The cinema of Manoel De Oliveira: modernity, intermediality and the uncanny
The beautiful automaton -- Camões and Don Quixote -- Doomed loves -- Coda: A melancholic cinema?
Gespeichert in:
1. Verfasser: | |
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Format: | Buch |
Sprache: | English |
Veröffentlicht: |
New York ; London ; Oxford ; New Delhi ; Sydney
Bloomsbury Academic
2022
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Schlagworte: | |
Zusammenfassung: | The beautiful automaton -- Camões and Don Quixote -- Doomed loves -- Coda: A melancholic cinema? "Organized by tropes and topics, rather than chronological order, this volume creates a unique lens with which to focus on the links between cinema, literature, painting, and other art forms in Manoel de Oliveira's work. Hajnal Király reads the films in relation to 20th-century Portuguese, European and global history. Many of Oliveira's over 50 films are discussed, including Rite of Spring (1963) and Eccentricities of a Blonde-haired Girl (2009). The only book to cover his later films, this book uncovers the persistent topics that permeates his oeuvre |
Beschreibung: | Includes bibliographical references and index |
Beschreibung: | xi, 172 Seiten Illustrationen |
ISBN: | 9781501378652 1501378651 9781501378621 1501378627 |
Internformat
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264 | 1 | |a New York ; London ; Oxford ; New Delhi ; Sydney |b Bloomsbury Academic |c 2022 | |
300 | |a xi, 172 Seiten |b Illustrationen | ||
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520 | 3 | |a "Organized by tropes and topics, rather than chronological order, this volume creates a unique lens with which to focus on the links between cinema, literature, painting, and other art forms in Manoel de Oliveira's work. Hajnal Király reads the films in relation to 20th-century Portuguese, European and global history. Many of Oliveira's over 50 films are discussed, including Rite of Spring (1963) and Eccentricities of a Blonde-haired Girl (2009). The only book to cover his later films, this book uncovers the persistent topics that permeates his oeuvre | |
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Datensatz im Suchindex
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adam_txt | |
any_adam_object | |
any_adam_object_boolean | |
author | Király, Hajnal 1974- |
author_GND | (DE-588)1238556876 |
author_facet | Király, Hajnal 1974- |
author_role | aut |
author_sort | Király, Hajnal 1974- |
author_variant | h k hk |
building | Verbundindex |
bvnumber | BV048482844 |
ctrlnum | (DE-599)KXP1789122473 |
dewey-full | 791.4302/33092 |
dewey-hundreds | 700 - The arts |
dewey-ones | 791 - Public performances |
dewey-raw | 791.4302/33092 |
dewey-search | 791.4302/33092 |
dewey-sort | 3791.4302 533092 |
dewey-tens | 790 - Recreational and performing arts |
discipline | Allgemeines |
discipline_str_mv | Allgemeines |
format | Book |
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id | DE-604.BV048482844 |
illustrated | Illustrated |
index_date | 2024-07-03T20:39:26Z |
indexdate | 2024-07-10T09:39:20Z |
institution | BVB |
isbn | 9781501378652 1501378651 9781501378621 1501378627 |
language | English |
oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033860470 |
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owner | DE-M472 |
owner_facet | DE-M472 |
physical | xi, 172 Seiten Illustrationen |
publishDate | 2022 |
publishDateSearch | 2022 |
publishDateSort | 2022 |
publisher | Bloomsbury Academic |
record_format | marc |
spelling | Király, Hajnal 1974- Verfasser (DE-588)1238556876 aut The cinema of Manoel De Oliveira modernity, intermediality and the uncanny Hajnal Király New York ; London ; Oxford ; New Delhi ; Sydney Bloomsbury Academic 2022 xi, 172 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references and index The beautiful automaton -- Camões and Don Quixote -- Doomed loves -- Coda: A melancholic cinema? "Organized by tropes and topics, rather than chronological order, this volume creates a unique lens with which to focus on the links between cinema, literature, painting, and other art forms in Manoel de Oliveira's work. Hajnal Király reads the films in relation to 20th-century Portuguese, European and global history. Many of Oliveira's over 50 films are discussed, including Rite of Spring (1963) and Eccentricities of a Blonde-haired Girl (2009). The only book to cover his later films, this book uncovers the persistent topics that permeates his oeuvre Oliveira, Manuel de 1908-2015 (DE-588)11948384X gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Oliveira, Manoel de / 1908-2015 / Criticism and interpretation Motion pictures / Portugal / History Motion picture producers and directors / Portugal / Biography Oliveira, Manoel de / 1908-2015 Motion picture producers and directors Motion pictures Portugal Biographies Criticism, interpretation, etc History Oliveira, Manuel de 1908-2015 (DE-588)11948384X p Film (DE-588)4017102-4 s DE-604 Erscheint auch als Online-Ausgabe, EPUB 978-1-5013-7864-5 Erscheint auch als Online-Ausgabe, PDF 978-1-5013-7863-8 (pdf) |
spellingShingle | Király, Hajnal 1974- The cinema of Manoel De Oliveira modernity, intermediality and the uncanny Oliveira, Manuel de 1908-2015 (DE-588)11948384X gnd Film (DE-588)4017102-4 gnd |
subject_GND | (DE-588)11948384X (DE-588)4017102-4 |
title | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny |
title_auth | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny |
title_exact_search | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny |
title_exact_search_txtP | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny |
title_full | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny Hajnal Király |
title_fullStr | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny Hajnal Király |
title_full_unstemmed | The cinema of Manoel De Oliveira modernity, intermediality and the uncanny Hajnal Király |
title_short | The cinema of Manoel De Oliveira |
title_sort | the cinema of manoel de oliveira modernity intermediality and the uncanny |
title_sub | modernity, intermediality and the uncanny |
topic | Oliveira, Manuel de 1908-2015 (DE-588)11948384X gnd Film (DE-588)4017102-4 gnd |
topic_facet | Oliveira, Manuel de 1908-2015 Film |
work_keys_str_mv | AT kiralyhajnal thecinemaofmanoeldeoliveiramodernityintermedialityandtheuncanny |