Dog photography: shooting with bow "wow" effect:
Gespeichert in:
| 1. Verfasser: | |
|---|---|
| Format: | Buch |
| Sprache: | English German |
| Veröffentlicht: |
Passau
Bildner Verlag GmbH
[2020]
|
| Schriftenreihe: | For better shots from the start!
|
| Schlagworte: | |
| Online-Zugang: | Inhaltsverzeichnis Inhaltsverzeichnis |
| Beschreibung: | Professional tips for perfectly showcasing your pets : emotional portraits and spectacular action shots. - Einband Aus dem Deutschen übersetzt |
| Beschreibung: | 320 Seiten Illustrationen 24 cm x 19 cm |
| ISBN: | 9783832804510 383280451X |
Internformat
MARC
| LEADER | 00000nam a2200000 c 4500 | ||
|---|---|---|---|
| 001 | BV048450429 | ||
| 003 | DE-604 | ||
| 005 | 20230918 | ||
| 007 | t | ||
| 008 | 220901s2020 gw a||| |||| 00||| eng d | ||
| 015 | |a 20,N48 |2 dnb | ||
| 015 | |a 21,A47 |2 dnb | ||
| 016 | 7 | |a 1221874071 |2 DE-101 | |
| 020 | |a 9783832804510 |c Broschur : EUR 39.90 (DE), EUR 41.10 (AT) |9 978-3-8328-0451-0 | ||
| 020 | |a 383280451X |9 3-8328-0451-X | ||
| 024 | 8 | |a Bestellnummer: 0475 | |
| 024 | 3 | |a 9783832804510 | |
| 035 | |a (OCoLC)1286266878 | ||
| 035 | |a (DE-599)DNB1221874071 | ||
| 040 | |a DE-604 |b ger |e rda | ||
| 041 | 1 | |a eng |h ger | |
| 044 | |a gw |c XA-DE-BY | ||
| 049 | |a DE-12 |a DE-91 | ||
| 084 | |a FEI 680 |2 stub | ||
| 084 | |8 1\p |a 770 |2 23sdnb | ||
| 100 | 1 | |a Heuser, Regine |0 (DE-588)1059507056 |4 aut | |
| 240 | 1 | 0 | |a Hunde fotografieren: kreative Bilder mit "Wau-Effekt" |
| 245 | 1 | 0 | |a Dog photography: shooting with bow "wow" effect |c Regine Heuser |
| 246 | 1 | 3 | |a Dog photography |
| 264 | 1 | |a Passau |b Bildner Verlag GmbH |c [2020] | |
| 264 | 4 | |c © 2020 | |
| 300 | |a 320 Seiten |b Illustrationen |c 24 cm x 19 cm | ||
| 336 | |b txt |2 rdacontent | ||
| 337 | |b n |2 rdamedia | ||
| 338 | |b nc |2 rdacarrier | ||
| 490 | 0 | |a For better shots from the start! | |
| 500 | |a Professional tips for perfectly showcasing your pets : emotional portraits and spectacular action shots. - Einband | ||
| 500 | |a Aus dem Deutschen übersetzt | ||
| 653 | |a Dog Photography | ||
| 653 | |a Photography | ||
| 653 | |a Dog | ||
| 653 | |a dogs | ||
| 653 | |a puppies | ||
| 653 | |a puppy | ||
| 653 | |a tutorial | ||
| 653 | |a guide | ||
| 655 | 7 | |0 (DE-588)4142527-3 |a Anleitung |2 gnd-content | |
| 710 | 2 | |a BILDNER Verlag |0 (DE-588)106549825X |4 pbl | |
| 775 | 0 | 8 | |i Parallele Sprachausgabe |n deutsch |z 978-3-8328-0490-9 |
| 776 | 0 | 8 | |i Erscheint auch als |n Online-Ausgabe |t Hunde-Shooting - Fotografieren mit "Wau-Effekt" |d Passau : Bildner Verlag, 2020 |h Online-Ressource, 320 Seiten |
| 856 | 4 | 2 | |m B:DE-101 |q application/pdf |u https://d-nb.info/1221874071/04 |3 Inhaltsverzeichnis |
| 856 | 4 | 2 | |m DNB Datenaustausch |q application/pdf |u http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033828590&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |3 Inhaltsverzeichnis |
| 999 | |a oai:aleph.bib-bvb.de:BVB01-033828590 | ||
| 883 | 2 | |8 1\p |a dnb |d 20211118 |q DE-101 |u https://d-nb.info/provenance/plan#dnb | |
Datensatz im Suchindex
| _version_ | 1804184382089461760 |
|---|---|
| adam_text | TABLE
OF
CONTENTS
PROLOGUE
...........................................................................................................................
