Frank Bowling - sculpture:
This is the first publication to examine Frank Bowling's (born 1934) art and ideas in relation to sculpture. An extended essay by Sam Cornish charts his interactions with sculpture since the 1960s, beginning with his shaped canvas Swan (1964), which was first displayed with ribbons and an ancho...
Gespeichert in:
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| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London
Ridinghouse
2022
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| Schlagworte: | |
| Zusammenfassung: | This is the first publication to examine Frank Bowling's (born 1934) art and ideas in relation to sculpture. An extended essay by Sam Cornish charts his interactions with sculpture since the 1960s, beginning with his shaped canvas Swan (1964), which was first displayed with ribbons and an anchor hanging from it. The text also considers Bowling's time in New York in the late 1960s and early 1970s, when he was involved with debates around Black art and the work of a number of African American sculptors. The book asks how Bowling's sculpture extends our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to high modernism, from which Bowling's mature art emerged. Bowling is one of a number of high modernist painters -including Jules Olitski, Kenneth Noland and Helen Frankenthaler- who also made sculpture, complicating perceptions of high modernism as a tendency associated primarily with painting |
| Beschreibung: | Rückseite Titelblatt: Published on the occasion of the exhibition "Frank Bowling & Sculpture", 15 July - 3 September 2022, Stephen Lawrence Gallery, University of Greenwich |
| Beschreibung: | 184 Seiten 27 cm |
| ISBN: | 9781909932746 1909932744 |
Internformat
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| 500 | |a Rückseite Titelblatt: Published on the occasion of the exhibition "Frank Bowling & Sculpture", 15 July - 3 September 2022, Stephen Lawrence Gallery, University of Greenwich | ||
| 520 | 3 | |a This is the first publication to examine Frank Bowling's (born 1934) art and ideas in relation to sculpture. An extended essay by Sam Cornish charts his interactions with sculpture since the 1960s, beginning with his shaped canvas Swan (1964), which was first displayed with ribbons and an anchor hanging from it. The text also considers Bowling's time in New York in the late 1960s and early 1970s, when he was involved with debates around Black art and the work of a number of African American sculptors. The book asks how Bowling's sculpture extends our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to high modernism, from which Bowling's mature art emerged. Bowling is one of a number of high modernist painters -including Jules Olitski, Kenneth Noland and Helen Frankenthaler- who also made sculpture, complicating perceptions of high modernism as a tendency associated primarily with painting | |
| 600 | 1 | 7 | |a Bowling, Frank |d 1934- |0 (DE-588)136135870 |2 gnd |9 rswk-swf |
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| 653 | 1 | |a Bowling, Frank / 1934- | |
| 653 | 1 | |a Bowling, Frank | |
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| 700 | 1 | |a Cornish, Sam |d 1983- |0 (DE-588)1187539074 |4 aut | |
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Datensatz im Suchindex
| _version_ | 1811019800548212736 |
|---|---|
| adam_text | |
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| author | Cornish, Sam 1983- |
| author2 | Bowling, Frank 1934- |
| author2_role | scl |
| author2_variant | f b fb |
| author_GND | (DE-588)136135870 (DE-588)1187539074 |
| author_facet | Cornish, Sam 1983- Bowling, Frank 1934- |
| author_role | aut |
| author_sort | Cornish, Sam 1983- |
| author_variant | s c sc |
| building | Verbundindex |
| bvnumber | BV048509800 |
| classification_rvk | LI 99999 |
| ctrlnum | (OCoLC)1345670240 (DE-599)KXP1817002902 |
| dewey-full | 730.92 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 730 - Sculpture and related arts |
| dewey-raw | 730.92 |
| dewey-search | 730.92 |
| dewey-sort | 3730.92 |
| dewey-tens | 730 - Sculpture and related arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| genre | (DE-588)4135467-9 Ausstellungskatalog The Stephen Lawrence Gallery 15.07.2022-03.09.2022 Greenwich gnd-content |
| genre_facet | Ausstellungskatalog The Stephen Lawrence Gallery 15.07.2022-03.09.2022 Greenwich |
| id | DE-604.BV048509800 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:47:19Z |
| indexdate | 2024-09-23T20:24:29Z |
| institution | BVB |
| institution_GND | (DE-588)1030473862 |
| isbn | 9781909932746 1909932744 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033886873 |
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| owner | DE-255 |
| owner_facet | DE-255 |
| physical | 184 Seiten 27 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Ridinghouse |
| record_format | marc |
| spelling | Bowling, Frank 1934- (DE-588)136135870 scl art Frank Bowling - sculpture Sam Cornish Sculpture Frank Bowling & sculpture and London Ridinghouse 2022 184 Seiten 27 cm sti rdacontent txt rdacontent n rdamedia nc rdacarrier Rückseite Titelblatt: Published on the occasion of the exhibition "Frank Bowling & Sculpture", 15 July - 3 September 2022, Stephen Lawrence Gallery, University of Greenwich This is the first publication to examine Frank Bowling's (born 1934) art and ideas in relation to sculpture. An extended essay by Sam Cornish charts his interactions with sculpture since the 1960s, beginning with his shaped canvas Swan (1964), which was first displayed with ribbons and an anchor hanging from it. The text also considers Bowling's time in New York in the late 1960s and early 1970s, when he was involved with debates around Black art and the work of a number of African American sculptors. The book asks how Bowling's sculpture extends our understanding of his pictorial language. Considering this relationship also highlights the importance of sculpture to high modernism, from which Bowling's mature art emerged. Bowling is one of a number of high modernist painters -including Jules Olitski, Kenneth Noland and Helen Frankenthaler- who also made sculpture, complicating perceptions of high modernism as a tendency associated primarily with painting Bowling, Frank 1934- (DE-588)136135870 gnd rswk-swf Acrylmalerei (DE-588)4132048-7 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Bowling, Frank / 1934- Bowling, Frank (DE-588)4135467-9 Ausstellungskatalog The Stephen Lawrence Gallery 15.07.2022-03.09.2022 Greenwich gnd-content Bowling, Frank 1934- (DE-588)136135870 p Plastik (DE-588)4046277-8 s Acrylmalerei (DE-588)4132048-7 s DE-604 Cornish, Sam 1983- (DE-588)1187539074 aut The Stephen Lawrence Gallery (DE-588)1030473862 his |
| spellingShingle | Cornish, Sam 1983- Frank Bowling - sculpture Bowling, Frank 1934- (DE-588)136135870 gnd Acrylmalerei (DE-588)4132048-7 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)136135870 (DE-588)4132048-7 (DE-588)4046277-8 (DE-588)4135467-9 |
| title | Frank Bowling - sculpture |
| title_alt | Sculpture Frank Bowling & sculpture and |
| title_auth | Frank Bowling - sculpture |
| title_exact_search | Frank Bowling - sculpture |
| title_exact_search_txtP | Frank Bowling - sculpture |
| title_full | Frank Bowling - sculpture Sam Cornish |
| title_fullStr | Frank Bowling - sculpture Sam Cornish |
| title_full_unstemmed | Frank Bowling - sculpture Sam Cornish |
| title_short | Frank Bowling - sculpture |
| title_sort | frank bowling sculpture |
| topic | Bowling, Frank 1934- (DE-588)136135870 gnd Acrylmalerei (DE-588)4132048-7 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Bowling, Frank 1934- Acrylmalerei Plastik Ausstellungskatalog The Stephen Lawrence Gallery 15.07.2022-03.09.2022 Greenwich |
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