The Iliad and the oral epic tradition:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Weitere Verfasser: | |
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Washington, DC
Center for Hellenistic studies
2023
|
| Schriftenreihe: | Hellenic studies series
99 |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis |
| Beschreibung: | Enthält einzelne Textpassagen in griechischer Sprache und Schrift |
| Beschreibung: | xvii, 663 Seiten Illustrationen |
| ISBN: | 9780674292437 |
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Datensatz im Suchindex
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| adam_text |
Table of Contents Acknowledgements xiii Preface to the English Edition xv Introduction 1 Outline of Research History.11 Neoanalysis. 11 Oral theory. 13 Neoanalysis and oral theory . 17 Cyclic poetry. 27 1. Cycle and Song 31 The Cycle Phenomenon: Determining the Narrative and the Role of the Heroes . 31 The Cycle of Songs and the Cycle of Time.51 The term κύκλος. 52 Cyclic space. 54 Cycle time. 57 Cycles of the Iliad. 67 The symmetrical and linear arrangement. .84 An Episode from the Perspective of the Whole. 85 What set of songs made up the cycle?. 90 The structure of an epic song. 98 The First Song of
Demodokos and the Invocations to the Iliad and Odyssey. 103 The Third Song of Demodokos. 125 Demodokos’s Second Song. 133 Differences between Homer and the Cycle. 140 The Place of the Iliad in the Cycle Story. 143 The adequacy of the Iliad title. 149 Oral transmission of songs. 154
Table of Contents 2. The Song and the Tradition: A Pattern of the Epic Tale Greek Epic Story Patterns against the Background of South Slavic Songs 161 161 Similarities of Cyclic Events as a Trace of Traditional Patterns. 173 Combinations of type-scenes.173 The arrival of allies. 173 Killing a leader of the allies and killing Priam’s son . 180 Achilles withdraws from battle and the prophecy of his death. 182 Necessary conditions for the capture of Troy. 188 The Specific Character of the Trojan Cycle Patterns. 195 Achilles and Odysseus. 195 Memnon, first entrance.214 From the Depth of Tradition.229 The arming of the warrior. 229 The quarrel of the lion and the boar. 234 The guarantee of glory.248 The Use of Patterns in the Trojan Cycle. 252 Repeating the pattern. 259 3. Fantastic Elements of the Cycle and the
Rationalism of Homer 263 The Fantastic and the Magical. 263 The presence of the fantastic and magical in the Cycle and in the Homeric poems. 263 Pervasive Hidden Magic in the Iliad. 273 Magic objects in other cycles. 273 Magic objects in the Iliad. 280 Magic versus Homer’s rationalism. 293 Fantastic Figures Concealed in the Iliad. 303 Cheiron and Memnon.303 The historicity of the Ethiopians. 309 The historicity of Troy and the Trojan War. 314 The dominant role of Thebes in the Mycenaean world. 317 The situation of Troy under siege. 319 The fantastic and fairy-tale character of the epic image. 320 The duality of the Trojan state. 322 Interrelations between Cycles . 323 Similarities between cycles.323 The shaping of new
cycles. 329 X
Table of Contents The “doubling” of the Trojan Cycle. 331 The creation of a cycle . 336 4. Allusions in the Singer-Audience Relations 341 The Criteria of Oral Reception. . 341 The allusiveness of the text. 341 Impact upon the audience. 345 Singer. 347 The audience. 359 Invention or Allusion. 366 Dread and relief. 373 Irony. 383 The formula and its effect upon the listener. 395 The Double Function of Repetitions.398 Meleagros— Sensitivity to Detail. 407 Conclusions. 414 5. The Parallelism of Scenes in the Cycle and the Iliad 417 Ways of
