Novels, stories & poems:
Gespeichert in:
1. Verfasser: | |
---|---|
Weitere Verfasser: | |
Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York, NY
The Library of America
2022
|
Schriftenreihe: | The library of America
356 |
Schlagworte: | |
Online-Zugang: | Inhaltsverzeichnis Klappentext |
Beschreibung: | xi, 889 Seiten |
ISBN: | 9781598537192 |
Internformat
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Datensatz im Suchindex
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---|---|
adam_text |
Contents Short Stories The Yellow Wall-Paper (manuscript version). 3 The Yellow Wall-Paper (1892 published version). 19 Studies in Style (1894-95) The Misleading of Pendleton Oaks [Rudyard Kipling] . . 37 A Day’s Berryin’ [Mary E. Wilkins]. 43 The Mother’s Prayer [Olive Schreiner]. 48 Clifford’s Tower [Nathaniel Hawthorne]. 53 Ad’line [Hamlin Garland]. 59 The Twilight [Maurice Maeterlinck].64 Two Better Than One [Edward Everett Hale]. 69 From “Thurston Gower” [George Eliot]. 74 Five Girls [Louisa May Alcott]. 79 The Unwatched Door [Edgar Allan Poe]. 84 The Eating House [Charles Dickens]. 88 One Way Out [Henry James].93 A Cabinet Meeting [Edward Bellamy].98 An Unpatented Process [Mark Twain]. 103 My Landlady’s Daughter [Washington Irving]. 109 The Ending of the First Lesson [Unknown]. 113 My Cousin Mary [Unknown]. 118 ix
x CONTENTS Selected Stories (1890-1916) The Unexpected. 123 The Giant Wistaria. 130 An Extinct Angel. 139 The Rocking-Chair. 142 Through This. 153 The Unnatural Mother. 157 According to Solomon. 165 Two Storks. 173 When I Was a Witch. 176 The Cottagette. 187 The Boys and the Butter. 196 The Widow’s Might. 205 Mrs. Beazley’s Deeds. 214 Turned. 228 Old Water. 238 Making a Change. 246 Mrs. Elder’s Idea. 254 Freed. 262
The Lady Oyster. 266 Improving on Nature. 269 Their House. 274 The Chair of English. 284 Bee Wise. 292 If I Were a Man. 301 If I Were a Woman. 3°8 Mr. Peebles’ Heart. 3J5 The Vintage. 323
CONTENTS ХІ Herland. 33г With Her In Ourland. 479 In This Our World. 623 Other Poems. 781 Chronology.837 Note on the Texts. 853 Notes. 865 Index of Titles and Tirsi Lines. 883
CHARLOTTE PERKINS GILMAN An eerie Gorilie tale shot through with a radical and feminist sensibility, “The Yellow Wall-Paper” has elec trified generations of readers, and it remains today the best-known work of Charlotte Perkins Gilman (i860֊ 1935). But her gifts were extensive and diverse, equally at home in supernatural fiction, allegorical fantasy, and social realism. Library of America presents the fullest single-volume edition of Gilman’s inventive and inspiring work ever assembled: two versions of “The Yellow Wall-Paper,” another forty-four brilliant short stories, two utopian novels, and a career-spanning selection of 198 poems. “The Yellow Wall-Paper” first appeared in the January 1892 issue of The New England Magazine, though Gilman seems to have learned of its acceptance only after it was published. Apparently without her involve ment, the magazine had introduced hundreds of small changes to her story, including a substantially different ending and other alterations that result in significant shifts in the psychological portrayal of the narrator. Gilman never protested these changes, even reprinting them later, and her original vision for the story remained unseen for more than a century. This vol ume prints both that familiar published text and Gilman’s original manuscript version of the story, offering readers new insights into one of the master pieces of American short fiction. Here too are such powerful ghostly tales as “The Giant Wistaria” and “The Rocking-Chair,” along with stories that showcase Gilman’s audacious explorations of sexual politics and the
complexity and fluidity of gender, such as “Mrs. Beazley’s Deeds,” “Turned,” “If I Were a Man,” and “If I Were a Woman.” As a special feature, this volume includes the complete set of Gilman’s “Studies in Style,” a series of seventeen virtuoso stories she wrote in 1894 in imitation of such authors as Henry James, Olive Schreiner, Louisa May Alcott, Charles Dickens, and Edgar Allan Poe. The sardonic novels Herland and With Her in Oarland imagine a newly discovered utopia in wltich there have been no men for two thousand years. Pioneering works of speculative fiction, they offer incisive com mentaries on the political, economic, and gender relations of the early twentieth century. Joining them
