Reanimated: The Contemporary American Horror Remake
Explores American horror remakes produced since 2000 within key cultural, industry and reception contextsAnalyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film productionSituates horror remakes within their...
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
|
| Schriftenreihe: | Screen Serialities : SCSE
|
| Schlagworte: | |
| Online-Zugang: | FHA01 Volltext |
| Zusammenfassung: | Explores American horror remakes produced since 2000 within key cultural, industry and reception contextsAnalyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film productionSituates horror remakes within their own industrial, cultural and genre contexts rather than solely comparing them to original versionsCase study analyses of a range of key films, distinct cycles, production companies, and thematic approachesReanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution |
| Beschreibung: | Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) |
| Beschreibung: | 1 Online-Ressource (224 pages) 20 B/W illustrations 20 B&W illustrations |
| ISBN: | 9781474440660 |
| DOI: | 10.1515/9781474440660 |
Internformat
MARC
| LEADER | 00000nmm a2200000zc 4500 | ||
|---|---|---|---|
| 001 | BV048457289 | ||
| 003 | DE-604 | ||
| 005 | 00000000000000.0 | ||
| 007 | cr|uuu---uuuuu | ||
| 008 | 220906s2022 |||| o||u| ||||||eng d | ||
| 020 | |a 9781474440660 |9 978-1-4744-4066-0 | ||
| 024 | 7 | |a 10.1515/9781474440660 |2 doi | |
| 035 | |a (ZDB-23-DGG)9781474440660 | ||
| 035 | |a (OCoLC)1344251298 | ||
| 035 | |a (DE-599)BVBBV048457289 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 0 | |a eng | |
| 049 | |a DE-Aug4 | ||
| 082 | 0 | |a 791.4361640973 |2 23 | |
| 100 | 1 | |a Mee, Laura |e Verfasser |4 aut | |
| 245 | 1 | 0 | |a Reanimated |b The Contemporary American Horror Remake |c Laura Mee |
| 264 | 1 | |a Edinburgh |b Edinburgh University Press |c [2022] | |
| 264 | 4 | |c © 2022 | |
| 300 | |a 1 Online-Ressource (224 pages) |b 20 B/W illustrations 20 B&W illustrations | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b c |2 rdamedia | ||
| 338 | |b cr |2 rdacarrier | ||
| 490 | 0 | |a Screen Serialities : SCSE | |
| 500 | |a Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) | ||
| 520 | |a Explores American horror remakes produced since 2000 within key cultural, industry and reception contextsAnalyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film productionSituates horror remakes within their own industrial, cultural and genre contexts rather than solely comparing them to original versionsCase study analyses of a range of key films, distinct cycles, production companies, and thematic approachesReanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution | ||
| 546 | |a In English | ||
| 650 | 4 | |a Film, Media & Cultural Studies | |
| 650 | 7 | |a PERFORMING ARTS / Film & Video / Direction & Production |2 bisacsh | |
| 650 | 4 | |a Film remakes |z United States |x History and criticism | |
| 650 | 4 | |a Horror films |z United States |x History and criticism | |
| 856 | 4 | 0 | |u https://doi.org/10.1515/9781474440660 |x Verlag |z URL des Erstveröffentlichers |3 Volltext |
| 912 | |a ZDB-23-DGG | ||
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033835341 | ||
| 966 | e | |u https://doi.org/10.1515/9781474440660 |l FHA01 |p ZDB-23-DGG |q FHA_PDA_DGG |x Verlag |3 Volltext | |
Datensatz im Suchindex
| _version_ | 1804184394975412224 |
|---|---|
| adam_txt | |
| any_adam_object | |
| any_adam_object_boolean | |
| author | Mee, Laura |
| author_facet | Mee, Laura |
| author_role | aut |
| author_sort | Mee, Laura |
| author_variant | l m lm |
| building | Verbundindex |
| bvnumber | BV048457289 |
| collection | ZDB-23-DGG |
| ctrlnum | (ZDB-23-DGG)9781474440660 (OCoLC)1344251298 (DE-599)BVBBV048457289 |
| dewey-full | 791.4361640973 |
| dewey-hundreds | 700 - The arts |
| dewey-ones | 791 - Public performances |
| dewey-raw | 791.4361640973 |
| dewey-search | 791.4361640973 |
| dewey-sort | 3791.4361640973 |
| dewey-tens | 790 - Recreational and performing arts |
| discipline | Allgemeines |
| discipline_str_mv | Allgemeines |
| doi_str_mv | 10.1515/9781474440660 |
| format | Electronic eBook |
