The 'Commedia dell'arte':
"What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this au...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
London ; New York ; Oxford ; New Delhi ; Sydney
Methuen Drama, Bloomsbury Publishing Plc
2022
|
| Schriftenreihe: | Forms of drama
|
| Schlagworte: | |
| Zusammenfassung: | "What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment" |
| Beschreibung: | xvi, 199 Seiten Illustrationen 20 cm |
| ISBN: | 9781350144187 9781350144194 |
Internformat
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| 100 | 1 | |a Pietropaolo, Domenico |d 1949- |e Verfasser |0 (DE-588)172597447 |4 aut | |
| 245 | 1 | 0 | |a The 'Commedia dell'arte' |c Domenico Pietropaolo |
| 264 | 1 | |a London ; New York ; Oxford ; New Delhi ; Sydney |b Methuen Drama, Bloomsbury Publishing Plc |c 2022 | |
| 300 | |a xvi, 199 Seiten |b Illustrationen |c 20 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a Forms of drama | |
| 505 | 8 | |a The first professionals -- Elements of form : characters and dramatic actions -- Elements of form : the Scenario, improvisation, lazzi -- Commedia dell'arte and Ottonelli's theology -- From scenario to script : Riccoboni and Goldoni -- Riccoboni's commedia of civic responsibility -- The commedia dell'arte in Goldoni's reform -- Gozzi's fable form : a new horizon of expectations -- Commedia dell'arte and grotesque dance: Gregorio Lambranzi -- Pulcinellate and Harlequinades -- Commedia dell'arte in the opera libretto -- Continuity and transformation in the 20th century | |
| 520 | 3 | |a "What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment" | |
| 650 | 0 | 7 | |a Commedia dell'arte |0 (DE-588)4010433-3 |2 gnd |9 rswk-swf |
| 653 | 0 | |a Commedia dell'arte / History and criticism | |
| 653 | 0 | |a Commedia dell'arte / Histoire et critique | |
| 653 | 0 | |a Commedia dell'arte | |
| 653 | 6 | |a Criticism, interpretation, etc | |
| 689 | 0 | 0 | |a Commedia dell'arte |0 (DE-588)4010433-3 |D s |
| 689 | 0 | |5 DE-604 | |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |z 9781350144217 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033857768 | ||
Datensatz im Suchindex
| _version_ | 1804184434429132800 |
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| author | Pietropaolo, Domenico 1949- |
| author_GND | (DE-588)172597447 |
| author_facet | Pietropaolo, Domenico 1949- |
| author_role | aut |
| author_sort | Pietropaolo, Domenico 1949- |
| author_variant | d p dp |
| building | Verbundindex |
| bvnumber | BV048480109 |
| contents | The first professionals -- Elements of form : characters and dramatic actions -- Elements of form : the Scenario, improvisation, lazzi -- Commedia dell'arte and Ottonelli's theology -- From scenario to script : Riccoboni and Goldoni -- Riccoboni's commedia of civic responsibility -- The commedia dell'arte in Goldoni's reform -- Gozzi's fable form : a new horizon of expectations -- Commedia dell'arte and grotesque dance: Gregorio Lambranzi -- Pulcinellate and Harlequinades -- Commedia dell'arte in the opera libretto -- Continuity and transformation in the 20th century |
| ctrlnum | (OCoLC)1357534955 (DE-599)BVBBV048480109 |
| format | Book |
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| id | DE-604.BV048480109 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:38:59Z |
| indexdate | 2024-07-10T09:39:17Z |
| institution | BVB |
| isbn | 9781350144187 9781350144194 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033857768 |
| oclc_num | 1357534955 |
| open_access_boolean | |
| owner | DE-12 |
| owner_facet | DE-12 |
| physical | xvi, 199 Seiten Illustrationen 20 cm |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Methuen Drama, Bloomsbury Publishing Plc |
| record_format | marc |
| series2 | Forms of drama |
