T. S. Eliot and the dynamic imagination:
"How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark g...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Cambridge ; New York ; Melbourne ; New Delhi ; Singapore
Cambridge University Press
2022
|
| Ausgabe: | First paperback edition |
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis Klappentext |
| Zusammenfassung: | "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"... |
| Beschreibung: | Includes bibliographical references |
| Beschreibung: | X, 259 Seiten |
| ISBN: | 9781108441346 9781108425216 |
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Datensatz im Suchindex
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| adam_text | T. S. ELIOT AND THE DYNAMIC IMAGINATION
/ KENNEDY, SARAHYYD1980-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PART I. SEA VOICES: ELIOT S TEMPEST: 1. IMMERSION: ELIOT, JAMES AND
SHAKESPEARE; 2. HINTS OF EARLIER AND OTHER CREATION; 3. THIS ISLE IS
FULL OF NOISES; PART II. BROKEN IMAGES: ILLUMINATING TIME AND SPACE: 4.
VACANT INTERSTELLAR SPACES; 5. LOOKING BACKWARD; 6. LUMINOUS
RECOGNITIONS; PART III. GESTATION AND RESURRECTION: 7. HIS DARK
MATERIALS; 8. DARK DOUBLES; 9. BLOOD FOR THE GHOSTS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents page viii ix Acknowledgements List ofAbbreviations Introduction i 21 parti sea voices: eliot’stempest i Immersion: Eliot, James, andShakespeare 23 2 ‘Hints of earlier and other creation’ 52 3 ‘This isle is full of noises ...’ 70 PART II BROKEN IMAGES: ILLUMINATING TIME AND SPACE 87 4 ‘Vacant interstellar spaces’ 89 5 Looking Backwards 122 6 Luminous Recognitions 138 PART III THINGS DYING AND NEW BORN: GESTATION AND I RESURRECTION 59 7 His Dark Materials 161 8 Dark Doubles: ‘This ghost, this pendulum in the head’ 185 9 Blood for the Ghosts 208 Afterword 224 Works Cited Index 231 247 vii
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy’s study of Eliot ’s poetics seeks out those images most striking in their resonance and recurrence: the ‘sea change’, the ‘light invisible’ and the ‘dark ghost’. She makes the case for these sustained metaphors as constitutive of the poet’s imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literar)՜ criticism, psychology, physics and anthropology. Eliot’s transposition of these registers, at turns wary and beguiled, interweaves modern understandings ot originar)՜ processes in the human and natural world with a poet’s preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot’s poetry.
|
| adam_txt |
T. S. ELIOT AND THE DYNAMIC IMAGINATION
/ KENNEDY, SARAHYYD1980-YYEAUTHOR
: 2018
TABLE OF CONTENTS / INHALTSVERZEICHNIS
PART I. SEA VOICES: ELIOT'S TEMPEST: 1. IMMERSION: ELIOT, JAMES AND
SHAKESPEARE; 2. HINTS OF EARLIER AND OTHER CREATION; 3. THIS ISLE IS
FULL OF NOISES; PART II. BROKEN IMAGES: ILLUMINATING TIME AND SPACE: 4.
VACANT INTERSTELLAR SPACES; 5. LOOKING BACKWARD; 6. LUMINOUS
RECOGNITIONS; PART III. GESTATION AND RESURRECTION: 7. HIS DARK
MATERIALS; 8. DARK DOUBLES; 9. BLOOD FOR THE GHOSTS
DIESES SCHRIFTSTUECK WURDE MASCHINELL ERZEUGT.
