Ambiguous Cinema: From Simone de Beauvoir to Feminist Film-Phenomenology
Utilises women's independent cinema to explore Simone de Beauvoir's notion of ambiguity in film experienceContributes to the growing field of feminist film-phenomenologyForegrounds Simone de Beauvoir's concept of ambiguity within women's cinema as a means to think through turbule...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Elektronisch E-Book |
| Sprache: | English |
| Veröffentlicht: |
Edinburgh
Edinburgh University Press
[2022]
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| Schlagworte: | |
| Online-Zugang: | DE-12 DE-355 URL des Erstveröffentlichers |
| Zusammenfassung: | Utilises women's independent cinema to explore Simone de Beauvoir's notion of ambiguity in film experienceContributes to the growing field of feminist film-phenomenologyForegrounds Simone de Beauvoir's concept of ambiguity within women's cinema as a means to think through turbulent emotional experienceUses key feminist phenomenologies to consider independent women's cinemaPuts Beauvoir's ideas into conversation with contemporary women phenomenologists showing the range and reach of her ideas for film-philosophyIncludes diverse examples of films and filmmakersSimone de Beauvoir's notion of ambiguity became a cornerstone of her philosophy and influenced a radical rethinking of freedom well into the twenty-first century. In Ambiguous Cinema, Fuery examines Beauvoir's notion of ambiguity in relation to film experience, exploring both the legacies and limits of her existentialist ethics through a range of films by independent women filmmakers, including Joanna Hogg, Liliana Cavani, Debra Granik, Cheryl Dunye, Claire Denis, Lucrecia Martel, Lynne Ramsay and Céline Sciamma.In doing so, Fuery deftly demonstrates the currency and relevancy of Beauvoir's ideas to contemporary debates in film-philosophy and feminist thought by examining how these women filmmakers navigate turbulent themes such as moral choice, power, adolescence, love, trauma and motherhood. Reimagining Beauvoir's idea of ambiguity within the context of film studies, Fuery asks that we confront and embrace difficult emotional situations so that we might realise an authentic, if indeterminate, freedom through our cinematic experiences |
| Beschreibung: | 1 Online-Ressource (x, 258 Seiten) Illustrationen |
| ISBN: | 9781399504256 |
| DOI: | 10.1515/9781399504256 |
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| illustrated | Illustrated |
| index_date | 2024-07-03T20:32:36Z |
| indexdate | 2025-02-19T17:35:28Z |
| institution | BVB |
| isbn | 9781399504256 |
| language | English |
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| spelling | Fuery, Kelli 1977- Verfasser (DE-588)137871309 aut Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology Kelli Fuery Edinburgh Edinburgh University Press [2022] © 2022 1 Online-Ressource (x, 258 Seiten) Illustrationen txt rdacontent c rdamedia cr rdacarrier Utilises women's independent cinema to explore Simone de Beauvoir's notion of ambiguity in film experienceContributes to the growing field of feminist film-phenomenologyForegrounds Simone de Beauvoir's concept of ambiguity within women's cinema as a means to think through turbulent emotional experienceUses key feminist phenomenologies to consider independent women's cinemaPuts Beauvoir's ideas into conversation with contemporary women phenomenologists showing the range and reach of her ideas for film-philosophyIncludes diverse examples of films and filmmakersSimone de Beauvoir's notion of ambiguity became a cornerstone of her philosophy and influenced a radical rethinking of freedom well into the twenty-first century. In Ambiguous Cinema, Fuery examines Beauvoir's notion of ambiguity in relation to film experience, exploring both the legacies and limits of her existentialist ethics through a range of films by independent women filmmakers, including Joanna Hogg, Liliana Cavani, Debra Granik, Cheryl Dunye, Claire Denis, Lucrecia Martel, Lynne Ramsay and Céline Sciamma.In doing so, Fuery deftly demonstrates the currency and relevancy of Beauvoir's ideas to contemporary debates in film-philosophy and feminist thought by examining how these women filmmakers navigate turbulent themes such as moral choice, power, adolescence, love, trauma and motherhood. Reimagining Beauvoir's idea of ambiguity within the context of film studies, Fuery asks that we confront and embrace difficult emotional situations so that we might realise an authentic, if indeterminate, freedom through our cinematic experiences Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Ambiguity in motion pictures Feminism and motion pictures https://doi.org/10.1515/9781399504256 Verlag URL des Erstveröffentlichers Volltext |
| spellingShingle | Fuery, Kelli 1977- Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Ambiguity in motion pictures Feminism and motion pictures |
| title | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology |
| title_auth | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology |
| title_exact_search | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology |
| title_exact_search_txtP | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology |
| title_full | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology Kelli Fuery |
| title_fullStr | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology Kelli Fuery |
| title_full_unstemmed | Ambiguous Cinema From Simone de Beauvoir to Feminist Film-Phenomenology Kelli Fuery |
| title_short | Ambiguous Cinema |
| title_sort | ambiguous cinema from simone de beauvoir to feminist film phenomenology |
| title_sub | From Simone de Beauvoir to Feminist Film-Phenomenology |
| topic | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism bisacsh Ambiguity in motion pictures Feminism and motion pictures |
| topic_facet | Film, Media & Cultural Studies PERFORMING ARTS / Film & Video / History & Criticism Ambiguity in motion pictures Feminism and motion pictures |
| url | https://doi.org/10.1515/9781399504256 |
| work_keys_str_mv | AT fuerykelli ambiguouscinemafromsimonedebeauvoirtofeministfilmphenomenology |