is the fourth and final edition of In This Our World, Gilman’s collected poems, as well as over fifty uncol lected poems—many written in support of suffrage and other causes. Her poetry demonstrates her genius for satire and her daring challenge to conventional views of the natural and social order. Editor Alfred Bendixen provides a detailed chrono] ogy of the author’s life, and extensive explanaron' and textual notes. |
adam_txt |
Contents Short Stories The Yellow Wall-Paper (manuscript version). 3 The Yellow Wall-Paper (1892 published version). 19 Studies in Style (1894-95) The Misleading of Pendleton Oaks [Rudyard Kipling] . . 37 A Day’s Berryin’ [Mary E. Wilkins]. 43 The Mother’s Prayer [Olive Schreiner]. 48 Clifford’s Tower [Nathaniel Hawthorne]. 53 Ad’line [Hamlin Garland]. 59 The Twilight [Maurice Maeterlinck].64 Two Better Than One [Edward Everett Hale]. 69 From “Thurston Gower” [George Eliot]. 74 Five Girls [Louisa May Alcott]. 79 The Unwatched Door [Edgar Allan Poe]. 84 The Eating House [Charles Dickens]. 88 One Way Out [Henry James].93 A Cabinet Meeting [Edward Bellamy].98 An Unpatented Process [Mark Twain]. 103 My Landlady’s Daughter [Washington Irving]. 109 The Ending of the First Lesson [Unknown]. 113 My Cousin Mary [Unknown]. 118 ix
x CONTENTS Selected Stories (1890-1916) The Unexpected. 123 The Giant Wistaria. 130 An Extinct Angel. 139 The Rocking-Chair. 142 Through This. 153 The Unnatural Mother. 157 According to Solomon. 165 Two Storks. 173 When I Was a Witch. 176 The Cottagette. 187 The Boys and the Butter. 196 The Widow’s Might. 205 Mrs. Beazley’s Deeds. 214 Turned. 228 Old Water. 238 Making a Change. 246 Mrs. Elder’s Idea. 254 Freed. 262
The Lady Oyster. 266 Improving on Nature. 269 Their House. 274 The Chair of English. 284 Bee Wise. 292 If I Were a Man. 301 If I Were a Woman. 3°8 Mr. Peebles’ Heart. 3J5 The Vintage. 323
CONTENTS ХІ Herland. 33г With Her In Ourland. 479 In This Our World. 623 Other Poems. 781 Chronology.837 Note on the Texts. 853 Notes. 865 Index of Titles and Tirsi Lines. 883
CHARLOTTE PERKINS GILMAN An eerie Gorilie tale shot through with a radical and feminist sensibility, “The Yellow Wall-Paper” has elec trified generations of readers, and it remains today the best-known work of Charlotte Perkins Gilman (i860֊ 1935). But her gifts were extensive and diverse, equally at home in supernatural fiction, allegorical fantasy, and social realism. Library of America presents the fullest single-volume edition of Gilman’s inventive and inspiring work ever assembled: two versions of “The Yellow Wall-Paper,” another forty-four brilliant short stories, two utopian novels, and a career-spanning selection of 198 poems. “The Yellow Wall-Paper” first appeared in the January 1892 issue of The New England Magazine, though Gilman seems to have learned of its acceptance only after it was published. Apparently without her involve ment, the magazine had introduced hundreds of small changes to her story, including a substantially different ending and other alterations that result in significant shifts in the psychological portrayal of the narrator. Gilman never protested these changes, even reprinting them later, and her original vision for the story remained unseen for more than a century. This vol ume prints both that familiar published text and Gilman’s original manuscript version of the story, offering readers new insights into one of the master pieces of American short fiction. Here too are such powerful ghostly tales as “The Giant Wistaria” and “The Rocking-Chair,” along with stories that showcase Gilman’s audacious explorations of sexual politics and the
complexity and fluidity of gender, such as “Mrs. Beazley’s Deeds,” “Turned,” “If I Were a Man,” and “If I Were a Woman.” As a special feature, this volume includes the complete set of Gilman’s “Studies in Style,” a series of seventeen virtuoso stories she wrote in 1894 in imitation of such authors as Henry James, Olive Schreiner, Louisa May Alcott, Charles Dickens, and Edgar Allan Poe. The sardonic novels Herland and With Her in Oarland imagine a newly discovered utopia in wltich there have been no men for two thousand years. Pioneering works of speculative fiction, they offer incisive com mentaries on the political, economic, and gender relations of the early twentieth century. Joining them
is the fourth and final edition of In This Our World, Gilman’s collected poems, as well as over fifty uncol lected poems—many written in support of suffrage and other causes. Her poetry demonstrates her genius for satire and her daring challenge to conventional views of the natural and social order. Editor Alfred Bendixen provides a detailed chrono] ogy of the author’s life, and extensive explanaron' and textual notes. |
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