How language speaks to music: prosody from a cross-domain perspective
Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and mus...
Gespeichert in:
| Weitere Verfasser: | , |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Berlin ; Boston
De Gruyter
[2022]
|
| Schriftenreihe: | Linguistische Arbeiten
volume 583 |
| Schlagworte: | |
| Online-Zugang: | DE-521 DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-20 DE-739 Volltext |
| Zusammenfassung: | Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground |
| Beschreibung: | 1 Online-Ressource (269 Seiten) Illustrationen, Diagrammen, Noten |
| ISBN: | 9783110770186 9783110770254 |
| DOI: | 10.1515/9783110770186 |
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| 520 | |a Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground | ||
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| index_date | 2024-07-03T20:32:37Z |
| indexdate | 2024-12-10T13:00:53Z |
| institution | BVB |
| isbn | 9783110770186 9783110770254 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033835670 |
| oclc_num | 1344254831 |
| open_access_boolean | |
| owner | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-20 DE-521 DE-11 |
| owner_facet | DE-1043 DE-1046 DE-858 DE-Aug4 DE-859 DE-860 DE-473 DE-BY-UBG DE-739 DE-20 DE-521 DE-11 |
| physical | 1 Online-Ressource (269 Seiten) Illustrationen, Diagrammen, Noten |
| psigel | ZDB-23-DGG ZDB-23-DSP ZDB-23-DGG EUV_EK_DEG ZDB-23-DGG FAB_PDA_DGG ZDB-23-DGG FAW_PDA_DGG ZDB-23-DGG FCO_PDA_DGG ZDB-23-DGG FHA_PDA_DGG ZDB-23-DGG FKE_PDA_DGG ZDB-23-DGG FLA_PDA_DGG ZDB-23-DGG UBG_PDA_DGG ZDB-23-DGG UBW_Einzelkauf ZDB-23-DGG UPA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | De Gruyter |
| record_format | marc |
| series | Linguistische Arbeiten |
| series2 | Linguistische Arbeiten |
| spelling | How language speaks to music prosody from a cross-domain perspective edited by Mathias Scharinger and Richard Wiese Berlin ; Boston De Gruyter [2022] © 2022 1 Online-Ressource (269 Seiten) Illustrationen, Diagrammen, Noten txt rdacontent c rdamedia cr rdacarrier Linguistische Arbeiten volume 583 Prosody as a system of suprasegmental linguistic information such as rhythm and intonation is a prime candidate for looking at the relation between language and music in a principled way. This claim is based on several aspects: First, prosody is concerned with acoustic correlates of language and music that are directly comparable with each other by their physical properties such as duration and pitch. Second, prosodic accounts suggest a hierarchical organization of prosodic units that not only resembles a syntactic hierarchy, but is viewed as (part of) an interface to syntax. Third, prosody provides a very promising ground for evolutionary accounts of language and music. Fourth, bilateral transfer effects between language and music are best illustrated on the level of prosody. Highlighting the first two aspects, this book shows that it is a fruitful endeavor to use prosody for a principled comparison of language and music. In its broader sense, prosody as sound structure of communicative systems may be considered a »meta«-language that formalizes the way of "how music speaks to language and vice versa". Prosody is firmly established within linguistic theory, but is also applied in the musical domain. Therefore, prosody is not just a field of inquiry that shares elements or features between music and language, but can additionally provide a common conceptual ground Melodie Mentale Repräsentation Prosodische Hierarchie Rhythmus LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Music and language Versification Prosodie (DE-588)4047500-1 gnd rswk-swf Musik (DE-588)4040802-4 gnd rswk-swf Rhythmus (DE-588)4132330-0 gnd rswk-swf Sprache (DE-588)4056449-6 gnd rswk-swf Musikalischer Akzent (DE-588)4196688-0 gnd rswk-swf Metrum (DE-588)4169752-2 gnd rswk-swf (DE-588)4143413-4 Aufsatzsammlung gnd-content Prosodie (DE-588)4047500-1 s Musikalischer Akzent (DE-588)4196688-0 s Metrum (DE-588)4169752-2 s DE-604 Musik (DE-588)4040802-4 s Sprache (DE-588)4056449-6 s Rhythmus (DE-588)4132330-0 s Scharinger, Mathias 1976- (DE-588)133053938 edt Wiese, Richard 1953- (DE-588)138190372 edt Erscheint auch als Druck-Ausgabe 978-3-11-077010-0 (DE-604)BV048979546 Linguistische Arbeiten volume 583 (DE-604)BV043499920 583 https://doi.org/10.1515/9783110770186 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | How language speaks to music prosody from a cross-domain perspective Linguistische Arbeiten Melodie Mentale Repräsentation Prosodische Hierarchie Rhythmus LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Music and language Versification Prosodie (DE-588)4047500-1 gnd Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd Sprache (DE-588)4056449-6 gnd Musikalischer Akzent (DE-588)4196688-0 gnd Metrum (DE-588)4169752-2 gnd |
| subject_GND | (DE-588)4047500-1 (DE-588)4040802-4 (DE-588)4132330-0 (DE-588)4056449-6 (DE-588)4196688-0 (DE-588)4169752-2 (DE-588)4143413-4 |
| title | How language speaks to music prosody from a cross-domain perspective |
| title_auth | How language speaks to music prosody from a cross-domain perspective |
| title_exact_search | How language speaks to music prosody from a cross-domain perspective |
| title_exact_search_txtP | How language speaks to music prosody from a cross-domain perspective |
| title_full | How language speaks to music prosody from a cross-domain perspective edited by Mathias Scharinger and Richard Wiese |
| title_fullStr | How language speaks to music prosody from a cross-domain perspective edited by Mathias Scharinger and Richard Wiese |
| title_full_unstemmed | How language speaks to music prosody from a cross-domain perspective edited by Mathias Scharinger and Richard Wiese |
| title_short | How language speaks to music |
| title_sort | how language speaks to music prosody from a cross domain perspective |
| title_sub | prosody from a cross-domain perspective |
| topic | Melodie Mentale Repräsentation Prosodische Hierarchie Rhythmus LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology bisacsh Music and language Versification Prosodie (DE-588)4047500-1 gnd Musik (DE-588)4040802-4 gnd Rhythmus (DE-588)4132330-0 gnd Sprache (DE-588)4056449-6 gnd Musikalischer Akzent (DE-588)4196688-0 gnd Metrum (DE-588)4169752-2 gnd |
| topic_facet | Melodie Mentale Repräsentation Prosodische Hierarchie Rhythmus LANGUAGE ARTS & DISCIPLINES / Linguistics / Phonetics & Phonology Music and language Versification Prosodie Musik Sprache Musikalischer Akzent Metrum Aufsatzsammlung |
| url | https://doi.org/10.1515/9783110770186 |
| volume_link | (DE-604)BV043499920 |
| work_keys_str_mv | AT scharingermathias howlanguagespeakstomusicprosodyfromacrossdomainperspective AT wieserichard howlanguagespeakstomusicprosodyfromacrossdomainperspective |