A Kiss across the Ocean: Transatlantic Intimacies of British Post-Punk and US Latinidad
In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie an...
Gespeichert in:
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Durham
Duke University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | BSB01 FHA01 FUBA1 URL des Erstveröffentlichers URL des Erstveröffentlichers |
| Zusammenfassung: | In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands' importance for him and other Latinx kids and discusses their frequent identification with these bands' glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond's lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) |
| Beschreibung: | 1 Online-Ressource (259 Seiten) |
| ISBN: | 9781478023180 |
| DOI: | 10.1215/9781478023180 |
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| 520 | |a In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands' importance for him and other Latinx kids and discusses their frequent identification with these bands' glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond's lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations | ||
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| spelling | Rodríguez, Richard T. 1971- Verfasser (DE-588)139515925 aut A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad by Richard T. Rodríguez Durham Duke University Press [2022] © 2022 1 Online-Ressource (259 Seiten) txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 04. Okt 2022) In A Kiss across the Ocean Richard T. Rodríguez examines the relationship between British post-punk musicians and their Latinx audiences in the United States since the 1980s. Melding memoir with cultural criticism, Rodríguez spotlights a host of influential bands and performers including Siouxsie and the Banshees, Adam Ant, Bauhaus, Soft Cell, Frankie Goes to Hollywood, and Pet Shop Boys. He recounts these bands' importance for him and other Latinx kids and discusses their frequent identification with these bands' glamorous performance of difference. Whether it was Siouxsie Sioux drawing inspiration from Latinx contemporaries and cultural practices or how Soft Cell singer Marc Almond's lyrics were attuned to the vibrancy of queer Latinidad, Rodríguez shows how Latinx culture helped shape British post-punk. He traces the fandom networks that link these groups across space and time to illuminate how popular music establishes and facilitates intimate relations across the Atlantic. In so doing, he demonstrates how the music and styles that have come to define the 1980s hold significant sway over younger generations equally enthused by their matchlessly pleasurable and political reverberations In English SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Hispanic American gays Social life and customs 20th century Hispanic American youth Social life and customs 20th century Popular music Social aspects United States Popular music Great Britain Latin American influences Post-punk music Cross-cultural studies Youth Great Britain Social life and customs 20th century Erscheint auch als Druck-Ausgabe 978-1-4780-1858-2 https://doi.org/10.1215/9781478023180 Verlag URL des Erstveröffentlichers Volltext https://doi.org/10.1515/9781478023180?locatt=mode:legacy Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Rodríguez, Richard T. 1971- A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Hispanic American gays Social life and customs 20th century Hispanic American youth Social life and customs 20th century Popular music Social aspects United States Popular music Great Britain Latin American influences Post-punk music Cross-cultural studies Youth Great Britain Social life and customs 20th century |
| title | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad |
| title_auth | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad |
| title_exact_search | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad |
| title_exact_search_txtP | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad |
| title_full | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad by Richard T. Rodríguez |
| title_fullStr | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad by Richard T. Rodríguez |
| title_full_unstemmed | A Kiss across the Ocean Transatlantic Intimacies of British Post-Punk and US Latinidad by Richard T. Rodríguez |
| title_short | A Kiss across the Ocean |
| title_sort | a kiss across the ocean transatlantic intimacies of british post punk and us latinidad |
| title_sub | Transatlantic Intimacies of British Post-Punk and US Latinidad |
| topic | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies bisacsh Hispanic American gays Social life and customs 20th century Hispanic American youth Social life and customs 20th century Popular music Social aspects United States Popular music Great Britain Latin American influences Post-punk music Cross-cultural studies Youth Great Britain Social life and customs 20th century |
| topic_facet | SOCIAL SCIENCE / Ethnic Studies / Hispanic American Studies Hispanic American gays Social life and customs 20th century Hispanic American youth Social life and customs 20th century Popular music Social aspects United States Popular music Great Britain Latin American influences Post-punk music Cross-cultural studies Youth Great Britain Social life and customs 20th century |
| url | https://doi.org/10.1215/9781478023180 https://doi.org/10.1515/9781478023180?locatt=mode:legacy |
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