Film, hot war traces and cold war spaces:
Investigates the intertwining of fiction, documentary and memory in filmAnalyses previously neglected visual material ranging from newsreels from the First World War to amateur footage of Hiroshima before the bombing and television news reports from the 1970sEstablishes connections between films and...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schlagworte: | |
| Online-Zugang: | DE-12 DE-1043 DE-1046 DE-858 DE-859 DE-860 DE-473 DE-739 URL des Erstveröffentlichers |
| Zusammenfassung: | Investigates the intertwining of fiction, documentary and memory in filmAnalyses previously neglected visual material ranging from newsreels from the First World War to amateur footage of Hiroshima before the bombing and television news reports from the 1970sEstablishes connections between films and events which had never been brought together in the same monographThis book explores the ways in which film engages with historical events and their impact on present-day landscapes, through a spatial reading of film articulated through the process of charting both creative and coherent cinematic topographies. As the authority of the archive wrestles with the popularity of fictional narratives, this book delves into the debate on the relationship between fiction and documentary in hitherto neglected and surprising contexts. It offers the reader a unique approach to the study of archival footage and documentaries in relation to their fictional counterpart, mainstream films set in the same locations and addressing similar themes, including both live-action films and animations. From images of the places taken during or soon after the facts they represent to the intricacies of retrospective images of the events made years later, the films and footage investigated in this book offer a profound reflection on the ways in which we remember, imagine and experience the past through the complex mediation of film. |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) |
| Beschreibung: | 1 Online-Ressource (viii, 203 Seiten) Illustrationen |
| ISBN: | 9781474475211 |
| DOI: | 10.1515/9781474475211 |
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| spelling | Cinquegrani, Maurizio Verfasser (DE-588)1060565722 aut Film, hot war traces and cold war spaces Maurizio Cinquegrani Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (viii, 203 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) Investigates the intertwining of fiction, documentary and memory in filmAnalyses previously neglected visual material ranging from newsreels from the First World War to amateur footage of Hiroshima before the bombing and television news reports from the 1970sEstablishes connections between films and events which had never been brought together in the same monographThis book explores the ways in which film engages with historical events and their impact on present-day landscapes, through a spatial reading of film articulated through the process of charting both creative and coherent cinematic topographies. As the authority of the archive wrestles with the popularity of fictional narratives, this book delves into the debate on the relationship between fiction and documentary in hitherto neglected and surprising contexts. It offers the reader a unique approach to the study of archival footage and documentaries in relation to their fictional counterpart, mainstream films set in the same locations and addressing similar themes, including both live-action films and animations. From images of the places taken during or soon after the facts they represent to the intricacies of retrospective images of the events made years later, the films and footage investigated in this book offer a profound reflection on the ways in which we remember, imagine and experience the past through the complex mediation of film. In English Geschichte 1939-1989 gnd rswk-swf Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Collective memory and motion pictures Kollektives Gedächtnis (DE-588)4200793-8 gnd rswk-swf Gewalt Motiv (DE-588)4113748-6 gnd rswk-swf Film (DE-588)4017102-4 gnd rswk-swf Kino (DE-588)4129654-0 gnd rswk-swf Kino (DE-588)4129654-0 s Film (DE-588)4017102-4 s Kollektives Gedächtnis (DE-588)4200793-8 s Gewalt Motiv (DE-588)4113748-6 s Geschichte 1939-1989 z DE-604 Erscheint auch als Druck-Ausgabe 978-1-4744-7519-8 https://doi.org/10.1515/9781474475211 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Cinquegrani, Maurizio Film, hot war traces and cold war spaces Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Collective memory and motion pictures Kollektives Gedächtnis (DE-588)4200793-8 gnd Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd Kino (DE-588)4129654-0 gnd |
| subject_GND | (DE-588)4200793-8 (DE-588)4113748-6 (DE-588)4017102-4 (DE-588)4129654-0 |
| title | Film, hot war traces and cold war spaces |
| title_auth | Film, hot war traces and cold war spaces |
| title_exact_search | Film, hot war traces and cold war spaces |
| title_exact_search_txtP | Film, hot war traces and cold war spaces |
| title_full | Film, hot war traces and cold war spaces Maurizio Cinquegrani |
| title_fullStr | Film, hot war traces and cold war spaces Maurizio Cinquegrani |
| title_full_unstemmed | Film, hot war traces and cold war spaces Maurizio Cinquegrani |
| title_short | Film, hot war traces and cold war spaces |
| title_sort | film hot war traces and cold war spaces |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Collective memory and motion pictures Kollektives Gedächtnis (DE-588)4200793-8 gnd Gewalt Motiv (DE-588)4113748-6 gnd Film (DE-588)4017102-4 gnd Kino (DE-588)4129654-0 gnd |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Collective memory and motion pictures Kollektives Gedächtnis Gewalt Motiv Film Kino |
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