Embodied Communities: Dance Traditions and Change in Java
Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that c...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
New York ; Oxford
Berghahn Books
[2008]
|
| Schriftenreihe: | Dance and Performance Studies
2 |
| Schlagworte: | |
| Online-Zugang: | FAW01 FAB01 FCO01 FHA01 FKE01 FLA01 UPA01 UBG01 URL des Erstveröffentlichers |
| Zusammenfassung: | Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) |
| Beschreibung: | 1 Online-Ressource (304 Seiten) |
| ISBN: | 9781845458683 |
| DOI: | 10.1515/9781845458683 |
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| 520 | |a Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change | ||
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Datensatz im Suchindex
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| author | Hughes-Freeland, Felicia |
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| dewey-full | 793.3/195982 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 793 - Indoor games and amusements |
| dewey-raw | 793.3/195982 |
| dewey-search | 793.3/195982 |
| dewey-sort | 3793.3 6195982 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Sport |
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| doi_str_mv | 10.1515/9781845458683 |
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| index_date | 2024-07-03T20:48:59Z |
| indexdate | 2024-07-10T09:40:18Z |
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| isbn | 9781845458683 |
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| spelling | Hughes-Freeland, Felicia Verfasser aut Embodied Communities Dance Traditions and Change in Java Felicia Hughes-Freeland New York ; Oxford Berghahn Books [2008] © 2008 1 Online-Ressource (304 Seiten) txt rdacontent c rdamedia cr rdacarrier Dance and Performance Studies 2 Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) Court dance in Java has changed from a colonial ceremonial tradition into a national artistic classicism. Central to this general transformation has been dance's role in personal transformation, developing appropriate forms of everyday behaviour and strengthening the powers of persuasion that come from the skillful manipulation of both physical and verbal forms of politeness. This account of dance's significance in performance and in everyday life draws on extensive research, including dance training in Java, and builds on how practitioners interpret and explain the repertoire. The Javanese case is contextualized in relation to social values, religion, philosophy, and commoditization arising from tourism. It also raises fundamental questions about the theorization of culture, society and the body during a period of radical change In English SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Court dancing Indonesia Java Dance Indonesia Java Social change Indonesia Java https://doi.org/10.1515/9781845458683 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Hughes-Freeland, Felicia Embodied Communities Dance Traditions and Change in Java SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Court dancing Indonesia Java Dance Indonesia Java Social change Indonesia Java |
| title | Embodied Communities Dance Traditions and Change in Java |
| title_auth | Embodied Communities Dance Traditions and Change in Java |
| title_exact_search | Embodied Communities Dance Traditions and Change in Java |
| title_exact_search_txtP | Embodied Communities Dance Traditions and Change in Java |
| title_full | Embodied Communities Dance Traditions and Change in Java Felicia Hughes-Freeland |
| title_fullStr | Embodied Communities Dance Traditions and Change in Java Felicia Hughes-Freeland |
| title_full_unstemmed | Embodied Communities Dance Traditions and Change in Java Felicia Hughes-Freeland |
| title_short | Embodied Communities |
| title_sort | embodied communities dance traditions and change in java |
| title_sub | Dance Traditions and Change in Java |
| topic | SOCIAL SCIENCE / Anthropology / Cultural & Social bisacsh Court dancing Indonesia Java Dance Indonesia Java Social change Indonesia Java |
| topic_facet | SOCIAL SCIENCE / Anthropology / Cultural & Social Court dancing Indonesia Java Dance Indonesia Java Social change Indonesia Java |
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