Contents page viii ix Acknowledgements List ofAbbreviations Introduction i 21 parti sea voices: eliot’stempest i Immersion: Eliot, James, andShakespeare 23 2 ‘Hints of earlier and other creation’ 52 3 ‘This isle is full of noises .’ 70 PART II BROKEN IMAGES: ILLUMINATING TIME AND SPACE 87 4 ‘Vacant interstellar spaces’ 89 5 Looking Backwards 122 6 Luminous Recognitions 138 PART III THINGS DYING AND NEW BORN: GESTATION AND I RESURRECTION 59 7 His Dark Materials 161 8 Dark Doubles: ‘This ghost, this pendulum in the head’ 185 9 Blood for the Ghosts 208 Afterword 224 Works Cited Index 231 247 vii
How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy’s study of Eliot ’s poetics seeks out those images most striking in their resonance and recurrence: the ‘sea change’, the ‘light invisible’ and the ‘dark ghost’. She makes the case for these sustained metaphors as constitutive of the poet’s imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literar)՜ criticism, psychology, physics and anthropology. Eliot’s transposition of these registers, at turns wary and beguiled, interweaves modern understandings ot originar)՜ processes in the human and natural world with a poet’s preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot’s poetry. |
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| spelling | Kennedy, Sarah 1980- (DE-588)1162965797 aut T. S. Eliot and the dynamic imagination Sarah Kennedy First paperback edition Cambridge ; New York ; Melbourne ; New Delhi ; Singapore Cambridge University Press 2022 X, 259 Seiten txt rdacontent n rdamedia nc rdacarrier Includes bibliographical references "How is a poem made? From what constellation of inner and outer worlds does it issue forth? Sarah Kennedy's study of Eliot's poetics seeks out those images most striking in their resonance and recurrence: the 'sea-change', the 'light invisible' and the 'dark ghost'. She makes the case for these sustained metaphors as constitutive of the poet's imagination and art. Eliot was haunted by recurrence. His work is full of moments of luminous recognitions, moments in which a writer discovers both subject and appropriate image. This book examines such moments of recognition and invocation by reference to three clusters of imagery, drawing on the contemporary languages of literary criticism, psychology, physics and anthropology. Eliot's transposition of these registers, at turns wary and beguiled, interweaves modern understandings of originary processes in the human and natural world with a poet's preoccupation with language. The metaphors arising from these intersections generate the imaginative logic of Eliot's poetry"... Eliot, T. S. (Thomas Stearns) 1888-1965 Criticism and interpretation Eliot, T. S. 1888-1965 (DE-588)118529854 gnd rswk-swf LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / bisacsh LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Lyrik (DE-588)4036774-5 gnd rswk-swf Poetik (DE-588)4046449-0 gnd rswk-swf Eliot, T. S. 1888-1965 (DE-588)118529854 p Lyrik (DE-588)4036774-5 s Poetik (DE-588)4046449-0 s DE-604 Erscheint auch als Online-Ausgabe 978-1-108-64301-6 LoC Fremddatenuebernahme application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033849036&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033849036&sequence=000003&line_number=0002&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis Digitalisierung UB Augsburg - ADAM Catalogue Enrichment application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033849036&sequence=000005&line_number=0003&func_code=DB_RECORDS&service_type=MEDIA Klappentext |
| spellingShingle | Kennedy, Sarah 1980- T. S. Eliot and the dynamic imagination Eliot, T. S. (Thomas Stearns) 1888-1965 Criticism and interpretation Eliot, T. S. 1888-1965 (DE-588)118529854 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / bisacsh LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Lyrik (DE-588)4036774-5 gnd Poetik (DE-588)4046449-0 gnd |
| subject_GND | (DE-588)118529854 (DE-588)4036774-5 (DE-588)4046449-0 |
| title | T. S. Eliot and the dynamic imagination |
| title_auth | T. S. Eliot and the dynamic imagination |
| title_exact_search | T. S. Eliot and the dynamic imagination |
| title_exact_search_txtP | T. S. Eliot and the dynamic imagination |
| title_full | T. S. Eliot and the dynamic imagination Sarah Kennedy |
| title_fullStr | T. S. Eliot and the dynamic imagination Sarah Kennedy |
| title_full_unstemmed | T. S. Eliot and the dynamic imagination Sarah Kennedy |
| title_short | T. S. Eliot and the dynamic imagination |
| title_sort | t s eliot and the dynamic imagination |
| topic | Eliot, T. S. (Thomas Stearns) 1888-1965 Criticism and interpretation Eliot, T. S. 1888-1965 (DE-588)118529854 gnd LITERARY CRITICISM / European / English, Irish, Scottish, Welsh / bisacsh LITERARY CRITICISM / European / English, Irish, Scottish, Welsh Lyrik (DE-588)4036774-5 gnd Poetik (DE-588)4046449-0 gnd |
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