| spelling | Pietropaolo, Domenico 1949- Verfasser (DE-588)172597447 aut The 'Commedia dell'arte' Domenico Pietropaolo London ; New York ; Oxford ; New Delhi ; Sydney Methuen Drama, Bloomsbury Publishing Plc 2022 xvi, 199 Seiten Illustrationen 20 cm txt rdacontent n rdamedia nc rdacarrier Forms of drama The first professionals -- Elements of form : characters and dramatic actions -- Elements of form : the Scenario, improvisation, lazzi -- Commedia dell'arte and Ottonelli's theology -- From scenario to script : Riccoboni and Goldoni -- Riccoboni's commedia of civic responsibility -- The commedia dell'arte in Goldoni's reform -- Gozzi's fable form : a new horizon of expectations -- Commedia dell'arte and grotesque dance: Gregorio Lambranzi -- Pulcinellate and Harlequinades -- Commedia dell'arte in the opera libretto -- Continuity and transformation in the 20th century "What were the origins of commedia dell'arte and how did it evolve as a dramatic form over the next two centuries? How did its relationship to the ruling ideology of the day change during the Enlightenment? What is its legacy today? These are just some of the questions addressed in this authoritative overview of the dramatic, ideological and aesthetic form of commedia dell'arte. The book's three sections examine the changing role of performers and playwrights, improvisatory scenarios and scripted performance, and its function as a vehicle for social criticism, to offer readers a clear understanding of commedia dell'arte's evolution in Renaissance Italy. This study throws new light on the role of women performers; its changing ideological discourse, which included social reform and, later, conservatism and the alienation of ethnic minorities in complicity with its audience; and its later adaptation into hybrid forms including grotesque dance and the giullarata typified by the work of Dario Fo. In a commedia dell'arte play, the agents of the dramatic action are stock characters identified by costume, dialect, style of movement, dramatic function and social class, and they are, among other things, vehicles of the troupe's social criticism. A major product of the new entertainment industry of the Renaissance, commedia dell'arte rose quickly to a position of dominance in the European comic theatre. By the middle of the 18th century, it started to practice more genteel forms of humour and to mutate into other genres, such as the Harlequinade, grotesque dance and scripted comedy, becoming in the process an artistic accomplice of the counter-Enlightenment" Commedia dell'arte (DE-588)4010433-3 gnd rswk-swf Commedia dell'arte / History and criticism Commedia dell'arte / Histoire et critique Commedia dell'arte Criticism, interpretation, etc Commedia dell'arte (DE-588)4010433-3 s DE-604 Erscheint auch als Online-Ausgabe 9781350144217 |
| spellingShingle | Pietropaolo, Domenico 1949- The 'Commedia dell'arte' The first professionals -- Elements of form : characters and dramatic actions -- Elements of form : the Scenario, improvisation, lazzi -- Commedia dell'arte and Ottonelli's theology -- From scenario to script : Riccoboni and Goldoni -- Riccoboni's commedia of civic responsibility -- The commedia dell'arte in Goldoni's reform -- Gozzi's fable form : a new horizon of expectations -- Commedia dell'arte and grotesque dance: Gregorio Lambranzi -- Pulcinellate and Harlequinades -- Commedia dell'arte in the opera libretto -- Continuity and transformation in the 20th century Commedia dell'arte (DE-588)4010433-3 gnd |
| subject_GND | (DE-588)4010433-3 |
| title | The 'Commedia dell'arte' |
| title_auth | The 'Commedia dell'arte' |
| title_exact_search | The 'Commedia dell'arte' |
| title_exact_search_txtP | The 'Commedia dell'arte' |
| title_full | The 'Commedia dell'arte' Domenico Pietropaolo |
| title_fullStr | The 'Commedia dell'arte' Domenico Pietropaolo |
| title_full_unstemmed | The 'Commedia dell'arte' Domenico Pietropaolo |
| title_short | The 'Commedia dell'arte' |
| title_sort | the commedia dell arte |
| topic | Commedia dell'arte (DE-588)4010433-3 gnd |
| topic_facet | Commedia dell'arte |
| work_keys_str_mv | AT pietropaolodomenico thecommediadellarte |