Staging rebellion in the musical, Hair: marginalised voices in musical theatre
"This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to iden...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York
Routledge, Taylor & Francis Group
2023
|
| Schriftenreihe: | Routledge advances in theatre and performance studies
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian 'text' but in the practices and values it embodies, and the emotions it generates in its audiences. This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies" |
| Beschreibung: | xiv, 179 Seiten Notenbeispiele |
| ISBN: | 9780367367671 |
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| 520 | 3 | |a "This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian 'text' but in the practices and values it embodies, and the emotions it generates in its audiences. This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies" | |
| 600 | 1 | 7 | |a MacDermot, Galt |d 1928- |t Hair |0 (DE-588)300392133 |2 gnd |9 rswk-swf |
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| 653 | 0 | |a Musicals / United States / History and criticism | |
| 653 | 0 | |a Minorities in the performing arts | |
| 653 | 0 | |a Musical theater / United States / History / 20th century | |
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Datensatz im Suchindex
| _version_ | 1804184516850352128 |
|---|---|
| adam_text | Contents Foreword Acknowledgements 1 ix xiii Introduction 1 Hair. Origins, Forms, and the‘Fragmented’ Musical 9 PART I Race 33 2 ‘Colored Spade’: Reappropriating Stereotypes 35 3 ‘I Ain’t Dyin’ for NoWhite Man’: Black Power on Broadway 50 PART II Gender 71 4 Feminist Approaches 73 5 Multiple Masculinities 97 PART III Hair and Its Resonances 6 Crossing Over: Hair and the Music Industry 119 121
viii Contents 7 Reviving the Text: Hair in the Contemporary Era 137 8 The Utopian Promise of Hair 151 9 Conclusion 166 Index 177
|
| adam_txt |
Contents Foreword Acknowledgements 1 ix xiii Introduction 1 Hair. Origins, Forms, and the‘Fragmented’ Musical 9 PART I Race 33 2 ‘Colored Spade’: Reappropriating Stereotypes 35 3 ‘I Ain’t Dyin’ for NoWhite Man’: Black Power on Broadway 50 PART II Gender 71 4 Feminist Approaches 73 5 Multiple Masculinities 97 PART III Hair and Its Resonances 6 Crossing Over: Hair and the Music Industry 119 121
viii Contents 7 Reviving the Text: Hair in the Contemporary Era 137 8 The Utopian Promise of Hair 151 9 Conclusion 166 Index 177 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Browne, Sarah Elisabeth |
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| author_facet | Browne, Sarah Elisabeth |
| author_role | aut |
| author_sort | Browne, Sarah Elisabeth |
| author_variant | s e b se seb |
| building | Verbundindex |
| bvnumber | BV048526627 |
| ctrlnum | (OCoLC)1344496251 (DE-599)BVBBV048526627 |
| format | Book |
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| index_date | 2024-07-03T20:51:05Z |
| indexdate | 2024-07-10T09:40:35Z |
| institution | BVB |
| isbn | 9780367367671 |
| language | English |
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| physical | xiv, 179 Seiten Notenbeispiele |
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| spelling | Browne, Sarah Elisabeth Verfasser (DE-588)127756177X aut Staging rebellion in the musical, Hair marginalised voices in musical theatre Sarah Elisabeth Browne theater London ; New York Routledge, Taylor & Francis Group 2023 xiv, 179 Seiten Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Routledge advances in theatre and performance studies "This volume provides a comprehensive survey of the musical Hair and will offer critical analysis which focuses on giving voice to those who are historically considered to be on the margins of musical theatre history. Sarah Browne interrogates key scenes from the musical which will seek to identify the relationship between performance and the cultural moment. Whilst it is widely acknowledged that Hair is a product of the sixties counter-culture, this study will place the analysis in its socio-historical context to specifically reveal American values towards race, gender, and adolescence. In arguing that Hair is a rebellion against the established normative values of both American society and the art form of the musical itself, this book will suggest ways in which Hair can be considered utopian: not only as a utopian 'text' but in the practices and values it embodies, and the emotions it generates in its audiences. This book will be of great interest to scholars and students of music, musical theatre, popular music, American studies, film studies, gender studies, or African American studies" MacDermot, Galt 1928- Hair (DE-588)300392133 gnd rswk-swf MacDermot, Galt / Hair Musicals / United States / History and criticism Minorities in the performing arts Musical theater / United States / History / 20th century MacDermot, Galt 1928- Hair (DE-588)300392133 u DE-604 Äquivalent Druck-Ausgabe, Paperback 978-1-032-22473-2 Erscheint auch als Online-Ausgabe, ebk. 978-0-429-35130-3 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033903435&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Browne, Sarah Elisabeth Staging rebellion in the musical, Hair marginalised voices in musical theatre MacDermot, Galt 1928- Hair (DE-588)300392133 gnd |
| subject_GND | (DE-588)300392133 |
| title | Staging rebellion in the musical, Hair marginalised voices in musical theatre |
| title_alt | theater |
| title_auth | Staging rebellion in the musical, Hair marginalised voices in musical theatre |
| title_exact_search | Staging rebellion in the musical, Hair marginalised voices in musical theatre |
| title_exact_search_txtP | Staging rebellion in the musical, Hair marginalised voices in musical theatre |
| title_full | Staging rebellion in the musical, Hair marginalised voices in musical theatre Sarah Elisabeth Browne |
| title_fullStr | Staging rebellion in the musical, Hair marginalised voices in musical theatre Sarah Elisabeth Browne |
| title_full_unstemmed | Staging rebellion in the musical, Hair marginalised voices in musical theatre Sarah Elisabeth Browne |
| title_short | Staging rebellion in the musical, Hair |
| title_sort | staging rebellion in the musical hair marginalised voices in musical theatre |
| title_sub | marginalised voices in musical theatre |
| topic | MacDermot, Galt 1928- Hair (DE-588)300392133 gnd |
| topic_facet | MacDermot, Galt 1928- Hair |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033903435&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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