Criminal moves: modes of mobility in crime fiction
"Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than text...
Gespeichert in:
| Weitere Verfasser: | , , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Liverpool
Liverpool University Press
2022
|
| Ausgabe: | Paperback edition |
| Schriftenreihe: | Liverpool English texts and studies
78 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves' challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts." Klappentext |
| Beschreibung: | x, 215 Seiten 24 cm |
| ISBN: | 9781802077063 9781789620580 |
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| 520 | 3 | |a "Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves' challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts." Klappentext | |
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Datensatz im Suchindex
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Contents Contributors vii Introduction Criminal Moves: Towards a Theory of Crime Fiction Mobility Jesper Gulddal, Stewart King and Alistair Rolls i I Mobility of Meaning i. Behind the Locked Door: Leblanc, Leroux and the Anxieties of the Belle Epoque 27 Jean Fornasiero and John West-Sooby г. Moving Fergus Hume’s The Mystery of a Hansom Cab and Breaking the Frame of Poe’s ‘The Murders in the Rue Morgue’ Alistair Rolls 3. Reading Affects in Raymond Chandler’s The Big Sleep Heta Pyrhönen 4. Contradicting the Golden Age: Reading Agatha Christie in the Twenty-First Century 77 Merja Makinen 45 60 II Mobility of Genre 5. Criminal Minds: Reassessing the Origins of the Psycho-Thriller Maurizio Ascari v 95
CRIMINAL MOVES 6. Foggy Muddle: Narrative, Contingency and Genre Mobility in Dashiell Hammett’s The Dain Curse 113 Jesper Gulddal 7. Burma’s Bagnoles·. Urban Modernity and the Automotive Saccadism of Léo Malet’s Nouveaux mystères de Paris (i954֊i959) 129 Andrea Goulet 8. Secrecy and Transparency in Hideo Yokoyama’s Six Four Andrew Pepper 146 III Transnational Mobility 9. 10. її. From Vidocq to the Locked Room: International Connections in Nineteenth-Century Crime Fiction Stephen Knight 163 Brain Attics and Mind Weapons: Investigative Spaces, Mobility and Transcultural Adaptations of Detective Fiction Michael B. Harris-Peyton 179 The Reader and World Crime Fiction: The (Private) Eye of the Beholder 195 Stewart King 211 Index vi |
| adam_txt |
Contents Contributors vii Introduction Criminal Moves: Towards a Theory of Crime Fiction Mobility Jesper Gulddal, Stewart King and Alistair Rolls i I Mobility of Meaning i. Behind the Locked Door: Leblanc, Leroux and the Anxieties of the Belle Epoque 27 Jean Fornasiero and John West-Sooby г. Moving Fergus Hume’s The Mystery of a Hansom Cab and Breaking the Frame of Poe’s ‘The Murders in the Rue Morgue’ Alistair Rolls 3. Reading Affects in Raymond Chandler’s The Big Sleep Heta Pyrhönen 4. Contradicting the Golden Age: Reading Agatha Christie in the Twenty-First Century 77 Merja Makinen 45 60 II Mobility of Genre 5. Criminal Minds: Reassessing the Origins of the Psycho-Thriller Maurizio Ascari v 95
CRIMINAL MOVES 6. Foggy Muddle: Narrative, Contingency and Genre Mobility in Dashiell Hammett’s The Dain Curse 113 Jesper Gulddal 7. Burma’s Bagnoles·. Urban Modernity and the Automotive Saccadism of Léo Malet’s Nouveaux mystères de Paris (i954֊i959) 129 Andrea Goulet 8. Secrecy and Transparency in Hideo Yokoyama’s Six Four Andrew Pepper 146 III Transnational Mobility 9. 10. її. From Vidocq to the Locked Room: International Connections in Nineteenth-Century Crime Fiction Stephen Knight 163 Brain Attics and Mind Weapons: Investigative Spaces, Mobility and Transcultural Adaptations of Detective Fiction Michael B. Harris-Peyton 179 The Reader and World Crime Fiction: The (Private) Eye of the Beholder 195 Stewart King 211 Index vi |
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| spelling | Criminal moves modes of mobility in crime fiction edited by Jesper Gulddal, Stewart King and Alistair Rolls Paperback edition Liverpool Liverpool University Press 2022 x, 215 Seiten 24 cm txt rdacontent n rdamedia nc rdacarrier Liverpool English texts and studies 78 "Criminal Moves: Modes of Mobility in Crime Fiction offers a major intervention into contemporary theoretical debates about crime fiction. It seeks to overturn the following preconceptions: that the genre does not warrant critical analysis, that genre norms and conventions matter more than textual individuality, and that comparative perspectives are secondary to the study of the British-American canon. Criminal Moves' challenges the distinction between literary and popular fiction and proposes that crime fiction be seen as constantly violating its own boundaries. Centred on three axes of mobility, the essays ask how can we imagine a mobile reading practice that realizes the genre's full textual complexity, without being limited by the authoritative self-interpretations provided by crime narratives; how we can overcome restrictive notions of 'genre', 'formula' or 'popular'; and how we can establish transnational perspectives that challenge the centrality of the British-American tradition and recognize that the global history of crime fiction is characterized, not by the existence of parallel national traditions, but rather by processes of appropriation and transculturation. Criminal Moves presents a comprehensive reinterpretation of the history of the genre that also has profound ramifications for how we read individual crime fiction texts." Klappentext Kriminalroman (DE-588)4033187-8 gnd rswk-swf Detective and mystery stories / History and criticism (DE-588)4143413-4 Aufsatzsammlung gnd-content Kriminalroman (DE-588)4033187-8 s DE-604 Gulddal, Jesper ca. 20./21. Jh. (DE-588)1024783014 edt Rolls, Alistair 1971- (DE-588)1028653336 edt King, Stewart 1968- (DE-588)131798871 edt Äquivalent 2019 Druck-Ausgabe, Hardcover 978-1-78962-058-0 Erscheint auch als Online-Ausgabe 978-1-78962-469-4 Erscheint auch als Online-Ausgabe 978-1-78962-959-0 Liverpool English texts and studies 78 (DE-604)BV002787186 78 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033898977&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
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| title | Criminal moves modes of mobility in crime fiction |
| title_auth | Criminal moves modes of mobility in crime fiction |
| title_exact_search | Criminal moves modes of mobility in crime fiction |
| title_exact_search_txtP | Criminal moves modes of mobility in crime fiction |
| title_full | Criminal moves modes of mobility in crime fiction edited by Jesper Gulddal, Stewart King and Alistair Rolls |
| title_fullStr | Criminal moves modes of mobility in crime fiction edited by Jesper Gulddal, Stewart King and Alistair Rolls |
| title_full_unstemmed | Criminal moves modes of mobility in crime fiction edited by Jesper Gulddal, Stewart King and Alistair Rolls |
| title_short | Criminal moves |
| title_sort | criminal moves modes of mobility in crime fiction |
| title_sub | modes of mobility in crime fiction |
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