The Last Biwa Singer: A Blind Musician in History-Imagination and Performance
This work is an exposition of the traditions of Japanese blind singers who accompanied themselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa hoshi. The author draws up...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Ithaca, NY
Cornell University Press
[2010]
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| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 Volltext |
| Zusammenfassung: | This work is an exposition of the traditions of Japanese blind singers who accompanied themselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa hoshi. The author draws upon approaches from Japanese historical and literature studies, performance studies and ethnomusicology in an examination of history, which yielded on the one hand images of blind singers that still circulate in Japan, and on the other a particular tradition of musical story-telling and rites in regional Kyushu, of representations of Yamashika in diverse media, of his experience training for and making a living as a professional performer and rituals from the 1920s on, and of the oral compositional process in performances made between 1989 and 1992 |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) |
| Beschreibung: | 1 Online-Ressource (336 Seiten) |
| ISBN: | 9781942242437 |
| DOI: | 10.1515/9781942242437 |
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| dewey-full | 787.8/5 |
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| indexdate | 2024-07-10T09:40:19Z |
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| isbn | 9781942242437 |
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| spelling | Ferranti, Hugh Verfasser aut The Last Biwa Singer A Blind Musician in History-Imagination and Performance Hugh Ferranti Ithaca, NY Cornell University Press [2010] © 2010 1 Online-Ressource (336 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) This work is an exposition of the traditions of Japanese blind singers who accompanied themselves on the biwa, and of the complex identity of Yamashika Yoshiyuki (1901-1996), a man widely portrayed as the last such "living relic" of the medieval bards called biwa hoshi. The author draws upon approaches from Japanese historical and literature studies, performance studies and ethnomusicology in an examination of history, which yielded on the one hand images of blind singers that still circulate in Japan, and on the other a particular tradition of musical story-telling and rites in regional Kyushu, of representations of Yamashika in diverse media, of his experience training for and making a living as a professional performer and rituals from the 1920s on, and of the oral compositional process in performances made between 1989 and 1992 In English Asian Studies Musical Arts & Ethnomusicology BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Biwa players Japan Biography Blind musicians Japan Biography https://doi.org/10.1515/9781942242437 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Ferranti, Hugh The Last Biwa Singer A Blind Musician in History-Imagination and Performance Asian Studies Musical Arts & Ethnomusicology BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Biwa players Japan Biography Blind musicians Japan Biography |
| title | The Last Biwa Singer A Blind Musician in History-Imagination and Performance |
| title_auth | The Last Biwa Singer A Blind Musician in History-Imagination and Performance |
| title_exact_search | The Last Biwa Singer A Blind Musician in History-Imagination and Performance |
| title_exact_search_txtP | The Last Biwa Singer A Blind Musician in History-Imagination and Performance |
| title_full | The Last Biwa Singer A Blind Musician in History-Imagination and Performance Hugh Ferranti |
| title_fullStr | The Last Biwa Singer A Blind Musician in History-Imagination and Performance Hugh Ferranti |
| title_full_unstemmed | The Last Biwa Singer A Blind Musician in History-Imagination and Performance Hugh Ferranti |
| title_short | The Last Biwa Singer |
| title_sort | the last biwa singer a blind musician in history imagination and performance |
| title_sub | A Blind Musician in History-Imagination and Performance |
| topic | Asian Studies Musical Arts & Ethnomusicology BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians bisacsh Biwa players Japan Biography Blind musicians Japan Biography |
| topic_facet | Asian Studies Musical Arts & Ethnomusicology BIOGRAPHY & AUTOBIOGRAPHY / Composers & Musicians Biwa players Japan Biography Blind musicians Japan Biography |
| url | https://doi.org/10.1515/9781942242437 |
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