5
OUR
MODELS
.......................................................................................................................
8
1.
BEFORE
THE
SHOOT
...................................................................
20
GETTING
TO
WORK
WELL
PREPARED
......................................................................................
25
FINDING
SUITABLE
SHOOTING
LOCATIONS
........................................................................................
26
DISCUSSING
THE
CUSTOMER S
WISHES
BEFOREHAND
.......................................................................
27
GOING
FOR
A
WALK
BEFORE
THE
SHOOT
..........................................................................................
27
LOCATION
DATA
VIA
APP
........................................................................
28
ROLLEIMOMENTS
APP
..................................................................................................................
28
2.
A
PINCH
OF
PHOTO
TECHNOLOGY
................................................
32
DSLR
OR
DSLM
CAMERA
...................................................................................................
36
SINGLE-LENS
REFLEX
CAMERA
.........................................................................................................
36
MIRRORLESS
SYSTEM
CAMERA
.........................................................................................................
36
FULL
FORMAT
OR
APS-C?
................................................................................................................
38
IS
THERE
A
CHEAPER
WAY?
...........................................................................................................
38
LENSES
WITH
HIGH
LENS
SPEED
........................................................................................
40
EXPOSURE
METERING
MODES
.............................................................................................
40
EVALUATIVE
METERING
..................................................................................................................
40
PARTIAL
METERING
........................................................................................................................
41
CENTER-WEIGHTED
AVERAGE
METERING
........................................................................................
42
AUTOMATIC
EXPOSURE
.......................................................................................................
42
DETERMINING
THE
WHITE
BALANCE
....................................................................................
43
JPEG
FORMAT
AND
WHITE
BALANCE
...............................................................................................
43
14
I
TABLE
OF
CONTENTS
3.
EMOTIONAL
PORTRAITS
...............................................................
44
PERFECT
BACKGROUND
........................................................................................................
50
APERTURE,
SHUTTER
SPEED,
AND
ISO
...........................................................................................
50
FOCUSING
ON
THE
EYES
................................................................................................................
50
BACKGROUND
COMPOSITION
AND
PITFALLS
.....................................................................................
54
EMOTIONS
GUARANTEED
....................................................................................................
57
PICTURES
OF
PUPPIES
GET
YOU
LIKES
...........................................................................................
57
DIRECTING
THE
DOG S
LOOK
..........................................................................................................
58
GETTING
A
FEELING
FOR
THE
DOG
...................................................................................................
63
SKILLFUL
STAGING
...............................................................................................................
64
OPULENT
OR
ELEGANT?
WHICH
ONE?
.............................................................................................
65
A
QUICK
WAY
TO
ANOTHER
PICTURE
SECTION
................................................................................
66
POSSIBLE
MOTIF
OPTIONS
..............................................................................................................
69
SLIGHTLY
CLOUDY
SKY
....................................................................................................................
71
DISTURBING
CAST
SHADOWS
........................................................................................................
72
IN
THE
GREEN
MEADOW
..............................................................................................................
73
COLORS,
SATURATION,
AND
TONAL
VALUE
.........................................................................................
74
SHOOTING
IN
THE
SHADE
..............................................................................................................
80
4.
IN
THE
RIGHT
LIGHT
...................................................................
84
THE
PERFECT
AMOUNT
OF
SUNLIGHT
....................................................................................
89
STANDARD
SITUATIONS
....................................................................................................................
89
LIGHT
AND
SHADOW
.....................................................................................................................
