103 THE ROMANTIC PERIOD (1800-1900): INDUSTRIAL INNOVATION . 105 9.1 THE BERKELEY HORSE (1828) . 106 9.1.1 WHAT WAS INVENTED? . 106 9.1.2 WHY WAS THE BERKELEY HORSE INVENTED? . 108 9.1.3 HOW CREATIVE WAS THE BERKELEY HORSE? . 108 9.2 THE COMPUTER PROGRAM (1840S) . 110 9.2.1 WHAT WAS INVENTED? . 110 9.2.2 WHY WAS THE COMPUTER PROGRAM INVENTED? . 112 9.2.3 HOW CREATIVE WAS THE COMPUTER PROGRAM? . 113 9.3 THE PROPELLER (1869) . 115 9.3.1 WHAT WAS INVENTED? . 116 9.3.2 WHY WAS THE PROPELLER INVENTED? . 118 9.3.3 HOW CREATIVE WAS THE PROPELLER? . 118 9.4 THE LIFE RAFT (1880) . 120 9.4.1 WHAT WAS INVENTED? . 120 9.4.2 WHY WAS THE LIFE RAFT INVENTED? . 121 9.4.3 HOW CREATIVE WAS THE LIFE RAFT? . 121 THE MODERN AGE (1880-1950): BRAS, BOMBS, AND BITS . 125 10.1 THE BRASSIERE (1914) . 126 10.1.1 WHAT WAS INVENTED? . 127 10.1.2 WHY WAS THE BRASSIERE INVENTED? . 129 10.1.3 HOW CREATIVE WAS THE BRASSIERE? . 129 10.2 THE RADIO-CONTROLLED TORPEDO (1942) . 131 10.2.1 WHAT WAS INVENTED? . 131 XIV CONTENTS 10.2.2 WHY WAS THE RADIO-CONTROLLED TORPEDO INVENTED? . 133 10.2.3 HOW CREATIVE WAS THE RADIO-CONTROLLED TORPEDO?. 133 10.3 THE COMPILER (1952) . 135 10.3.1 WHAT WAS INVENTED? . 136 10.3.2 WHY WAS THE COMPILER INVENTED? . 137 10.3.3 HOW CREATIVE WAS THE COMPILER? . 138 11 THE SPACE AGE (1950-1981): THE RISE OF THE MODERN CREATIVITY ERA . 141 11.1 WATERPROOF DIAPER (C1949) . 142 11.1.1 WHAT WAS INVENTED? . 142 11.1.2 WHY WAS THE WATERPROOF DIAPER INVENTED? . 145 11.1.3 HOW CREATIVE IS THE WATERPROOF DIAPER? . 145 11.2 KEVLAR (1964) . 147 11.2.1 WHAT WAS INVENTED? . 147 11.2.2 WHY WAS KEVLAR INVENTED? . 149 11.2.3 HOW CREATIVE WAS KEVLAR? . 150 11.3 SCOTCHGARD (1973) . 151 11.3.1 WHAT WAS INVENTED? . 152 11.3.2 WHY WAS SCOTCHGARD INVENTED? . 153 11.3.3 HOW CREATIVE WAS SCOTCHGARD? . 154 12 THE DIGITAL AGE (1981-PRESENT): COMPLEXITY AND CREATIVITY . 157 12.1 THE LASERPHACO PROBE (1981) . 158 12.1.1 WHAT WAS INVENTED? . 158 12.1.2 WHY WAS THE LASERPHACO PROBE INVENTED?. 159 12.1.3 HOW CREATIVE WAS THE LASERPHACO PROBE? . 161 12.2 BLISSYMBOL PRINTER (1984) . 162 12.2.1 WHAT WAS INVENTED? . 163 12.2.2 WHY WAS THE BLISSYMBOL PRINTER INVENTED? . 164 12.2.3 HOW CREATIVE WAS THE BLISSYMBOL PRINTER? . 165 12.3 THE THERMOELECTRIC FLASHLIGHT (2013) . 167 12.3.1 WHAT WAS INVENTED? . 167 12.3.2 WHY WAS THE THERMOELECTRIC FLASHLIGHT INVENTED? . 168 12.3.3 HOW CREATIVE WAS THE THERMOELECTRIC FLASHLIGHT? . 169 13 THE INNOVATION SCOREBOARD . 173 APPENDIX A: THE CREATIVE SOLUTION DIAGNOSIS SCALE (CSDS) . 181 APPENDIX B: TABLES OF CREATIVITY SCORES . 185 BIBLIOGRAPHY . 189
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id	DE-604.BV048528338
illustrated	Illustrated
index_date	2024-07-03T20:51:39Z
indexdate	2024-07-10T09:40:38Z
institution	BVB
isbn	9811539669 9789811539664
language	English
oai_aleph_id	oai:aleph.bib-bvb.de:BVB01-033905107
oclc_num	1192379656
open_access_boolean
owner	DE-210
owner_facet	DE-210
physical	xvii, 189 Seiten Illustrationen 24 cm
publishDate	2020
publishDateSearch	2020
publishDateSort	2020
publisher	Springer
record_format	marc
spelling	Cropley, David Verfasser (DE-588)142562394 aut Femina problematis solvendis — problem solving woman a history of the creativity of women Singapore Springer [2020] ©2020 xvii, 189 Seiten Illustrationen 24 cm txt rdacontent n rdamedia nc rdacarrier Geschichte gnd rswk-swf Problemlösen (DE-588)4076358-4 gnd rswk-swf Erfindung (DE-588)4015223-6 gnd rswk-swf Kreativität (DE-588)4032903-3 gnd rswk-swf Frau (DE-588)4018202-2 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Frau (DE-588)4018202-2 s Problemlösen (DE-588)4076358-4 s Kreativität (DE-588)4032903-3 s Erfindung (DE-588)4015223-6 s Technischer Fortschritt (DE-588)4059252-2 s Geschichte z DE-604 Erscheint auch als Online-Ausgabe 978-981-15-3967-1 Digitalisierung Deutsches Museum application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033905107&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis
spellingShingle	Cropley, David Femina problematis solvendis — problem solving woman a history of the creativity of women Problemlösen (DE-588)4076358-4 gnd Erfindung (DE-588)4015223-6 gnd Kreativität (DE-588)4032903-3 gnd Frau (DE-588)4018202-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd
subject_GND	(DE-588)4076358-4 (DE-588)4015223-6 (DE-588)4032903-3 (DE-588)4018202-2 (DE-588)4059252-2
title	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_auth	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_exact_search	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_exact_search_txtP	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_full	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_fullStr	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_full_unstemmed	Femina problematis solvendis — problem solving woman a history of the creativity of women
title_short	Femina problematis solvendis — problem solving woman
title_sort	femina problematis solvendis problem solving woman a history of the creativity of women
title_sub	a history of the creativity of women
topic	Problemlösen (DE-588)4076358-4 gnd Erfindung (DE-588)4015223-6 gnd Kreativität (DE-588)4032903-3 gnd Frau (DE-588)4018202-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd
topic_facet	Problemlösen Erfindung Kreativität Frau Technischer Fortschritt
url	http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033905107&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA
work_keys_str_mv	AT cropleydavid feminaproblematissolvendisproblemsolvingwomanahistoryofthecreativityofwomen

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