Concert music, 1900-1960:
"This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smy...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New York
Oxford University Press
[2022]
|
| Schriftenreihe: | Analytical essays on music by women composers
Volume 2 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"-- |
| Beschreibung: | viii, 283 Seiten Illustrationen, Notenbeispiele |
| ISBN: | 9780190236984 |
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| 505 | 8 | |a Introduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers | |
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Contents vii ix Acknowledgments About the Companion Website Chapter!. Introduction Laurel Parsons and Brenda Ravenscroft i 19 PARTI: MUSIC FOR VOICE Chapters. Alma Mahler-Werfel, “Licht in der Nacht” (1901) Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel’s “Licht in der Nacht” 25 Kenneth Μ. Smitht 23 Chapters. Rebecca Clarke, “Tiger, Tiger” (1933) Extended Tonality and Text-Setting in Rebecca Clarke’s “Tiger, Tiger’ Zachary Bernstein 55 57 Chapter 4. Ethel Smyth, The Boatswain’s Mate (1913-14) A Wrinkle? Gender and Motive in Ethel Smyth’s The Boatswain’s Mate Rachel Lumsden Chapter 5. Ruth Crawford, “To an Angel” from Chantsfor Women’s Chorus (1930) “Not Yet Accepted as Singing”: Ruth Crawford’s “To an Angel” from Chantsfor Women’s Chorus Ellie Μ. Hisama 78 80 109 111
PARTII: INSTRUMENTAL MUSIC Chapter 6. Florence B. Price, Piano Sonata in E minor (1932) Culture and Craft in Florence Price’s Piano Sonata in E minor (First Movement) Horace J. Maxile, Jr. Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952) Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya’s Sonata for Violin and Piano Tim Sullivan Chapters. J. Μ. Beyer, String Quartet N0.2 (1933-34) Imagination and Method: J. Μ. Beyer’s String Quartet No. 2 Marguerite Boland Chapter 9. Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) Avant-Garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks’s Sinfonia da Pacifica Victoria Rogers Glossary Bibliography Index vi Contents 133 137 139 164 166 192 194 229 231 255 259 273 |
| adam_txt |
Contents vii ix Acknowledgments About the Companion Website Chapter!. Introduction Laurel Parsons and Brenda Ravenscroft i 19 PARTI: MUSIC FOR VOICE Chapters. Alma Mahler-Werfel, “Licht in der Nacht” (1901) Searching for the Light: Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel’s “Licht in der Nacht” 25 Kenneth Μ. Smitht 23 Chapters. Rebecca Clarke, “Tiger, Tiger” (1933) Extended Tonality and Text-Setting in Rebecca Clarke’s “Tiger, Tiger’ Zachary Bernstein 55 57 Chapter 4. Ethel Smyth, The Boatswain’s Mate (1913-14) A Wrinkle? Gender and Motive in Ethel Smyth’s The Boatswain’s Mate Rachel Lumsden Chapter 5. Ruth Crawford, “To an Angel” from Chantsfor Women’s Chorus (1930) “Not Yet Accepted as Singing”: Ruth Crawford’s “To an Angel” from Chantsfor Women’s Chorus Ellie Μ. Hisama 78 80 109 111
PARTII: INSTRUMENTAL MUSIC Chapter 6. Florence B. Price, Piano Sonata in E minor (1932) Culture and Craft in Florence Price’s Piano Sonata in E minor (First Movement) Horace J. Maxile, Jr. Chapter 7. Galina Ustvolskaya, Sonata for Violin and Piano (1952) Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya’s Sonata for Violin and Piano Tim Sullivan Chapters. J. Μ. Beyer, String Quartet N0.2 (1933-34) Imagination and Method: J. Μ. Beyer’s String Quartet No. 2 Marguerite Boland Chapter 9. Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) Avant-Garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks’s Sinfonia da Pacifica Victoria Rogers Glossary Bibliography Index vi Contents 133 137 139 164 166 192 194 229 231 255 259 273 |
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| contents | Introduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers |
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| series | Analytical essays on music by women composers |
| series2 | Analytical essays on music by women composers |
| spelling | Concert music, 1900-1960 edited by Laurel Parsons and Brenda Ravenscroft Concert music, 1900-1960 New York Oxford University Press [2022] © 2022 viii, 283 Seiten Illustrationen, Notenbeispiele txt rdacontent n rdamedia nc rdacarrier Analytical essays on music by women composers Volume 2 Introduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers "This is the second of four volumes in a multi-authored series of analytical essays on music by women composers from Hildegard of Bingen to the twenty-first century. Volume 2 presents detailed studies of compositions written between 1900 and 1960 by Alma Mahler-Werfel, Rebecca Clarke, Ethel Smyth, Ruth Crawford, Florence B. Price, Galina Ustvolskaya, J. M. Beyer, and Peggy Glanville-Hicks. Each chapter opens with a brief biographical sketch of the composer, followed by an in-depth analysis of a single representative