89
APERTURE
AND
DISTANCE
..............................................................................................................
92
A
GLIMPSE
AT
THE
MAKING-OF
....................................................................................................
92
THERE S
NO
SURE
FORMULA
..........................................................................................................
95
TABLE
OF
CONTENTS
I
15
AUTUMN
VIBES
IN
THE
FOREST
..........................................................................................
97
THERE
IS
HELP:
THE
HISTOGRAM
...................................................................................................
97
MIST
OVER
THE
LAKE
...........................................................................................................
102
REALIZING
YOUR
PHOTO
CONCEPT
.................................................................................................
102
DEPTH
DIRECTS
THE
EYE
.....................................................................................................
108
DISTANCE
TO
THE
CAMERA
.............................................................................................................
108
PRACTICE
MAKES
PERFECT
...............................................................................................................
117
BAD
WEATHER
.....................................................................................................................
117
SPEAKING
OF
IMAGE
NOISE
...........................................................................................................
117
PERFECT
WEATHER
FOR
THE
PHOTO
SHOOTING?
................................................................................
117
DARK
FUR
AND
MIST
......................................................................................................................
118
REMOVING
HAZE
..........................................................................................................................
119
NOTHING
BUT
RAIN
......................................................................................................................
120
SUNLIGHT
AND
BACKLIGHT
...................................................................................................
123
THE
PERFECT
MOMENT
.................................................................................................................
123
SUNRISE
AND
SUNSET
....................................................................................................................
124
BEAN
BAG
AND
REMOTE
CONTROL
.................................................................................................
124
SUNRISE
WITH
LIVE
VIEW
...............................................................................................................
125
BACKLIGHT
SITUATION
IN
THE
WOODS
.............................................................................................
130
SCATTERED
LIGHT
AND
LENS
FLARES
...............................................................................................
131
FOUR
SEASONS
....................................................................................................................
134
SPRING
.........................................................................................................................................
134
SUMMER
.....................................................................................................................................
143
AUTUMN
.....................................................................................................................................
152
WINTER
.........................................................................................................................................
157
16
I
TABLE
OF
CONTENTS
5.
DOGS
IN
ACTION
.......................................................................
174
TECHNICAL
REQUIREMENTS
.................................................................................................
178
A
SMALL
CHECKLIST
........................................................................................................................
178
PRACTICING
WITH
ONE
AF
AREA
..........................................................................................
179
STEP
BY
STEP
...............................................................................................................................
181
FLYING
MOMENTS
AND
CONTINUOUS
SHOOTINGS
..............................................................
182
FREEZING
THE
FLYING
PHASE
SHARPLY
...........................................................................................
182
ACTION
PHOTO
SHOOTING
IN
THE
WOODS
.....................................................................................
182
FINDING
THE
SHOOTING
POSITION
.................................................................................................
186
TAKING
PICTURES
OF
RUNNING
DOGS
.............................................................................................
188
FOCUSING
CORRECTLY
....................................................................................................................
191
PANNING
AND
RELEASING
THE
SHUTTER
.........................................................................................
196
AT
THE
WATER
PHOTO
SHOOTING
........................................................................................
199
PAYING
ATTENTION
TO
THE
SHUTTER
SPEED
....................................................................................
199
MANUAL
EXPOSURE
.......................................................................................
205
EXPOSING
CORRECTLY
STEP
BY
STEP
.............................................................................................
205
MANUAL
EXPOSURE
COMPENSATION
.............................................................................................
206
6.
STORYTELLERS
WITH
FOUR
PAWS
..................................................
208
ALLOW
ME
TO
INTRODUCE
ELLI
AND
SCHMITZ
.......................................................................
213
INSPIRATIONAL
PHOTO
CONCEPTS
........................................................................................
214
DON T
FORCE
THE
DOGS
................................................................................................................
214
STORIES
IN
PICTURE
FORM
..............................................................................................................
223
TABLE
OF
CONTENTS
I
17
7.
DOGS
IN
THE
STUDIO
.................................................................
230
CROPPING
AND
VIEWING
DIRECTION
...................................................................................
235
EQUIPMENT
ON
THE
SET
.....................................................................................................
