Shaping information: the rhetoric of visual conventions
"In this wide-ranging analysis, the authors demonstrate how visual language in professional communication--text design, data displays, illustrations--is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities"--
Gespeichert in:
| Hauptverfasser: | , |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Carbondale
Southern Illinois University Press
2022
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| Ausgabe: | Paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "In this wide-ranging analysis, the authors demonstrate how visual language in professional communication--text design, data displays, illustrations--is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities"-- |
| Beschreibung: | Veränderte Paperback-Ausgabe der "cloth edition 2003" Hinweis auf die frühere "cloth edition 2003" auf der Rückseite der Titelseite |
| Beschreibung: | xvi, 260 Seiten Illustrationen 26 cm |
| ISBN: | 9780809338788 |
Internformat
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Datensatz im Suchindex
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| adam_text | CONTENTS List of Illustrations ix Preface xiii Acknowledgments xv Introduction i 1. Visual Language, Discourse Communities, and the Inherently Social Nature of Conventions io 2. What’s Conventional, What’s Not A Perceptual and Rhetorical Tour 43 3. The Origins and Authority of Visual Language Factors That Shape and Transform Conventions 81 4. The Mutability of Conventions Emergence, Evolution, Decline, Revival 119 5. The Grip of Conventions How It Develops and Its Consequences for Readers, Designers, and Researchers 163 6. The Slipperiness of Conventions Breakdowns, Misdirection, and Other Problems of Interpretation 197 Conclusion Notes 235 References Index 228 241 253 vii
In this wide-ranging analysis, Charles Kostelnick and Michael Hassett demonstrate how visual language in professional communication—text design, data displays, illustrations—is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities. Drawing on rhetorical theory, design studies, and a broad array of historical and contemporary examples, Shaping Information: The Rhetoric of Visual Conventions explores the processes by which conventions evolve and proliferate and shows how conventions serve as the medium that designers use to shape, stabilize, and streamline visual language. is a professor at Iowa State University, where he has taught business and technical writing and an undergraduate and graduate course in visual communication. He has published several articles and book chapters on visual communication as well as authored Humanizing Visual Design: The Rhetoric ofHuman Forms in Practical Communication., coedited Visible Numbers: Essays on the History of Statistical Graphics, and coauthored Designing Visual Language: Strategiesfor Professional Communicators. charles kostelnick Michael Hassett is director of platform and learning technologies at Western Governors University. He has taught at Brigham Young University and Boise State University and is the author of numerous articles on rhetoric and the teaching of writing.
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| adam_txt |
CONTENTS List of Illustrations ix Preface xiii Acknowledgments xv Introduction i 1. Visual Language, Discourse Communities, and the Inherently Social Nature of Conventions io 2. What’s Conventional, What’s Not A Perceptual and Rhetorical Tour 43 3. The Origins and Authority of Visual Language Factors That Shape and Transform Conventions 81 4. The Mutability of Conventions Emergence, Evolution, Decline, Revival 119 5. The Grip of Conventions How It Develops and Its Consequences for Readers, Designers, and Researchers 163 6. The Slipperiness of Conventions Breakdowns, Misdirection, and Other Problems of Interpretation 197 Conclusion Notes 235 References Index 228 241 253 vii
In this wide-ranging analysis, Charles Kostelnick and Michael Hassett demonstrate how visual language in professional communication—text design, data displays, illustrations—is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities. Drawing on rhetorical theory, design studies, and a broad array of historical and contemporary examples, Shaping Information: The Rhetoric of Visual Conventions explores the processes by which conventions evolve and proliferate and shows how conventions serve as the medium that designers use to shape, stabilize, and streamline visual language. is a professor at Iowa State University, where he has taught business and technical writing and an undergraduate and graduate course in visual communication. He has published several articles and book chapters on visual communication as well as authored Humanizing Visual Design: The Rhetoric ofHuman Forms in Practical Communication., coedited Visible Numbers: Essays on the History of Statistical Graphics, and coauthored Designing Visual Language: Strategiesfor Professional Communicators. charles kostelnick Michael Hassett is director of platform and learning technologies at Western Governors University. He has taught at Brigham Young University and Boise State University and is the author of numerous articles on rhetoric and the teaching of writing. |
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| spelling | Kostelnick, Charles 1950- Verfasser (DE-588)173806503 aut Shaping information the rhetoric of visual conventions Charles Kostelnick and Michael Hassett Paperback edition Carbondale Southern Illinois University Press 2022 xvi, 260 Seiten Illustrationen 26 cm txt rdacontent n rdamedia nc rdacarrier Veränderte Paperback-Ausgabe der "cloth edition 2003" Hinweis auf die frühere "cloth edition 2003" auf der Rückseite der Titelseite "In this wide-ranging analysis, the authors demonstrate how visual language in professional communication--text design, data displays, illustrations--is shaped by conventional practices that are invented, codified, and modified by users in visual discourse communities"-- Visuelle Kommunikation (DE-588)4131112-7 gnd rswk-swf Visual communication Communication visuelle Visuelle Kommunikation (DE-588)4131112-7 s DE-604 Hassett, Michael 1964- Verfasser (DE-588)173806511 aut Erscheint auch als Online-Ausgabe 978-0-8093-3878-8 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033876157&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033876157&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
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| title | Shaping information the rhetoric of visual conventions |
| title_auth | Shaping information the rhetoric of visual conventions |
| title_exact_search | Shaping information the rhetoric of visual conventions |
| title_exact_search_txtP | Shaping information the rhetoric of visual conventions |
| title_full | Shaping information the rhetoric of visual conventions Charles Kostelnick and Michael Hassett |
| title_fullStr | Shaping information the rhetoric of visual conventions Charles Kostelnick and Michael Hassett |
| title_full_unstemmed | Shaping information the rhetoric of visual conventions Charles Kostelnick and Michael Hassett |
| title_short | Shaping information |
| title_sort | shaping information the rhetoric of visual conventions |
| title_sub | the rhetoric of visual conventions |
| topic | Visuelle Kommunikation (DE-588)4131112-7 gnd |
| topic_facet | Visuelle Kommunikation |
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