Radical form: modernist abstraction in South America
"Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquin Torres-Garcia, Tomas Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the ad...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
New Haven ; London
Yale University Press
[2022]
|
| Schlagworte: | |
| Zusammenfassung: | "Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquin Torres-Garcia, Tomas Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America's state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, it becomes clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society." -- |
| Beschreibung: | 232 Seiten Illustrationen 26 cm |
| ISBN: | 9780300254020 |
Internformat
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| 300 | |a 232 Seiten |b Illustrationen |c 26 cm | ||
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| 520 | 3 | |a "Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquin Torres-Garcia, Tomas Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America's state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, it becomes clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society." -- | |
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Datensatz im Suchindex
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| author | Sullivan, Megan ca. 20./21.Jh |
| author_GND | (DE-588)1073333159 |
| author_facet | Sullivan, Megan ca. 20./21.Jh |
| author_role | aut |
| author_sort | Sullivan, Megan ca. 20./21.Jh |
| author_variant | m s ms |
| building | Verbundindex |
| bvnumber | BV048482300 |
| ctrlnum | (OCoLC)1340033253 (DE-599)BVBBV048482300 |
| era | Geschichte 1930-1965 gnd |
| era_facet | Geschichte 1930-1965 |
| format | Book |
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| id | DE-604.BV048482300 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:39:18Z |
| indexdate | 2024-07-10T09:39:19Z |
| institution | BVB |
| isbn | 9780300254020 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033859934 |
| oclc_num | 1340033253 |
| open_access_boolean | |
| owner | DE-12 DE-255 |
| owner_facet | DE-12 DE-255 |
| physical | 232 Seiten Illustrationen 26 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Yale University Press |
| record_format | marc |
| spelling | Sullivan, Megan ca. 20./21.Jh. Verfasser (DE-588)1073333159 aut Radical form modernist abstraction in South America Megan A. Sullivan New Haven ; London Yale University Press [2022] 232 Seiten Illustrationen 26 cm txt rdacontent sti rdacontent n rdamedia nc rdacarrier "Emphasizing the open-ended and self-critical nature of the projects of abstraction in South America from the 1930s through the mid-1960s, this study focuses on the painting practices of Joaquin Torres-Garcia, Tomas Maldonado, Alejandro Otero, and Lygia Clark. Megan A. Sullivan positions the adoption of modernist abstraction by South American artists as part of a larger critique of the economic and social transformations caused by Latin America's state-led programs of rapid industrialization. Sullivan thoughtfully explores the diverse ways this skepticism of modernization and social and political change was expressed. Ultimately, it becomes clear that abstraction in South America was understood not as an artistic style to be followed but as a means to imagine a universalist mode of art, a catalyst for individual and collective agency, and a way to express a vision of a better future for South American society." -- Otero Rodríguez, Alejandro 1921-1990 (DE-588)119555565 gnd rswk-swf Clark, Lygia 1920-1988 (DE-588)119334348 gnd rswk-swf Maldonado, Tomás 1922-2018 (DE-588)124142389 gnd rswk-swf Torres García, Joaquín 1874-1949 (DE-588)119120860 gnd rswk-swf Geschichte 1930-1965 gnd rswk-swf Abstrakte Kunst (DE-588)4141146-8 gnd rswk-swf Malerei (DE-588)4037220-0 gnd rswk-swf Art, Abstract / South America Art, South American / 20th century Art and society / South America / History / 20th century Art sud-américain / 20e siècle Art et société / Amérique du Sud / Histoire / 20e siècle ART / General Art, Abstract Art and society Art, South American South America 1900-1999 History Torres García, Joaquín 1874-1949 (DE-588)119120860 p Maldonado, Tomás 1922-2018 (DE-588)124142389 p Otero Rodríguez, Alejandro 1921-1990 (DE-588)119555565 p Clark, Lygia 1920-1988 (DE-588)119334348 p Abstrakte Kunst (DE-588)4141146-8 s Malerei (DE-588)4037220-0 s Geschichte 1930-1965 z DE-604 |
| spellingShingle | Sullivan, Megan ca. 20./21.Jh Radical form modernist abstraction in South America Otero Rodríguez, Alejandro 1921-1990 (DE-588)119555565 gnd Clark, Lygia 1920-1988 (DE-588)119334348 gnd Maldonado, Tomás 1922-2018 (DE-588)124142389 gnd Torres García, Joaquín 1874-1949 (DE-588)119120860 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Malerei (DE-588)4037220-0 gnd |
| subject_GND | (DE-588)119555565 (DE-588)119334348 (DE-588)124142389 (DE-588)119120860 (DE-588)4141146-8 (DE-588)4037220-0 |
| title | Radical form modernist abstraction in South America |
| title_auth | Radical form modernist abstraction in South America |
| title_exact_search | Radical form modernist abstraction in South America |
| title_exact_search_txtP | Radical form modernist abstraction in South America |
| title_full | Radical form modernist abstraction in South America Megan A. Sullivan |
| title_fullStr | Radical form modernist abstraction in South America Megan A. Sullivan |
| title_full_unstemmed | Radical form modernist abstraction in South America Megan A. Sullivan |
| title_short | Radical form |
| title_sort | radical form modernist abstraction in south america |
| title_sub | modernist abstraction in South America |
| topic | Otero Rodríguez, Alejandro 1921-1990 (DE-588)119555565 gnd Clark, Lygia 1920-1988 (DE-588)119334348 gnd Maldonado, Tomás 1922-2018 (DE-588)124142389 gnd Torres García, Joaquín 1874-1949 (DE-588)119120860 gnd Abstrakte Kunst (DE-588)4141146-8 gnd Malerei (DE-588)4037220-0 gnd |
| topic_facet | Otero Rodríguez, Alejandro 1921-1990 Clark, Lygia 1920-1988 Maldonado, Tomás 1922-2018 Torres García, Joaquín 1874-1949 Abstrakte Kunst Malerei |
| work_keys_str_mv | AT sullivanmegan radicalformmodernistabstractioninsouthamerica |