237
PLANNING
THE
SET
UP
...................................................................................................................
237
HIGH-QUALITY
STUDIO
FLASH
UNITS
...............................................................................................
238
GOOD
LIGHT
SHAPERS
...................................................................................................................
238
HELPERS
ON
THE
SET
....................................................................................................................
238
ADDING
A
LENS
HOOD
...................................................................................................................
241
BACKGROUND
COMPOSITION
..............................................................................................
242
KICKER
LIGHT
................................................................................................................................
243
WITH
THREE
LIGHT
SOURCES
.........................................................................................................
245
WITH
ONE
LIGHT
SOURCE
...............................................................................................................
245
BACKGROUND
COLOR
....................................................................................................................
251
GROUP
PHOTOS
....................................................................................................................
257
FUNNY
PICTURES
WITH
TREATS
..............................................................................................
261
THE
FLASH
SYNCHRONIZATION
SPEED
............................................................................................
261
LENS
AND
MAX.
FOCUSING
DISTANCE
............................................................................................
265
WIDE-ANGLE
RANGE
....................................................................................................................
268
TAKING
THE
CROP
FACTOR
INTO
ACCOUNT
........................................................................................
268
EXPOSURE
METERING
IN
THE
STUDIO
.............................................................................................
270
STAGING
IDEAS
...................................................................................................................
273
STUDIO
EQUIPMENT
FOR
BEGINNERS
.............................................................................................
278
MY
WAY
OF
POSTPROCESSING
.............................................................................................
279
VIEWING
AND
RATING
PICTURES
...................................................................................................
279
CAPTURE
ONE
..............................................................................................................................
282
18
I
TABLE
OF
CONTENTS
8.
DOG
PHOTOS
ON
THE
INTERNET
..................................................
284
POSTING
PICTURES
ON
FACEBOOK
........................................................................................
289
FACEBOOK
IMAGE
SIZES
..............................................................................................................
291
POSTING
PHOTOS
ON
THE
TIMELINE
...............................................................................................
292
WHO
CAN
SEE
WHICH
PICTURES?
.................................................................................................
292
PRIVACY
CHECKUP
........................................................................................................................
294
CREATING
A
GROUP
........................................................................................................................
295
DELETING
THE
GROUP
..................................................................................................................
297
ONLY
REAL
LIKES
LEAD
TO
SUCCESS
...............................................................................................
298
USING
A
FACEBOOK
PAGE
FOR
ADVERTISEMENT
..............................................................................
298
WHO
DO
THE
PICTURES
BELONG
TO?
.............................................................................................
301
POSTING
PHOTOS
ON
INSTAGRAM
........................................................................................
302
HOW
INSTAGRAM
WORKS
..............................................................................................................
303
TAKING
AND
SHARING
PICTURES
.....................................................................................................
306
CAREFULLY
CONSIDERING
THE
HASHTAGS
.........................................................................................
308
SEARCHING
FOR
HASHTAGS
............................................................................................................
308
EDITING
AND
DELETING
PICTURES
...................................................................................................
309
IMAGE
SIZES
ON
INSTAGRAM
........................................................................................................
310
CHECKING
OUT
OTHER
PEOPLE S
ACTIVITIES
..................................................................................
313
INDEX
...............................................................................................................................
314
PHOTO
CREDITS
...................................................................................................................
320
TABLE
OF
CONTENTS
I
19
|
| adam_txt |
TABLE
OF
CONTENTS
PROLOGUE
.
5
OUR
MODELS
.
8
1.
BEFORE
THE
SHOOT
.
20
GETTING
TO
WORK
WELL
PREPARED
.
25
FINDING
SUITABLE
SHOOTING
LOCATIONS
.
26
DISCUSSING
THE
CUSTOMER'S
WISHES
BEFOREHAND
.
27
GOING
FOR
A
WALK
BEFORE
THE
SHOOT
.
27
LOCATION
DATA
VIA
APP
.
28
ROLLEIMOMENTS
APP
.
28
2.
A
PINCH
OF
PHOTO
TECHNOLOGY
.