| fullrecord | <?xml version="1.0" encoding="UTF-8"?><collection xmlns="http://www.loc.gov/MARC21/slim"><record><leader>02901nmm a2200433zc 4500</leader><controlfield tag="001">BV048457289</controlfield><controlfield tag="003">DE-604</controlfield><controlfield tag="005">00000000000000.0</controlfield><controlfield tag="007">cr|uuu---uuuuu</controlfield><controlfield tag="008">220906s2022 |||| o||u| ||||||eng d</controlfield><datafield tag="020" ind1=" " ind2=" "><subfield code="a">9781474440660</subfield><subfield code="9">978-1-4744-4066-0</subfield></datafield><datafield tag="024" ind1="7" ind2=" "><subfield code="a">10.1515/9781474440660</subfield><subfield code="2">doi</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(ZDB-23-DGG)9781474440660</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(OCoLC)1344251298</subfield></datafield><datafield tag="035" ind1=" " ind2=" "><subfield code="a">(DE-599)BVBBV048457289</subfield></datafield><datafield tag="040" ind1=" " ind2=" "><subfield code="a">DE-604</subfield><subfield code="b">ger</subfield><subfield code="e">rda</subfield></datafield><datafield tag="041" ind1="0" ind2=" "><subfield code="a">eng</subfield></datafield><datafield tag="049" ind1=" " ind2=" "><subfield code="a">DE-Aug4</subfield></datafield><datafield tag="082" ind1="0" ind2=" "><subfield code="a">791.4361640973</subfield><subfield code="2">23</subfield></datafield><datafield tag="100" ind1="1" ind2=" "><subfield code="a">Mee, Laura</subfield><subfield code="e">Verfasser</subfield><subfield code="4">aut</subfield></datafield><datafield tag="245" ind1="1" ind2="0"><subfield code="a">Reanimated</subfield><subfield code="b">The Contemporary American Horror Remake</subfield><subfield code="c">Laura Mee</subfield></datafield><datafield tag="264" ind1=" " ind2="1"><subfield code="a">Edinburgh</subfield><subfield code="b">Edinburgh University Press</subfield><subfield code="c">[2022]</subfield></datafield><datafield tag="264" ind1=" " ind2="4"><subfield code="c">© 2022</subfield></datafield><datafield tag="300" ind1=" " ind2=" "><subfield code="a">1 Online-Ressource (224 pages)</subfield><subfield code="b">20 B/W illustrations 20 B&W illustrations</subfield></datafield><datafield tag="336" ind1=" " ind2=" "><subfield code="b">txt</subfield><subfield code="2">rdacontent</subfield></datafield><datafield tag="337" ind1=" " ind2=" "><subfield code="b">c</subfield><subfield code="2">rdamedia</subfield></datafield><datafield tag="338" ind1=" " ind2=" "><subfield code="b">cr</subfield><subfield code="2">rdacarrier</subfield></datafield><datafield tag="490" ind1="0" ind2=" "><subfield code="a">Screen Serialities : SCSE</subfield></datafield><datafield tag="500" ind1=" " ind2=" "><subfield code="a">Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022)</subfield></datafield><datafield tag="520" ind1=" " ind2=" "><subfield code="a">Explores American horror remakes produced since 2000 within key cultural, industry and reception contextsAnalyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film productionSituates horror remakes within their own industrial, cultural and genre contexts rather than solely comparing them to original versionsCase study analyses of a range of key films, distinct cycles, production companies, and thematic approachesReanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution</subfield></datafield><datafield tag="546" ind1=" " ind2=" "><subfield code="a">In English</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film, Media & Cultural Studies</subfield></datafield><datafield tag="650" ind1=" " ind2="7"><subfield code="a">PERFORMING ARTS / Film & Video / Direction & Production</subfield><subfield code="2">bisacsh</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Film remakes</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="650" ind1=" " ind2="4"><subfield code="a">Horror films</subfield><subfield code="z">United States</subfield><subfield code="x">History and criticism</subfield></datafield><datafield tag="856" ind1="4" ind2="0"><subfield code="u">https://doi.org/10.1515/9781474440660</subfield><subfield code="x">Verlag</subfield><subfield code="z">URL des Erstveröffentlichers</subfield><subfield code="3">Volltext</subfield></datafield><datafield tag="912" ind1=" " ind2=" "><subfield code="a">ZDB-23-DGG</subfield></datafield><datafield tag="999" ind1=" " ind2=" "><subfield code="a">oai:aleph.bib-bvb.de:BVB01-033835341</subfield></datafield><datafield tag="966" ind1="e" ind2=" "><subfield code="u">https://doi.org/10.1515/9781474440660</subfield><subfield code="l">FHA01</subfield><subfield code="p">ZDB-23-DGG</subfield><subfield code="q">FHA_PDA_DGG</subfield><subfield code="x">Verlag</subfield><subfield code="3">Volltext</subfield></datafield></record></collection> |
