Centralia:
'Centralia' exposes hidden crimes of war as an indigenous people fight for their survival. In war, truth is the first casualty and 'Centralia' explores the unsteady relationship between reality and fiction and how our perceptions of reality and truth are manipulated. Combining tr...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Stockport, England
Dewi Lewis Publishing
2019
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| Schlagworte: | |
| Zusammenfassung: | 'Centralia' exposes hidden crimes of war as an indigenous people fight for their survival. In war, truth is the first casualty and 'Centralia' explores the unsteady relationship between reality and fiction and how our perceptions of reality and truth are manipulated. Combining tropes of documentary and fiction, art historian Emilia Terracciano, writing in 1000 words magazine, has called 'Centralia' a "hallucinatory reflection" where an invisible conflict between a guerilla army, an indigenous people and the Indian state is associated with wider issues of environmental degradation. Such exploitation comes at a price: the transmogrification of violence into the de-facto language of politics. The voice of resistance is buried by alternate facts. Freedom is shrinking and what we say and who we are is being obscured. Poulomi Basu is an Indian transmedia artist, photographer and activist. Widely published and exhibited, her work explores the way in which the formation of identity becomes entwined with geopolitics, revealing the hidden power structures buried deep within our societies. In 2018 the Centralia work was recognised through the award of the Photographic Museum of Humanity Grant Main Prize. A Magnum Foundation Social Justice Fellow and grantee, Poulomi is known for advocating the rights of women through her work and in 2019 Amnesty International noted her as an important and brilliant "human rights activist". She also featured on 'The Conversation' (BBC World Service) alongside Lynsey Addario as one of the most significant contemporary war photographers. Her immersive VR films, Blood Speaks, are collected and distributed by the Tribeca Film Institute |
| Beschreibung: | Beilagen: 1 Postkarte, 2 Blätter, 1 Bilderheft (16 ungezählte Seiten) "The text accompanying the photos of the women guerrillas is taken from the indigenous publication 'Women martyrs of the Indian Revolution'"--Colophon Concept and design: Teun van der Heijden -- colophon |
| Beschreibung: | 189 Seiten, 4 ungezählte Seiten 31 cm 4 Beilagen |
| ISBN: | 9781911306573 191130657X |
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| 520 | 3 | |a 'Centralia' exposes hidden crimes of war as an indigenous people fight for their survival. In war, truth is the first casualty and 'Centralia' explores the unsteady relationship between reality and fiction and how our perceptions of reality and truth are manipulated. Combining tropes of documentary and fiction, art historian Emilia Terracciano, writing in 1000 words magazine, has called 'Centralia' a "hallucinatory reflection" where an invisible conflict between a guerilla army, an indigenous people and the Indian state is associated with wider issues of environmental degradation. Such exploitation comes at a price: the transmogrification of violence into the de-facto language of politics. The voice of resistance is buried by alternate facts. Freedom is shrinking and what we say and who we are is being obscured. Poulomi Basu is an Indian transmedia artist, photographer and activist. Widely published and exhibited, her work explores the way in which the formation of identity becomes entwined with geopolitics, revealing the hidden power structures buried deep within our societies. In 2018 the Centralia work was recognised through the award of the Photographic Museum of Humanity Grant Main Prize. A Magnum Foundation Social Justice Fellow and grantee, Poulomi is known for advocating the rights of women through her work and in 2019 Amnesty International noted her as an important and brilliant "human rights activist". She also featured on 'The Conversation' (BBC World Service) alongside Lynsey Addario as one of the most significant contemporary war photographers. Her immersive VR films, Blood Speaks, are collected and distributed by the Tribeca Film Institute | |
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Datensatz im Suchindex
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| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:39:59Z |
| indexdate | 2024-07-10T09:39:24Z |
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| isbn | 9781911306573 191130657X |
| language | English |
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| physical | 189 Seiten, 4 ungezählte Seiten 31 cm 4 Beilagen |
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| spelling | Basu, Poulomi 1983- (DE-588)1141059231 pht aut Centralia Poulomi Basu Stockport, England Dewi Lewis Publishing 2019 189 Seiten, 4 ungezählte Seiten 31 cm 4 Beilagen sti rdacontent txt rdacontent n rdamedia nc rdacarrier Beilagen: 1 Postkarte, 2 Blätter, 1 Bilderheft (16 ungezählte Seiten) "The text accompanying the photos of the women guerrillas is taken from the indigenous publication 'Women martyrs of the Indian Revolution'"--Colophon Concept and design: Teun van der Heijden -- colophon 'Centralia' exposes hidden crimes of war as an indigenous people fight for their survival. In war, truth is the first casualty and 'Centralia' explores the unsteady relationship between reality and fiction and how our perceptions of reality and truth are manipulated. Combining tropes of documentary and fiction, art historian Emilia Terracciano, writing in 1000 words magazine, has called 'Centralia' a "hallucinatory reflection" where an invisible conflict between a guerilla army, an indigenous people and the Indian state is associated with wider issues of environmental degradation. Such exploitation comes at a price: the transmogrification of violence into the de-facto language of politics. The voice of resistance is buried by alternate facts. Freedom is shrinking and what we say and who we are is being obscured. Poulomi Basu is an Indian transmedia artist, photographer and activist. Widely published and exhibited, her work explores the way in which the formation of identity becomes entwined with geopolitics, revealing the hidden power structures buried deep within our societies. In 2018 the Centralia work was recognised through the award of the Photographic Museum of Humanity Grant Main Prize. A Magnum Foundation Social Justice Fellow and grantee, Poulomi is known for advocating the rights of women through her work and in 2019 Amnesty International noted her as an important and brilliant "human rights activist". She also featured on 'The Conversation' (BBC World Service) alongside Lynsey Addario as one of the most significant contemporary war photographers. Her immersive VR films, Blood Speaks, are collected and distributed by the Tribeca Film Institute Basu, Poulomi 1983- (DE-588)1141059231 gnd rswk-swf Naxalite movement / India / Central India Communism / India / History Women soldiers / India / Pictorial works Guerrillas / India / Central India / Pictorial works War photography / India Documentary photography / India India / Politics and government Communisme / Inde / Histoire Femmes militaires / Inde / Ouvrages illustrés Photographie de guerre / Inde Photographie documentaire / Inde Inde / Politique et gouvernement Women soldiers War photography Guerrillas Documentary photography Communism Naxalite movement Politics and government India India / Central India Photobooks photobooks Pictorial works History Livres de photographies (DE-588)4145395-5 Bildband gnd-content Basu, Poulomi 1983- (DE-588)1141059231 p DE-604 |
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| title | Centralia |
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| title_full | Centralia Poulomi Basu |
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