32
DSLR
OR
DSLM
CAMERA
.
36
SINGLE-LENS
REFLEX
CAMERA
.
36
MIRRORLESS
SYSTEM
CAMERA
.
36
FULL
FORMAT
OR
APS-C?
.
38
IS
THERE
A
CHEAPER
WAY?
.
38
LENSES
WITH
HIGH
LENS
SPEED
.
40
EXPOSURE
METERING
MODES
.
40
EVALUATIVE
METERING
.
40
PARTIAL
METERING
.
41
CENTER-WEIGHTED
AVERAGE
METERING
.
42
AUTOMATIC
EXPOSURE
.
42
DETERMINING
THE
WHITE
BALANCE
.
43
JPEG
FORMAT
AND
WHITE
BALANCE
.
43
14
I
TABLE
OF
CONTENTS
3.
EMOTIONAL
PORTRAITS
.
44
PERFECT
BACKGROUND
.
50
APERTURE,
SHUTTER
SPEED,
AND
ISO
.
50
FOCUSING
ON
THE
EYES
.
50
BACKGROUND
COMPOSITION
AND
PITFALLS
.
54
EMOTIONS
GUARANTEED
.
57
PICTURES
OF
PUPPIES
GET
YOU
LIKES
.
57
DIRECTING
THE
DOG'S
LOOK
.
58
GETTING
A
FEELING
FOR
THE
DOG
.
63
SKILLFUL
STAGING
.
64
OPULENT
OR
ELEGANT?
WHICH
ONE?
.
65
A
QUICK
WAY
TO
ANOTHER
PICTURE
SECTION
.
66
POSSIBLE
MOTIF
OPTIONS
.
69
SLIGHTLY
CLOUDY
SKY
.
71
DISTURBING
CAST
SHADOWS
.
72
IN
THE
GREEN
MEADOW
.
73
COLORS,
SATURATION,
AND
TONAL
VALUE
.
74
SHOOTING
IN
THE
SHADE
.
80
4.
IN
THE
RIGHT
LIGHT
.
84
THE
PERFECT
AMOUNT
OF
SUNLIGHT
.
89
STANDARD
SITUATIONS
.
89
LIGHT
AND
SHADOW
.
89
APERTURE
AND
DISTANCE
.
92
A
GLIMPSE
AT
THE
MAKING-OF
.
92
THERE'S
NO
SURE
FORMULA
.
95
TABLE
OF
CONTENTS
I
15
AUTUMN
VIBES
IN
THE
FOREST
.
97
THERE
IS
HELP:
THE
HISTOGRAM
.
97
MIST
OVER
THE
LAKE
.
102
REALIZING
YOUR
PHOTO
CONCEPT
.
102
DEPTH
DIRECTS
THE
EYE
.
108
DISTANCE
TO
THE
CAMERA
.
108
PRACTICE
MAKES
PERFECT
.
117
BAD
WEATHER
.
117
SPEAKING
OF
IMAGE
NOISE
.
117
PERFECT
WEATHER
FOR
THE
PHOTO
SHOOTING?
.
117
DARK
FUR
AND
MIST
.
118
REMOVING
HAZE
.
119
NOTHING
BUT
RAIN
.
120
SUNLIGHT
AND
BACKLIGHT
.
123
THE
PERFECT
MOMENT
.
123
SUNRISE
AND
SUNSET
.
124
BEAN
BAG
AND
REMOTE
CONTROL
.
124
SUNRISE
WITH
LIVE
VIEW
.
125
BACKLIGHT
SITUATION
IN
THE
WOODS
.
130
SCATTERED
LIGHT
AND
LENS
FLARES
.
131
FOUR
SEASONS
.
134
SPRING
.
134
SUMMER
.
143
AUTUMN
.
152
WINTER
.
157
16
I
TABLE
OF
CONTENTS
5.
DOGS
IN
ACTION
.
174
TECHNICAL
REQUIREMENTS
.
178
A
SMALL
CHECKLIST
.
178
PRACTICING
WITH
ONE
AF
AREA
.
179
STEP
BY
STEP
.