Modification. 417 The substitution of characters. 417 Analogy. 418 Reversal. .418 Gradation. 419 Reduction. 419 Contrast. 419 The Song and Tradition. 420 The functionality of allusions. 428 Parallel scenes in the Iliad and Aethiopis. 441 Diomedes—Achilles’ alter ego. 447 Rescuing Nestor. 458 Scene sequences. 463 Levels of the reception of the plot. 489 Flexibility and traditionality. 493
Conclusions. 498 xi
Table of Contents 6. The Relationship between Êthopoiia and the System of External Allusions in Homer 505 The Reason for the Quarrel. .506 Achilles’Deceit. 509 Principles of Aural Reception. 511 The Quarrel between Achilles and Agamemnon. 514 Achilles’ Character.544 Egotism and concern for the fate of the group. 545 Greediness and modesty of needs. 555 Achilles as an Epic Hero. 561 The Aim of the Iliad . 579 The End xii 583 Bibliography 593 Index of Passages and Scholia 635 Index of Subjects 647 |
| adam_txt |
Table of Contents Acknowledgements xiii Preface to the English Edition xv Introduction 1 Outline of Research History.11 Neoanalysis. 11 Oral theory. 13 Neoanalysis and oral theory . 17 Cyclic poetry. 27 1. Cycle and Song 31 The Cycle Phenomenon: Determining the Narrative and the Role of the Heroes . 31 The Cycle of Songs and the Cycle of Time.51 The term κύκλος. 52 Cyclic space. 54 Cycle time. 57 Cycles of the Iliad. 67 The symmetrical and linear arrangement. .84 An Episode from the Perspective of the Whole. 85 What set of songs made up the cycle?. 90 The structure of an epic song. 98 The First Song of
Demodokos and the Invocations to the Iliad and Odyssey. 103 The Third Song of Demodokos. 125 Demodokos’s Second Song. 133 Differences between Homer and the Cycle. 140 The Place of the Iliad in the Cycle Story. 143 The adequacy of the Iliad title. 149 Oral transmission of songs. 154
Table of Contents 2. The Song and the Tradition: A Pattern of the Epic Tale Greek Epic Story Patterns against the Background of South Slavic Songs 161 161 Similarities of Cyclic Events as a Trace of Traditional Patterns. 173 Combinations of type-scenes.173 The arrival of allies. 173 Killing a leader of the allies and killing Priam’s son . 180 Achilles withdraws from battle and the prophecy of his death. 182 Necessary conditions for the capture of Troy. 188 The Specific Character of the Trojan Cycle Patterns. 195 Achilles and Odysseus. 195 Memnon, first entrance.214 From the Depth of Tradition.229 The arming of the warrior. 229 The quarrel of the lion and the boar. 234 The guarantee of glory.248 The Use of Patterns in the Trojan Cycle. 252 Repeating the pattern. 259 3. Fantastic Elements of the Cycle and the
Rationalism of Homer 263 The Fantastic and the Magical. 263 The presence of the fantastic and magical in the Cycle and in the Homeric poems. 263 Pervasive Hidden Magic in the Iliad. 273 Magic objects in other cycles. 273 Magic objects in the Iliad. 280 Magic versus Homer’s rationalism. 293 Fantastic Figures Concealed in the Iliad. 303 Cheiron and Memnon.303 The historicity of the Ethiopians. 309 The historicity of Troy and the Trojan War. 314 The dominant role of Thebes in the Mycenaean world. 317 The situation of Troy under siege. 319 The fantastic and fairy-tale character of the epic image. 320 The duality of the Trojan state. 322 Interrelations between Cycles . 323 Similarities between cycles.323 The shaping of new
cycles. 329 X
Table of Contents The “doubling” of the Trojan Cycle. 331 The creation of a cycle . 336 4. Allusions in the Singer-Audience Relations 341 The Criteria of Oral Reception. . 341 The allusiveness of the text. 341 Impact upon the audience. 345 Singer. 347 The audience. 359 Invention or Allusion. 366 Dread and relief. 373 Irony. 383 The formula and its effect upon the listener. 395 The Double Function of Repetitions.398 Meleagros— Sensitivity to Detail. 407 Conclusions. 414 5. The Parallelism of Scenes in the Cycle and the Iliad 417 Ways of
