Horror and its affects:
In this article, following a trajectory set out by Noël Carroll, Matt Hills, and Andrea Sauchelli, I propose a definition of horror, according to which something qualifies as a work of horror if and only if it centrally and demonstrably aims at provoking one or more of a particular set of negative a...
Gespeichert in:
| 1. Verfasser: | |
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| Format: | Artikel |
| Sprache: | English |
| Veröffentlicht: |
[2022]
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| Schlagworte: | |
| Zusammenfassung: | In this article, following a trajectory set out by Noël Carroll, Matt Hills, and Andrea Sauchelli, I propose a definition of horror, according to which something qualifies as a work of horror if and only if it centrally and demonstrably aims at provoking one or more of a particular set of negative affects. A catalog of characteristically negative affects is associated with horror—including terror, revulsion, the uncanny, and the abject—but which cannot be collapsed into any single affect. Further complicating matters is that the set appears to be constantly, if slowly, mutating, so that the affects aimed at in the horror of the 1920s do not entirely overlap with those aimed at horror today, or which we might expect horror to aim at a century from now. As such, while we use "horror" as a blanket term across eras, whether some work is a work of horror will always be time-indexed. |
| ISSN: | 0021-8529 |
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| spelling | Hick, Darren Hudson Verfasser (DE-588)1115209124 aut Horror and its affects Darren Hudson Hick [2022] txt rdacontent n rdamedia nc rdacarrier In this article, following a trajectory set out by Noël Carroll, Matt Hills, and Andrea Sauchelli, I propose a definition of horror, according to which something qualifies as a work of horror if and only if it centrally and demonstrably aims at provoking one or more of a particular set of negative affects. A catalog of characteristically negative affects is associated with horror—including terror, revulsion, the uncanny, and the abject—but which cannot be collapsed into any single affect. Further complicating matters is that the set appears to be constantly, if slowly, mutating, so that the affects aimed at in the horror of the 1920s do not entirely overlap with those aimed at horror today, or which we might expect horror to aim at a century from now. As such, while we use "horror" as a blanket term across eras, whether some work is a work of horror will always be time-indexed. Horror (DE-588)4201995-3 gnd rswk-swf Ästhetik (DE-588)4000626-8 gnd rswk-swf Horror (DE-588)4201995-3 s Ästhetik (DE-588)4000626-8 s DE-604 volume:80 number:2 year:2022 pages:140-150 The journal of aesthetics and art criticism / American Society for Aesthetics. Ed. Thomas Munro Hoboken, NJ, 2022 Volume 80, number 2 (spring 2022), Seite 140-150 (DE-604)BV002662422 0021-8529 (DE-600)2930-0 |
| spellingShingle | Hick, Darren Hudson Horror and its affects Horror (DE-588)4201995-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| subject_GND | (DE-588)4201995-3 (DE-588)4000626-8 |
| title | Horror and its affects |
| title_auth | Horror and its affects |
| title_exact_search | Horror and its affects |
| title_exact_search_txtP | Horror and its affects |
| title_full | Horror and its affects Darren Hudson Hick |
| title_fullStr | Horror and its affects Darren Hudson Hick |
| title_full_unstemmed | Horror and its affects Darren Hudson Hick |
| title_short | Horror and its affects |
| title_sort | horror and its affects |
| topic | Horror (DE-588)4201995-3 gnd Ästhetik (DE-588)4000626-8 gnd |
| topic_facet | Horror Ästhetik |
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