Sculpture at the ends of slavery:
From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of suc...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Oakland, California
University of California Press, the Phillips collection
[2022]
|
| Schriftenreihe: | The Phillips Collection Book Prize series
v. 9 |
| Schlagworte: | |
| Zusammenfassung: | From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake. |
| Beschreibung: | xii, 220 Seiten Illustrationen |
| ISBN: | 9780520343269 |
Internformat
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| 520 | 3 | |a From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake. | |
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Datensatz im Suchindex
| _version_ | 1817062297657409536 |
|---|---|
| adam_text | |
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Beach, Caitlin ca. 20./21.Jh |
| author_GND | (DE-588)1074417275 |
| author_facet | Beach, Caitlin ca. 20./21.Jh |
| author_role | aut |
| author_sort | Beach, Caitlin ca. 20./21.Jh |
| author_variant | c b cb |
| building | Verbundindex |
| bvnumber | BV048484746 |
| classification_rvk | LH 69100 LH 69440 |
| ctrlnum | (OCoLC)1350382300 (DE-599)BVBBV048484746 |
| dewey-full | 704.949306362 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 704 - Special topics in fine and decorative arts |
| dewey-raw | 704.949306362 |
| dewey-search | 704.949306362 |
| dewey-sort | 3704.949306362 |
| dewey-tens | 700 - The arts |
| discipline | Kunstgeschichte |
| discipline_str_mv | Kunstgeschichte |
| era | Geschichte 1700-1900 gnd |
| era_facet | Geschichte 1700-1900 |
| format | Book |
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| id | DE-604.BV048484746 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:39:54Z |
| indexdate | 2024-11-29T13:07:24Z |
| institution | BVB |
| isbn | 9780520343269 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033862333 |
| oclc_num | 1350382300 |
| open_access_boolean | |
| owner | DE-11 DE-255 DE-188 |
| owner_facet | DE-11 DE-255 DE-188 |
| physical | xii, 220 Seiten Illustrationen |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | University of California Press, the Phillips collection |
| record_format | marc |
| series | The Phillips Collection Book Prize series |
| series2 | The Phillips Collection Book Prize series |
| spelling | Beach, Caitlin ca. 20./21.Jh. Verfasser (DE-588)1074417275 aut Sculpture at the ends of slavery Caitlin Meehye Beach Oakland, California University of California Press, the Phillips collection [2022] xii, 220 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier The Phillips Collection Book Prize series v. 9 From abolitionist medallions to statues of bondspeople bearing broken chains, sculpture gave visual and material form to narratives about the end of slavery in the eighteenth and nineteenth centuries. Sculpture at the Ends of Slavery sheds light on the complex—and at times contradictory—place of such works as they moved through a world contoured both by the devastating economy of enslavement and by international abolitionist campaigns. By examining matters of making, circulation, display, and reception, Caitlin Meehye Beach argues that sculpture stood as a highly visible but deeply unstable site from which to interrogate the politics of slavery. With focus on works by Josiah Wedgwood, Hiram Powers, Edmonia Lewis, John Bell, and Francesco Pezzicar, Beach uncovers both the radical possibilities and the conflicting limitations of art in the pursuit of justice in racial capitalism's wake. Bell, John 1721-1780 (DE-588)1285221060 gnd rswk-swf Lewis, Edmonia 1844-1907 (DE-588)124062253 gnd rswk-swf Pezzicar, Francesco 1831-1890 (DE-588)1025885570 gnd rswk-swf Wedgwood, Josiah 1730-1795 (DE-588)119248212 gnd rswk-swf Powers, Hiram 1805-1873 (DE-588)119014246 gnd rswk-swf Geschichte 1700-1900 gnd rswk-swf Sklave Motiv (DE-588)4204854-0 gnd rswk-swf Sklaverei Motiv (DE-588)4204853-9 gnd rswk-swf Plastik (DE-588)4046277-8 gnd rswk-swf Plastik (DE-588)4046277-8 s Sklaverei Motiv (DE-588)4204853-9 s Sklave Motiv (DE-588)4204854-0 s Geschichte 1700-1900 z DE-188 Wedgwood, Josiah 1730-1795 (DE-588)119248212 p Powers, Hiram 1805-1873 (DE-588)119014246 p Lewis, Edmonia 1844-1907 (DE-588)124062253 p Bell, John 1721-1780 (DE-588)1285221060 p Pezzicar, Francesco 1831-1890 (DE-588)1025885570 p DE-604 Erscheint auch als Online-Ausgabe 978-0-520-39010-2 (DE-604)BV048544322 The Phillips Collection Book Prize series v. 9 (DE-604)BV036130920 9 |
| spellingShingle | Beach, Caitlin ca. 20./21.Jh Sculpture at the ends of slavery The Phillips Collection Book Prize series Bell, John 1721-1780 (DE-588)1285221060 gnd Lewis, Edmonia 1844-1907 (DE-588)124062253 gnd Pezzicar, Francesco 1831-1890 (DE-588)1025885570 gnd Wedgwood, Josiah 1730-1795 (DE-588)119248212 gnd Powers, Hiram 1805-1873 (DE-588)119014246 gnd Sklave Motiv (DE-588)4204854-0 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Plastik (DE-588)4046277-8 gnd |
| subject_GND | (DE-588)1285221060 (DE-588)124062253 (DE-588)1025885570 (DE-588)119248212 (DE-588)119014246 (DE-588)4204854-0 (DE-588)4204853-9 (DE-588)4046277-8 |
| title | Sculpture at the ends of slavery |
| title_auth | Sculpture at the ends of slavery |
| title_exact_search | Sculpture at the ends of slavery |
| title_exact_search_txtP | Sculpture at the ends of slavery |
| title_full | Sculpture at the ends of slavery Caitlin Meehye Beach |
| title_fullStr | Sculpture at the ends of slavery Caitlin Meehye Beach |
| title_full_unstemmed | Sculpture at the ends of slavery Caitlin Meehye Beach |
| title_short | Sculpture at the ends of slavery |
| title_sort | sculpture at the ends of slavery |
| topic | Bell, John 1721-1780 (DE-588)1285221060 gnd Lewis, Edmonia 1844-1907 (DE-588)124062253 gnd Pezzicar, Francesco 1831-1890 (DE-588)1025885570 gnd Wedgwood, Josiah 1730-1795 (DE-588)119248212 gnd Powers, Hiram 1805-1873 (DE-588)119014246 gnd Sklave Motiv (DE-588)4204854-0 gnd Sklaverei Motiv (DE-588)4204853-9 gnd Plastik (DE-588)4046277-8 gnd |
| topic_facet | Bell, John 1721-1780 Lewis, Edmonia 1844-1907 Pezzicar, Francesco 1831-1890 Wedgwood, Josiah 1730-1795 Powers, Hiram 1805-1873 Sklave Motiv Sklaverei Motiv Plastik |
| volume_link | (DE-604)BV036130920 |
| work_keys_str_mv | AT beachcaitlin sculptureattheendsofslavery |