Establishing the provenance of early advertising films: film catalogs and the creation of the nontheatrical market
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
2020
|
| Beschreibung: | Part III. Circulation |
| ISBN: | 978-0-253-05299-5 |
Internformat
MARC
| LEADER | 00000naa a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048465150 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | t | ||
| 008 | 220912s2020 |||| 00||| eng d | ||
| 035 | |a (DE-599)BVBBV048465150 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-M472 | ||
| 100 | 1 | |a Johnson, Martin L. |0 (DE-588)1165018330 |4 aut | |
| 245 | 1 | 0 | |a Establishing the provenance of early advertising films |b film catalogs and the creation of the nontheatrical market |c Martin l. Johnson |
| 264 | 1 | |c 2020 | |
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 500 | |a Part III. Circulation | ||
| 773 | 1 | 8 | |g pages:214-222 |
| 773 | 0 | 8 | |t Provenance and early cinema / Edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Yumibe |d [Bloomington, Indiana], 2020 |g Seite 214-222 |k Early cinema in review: Proceedings of Domitor |w (DE-604)BV047223036 |z 978-0-253-05299-5 |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033843077 | ||
| 941 | |s 214-222 | ||
Datensatz im Suchindex
| _version_ | 1804184409566347264 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| article_link | (DE-604)BV047223036 |
| author | Johnson, Martin L. |
| author_GND | (DE-588)1165018330 |
| author_facet | Johnson, Martin L. |
| author_role | aut |
| author_sort | Johnson, Martin L. |
| author_variant | m l j ml mlj |
| building | Verbundindex |
| bvnumber | BV048465150 |
| ctrlnum | (DE-599)BVBBV048465150 |
| format | Article |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>01007naa a2200265 c 4500</leader><controlfield tag="001">BV048465150</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">t</controlfield><controlfield tag="008">220912s2020 |||| 00||| eng d</controlfield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048465150</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-M472</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Johnson, Martin L.</subfield><subfield code="0">(DE-588)1165018330</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Establishing the provenance of early advertising films</subfield><subfield code="b">film catalogs and the creation of the nontheatrical market</subfield><subfield code="c">Martin l. Johnson</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="c">2020</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">n</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">nc</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Part III. Circulation</subfield></datafield><datafield tag="773" ind1="1" ind2="8"><subfield code="g">pages:214-222</subfield></datafield><datafield tag="773" ind1="0" ind2="8"><subfield code="t">Provenance and early cinema / Edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Yumibe</subfield><subfield code="d">[Bloomington, Indiana], 2020</subfield><subfield code="g">Seite 214-222</subfield><subfield code="k">Early cinema in review: Proceedings of Domitor</subfield><subfield code="w">(DE-604)BV047223036</subfield><subfield code="z">978-0-253-05299-5</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033843077</subfield></datafield><datafield tag="941" ind1=" " ind2=" "><subfield code="s">214-222</subfield></datafield></record></collection> |
| id | DE-604.BV048465150 |
| illustrated | Not Illustrated |
| index_date | 2024-07-03T20:35:04Z |
| indexdate | 2024-07-10T09:38:53Z |
| institution | BVB |
| isbn | 978-0-253-05299-5 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033843077 |
| open_access_boolean | |
| owner | DE-M472 |
| owner_facet | DE-M472 |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| record_format | marc |
| spelling | Johnson, Martin L. (DE-588)1165018330 aut Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market Martin l. Johnson 2020 txt rdacontent n rdamedia nc rdacarrier Part III. Circulation pages:214-222 Provenance and early cinema / Edited by Joanne Bernardi, Paolo Cherchi Usai, Tami Williams, and Joshua Yumibe [Bloomington, Indiana], 2020 Seite 214-222 Early cinema in review: Proceedings of Domitor (DE-604)BV047223036 978-0-253-05299-5 |
| spellingShingle | Johnson, Martin L. Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title_auth | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title_exact_search | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title_exact_search_txtP | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title_full | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market Martin l. Johnson |
| title_fullStr | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market Martin l. Johnson |
| title_full_unstemmed | Establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market Martin l. Johnson |
| title_short | Establishing the provenance of early advertising films |
| title_sort | establishing the provenance of early advertising films film catalogs and the creation of the nontheatrical market |
| title_sub | film catalogs and the creation of the nontheatrical market |
| work_keys_str_mv | AT johnsonmartinl establishingtheprovenanceofearlyadvertisingfilmsfilmcatalogsandthecreationofthenontheatricalmarket |