What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette?: retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814
"One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Fran...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Philadelphia
American Philosophical Society Press
[2021]
|
| Schriftenreihe: | Transactions of the American Philosophical Society
volume 110, part 5 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Zusammenfassung: | "One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet's Louis XVI and Élisabeth Vigée Le Brun's Marie-Antoinette (both 1783) and traced through Congress's successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories-that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812"-- |
| Beschreibung: | Includes bibliographical references and index |
| Beschreibung: | xiv, 125 Seiten Illustrationen |
| ISBN: | 9781606181058 |
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| 246 | 1 | 3 | |a What ever happened to the U.S. Congress's portraits of Louis the sixteenth and Marie-Antoinette? |
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| 490 | 1 | |a Transactions of the American Philosophical Society |v volume 110, part 5 | |
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| 520 | 3 | |a "One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet's Louis XVI and Élisabeth Vigée Le Brun's Marie-Antoinette (both 1783) and traced through Congress's successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories-that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812"-- | |
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Datensatz im Suchindex
| _version_ | 1804184438710468608 |
|---|---|
| adam_text | Table of Contents Introduction.......................................................................................................... i Royal Portraits in North America and the West Indies......................................... 5 Origins of the War of 1812.................................................................................... 31 Theft and Conflagration in the North American Theater of Military Operations......................................................................................... 37 American-British Warfare Across the Great Lakes....................................... 42 British Raids in the Chesapeake..................................................................... 53 To Attack, to Defend Washington, D.C................................................................. 61 Evacuation and Invasion of the Capitol............................................................... 69 What the Ambassador Heard, What the Justice of the Peace Saw...................... 83 Whether to Seek, to Replace, or to Forget........................................................... 97 Conclusion.......................................................................................................... 107 Bibliography...................................................................................................... 109 Index.................................................................................................................... 119 xi
|
| adam_txt |
Table of Contents Introduction. i Royal Portraits in North America and the West Indies. 5 Origins of the War of 1812. 31 Theft and Conflagration in the North American Theater of Military Operations. 37 American-British Warfare Across the Great Lakes. 42 British Raids in the Chesapeake. 53 To Attack, to Defend Washington, D.C. 61 Evacuation and Invasion of the Capitol. 69 What the Ambassador Heard, What the Justice of the Peace Saw. 83 Whether to Seek, to Replace, or to Forget. 97 Conclusion. 107 Bibliography. 109 Index. 119 xi |
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| author | Larkin, T. Lawrence 1968- |
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| author_role | aut |
| author_sort | Larkin, T. Lawrence 1968- |
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| bvnumber | BV048483094 |
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| dewey-full | 944.04/1092 |
| dewey-hundreds | 900 - History & geography |
| dewey-ones | 944 - France and Monaco |
| dewey-raw | 944.04/1092 |
| dewey-search | 944.04/1092 |
| dewey-sort | 3944.04 41092 |
| dewey-tens | 940 - History of Europe |
| discipline | Geschichte |
| discipline_str_mv | Geschichte |
| era | Geschichte 1814 gnd |
| era_facet | Geschichte 1814 |
| format | Book |
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| spelling | Larkin, T. Lawrence 1968- Verfasser (DE-588)135904625 aut What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 T. Lawrence Larkin What ever happened to the U.S. Congress's portraits of Louis the sixteenth and Marie-Antoinette? What ever happened to the United States Congress's portraits of Louis XVI and Marie-Antoinette? Philadelphia American Philosophical Society Press [2021] xiv, 125 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Transactions of the American Philosophical Society volume 110, part 5 Includes bibliographical references and index "One of the greatest unsolved mysteries in American political culture is what became of the United States Congress's state portraits of Louis XVI and Marie-Antoinette during the British invasion of the Capitol, Washington, D.C., on the night of 24-25 August 1814. Conceived by Benjamin Franklin during a diplomatic mission, requested by the American delegates at the height of the War of Independence, and granted by the French king after the signing of the Treaty of Paris, these official full-length images of the French monarchs arrayed in ceremonial magnificence were recently identified as atelier copies after Antoine-François Callet's Louis XVI and Élisabeth Vigée Le Brun's Marie-Antoinette (both 1783) and traced through Congress's successive assembly rooms at New York City (1785), Philadelphia (1790), and Washington (1800). The fate of the royal portraits has been difficult to determine due to the incomplete documentary record and conflicting eyewitness accounts. Larkin initially takes a telescopic approach to the problem, moving from British and French production of state portraits to assert political claims in North America and despoliation of Western European countries of their art treasures, to show British and American interests at stake in the practice of looting and incendiary warfare waged across the Great Lakes and the Chesapeake Bay prior to the destruction of the public buildings in Washington, D.C. He then pursues a microscopic approach, analyzing period documents, letters, images, and plans to test the viability of two theories-that the royal portraits were burned by British troops during their occupation of the capital or looted by American scavengers during the chaotic aftermath. While physical evidence of the portrait artifacts remains elusive, this study of the images as objects of desire, danger, and loss breaks new ground for scholars desirous of constituting an art and material history for the War of 1812"-- Geschichte 1814 gnd rswk-swf Invasion (DE-588)4129821-4 gnd rswk-swf Kapitol Washington Washington, DC (DE-588)4485832-2 gnd rswk-swf Louis / XVI / King of France / 1754-1793 / Portraits Marie Antoinette / Queen, consort of Louis XVI, King of France / 1755-1793 / Portraits United States / Congress / Art collections United States / History / War of 1812 / Art and the war Kapitol Washington Washington, DC (DE-588)4485832-2 g Invasion (DE-588)4129821-4 s Geschichte 1814 z DE-604 Erscheint auch als Online-Ausgabe 978-1-60618-110-2 Transactions of the American Philosophical Society volume 110, part 5 (DE-604)BV008012923 110,5 Digitalisierung UB Regensburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033860712&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Larkin, T. Lawrence 1968- What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 Transactions of the American Philosophical Society Invasion (DE-588)4129821-4 gnd |
| subject_GND | (DE-588)4129821-4 (DE-588)4485832-2 |
| title | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 |
| title_alt | What ever happened to the U.S. Congress's portraits of Louis the sixteenth and Marie-Antoinette? What ever happened to the United States Congress's portraits of Louis XVI and Marie-Antoinette? |
| title_auth | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 |
| title_exact_search | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 |
| title_exact_search_txtP | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 |
| title_full | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 T. Lawrence Larkin |
| title_fullStr | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 T. Lawrence Larkin |
| title_full_unstemmed | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 T. Lawrence Larkin |
| title_short | What ever happened to the U.S. Congress's portraits of Louis XVI and Marie-Antoinette? |
| title_sort | what ever happened to the u s congress s portraits of louis xvi and marie antoinette retracing the events that led to the conflagration of the capitol and the loss of the pictures on 24 25 august 1814 |
| title_sub | retracing the events that led to the conflagration of the Capitol and the loss of the pictures on 24-25 August 1814 |
| topic | Invasion (DE-588)4129821-4 gnd |
| topic_facet | Invasion Kapitol Washington Washington, DC |
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