Music sociology: value, technology, and identity
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York ; London
Routledge
2022
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | VII, 185 Seiten |
| ISBN: | 9780367210199 |
Internformat
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Datensatz im Suchindex
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| adam_text | Contents Acknowledgements Introduction: Music in (the Context of) Sociology viii 1 What we mean by music sociology 2 The focus of this book 7 References 10 1 Situating the Sociology of Music 1.1 13 A briefperspective on the discipline 14 1.2 The constructivist sociological approach to music 19 1.3 1.4 The structuralist sociological approach to music 22 Where do we go from here? Music as a cultural object 26 Conclusion 31 Note 32 References 32 2 The Techno-Cultural Transformations of Music in the Digital Age 2.1 2.2 2.3 Key trends of the ‘digital age’ of music 38 Framing musical experiences: from participation to branding 44 Streaming services and the datafication of music 49 2.3.1 The license model and its revenues 50 2.3.2 Algorithms and datafication 51 37
vi Contents 2.4 Streaming services, listening, and the economy of attention 53 Conclusion 56 References 57 3 Aesthetics and Value in Music Sociology 3.1 3.2 3.3 63 The problems with aesthetics 64 Sociology and aesthetics — identifying the mediators and mediations of value 70 Music, genres, and the ‘social’ 75 3.3.1 What is the social anyway? 77 3.3.2 Music, but not without genres 79 Conclusion 82 References 83 4 Sound Environments and Everyday Music Listening Practices 4.1 4.2 4.3 4.4 87 Accounting for the sounds of everyday life 89 Technologies of manipulation and/or of control? 93 A dynamic system for mediated music listening practices 9Ί Listening and the search for adequate music 99 Conclusion 103 References 104 5 Music Taste: What Is Liking Music? 5.1 5.2 5.3 107 The social distribution of music taste ֊ structural homology, omnivorousness, or eclecticism? 108 5.1.1 Bourdieu’s cultural sociology 109 5.1.2 Omnivorousness as a challenge to Bourdieusian sociology? 110 5.1.3 An increasing eclecticism for music? 114 Social expressions of music taste: distinction or differentiation? 115 Taste as activity 122 Conclusion 126 References 128 6 Music, Identity, and Ageing 6.1 6.2 From youth to post-youth 134 Music and ageing identity 137 133
Contents 6.3 vii Music, ageing, and lifestyle 142 6.3.1 Ageing and music scenes 144 6.3.2 Music, ageing, andfamilies 146 6.3.3 Music, ageing, and consumerism 147 Conclusion 149 References 149 7 Popular Music Heritage and the Obsession with Preservation 7.1 153 What is popular music heritage and what is it for? 154 7.1.1 7.1.2 Critical perspectives on popular music heritage 155 The forms ofpopular music heritage 157 7.1.3 Practices ofpopular music heritage and the canon 159 7.2 How does popular music heritage change the value of music? 162 Conclusion 165 References 166 Conclusion 170 References 173 Index 175
|
| adam_txt |
Contents Acknowledgements Introduction: Music in (the Context of) Sociology viii 1 What we mean by music sociology 2 The focus of this book 7 References 10 1 Situating the Sociology of Music 1.1 13 A briefperspective on the discipline 14 1.2 The constructivist sociological approach to music 19 1.3 1.4 The structuralist sociological approach to music 22 Where do we go from here? Music as a cultural object 26 Conclusion 31 Note 32 References 32 2 The Techno-Cultural Transformations of Music in the Digital Age 2.1 2.2 2.3 Key trends of the ‘digital age’ of music 38 Framing musical experiences: from participation to branding 44 Streaming services and the datafication of music 49 2.3.1 The license model and its revenues 50 2.3.2 Algorithms and datafication 51 37