181
FLYING
MOMENTS
AND
CONTINUOUS
SHOOTINGS
.
182
FREEZING
THE
FLYING
PHASE
SHARPLY
.
182
ACTION
PHOTO
SHOOTING
IN
THE
WOODS
.
182
FINDING
THE
SHOOTING
POSITION
.
186
TAKING
PICTURES
OF
RUNNING
DOGS
.
188
FOCUSING
CORRECTLY
.
191
PANNING
AND
RELEASING
THE
SHUTTER
.
196
AT
THE
WATER
PHOTO
SHOOTING
.
199
PAYING
ATTENTION
TO
THE
SHUTTER
SPEED
.
199
MANUAL
EXPOSURE
.
205
EXPOSING
CORRECTLY
STEP
BY
STEP
.
205
MANUAL
EXPOSURE
COMPENSATION
.
206
6.
STORYTELLERS
WITH
FOUR
PAWS
.
208
ALLOW
ME
TO
INTRODUCE
ELLI
AND
SCHMITZ
.
213
INSPIRATIONAL
PHOTO
CONCEPTS
.
214
DON'T
FORCE
THE
DOGS
.
214
STORIES
IN
PICTURE
FORM
.
223
TABLE
OF
CONTENTS
I
17
7.
DOGS
IN
THE
STUDIO
.
230
CROPPING
AND
VIEWING
DIRECTION
.
235
EQUIPMENT
ON
THE
SET
.
237
PLANNING
THE
SET
UP
.
237
HIGH-QUALITY
STUDIO
FLASH
UNITS
.
238
GOOD
LIGHT
SHAPERS
.
238
HELPERS
ON
THE
SET
.
238
ADDING
A
LENS
HOOD
.
241
BACKGROUND
COMPOSITION
.
242
KICKER
LIGHT
.
243
WITH
THREE
LIGHT
SOURCES
.
245
WITH
ONE
LIGHT
SOURCE
.
245
BACKGROUND
COLOR
.
251
GROUP
PHOTOS
.
257
FUNNY
PICTURES
WITH
TREATS
.
261
THE
FLASH
SYNCHRONIZATION
SPEED
.
261
LENS
AND
MAX.
FOCUSING
DISTANCE
.
265
WIDE-ANGLE
RANGE
.
268
TAKING
THE
CROP
FACTOR
INTO
ACCOUNT
.
268
EXPOSURE
METERING
IN
THE
STUDIO
.
270
STAGING
IDEAS
.
273
STUDIO
EQUIPMENT
FOR
BEGINNERS
.
278
MY
WAY
OF
POSTPROCESSING
.
279
VIEWING
AND
RATING
PICTURES
.
279
CAPTURE
ONE
.
282
18
I
TABLE
OF
CONTENTS
8.
DOG
PHOTOS
ON
THE
INTERNET
.
284
POSTING
PICTURES
ON
FACEBOOK
.
289
FACEBOOK
IMAGE
SIZES
.
291
POSTING
PHOTOS
ON
THE
TIMELINE
.
292
WHO
CAN
SEE
WHICH
PICTURES?
.
292
PRIVACY
CHECKUP
.
294
CREATING
A
GROUP
.
295
DELETING
THE
GROUP
.
297
ONLY
REAL
LIKES
LEAD
TO
SUCCESS
.
298
USING
A
FACEBOOK
PAGE
FOR
ADVERTISEMENT
.
298
WHO
DO
THE
PICTURES
BELONG
TO?
.
301
POSTING
PHOTOS
ON
INSTAGRAM
.
302
HOW
INSTAGRAM
WORKS
.
303
TAKING
AND
SHARING
PICTURES
.
306
CAREFULLY
CONSIDERING
THE
HASHTAGS
.
308
SEARCHING
FOR
HASHTAGS
.
308
EDITING
AND
DELETING
PICTURES
.
309
IMAGE
SIZES
ON
INSTAGRAM
.
310
CHECKING
OUT
OTHER
PEOPLE'S
ACTIVITIES
.
313
INDEX
.
314
PHOTO
CREDITS
.
