Infrastructure and form: the global networks of Indian contemporary art, 1991-2008
Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a me...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press
[2022]
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| Schlagworte: | |
| Zusammenfassung: | Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor. "In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. State-run institutions decreased the support they had given a modernist avant-garde, and art was cultivated instead by a booming market as well as new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art in India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages deeply with sixteen of India's leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections between formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly"-- |
| Beschreibung: | x, 277 Seiten Illustrationen |
| ISBN: | 9780520344921 |
Internformat
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| 520 | 3 | |a Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor. | |
| 520 | 3 | |a "In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. State-run institutions decreased the support they had given a modernist avant-garde, and art was cultivated instead by a booming market as well as new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art in India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages deeply with sixteen of India's leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections between formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly"-- | |
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Datensatz im Suchindex
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| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1991-2008 gnd |
| era_facet | Geschichte 1991-2008 |
| format | Book |
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| spelling | Zitzewitz, Karin Verfasser (DE-588)1054049246 aut Infrastructure and form the global networks of Indian contemporary art, 1991-2008 Karin Zitzewitz Oakland, California University of California Press [2022] © 2022 x, 277 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Feminist networks, new biennials, and performance -- Painting and the image condition at the millennium -- Materiality, ephemerality, and haptics -- Language, the documentary, and art in a discursive mode -- Infrastructure, collaboration, and the cut -- Conclusion : Infrastructure is not (only) a metaphor. "In the 1990s and 2000s, contemporary art in India changed radically in form, as an art world once dominated by painting began to support installation, new media, and performance. State-run institutions decreased the support they had given a modernist avant-garde, and art was cultivated instead by a booming market as well as new nonprofit institutions that combined strong local roots and transnational connections. The result was an unprecedented efflorescence of contemporary art in India. Among the first studies of contemporary South Asian art, Infrastructure and Form engages deeply with sixteen of India's leading contemporary artists and art collectives to examine what made this development possible. Karin Zitzewitz articulates the connections between formal trajectories of medium and material, curatorial frames and networks of circulation, and the changing conditions of everyday life after economic liberalization. By untangling the complex interactions of infrastructure and form, the book offers a discussion of the barriers and conduits that continue to shape global contemporary art and its relationship to capital more broadly"-- Geschichte 1991-2008 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Globalisierung (DE-588)4557997-0 gnd rswk-swf Indien (DE-588)4026722-2 gnd rswk-swf Art, Indic / 20th century Art, Indic / 21st century Painting, Indic / 20th century Painting, Indic / 21st century ART / Asian / Indian & South Asian ART / Asian / General Indien (DE-588)4026722-2 g Kunst (DE-588)4114333-4 s Globalisierung (DE-588)4557997-0 s Geschichte 1991-2008 z DE-604 Erscheint auch als Online-Ausgabe 978-0-520-38709-6 |
| spellingShingle | Zitzewitz, Karin Infrastructure and form the global networks of Indian contemporary art, 1991-2008 Kunst (DE-588)4114333-4 gnd Globalisierung (DE-588)4557997-0 gnd |
| subject_GND | (DE-588)4114333-4 (DE-588)4557997-0 (DE-588)4026722-2 |
| title | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 |
| title_auth | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 |
| title_exact_search | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 |
| title_exact_search_txtP | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 |
| title_full | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 Karin Zitzewitz |
| title_fullStr | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 Karin Zitzewitz |
| title_full_unstemmed | Infrastructure and form the global networks of Indian contemporary art, 1991-2008 Karin Zitzewitz |
| title_short | Infrastructure and form |
| title_sort | infrastructure and form the global networks of indian contemporary art 1991 2008 |
| title_sub | the global networks of Indian contemporary art, 1991-2008 |
| topic | Kunst (DE-588)4114333-4 gnd Globalisierung (DE-588)4557997-0 gnd |
| topic_facet | Kunst Globalisierung Indien |
| work_keys_str_mv | AT zitzewitzkarin infrastructureandformtheglobalnetworksofindiancontemporaryart19912008 |