vi Contents 2.4 Streaming services, listening, and the economy of attention 53 Conclusion 56 References 57 3 Aesthetics and Value in Music Sociology 3.1 3.2 3.3 63 The problems with aesthetics 64 Sociology and aesthetics — identifying the mediators and mediations of value 70 Music, genres, and the ‘social’ 75 3.3.1 What is the social anyway? 77 3.3.2 Music, but not without genres 79 Conclusion 82 References 83 4 Sound Environments and Everyday Music Listening Practices 4.1 4.2 4.3 4.4 87 Accounting for the sounds of everyday life 89 Technologies of manipulation and/or of control? 93 A dynamic system for mediated music listening practices 9Ί Listening and the search for adequate music 99 Conclusion 103 References 104 5 Music Taste: What Is Liking Music? 5.1 5.2 5.3 107 The social distribution of music taste ֊ structural homology, omnivorousness, or eclecticism? 108 5.1.1 Bourdieu’s cultural sociology 109 5.1.2 Omnivorousness as a challenge to Bourdieusian sociology? 110 5.1.3 An increasing eclecticism for music? 114 Social expressions of music taste: distinction or differentiation? 115 Taste as activity 122 Conclusion 126 References 128 6 Music, Identity, and Ageing 6.1 6.2 From youth to post-youth 134 Music and ageing identity 137 133
Contents 6.3 vii Music, ageing, and lifestyle 142 6.3.1 Ageing and music scenes 144 6.3.2 Music, ageing, andfamilies 146 6.3.3 Music, ageing, and consumerism 147 Conclusion 149 References 149 7 Popular Music Heritage and the Obsession with Preservation 7.1 153 What is popular music heritage and what is it for? 154 7.1.1 7.1.2 Critical perspectives on popular music heritage 155 The forms ofpopular music heritage 157 7.1.3 Practices ofpopular music heritage and the canon 159 7.2 How does popular music heritage change the value of music? 162 Conclusion 165 References 166 Conclusion 170 References 173 Index 175 |
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| spelling | Nowak, Raphaël 1985- Verfasser (DE-588)1078980810 aut Music sociology value, technology, and identity Raphaël Nowak and Andy Andy Bennett New York ; London Routledge 2022 VII, 185 Seiten txt rdacontent n rdamedia nc rdacarrier Geschichte 2000- gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Musiksoziologie (DE-588)4040869-3 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Sozialer Wandel (DE-588)4077587-2 gnd rswk-swf Technischer Fortschritt (DE-588)4059252-2 gnd rswk-swf Sociologie de la musique Musik (DE-588)4040802-4 s Musiksoziologie (DE-588)4040869-3 s Technischer Fortschritt (DE-588)4059252-2 s Sozialer Wandel (DE-588)4077587-2 s Ästhetik (DE-588)4000626-8 s Geschichte 2000- z DE-604 Bennett, Andy 1963- Verfasser (DE-588)122083172 aut Erscheint auch als Online-Ausgabe, EPUB 978-0-429-26485-6 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033902383&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Nowak, Raphaël 1985- Bennett, Andy 1963- Music sociology value, technology, and identity Ästhetik (DE-588)4000626-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Musik (DE-588)4040802-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
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| title | Music sociology value, technology, and identity |
| title_auth | Music sociology value, technology, and identity |
| title_exact_search | Music sociology value, technology, and identity |
| title_exact_search_txtP | Music sociology value, technology, and identity |
| title_full | Music sociology value, technology, and identity Raphaël Nowak and Andy Andy Bennett |
| title_fullStr | Music sociology value, technology, and identity Raphaël Nowak and Andy Andy Bennett |
| title_full_unstemmed | Music sociology value, technology, and identity Raphaël Nowak and Andy Andy Bennett |
| title_short | Music sociology |
| title_sort | music sociology value technology and identity |
| title_sub | value, technology, and identity |
| topic | Ästhetik (DE-588)4000626-8 gnd Musiksoziologie (DE-588)4040869-3 gnd Musik (DE-588)4040802-4 gnd Sozialer Wandel (DE-588)4077587-2 gnd Technischer Fortschritt (DE-588)4059252-2 gnd |
| topic_facet | Ästhetik Musiksoziologie Musik Sozialer Wandel Technischer Fortschritt |
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