Alain Locke and the visual arts:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2022]
Cambridge, Mass. Hutchins Center for African & African American Research, Harvard University [2022] |
| Schriftenreihe: | Richard D. Cohen lectures on African & African American art
|
| Schlagworte: | |
| Online-Zugang: | Klappentext |
| Beschreibung: | ix, 227 Seiten Illustrationen 26 cm |
| ISBN: | 9780300247268 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text |
Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke’s writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This dis tinctive approach reveals Locke’s vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both for mal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Lois Mailou Jones, and other New Negro artists acknowl edged the diaspora’s rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the differ ent ways black and white artists approached the black image. Mercer’s reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's invest ment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism’s cross-cultural genesis. |
| adam_txt |
Alain Locke (1885-1954), leading theorist of the Harlem Renaissance, maintained a lifelong commitment to the visual arts. Offering an in-depth study of Locke’s writings and art world interventions, Kobena Mercer focuses on the importance of cross-cultural entanglement. This dis tinctive approach reveals Locke’s vision of modern art as a dynamic space where images and ideas generate new forms under the fluid conditions of diaspora. Positioning the philosopher as an advocate for an Afromodern aesthetic that drew from both for mal experiments in Europe and the iconic legacy of the African past, Mercer shows how Aaron Douglas, Lois Mailou Jones, and other New Negro artists acknowl edged the diaspora’s rupture with the ancestral past as a prelude to the rebirth of identity. In his 1940 picture book, The Negro in Art, Locke also explored the differ ent ways black and white artists approached the black image. Mercer’s reading highlights the global mobility of black images as they travel across national and ethnic frontiers. Finally, Mercer examines how Locke's invest ment in art was shaped by gay male aestheticism. Black male nudes, including works by Richmond Barthé and Carl Van Vechten, thus reveal the significance of queer practices in modernism’s cross-cultural genesis. |
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| author | Mercer, Kobena 1960- |
| author_GND | (DE-588)142377864 |
| author_facet | Mercer, Kobena 1960- |
| author_role | aut |
| author_sort | Mercer, Kobena 1960- |
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| building | Verbundindex |
| bvnumber | BV048495711 |
| classification_rvk | LH 63699 |
| ctrlnum | (OCoLC)1344322604 (DE-599)KXP1816492817 |
| dewey-full | 709.2 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 709 - History, geographic treatment, biography |
| dewey-raw | 709.2 |
| dewey-search | 709.2 |
| dewey-sort | 3709.2 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| format | Book |
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| id | DE-604.BV048495711 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:43:13Z |
| indexdate | 2024-09-24T00:14:34Z |
| institution | BVB |
| isbn | 9780300247268 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033873077 |
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| physical | ix, 227 Seiten Illustrationen 26 cm |
| publishDate | 2022 |
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| publisher | Yale University Press Hutchins Center for African & African American Research, Harvard University |
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| series2 | Richard D. Cohen lectures on African & African American art |
| spelling | Mercer, Kobena 1960- Verfasser (DE-588)142377864 aut Alain Locke and the visual arts Kobena Mercer New Haven ; London Yale University Press [2022] Cambridge, Mass. Hutchins Center for African & African American Research, Harvard University [2022] ix, 227 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier Richard D. Cohen lectures on African & African American art Locke, Alain LeRoy 1886-1954 (DE-588)118902423 gnd rswk-swf Harlem renaissance (DE-588)4159116-1 gnd rswk-swf Kunst (DE-588)4114333-4 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Locke, Alain / 1885-1954 Harlem Renaissance Art, Modern / History and criticism Locke, Alain LeRoy 1886-1954 (DE-588)118902423 p Harlem renaissance (DE-588)4159116-1 s Kunst (DE-588)4114333-4 s Ästhetik (DE-588)4000626-8 s DE-604 Digitalisierung UB Passau - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033873077&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Mercer, Kobena 1960- Alain Locke and the visual arts Locke, Alain LeRoy 1886-1954 (DE-588)118902423 gnd Harlem renaissance (DE-588)4159116-1 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)118902423 (DE-588)4159116-1 (DE-588)4114333-4 (DE-588)4000626-8 |
| title | Alain Locke and the visual arts |
| title_auth | Alain Locke and the visual arts |
| title_exact_search | Alain Locke and the visual arts |
| title_exact_search_txtP | Alain Locke and the visual arts |
| title_full | Alain Locke and the visual arts Kobena Mercer |
| title_fullStr | Alain Locke and the visual arts Kobena Mercer |
| title_full_unstemmed | Alain Locke and the visual arts Kobena Mercer |
| title_short | Alain Locke and the visual arts |
| title_sort | alain locke and the visual arts |
| topic | Locke, Alain LeRoy 1886-1954 (DE-588)118902423 gnd Harlem renaissance (DE-588)4159116-1 gnd Kunst (DE-588)4114333-4 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Locke, Alain LeRoy 1886-1954 Harlem renaissance Kunst Ästhetik |
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