composition, occasionally including other works where comparison strengthens the analytical argument. The repertoire explored by the authors includes art song, opera, choral, solo piano, chamber, and orchestral music. To enhance the volume's accessibility to readers who are not professional music theorists or musicologists, a glossary provides explanations of music-theoretical terms used in the book. The collection is designed to challenge and stimulate a wide range of readers. For academics, these thorough analytical studies can open new paths into unexplored research areas in music theory and musicology. Post-secondary instructors may be inspired by the insights offered here to include new works in graduate or upper-level undergraduate courses in early twentieth-century music or women and music. Finally, for performers, conductors, and music broadcasters, these thoughtful analyses can offer enriched understandings of this repertoire and suggest fresh, new programming possibilities to share with listeners-an endeavor of discovery for all those interested in twentieth-century music"-- Geschichte 1900-1960 gnd rswk-swf Musikalische Analyse (DE-588)4040814-0 gnd rswk-swf Konzert (DE-588)4032359-6 gnd rswk-swf Komponistin (DE-588)4032010-8 gnd rswk-swf Komposition Musik (DE-588)4133320-2 gnd rswk-swf Music by women composers / 20th century / Analysis, appreciation Music / 20th century / Analysis, appreciation Musique de compositrices / 20e siècle / Analyse et appréciation Musique / 20e siècle / Analyse et appréciation 1900-1999 (DE-588)4143413-4 Aufsatzsammlung gnd-content Komponistin (DE-588)4032010-8 s Komposition Musik (DE-588)4133320-2 s Konzert (DE-588)4032359-6 s Musikalische Analyse (DE-588)4040814-0 s Geschichte 1900-1960 z DE-604 Parsons, Laurel 1961- (DE-588)1100724494 edt Ravenscroft, Brenda 1961- (DE-588)1100724710 edt Erscheint auch als Online-Ausgabe 978-0-19-763736-4 Analytical essays on music by women composers Volume 2 (DE-604)BV043716243 2 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033884127&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Concert music, 1900-1960 Analytical essays on music by women composers Introduction / Laurel Parsons and Brenda Ravenscroft -- Part 1. Music for Voice. Alma Mahler-Werfel, "Licht in der Nacht" (1901) : Searching for the Light : Harmonic Cycles and Feedback Loops in Alma Mahler-Werfel's "Licht in der Nacht" / Kenneth M. Smith ; Rebecca Clarke, "Tiger, Tiger" (1933) : Extended Tonality and Text-Setting in Rebecca Clarke's "Tiger, Tiger" / Zachary Bernstein ; Ethel Smyth, The Boatswain's Mate (1913-1914) : A Wrinkle? Gender and Motive in Ethel Smyth's The Boatswain's Mate / Rachel Lumsden ; Ruth Crawford, Chants for Women's Chorus (1930) : "Not yet accepted as singing" : Ruth Crawford's "To An Angel" from Chants for Women's Chorus / Ellie M. Hisama -- Part 2. Instrumental Music. Florence B. Price, Piano Sonata in E minor (1932) : Culture and Craft in Florence Price's Piano Sonata in E minor (First Movement) / Horace J. Maxile, Jr. ; Galina Ustvolskaya, Sonata for Violin and Piano (1952) : Motivic Patterns, Repetition, and Formal Structures in Galina Ustvolskaya's Sonata for Violin and Piano / Tim Sullivan ; J. M. Beyer, String Quartet no. 2 (1933-34) : Imagination and Method : J. M. Beyer's String Quartet no. 2 / Marguerite Boland ; Peggy Glanville-Hicks, Sinfonia da Pacifica (1952-53) : Avant-garde or Postmodern? The Melody-Rhythm Concept in Peggy Glanville-Hicks's Sinfonia da Pacifica / Victoria Rogers Musikalische Analyse (DE-588)4040814-0 gnd Konzert (DE-588)4032359-6 gnd Komponistin (DE-588)4032010-8 gnd Komposition Musik (DE-588)4133320-2 gnd |
| subject_GND | (DE-588)4040814-0 (DE-588)4032359-6 (DE-588)4032010-8 (DE-588)4133320-2 (DE-588)4143413-4 |
| title | Concert music, 1900-1960 |
| title_alt | Concert music, 1900-1960 |
| title_auth | Concert music, 1900-1960 |
| title_exact_search | Concert music, 1900-1960 |
| title_exact_search_txtP | Concert music, 1900-1960 |
| title_full | Concert music, 1900-1960 edited by Laurel Parsons and Brenda Ravenscroft |
| title_fullStr | Concert music, 1900-1960 edited by Laurel Parsons and Brenda Ravenscroft |
| title_full_unstemmed | Concert music, 1900-1960 edited by Laurel Parsons and Brenda Ravenscroft |
| title_short | Concert music, 1900-1960 |
| title_sort | concert music 1900 1960 |
| topic | Musikalische Analyse (DE-588)4040814-0 gnd Konzert (DE-588)4032359-6 gnd Komponistin (DE-588)4032010-8 gnd Komposition Musik (DE-588)4133320-2 gnd |
| topic_facet | Musikalische Analyse Konzert Komponistin Komposition Musik Aufsatzsammlung |
| url | http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033884127&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
| volume_link | (DE-604)BV043716243 |
| work_keys_str_mv | AT parsonslaurel concertmusic19001960 AT ravenscroftbrenda concertmusic19001960 |