Stories of the past: viewing history through fiction
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English |
| Veröffentlicht: |
Leiden
Sidestone Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Klappentext |
| Beschreibung: | 227 Seiten Illustrationen 27 cm |
| ISBN: | 9789464280333 9789464280340 |
Internformat
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Datensatz im Suchindex
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|---|---|
| adam_text | Contents Biography 7 1. Introduction 9 1.1 Stories of the Past 9 1.2 History and Fiction 10 1.3 Beyond the Novel 18 1.4 A Fiction Process’ 19 1.5 Overall Structure 27 2. The Literary Tourism Process 31 2.1 Introduction 31 2.2 Thomas Hardy - Wessex and Dorset 34 2.3 Jane Austen - Interpretation through Association 44 2.4 Conclusion: Literary Tourism and the Classic FictionProcess Model 51 55 3. The Adaptation Process 3.1 Introduction 55 3.2 The Classic Novel Canon and Film and TV adaptations 62 3.3 Far from the Madding Crowd - Recreating Wessex 73 3.4 North and South - Consumer Perceptions of Milton 85 3.5 Conclusion: Adaptation and the Classic Fiction Process Model 88 95 4. The Critical Process 4.1 Introduction 95 4.2 Thomas Hardy and the London Critics 98 4.3 Elizabeth Gaskell and William Rathbone Greg 111 4.4 Conclusion: Criticism and the ClassiçFiction Process Model 118 5. The Writing Process 5.1 Introduction 125 125 5.2 Jane Austen and Hampshire 131 5.3 Elizabeth Gaskell and Manchester 142 5.4 Conclusion: Writing and the Classic Fiction Process Model 157
б. J.В. Priestley s The Good Companions - Discerning History 159 6.1 Introduction 159 6.2 J.B. Priestley and The Good Companions 160 6.3 Mind Mapping the World of The Good Companions 163 6.4 Textual Interpretation of the Yorkshire oi The Good Companions 167 6.5 Analysing Adaptations of the World of The Good Companions 171 6.6 Visiting Priestley s World 187 6.7 Conclusion: The Good Companions as a Historical Resource 200 7. Stories of the Past: Conclusions 205 Bibliography 213
STORIES OF THE PAST This study contends that the creation and consumption of fiction has not been looked at in a holistic way in terms of an overall process that takes us from author to consumer with all of the potential intermediate steps. It proposes and describes just such a process model, which begins with the author, who interacts with elements of his or her contemporary world and incorporates them into the imagined world of the novel. It describes how at each stage in the process other actors engage with the novel in various forms, and create artefacts such as critical reviews, filmed adaptations and tourist interpretations that comprise further imagined worlds that can be compared to the author s original imagined world, and by extension, the original past world. Using a number of case studies of English novels of the period from 1800 to 1930, the study looks at what evidence of the process in action tells us about the ability of a novel to act as an adjunct to contemporary records in providing insights into that original real world. These studies incorporate analyses of the novels themselves, and of subsequent artefacts such as film and television adaptations, curated literary places and guidebooks, and reviews. The study concludes that fiction in its various forms, and especially in its adapted and interpreted forms, whilst not a pure historical document as such, can provide us with a vivid image of a past world. It contends that the process model could be used as an aid in the teaching of History or English Literature, or as an aid to the general reader, to help
remove the layers of imagined worlds that potentially lie between us and a past historical world, thereby reducing the ability of that layering to create a misleading view of history.