Modification. 417 The substitution of characters. 417 Analogy. 418 Reversal. .418 Gradation. 419 Reduction. 419 Contrast. 419 The Song and Tradition. 420 The functionality of allusions. 428 Parallel scenes in the Iliad and Aethiopis. 441 Diomedes—Achilles’ alter ego. 447 Rescuing Nestor. 458 Scene sequences. 463 Levels of the reception of the plot. 489 Flexibility and traditionality. 493
Conclusions. 498 xi
Table of Contents 6. The Relationship between Êthopoiia and the System of External Allusions in Homer 505 The Reason for the Quarrel. .506 Achilles’Deceit. 509 Principles of Aural Reception. 511 The Quarrel between Achilles and Agamemnon. 514 Achilles’ Character.544 Egotism and concern for the fate of the group. 545 Greediness and modesty of needs. 555 Achilles as an Epic Hero. 561 The Aim of the Iliad . 579 The End xii 583 Bibliography 593 Index of Passages and Scholia 635 Index of Subjects 647 |
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| spelling | Zieliński, Karol 1968- Verfasser (DE-588)1253819610 aut Iliada i jej tradycja epicka The Iliad and the oral epic tradition by Karol Zieliński ; translated by Anna Rojkowska Washington, DC Center for Hellenistic studies 2023 Cambridge, Massachusetts ; London, England Harvard University Press xvii, 663 Seiten Illustrationen txt rdacontent n rdamedia nc rdacarrier Hellenic studies series 99 Enthält einzelne Textpassagen in griechischer Sprache und Schrift Homerus / Iliás Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd rswk-swf Mündliche Literatur (DE-588)4131940-0 gnd rswk-swf Mündliche Überlieferung (DE-588)4040600-3 gnd rswk-swf Epik (DE-588)4015025-2 gnd rswk-swf Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 u Epik (DE-588)4015025-2 s Mündliche Überlieferung (DE-588)4040600-3 s DE-604 Mündliche Literatur (DE-588)4131940-0 s Rojkowska, Anna trl Hellenic studies series 99 (DE-604)BV017738392 99 Digitalisierung BSB München - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033849498&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis |
| spellingShingle | Zieliński, Karol 1968- The Iliad and the oral epic tradition Hellenic studies series Homerus / Iliás Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd Mündliche Literatur (DE-588)4131940-0 gnd Mündliche Überlieferung (DE-588)4040600-3 gnd Epik (DE-588)4015025-2 gnd |
| subject_GND | (DE-588)4135525-8 (DE-588)4131940-0 (DE-588)4040600-3 (DE-588)4015025-2 |
| title | The Iliad and the oral epic tradition |
| title_alt | Iliada i jej tradycja epicka |
| title_auth | The Iliad and the oral epic tradition |
| title_exact_search | The Iliad and the oral epic tradition |
| title_exact_search_txtP | The Iliad and the oral epic tradition |
| title_full | The Iliad and the oral epic tradition by Karol Zieliński ; translated by Anna Rojkowska |
| title_fullStr | The Iliad and the oral epic tradition by Karol Zieliński ; translated by Anna Rojkowska |
| title_full_unstemmed | The Iliad and the oral epic tradition by Karol Zieliński ; translated by Anna Rojkowska |
| title_short | The Iliad and the oral epic tradition |
| title_sort | the iliad and the oral epic tradition |
| topic | Homerus / Iliás Homerus ca. v8. Jh. Ilias (DE-588)4135525-8 gnd Mündliche Literatur (DE-588)4131940-0 gnd Mündliche Überlieferung (DE-588)4040600-3 gnd Epik (DE-588)4015025-2 gnd |
| topic_facet | Homerus / Iliás Homerus ca. v8. Jh. Ilias Mündliche Literatur Mündliche Überlieferung Epik |
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