This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employ...

Ausführliche Beschreibung

Bibliographische Detailangaben

1. Verfasser:	Malm, Mats 1964- (VerfasserIn)
Format:	Buch
Sprache:	English
Veröffentlicht:	Cambridge ; New York, NY ; Port Melbourne, VIC ; New Delhi ; Singapore Cambridge University Press 2021
Schriftenreihe:	Elements in critical heritage studies
Schlagworte:	Arosenius, Ivar > 1878-1909 Selbstdarstellung Kulturerbe Arosenius, Ivar / 1878-1909 / Criticism and interpretation Arts and society Cultural property
Zusammenfassung:	This study examines how an artist construed himself as cultural heritage by the turn of the 19th century, how this heritage was further construed after his death, and how the artworks can be made to further new approaches and insights through a digital archive (aroseniusarchive.se). The study employs the concept of 'staging' to capture the means used by the artist, as well as by reception, in this construal. The question of 'staging' involves not only how the artist has been called forth from the archives, but also how the artist can be called forth in new ways today through digitization. The study first elaborates on the theoretical framework through the aspects of mediation and agency, then explores how the artist was staged after his death. Finally, the artist's own means of staging himself are explored. Swedish painter Ivar Arosenius (1878–1909) is the case studied
Beschreibung:	Literaturverzeichnis Seite 76-80
Beschreibung:	80 Seiten Illustrationen
ISBN:	9781108794503