|
| adam_txt |
Contents Biography 7 1. Introduction 9 1.1 Stories of the Past 9 1.2 History and Fiction 10 1.3 Beyond the Novel 18 1.4 A Fiction'Process’ 19 1.5 Overall Structure 27 2. The Literary Tourism Process 31 2.1 Introduction 31 2.2 Thomas Hardy - Wessex and Dorset 34 2.3 Jane Austen - Interpretation through Association 44 2.4 Conclusion: Literary Tourism and the Classic FictionProcess Model 51 55 3. The Adaptation Process 3.1 Introduction 55 3.2 The 'Classic' Novel Canon and Film and TV adaptations 62 3.3 Far from the Madding Crowd - Recreating Wessex 73 3.4 North and South - Consumer Perceptions of Milton 85 3.5 Conclusion: Adaptation and the Classic Fiction Process Model 88 95 4. The Critical Process 4.1 Introduction 95 4.2 Thomas Hardy and the London Critics 98 4.3 Elizabeth Gaskell and William Rathbone Greg 111 4.4 Conclusion: Criticism and the ClassiçFiction Process Model 118 5. The Writing Process 5.1 Introduction 125 ' 125 5.2 Jane Austen and Hampshire 131 5.3 Elizabeth Gaskell and Manchester 142 5.4 Conclusion: Writing and the Classic Fiction Process Model 157
б. J.В. Priestley's The Good Companions - Discerning History 159 6.1 Introduction 159 6.2 J.B. Priestley and The Good Companions 160 6.3 Mind Mapping the World of The Good Companions 163 6.4 Textual Interpretation of the Yorkshire oi The Good Companions 167 6.5 Analysing Adaptations of the World of The Good Companions 171 6.6 Visiting Priestley's World 187 6.7 Conclusion: The Good Companions as a Historical Resource 200 7. Stories of the Past: Conclusions 205 Bibliography 213
STORIES OF THE PAST This study contends that the creation and consumption of fiction has not been looked at in a holistic way in terms of an overall process that takes us from author to consumer with all of the potential intermediate steps. It proposes and describes just such a process model, which begins with the author, who interacts with elements of his or her contemporary world and incorporates them into the imagined world of the novel. It describes how at each stage in the process other actors engage with the novel in various forms, and create artefacts such as critical reviews, filmed adaptations and tourist interpretations that comprise further imagined worlds that can be compared to the author's original imagined world, and by extension, the original past world. Using a number of case studies of English novels of the period from 1800 to 1930, the study looks at what evidence of the process in action tells us about the ability of a novel to act as an adjunct to contemporary records in providing insights into that original real world. These studies incorporate analyses of the novels themselves, and of subsequent artefacts such as film and television adaptations, curated literary places and guidebooks, and reviews. The study concludes that fiction in its various forms, and especially in its adapted and interpreted forms, whilst not a pure historical document as such, can provide us with a vivid image of a past world. It contends that the process model could be used as an aid in the teaching of History or English Literature, or as an aid to the general reader, to help
remove the layers of imagined worlds that potentially lie between us and a past historical world, thereby reducing the ability of that layering to create a misleading view of history. |
| any_adam_object | 1 |
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| author | Green, Chris |
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| ctrlnum | (OCoLC)1349547119 (DE-599)BVBBV048470968 |
| discipline | Anglistik / Amerikanistik |
| discipline_str_mv | Anglistik / Amerikanistik |
| era | Geschichte 1800-1930 gnd |
| era_facet | Geschichte 1800-1930 |
| format | Book |
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| index_date | 2024-07-03T20:37:03Z |
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| spellingShingle | Green, Chris Stories of the past viewing history through fiction Roman (DE-588)4050479-7 gnd Geschichte Motiv (DE-588)4156971-4 gnd Englisch (DE-588)4014777-0 gnd |
| subject_GND | (DE-588)4050479-7 (DE-588)4156971-4 (DE-588)4014777-0 |
| title | Stories of the past viewing history through fiction |
| title_auth | Stories of the past viewing history through fiction |
| title_exact_search | Stories of the past viewing history through fiction |
| title_exact_search_txtP | Stories of the past viewing history through fiction |
| title_full | Stories of the past viewing history through fiction Chris Green |
| title_fullStr | Stories of the past viewing history through fiction Chris Green |
| title_full_unstemmed | Stories of the past viewing history through fiction Chris Green |
| title_short | Stories of the past |
| title_sort | stories of the past viewing history through fiction |
| title_sub | viewing history through fiction |
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