| id | DE-604.BV048457289 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:32:36Z |
| indexdate | 2024-07-10T09:38:39Z |
| institution | BVB |
| isbn | 9781474440660 |
| language | English |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033835341 |
| oclc_num | 1344251298 |
| open_access_boolean | |
| owner | DE-Aug4 |
| owner_facet | DE-Aug4 |
| physical | 1 Online-Ressource (224 pages) 20 B/W illustrations 20 B&W illustrations |
| psigel | ZDB-23-DGG ZDB-23-DGG FHA_PDA_DGG |
| publishDate | 2022 |
| publishDateSearch | 2022 |
| publishDateSort | 2022 |
| publisher | Edinburgh University Press |
| record_format | marc |
| series2 | Screen Serialities : SCSE |
| spelling | Mee, Laura Verfasser aut Reanimated The Contemporary American Horror Remake Laura Mee Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (224 pages) 20 B/W illustrations 20 B&W illustrations txt rdacontent c rdamedia cr rdacarrier Screen Serialities : SCSE Description based on online resource; title from PDF title page (publisher's Web site, viewed 30. Aug 2022) Explores American horror remakes produced since 2000 within key cultural, industry and reception contextsAnalyses remaking as a form of adaptation and offers new theoretical frameworks for understanding remakes and their prominence in contemporary film productionSituates horror remakes within their own industrial, cultural and genre contexts rather than solely comparing them to original versionsCase study analyses of a range of key films, distinct cycles, production companies, and thematic approachesReanimated offers a new perspective on twenty-first century American horror film remakes. Counter to the critical dismissal of genre remakes as derivative rip-offs, Mee approaches the films as intertextual adaptations which have both drawn from and helped to shape horror since 2000. Covering films from The Texas Chainsaw Massacre (2003) to Candyman (2021), and identifying distinct cycles, production strategies and patterns of reception, this book illustrates the importance of the remake to contemporary horror cinema and addresses key cultural, industry and reception contexts. Rather than representing the death of horror, Reanimated argues that remaking instead demonstrates the genre's capacity for creative recycling, adaptation and evolution In English Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film remakes United States History and criticism Horror films United States History and criticism https://doi.org/10.1515/9781474440660 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Mee, Laura Reanimated The Contemporary American Horror Remake Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film remakes United States History and criticism Horror films United States History and criticism |
| title | Reanimated The Contemporary American Horror Remake |
| title_auth | Reanimated The Contemporary American Horror Remake |
| title_exact_search | Reanimated The Contemporary American Horror Remake |
| title_exact_search_txtP | Reanimated The Contemporary American Horror Remake |
| title_full | Reanimated The Contemporary American Horror Remake Laura Mee |
| title_fullStr | Reanimated The Contemporary American Horror Remake Laura Mee |
| title_full_unstemmed | Reanimated The Contemporary American Horror Remake Laura Mee |
| title_short | Reanimated |
| title_sort | reanimated the contemporary american horror remake |
| title_sub | The Contemporary American Horror Remake |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production bisacsh Film remakes United States History and criticism Horror films United States History and criticism |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / Direction & Production Film remakes United States History and criticism Horror films United States History and criticism |
| url | https://doi.org/10.1515/9781474440660 |
| work_keys_str_mv | AT meelaura reanimatedthecontemporaryamericanhorrorremake |