320
TABLE
OF
CONTENTS
I
19 |
| any_adam_object | 1 |
| any_adam_object_boolean | 1 |
| author | Heuser, Regine |
| author_GND | (DE-588)1059507056 |
| author_facet | Heuser, Regine |
| author_role | aut |
| author_sort | Heuser, Regine |
| author_variant | r h rh |
| building | Verbundindex |
| bvnumber | BV048450429 |
| classification_tum | FEI 680 |
| ctrlnum | (OCoLC)1286266878 (DE-599)DNB1221874071 |
| discipline | Feinwerktechnik |
| discipline_str_mv | Feinwerktechnik |
| format | Book |
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| genre | (DE-588)4142527-3 Anleitung gnd-content |
| genre_facet | Anleitung |
| id | DE-604.BV048450429 |
| illustrated | Illustrated |
| index_date | 2024-07-03T20:30:34Z |
| indexdate | 2024-07-10T09:38:27Z |
| institution | BVB |
| institution_GND | (DE-588)106549825X |
| isbn | 9783832804510 383280451X |
| language | English German |
| oai_aleph_id | oai:aleph.bib-bvb.de:BVB01-033828590 |
| oclc_num | 1286266878 |
| open_access_boolean | |
| owner | DE-12 DE-91 DE-BY-TUM |
| owner_facet | DE-12 DE-91 DE-BY-TUM |
| physical | 320 Seiten Illustrationen 24 cm x 19 cm |
| publishDate | 2020 |
| publishDateSearch | 2020 |
| publishDateSort | 2020 |
| publisher | Bildner Verlag GmbH |
| record_format | marc |
| series2 | For better shots from the start! |
| spelling | Heuser, Regine (DE-588)1059507056 aut Hunde fotografieren: kreative Bilder mit "Wau-Effekt" Dog photography: shooting with bow "wow" effect Regine Heuser Dog photography Passau Bildner Verlag GmbH [2020] © 2020 320 Seiten Illustrationen 24 cm x 19 cm txt rdacontent n rdamedia nc rdacarrier For better shots from the start! Professional tips for perfectly showcasing your pets : emotional portraits and spectacular action shots. - Einband Aus dem Deutschen übersetzt Dog Photography Photography Dog dogs puppies puppy tutorial guide (DE-588)4142527-3 Anleitung gnd-content BILDNER Verlag (DE-588)106549825X pbl Parallele Sprachausgabe deutsch 978-3-8328-0490-9 Erscheint auch als Online-Ausgabe Hunde-Shooting - Fotografieren mit "Wau-Effekt" Passau : Bildner Verlag, 2020 Online-Ressource, 320 Seiten B:DE-101 application/pdf https://d-nb.info/1221874071/04 Inhaltsverzeichnis DNB Datenaustausch application/pdf http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033828590&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA Inhaltsverzeichnis 1\p dnb 20211118 DE-101 https://d-nb.info/provenance/plan#dnb |
| spellingShingle | Heuser, Regine Dog photography: shooting with bow "wow" effect |
| subject_GND | (DE-588)4142527-3 |
| title | Dog photography: shooting with bow "wow" effect |
| title_alt | Hunde fotografieren: kreative Bilder mit "Wau-Effekt" Dog photography |
| title_auth | Dog photography: shooting with bow "wow" effect |
| title_exact_search | Dog photography: shooting with bow "wow" effect |
| title_exact_search_txtP | Dog photography: shooting with bow "wow" effect |
| title_full | Dog photography: shooting with bow "wow" effect Regine Heuser |
| title_fullStr | Dog photography: shooting with bow "wow" effect Regine Heuser |
| title_full_unstemmed | Dog photography: shooting with bow "wow" effect Regine Heuser |
| title_short | Dog photography: shooting with bow "wow" effect |
| title_sort | dog photography shooting with bow wow effect |
| topic_facet | Anleitung |
| url | https://d-nb.info/1221874071/04 http://bvbr.bib-bvb.de:8991/F?func=service&doc_library=BVB01&local_base=BVB01&doc_number=033828590&sequence=000001&line_number=0001&func_code=DB_RECORDS&service_type=MEDIA |
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